Caryn Rousseau

‘Polka King’ Eddie Blazonczyk dies at 70

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'Polka King' Eddie Blazonczyk dies at 70FILE - In this Oct. 6, 1998 file photo, first lady Hillary Rodham Clinton shakes hands with Eddie Blazonczyk at the White House where she presented him with a National Endowment for the Arts 1998 National Heritage Fellowship award. Blazonczyk's record label, Bel-Aire Recordings, says Blazonczyk died Monday, May 21, 2012, of natural causes at a hospital Palos Heights, Ill. He was 70. Blazonczyk was known as the "Polka King" and started his own polka music label in the 1960s. Blkazonczyk won a Grammy in 1987 for Best Polka Recording for "Another Polka Celebration." He retired in 2001 after suffering health problems. (AP Photo/Khue Bui, File)(Credit: AP)

CHICAGO (AP) — Grammy Award-winning polka great Eddie Blazonczyk, who began playing the lively music in the 1950s and went on to earn the nickname “Polka King” after starting his own band and label, has died. He was 70.

His record label, Bel-Aire Recordings, and his son, Eddie Blazonczyk Jr., said Tuesday that Blazonczyk died of natural causes Monday at a hospital in the Chicago suburb of Palos Heights.

Blazonczyk retired in 2001 after suffering a stroke, and his son took over his band, Eddie Blazonczyk and the Versatones. The band formed in 1962, after Blazonczyk’s brief venture into pop music that landed him on Dick Clark’s “American Bandstand,” and toured the U.S., Canada and parts of Europe.

“He attracted so many people to the polka audience, whereas previously they were scared away by the word polka,” Eddie Blazonczyk Jr. said. “After hearing his style of the music they weren’t afraid of polka anymore. They knew it wasn’t ‘She’s Too Fat For Me’ or ‘Roll Out the Barrel.’ They knew it was an evolution of the music.”

The Versatones, which picked up a Grammy in 1987, played their last show on Dec. 31, 2011.

The younger Blazonczyk described his father as a kind of music mogul, a founding member of the International Polka Association, a disc jockey and polka music promoter who ran a publishing company and music school.

“He was very good at what he did,” said Dave Ulczycki, president of the International Polka Association. “That’s why he was called the ‘Polka King.’ He was the top guy.”

The association said on its website that Eddie Blazonczyk and the Versatones was “unchallenged in its height as America’s No. 1 Polka Band.” Blazonczyk was a member of the association’s Polka Music Hall of Fame.

Blazonczyk was born to Polish immigrant parents on July 12, 1941, in Chicago. His parents operated music clubs in the city and he started playing in the 1950s with “Happy Eddie and his Polka Jesters,” performing at Polish festivities.

For a time, Blazonczyk performed pop music with Mercury Records as “Eddie Bell and the Bel-Aires,” when he appeared on “American Bandstand.” But he returned to polka in 1962, forming the Versatones and going on tour.

Blazonczyk played many instruments but preferred the bass, and he sang lyrics in both English and Polish. Some of his biggest hits include “Angeline Be Mine Polka” and “Poor Boy Polka.”

Blazonczyk earned many accolades throughout his career. He was named a National Endowment for the Arts National Heritage Fellow in 1998. His son said many friends have been sending him condolence messages since learning of his father’s death.

“For them this is truly the day that the music died,” Blazonczyk said.

___

Online: http://belairerecords.com/

Hudson star power to complicate murder trial

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CHICAGO (AP) — Oscar winner Jennifer Hudson’s next big role will be under a very different spotlight — in Chicago’s drab criminal courts building at the trial of the man charged with murdering her mother, brother and 7-year-old nephew in 2008.

Hudson’s presence is bound to affect the proceedings, which begin Monday. That’s when presiding Judge Charles Burns plans to start questioning would-be jurors, trying to weed out anyone who could be swayed by Hudson’s celebrity status.

Legal experts widely agree on the No. 1 challenge at trials involving megastars: Identifying 12 jurors able and willing to assess guilt solely on what’s heard in court.

Hudson is expected to be at the trial every day once testimony begins, court officials say. She’s also on a list of witnesses who might testify.

Sculpture Honoring Wells To Be Built In Chicago

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CHICAGO (AP) — For six decades, civil rights pioneer Ida B. Wells was woven into the fabric of Chicago’s South Side as the namesake of a public housing project.

A Rosa Parks-like figure during her era, the journalist and suffragist was so revered that 1930s leaders put her name on a project that promised good, affordable housing for working class families. Within a few decades, however, the homes deteriorated, growing more violent and becoming riddled with gangs and drugs — not as notorious as the city’s Cabrini-Green public housing high rises or Robert Taylor Homes, but certainly not a monument to Wells’ legacy.

Then, nearly a decade ago, the city tore the Wells housing project down, leaving the activist’s great-granddaughter Michelle Duster and her family worried Wells wouldn’t be remembered at all.

Now, to mark the 150th anniversary of Wells’ birth in 2012, an effort is under way to build a sculpture to honor her legacy at the site of the housing development and renew her relevance for future generations.

“When the housing project was coming down we were like ‘Her name is going to be gone,’” Duster said, sitting in her South Side home, a portrait of her great-grandmother hanging on the wall. “Her name and what she did can’t be lost with the housing project.”

The Ida B. Wells Commemorative Art Committee is seeking $300,000 in donations after commissioning noted Chicago artist Richard Hunt to create the sculpture, which is expected to combine images of Wells with inscriptions of her writings.

While Wells’ name endures on a grade school and a professorship in the city, the monument will aim to reflect the full legacy of a woman who was born into slavery in Mississippi and went on to become a well-respected crusader against injustice and outspoken anti-lynching activist.

Orphaned at age 16, Wells was left to support her five siblings. She became a teacher and moved to Memphis, where she sued a railroad because she wasn’t allowed to sit in the ladies coach. When she later became a journalist, Wells wrote about that incident and the lynchings of three of her male friends.

Her writings enraged others and led to Wells being forced to leave the South. She kept writing and speaking about lynching across the U.S. and England. She died in 1931 and is buried in Chicago.

Planning for the Ida B. Wells Homes started three years after her death, as a project of the Public Works Administration. The homes opened in 1941 and first lady Eleanor Roosevelt visited the complex, with its 1,662 units — more than 860 apartments and nearly 800 row houses and garden apartments.

By the 1990s, the housing complex had fallen to drugs and violence. In an infamous 1994 case, two boys, ages 10 and 11, dropped a 5-year-old boy to his death from a vacant 14-floor apartment. The boys were convicted on juvenile murder charges. The same year two neighborhood teenagers produced an award-winning radio documentary “Ghetto Life 101,” which aired on National Public Radio.

A year later, prosecutors charged seven people with running a cocaine ring out of the Ida B. Wells Homes that authorities say did such booming business drug buyers lined up 50 at a time.

By 2002, the last buildings were torn down in a nationally watched urban renewal plan initiated by then-Mayor Richard Daley that also targeted other housing projects — including Cabrini-Green, which saw the last of its high-rises crumble under wrecking balls earlier this year.

As Wells Homes residents focused on finding new places to live, some also requested something be done in tribute to the activist.

“I want people to remember Ida B. Wells the woman, not Ida B. Wells the housing community,” her great-granddaughter, Duster, said. “Something should be done to remember who she was. I think who she was as a woman got lost when it was attached to the housing projects.”

When the money is raised, that something will be a sculpture in the middle of a large grassy median on 37th Street and Langley Avenue in the historically African-American neighborhood of Bronzeville on the city’s South Side.

The site, across the street from a large park, isn’t far from the 19th-century stone house where Wells lived from 1919 to 1929. The Ida B. Wells-Barnett House is now a National Historic Landmark.

Hunt envisions a sculpture in his metallic, free-form style that will incorporate images and writings of Wells. He said he hopes to convey “what a courageous and intelligent and committed person that she was.”

Carol Adams, president of Chicago’s DuSable Museum of African-American History, said the sculpture will be a lasting monument to Wells and a place where people can learn about her influence. The neighborhood is already home to the Ida B. Wells Preparatory Elementary Academy, and Chicago’s DePaul University has a professorship named for Wells.

“Her name itself just reverberates through the community,” said Adams, who once worked in the Ida B. Wells Homes. “It was her voice, her stance that she took regarding lynching and how she used the media to wage that fight, what that fight meant to us. This was very significant for black people all over the country.”

Duster said the sculpture will “have a lot of meaning” for those who lived in the homes named after her.

“I think they will have a huge sense of pride,” she said. “Those who lived in Bronzeville when the homes were there, it’s a source of pride for our neighborhood. For others it’s a sense of pride in the city of Chicago.”

Mostly though, she said, remembering her great-grandmother will teach a new generation that one person can make a difference and defy the boundaries of society’s expectations based on race, class and gender.

“It’s important to speak up when you feel you’ve experienced something not fair,” Duster said. “Don’t wait for somebody else to say something. That’s one thing Ida did that I think is a legacy. She used her voice and talents to raise consciousness.”

___

Online:

Ida B. Wells Monument: http://www.idabwellsmonument.org/

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Sculpture Honoring Wells To Be Built In Chicago

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CHICAGO (AP) — For six decades, civil rights pioneer Ida B. Wells was woven into the fabric of Chicago’s South Side as the namesake of a public housing project.

A Rosa Parks-like figure during her era, the journalist and suffragist was so revered that 1930s leaders put her name on a project that promised good, affordable housing for working class families. Within a few decades, however, the homes deteriorated, growing more violent and becoming riddled with gangs and drugs — not as notorious as the city’s Cabrini-Green public housing high rises or Robert Taylor Homes, but certainly not a monument to Wells’ legacy.

Then, nearly a decade ago, the city tore the Wells housing project down, leaving the activist’s great-granddaughter Michelle Duster and her family worried Wells wouldn’t be remembered at all.

Now, to mark the 150th anniversary of Wells’ birth in 2012, an effort is under way to build a sculpture to honor her legacy at the site of the housing development and renew her relevance for future generations.

“When the housing project was coming down we were like ‘Her name is going to be gone,’” Duster said, sitting in her South Side home, a portrait of her great-grandmother hanging on the wall. “Her name and what she did can’t be lost with the housing project.”

The Ida B. Wells Commemorative Art Committee is seeking $300,000 in donations after commissioning noted Chicago artist Richard Hunt to create the sculpture, which is expected to combine images of Wells with inscriptions of her writings.

While Wells’ name endures on a grade school and a professorship in the city, the monument will aim to reflect the full legacy of a woman who was born into slavery in Mississippi and went on to become a well-respected crusader against injustice and outspoken anti-lynching activist.

Orphaned at age 16, Wells was left to support her five siblings. She became a teacher and moved to Memphis, where she sued a railroad because she wasn’t allowed to sit in the ladies coach. When she later became a journalist, Wells wrote about that incident and the lynchings of three of her male friends.

Her writings enraged others and led to Wells being forced to leave the South. She kept writing and speaking about lynching across the U.S. and England. She died in 1931 and is buried in Chicago.

Planning for the Ida B. Wells Homes started three years after her death, as a project of the Public Works Administration. The homes opened in 1941 and first lady Eleanor Roosevelt visited the complex, with its 1,662 units — more than 860 apartments and nearly 800 row houses and garden apartments.

By the 1990s, the housing complex had fallen to drugs and violence. In an infamous 1994 case, two boys, ages 10 and 11, dropped a 5-year-old boy to his death from a vacant 14-floor apartment. The boys were convicted on juvenile murder charges. The same year two neighborhood teenagers produced an award-winning radio documentary “Ghetto Life 101,” which aired on National Public Radio.

A year later, prosecutors charged seven people with running a cocaine ring out of the Ida B. Wells Homes that authorities say did such booming business drug buyers lined up 50 at a time.

By 2002, the last buildings were torn down in a nationally watched urban renewal plan initiated by then-Mayor Richard Daley that also targeted other housing projects — including Cabrini-Green, which saw the last of its high-rises crumble under wrecking balls earlier this year.

As Wells Homes residents focused on finding new places to live, some also requested something be done in tribute to the activist.

“I want people to remember Ida B. Wells the woman, not Ida B. Wells the housing community,” her great-granddaughter, Duster, said. “Something should be done to remember who she was. I think who she was as a woman got lost when it was attached to the housing projects.”

When the money is raised, that something will be a sculpture in the middle of a large grassy median on 37th Street and Langley Avenue in the historically African-American neighborhood of Bronzeville on the city’s South Side.

The site, across the street from a large park, isn’t far from the 19th-century stone house where Wells lived from 1919 to 1929. The Ida B. Wells-Barnett House is now a National Historic Landmark.

Hunt envisions a sculpture in his metallic, free-form style that will incorporate images and writings of Wells. He said he hopes to convey “what a courageous and intelligent and committed person that she was.”

Carol Adams, president of Chicago’s DuSable Museum of African-American History, said the sculpture will be a lasting monument to Wells and a place where people can learn about her influence. The neighborhood is already home to the Ida B. Wells Preparatory Elementary Academy, and Chicago’s DePaul University has a professorship named for Wells.

“Her name itself just reverberates through the community,” said Adams, who once worked in the Ida B. Wells Homes. “It was her voice, her stance that she took regarding lynching and how she used the media to wage that fight, what that fight meant to us. This was very significant for black people all over the country.”

Duster said the sculpture will “have a lot of meaning” for those who lived in the homes named after her.

“I think they will have a huge sense of pride,” she said. “Those who lived in Bronzeville when the homes were there, it’s a source of pride for our neighborhood. For others it’s a sense of pride in the city of Chicago.”

Mostly though, she said, remembering her great-grandmother will teach a new generation that one person can make a difference and defy the boundaries of society’s expectations based on race, class and gender.

“It’s important to speak up when you feel you’ve experienced something not fair,” Duster said. “Don’t wait for somebody else to say something. That’s one thing Ida did that I think is a legacy. She used her voice and talents to raise consciousness.”

___

Online:

Ida B. Wells Monument: http://www.idabwellsmonument.org/

Continue Reading Close

Sculpture Honoring Wells To Be Built In Chicago

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CHICAGO (AP) — For six decades, civil rights pioneer Ida B. Wells was woven into the fabric of Chicago’s South Side as the namesake of a public housing project.

A Rosa Parks-like figure during her era, the journalist and suffragist was so revered that 1930s leaders put her name on a project that promised good, affordable housing for working class families. Within a few decades, however, the homes deteriorated, growing more violent and becoming riddled with gangs and drugs — not as notorious as the city’s Cabrini-Green public housing high rises or Robert Taylor Homes, but certainly not a monument to Wells’ legacy.

Then, nearly a decade ago, the city tore the Wells housing project down, leaving the activist’s great-granddaughter Michelle Duster and her family worried Wells wouldn’t be remembered at all.

Now, to mark the 150th anniversary of Wells’ birth in 2012, an effort is under way to build a sculpture to honor her legacy at the site of the housing development and renew her relevance for future generations.

“When the housing project was coming down we were like ‘Her name is going to be gone,’” Duster said, sitting in her South Side home, a portrait of her great-grandmother hanging on the wall. “Her name and what she did can’t be lost with the housing project.”

The Ida B. Wells Commemorative Art Committee is seeking $300,000 in donations after commissioning noted Chicago artist Richard Hunt to create the sculpture, which is expected to combine images of Wells with inscriptions of her writings. They have raised a little more than 10 percent of the money so far.

While Wells’ name endures on a grade school and a professorship in the city, the monument will aim to reflect the full legacy of a woman who was born into slavery in Mississippi and went on to become a well-respected crusader against injustice and outspoken anti-lynching activist.

Orphaned at age 16, Wells was left to support her five siblings. She became a teacher and moved to Memphis, where she sued a railroad because she wasn’t allowed to sit in the ladies coach. When she later became a journalist, Wells wrote about that incident and the lynchings of three of her male friends.

Her writings enraged others and led to Wells being forced to leave the South. She kept writing and speaking about lynching across the U.S. and England. She died in 1931 and is buried in Chicago.

Planning for the Ida B. Wells Homes started three years after her death, as a project of the Public Works Administration. The homes opened in 1941 and first lady Eleanor Roosevelt visited the complex, with its 1,662 units — more than 860 apartments and nearly 800 row houses and garden apartments.

By the 1990s, the housing complex had fallen to drugs and violence. In an infamous 1994 case, two boys, ages 10 and 11, dropped a 5-year-old boy to his death from a vacant 14-floor apartment. The boys were convicted on juvenile murder charges. The same year two neighborhood teenagers produced an award-winning radio documentary “Ghetto Life 101,” which aired on National Public Radio.

A year later, prosecutors charged seven people with running a cocaine ring out of the Ida B. Wells Homes that authorities say did such booming business drug buyers lined up 50 at a time.

By 2002, the last buildings were torn down in a nationally watched urban renewal plan initiated by then-Mayor Richard Daley that also targeted other housing projects — including Cabrini-Green, which saw the last of its high-rises crumble under wrecking balls earlier this year.

As Wells Homes residents focused on finding new places to live, some also requested something be done in tribute to the activist.

“I want people to remember Ida B. Wells the woman, not Ida B. Wells the housing community,” her great-granddaughter, Duster, said. “Something should be done to remember who she was. I think who she was as a woman got lost when it was attached to the housing projects.”

When the money is raised, that something will be a sculpture in the middle of a large grassy median on 37th Street and Langley Avenue in the historically African-American neighborhood of Bronzeville on the city’s South Side.

The site, across the street from a large park, isn’t far from the 19th-century stone house where Wells lived from 1919 to 1929. The Ida B. Wells-Barnett House is now a National Historic Landmark.

Hunt envisions a sculpture in his metallic, free-form style that will incorporate images and writings of Wells. He said he hopes to convey “what a courageous and intelligent and committed person that she was.”

Carol Adams, president of Chicago’s DuSable Museum of African-American History, said the sculpture will be a lasting monument to Wells and a place where people can learn about her influence. The neighborhood is already home to the Ida B. Wells Preparatory Elementary Academy, and Chicago’s DePaul University has a professorship named for Wells.

“Her name itself just reverberates through the community,” said Adams, who once worked in the Ida B. Wells Homes. “It was her voice, her stance that she took regarding lynching and how she used the media to wage that fight, what that fight meant to us. This was very significant for black people all over the country.”

Duster said the sculpture will “have a lot of meaning” for those who lived in the homes named after her.

“I think they will have a huge sense of pride,” she said. “Those who lived in Bronzeville when the homes were there, it’s a source of pride for our neighborhood. For others it’s a sense of pride in the city of Chicago.”

Mostly though, she said, remembering her great-grandmother will teach a new generation that one person can make a difference and defy the boundaries of society’s expectations based on race, class and gender.

“It’s important to speak up when you feel you’ve experienced something not fair,” Duster said. “Don’t wait for somebody else to say something. That’s one thing Ida did that I think is a legacy. She used her voice and talents to raise consciousness.”

___

Online:

Ida B. Wells Monument: http://www.idabwellsmonument.org/

Continue Reading Close

MacArthur Foundation reveals 2011 “genius grants”

Recipients of surprise $500,000 fellowships include Chicago architect, founder of New York City children's choir

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MacArthur Foundation reveals 2011 NEW YORK, NY - SEPTEMBER 18: Francisco Nunez, winner of the MacArthur Fellowship was photographed on September 18, 2011 in New York, NY. (Photo by Chris Lane/Getty Images for Home Front)(Credit: Christopher Lane)

A Chicago skyscraper architect, a New York City children’s choir founder and a North Carolina scientist who studies how to prevent sports-related concussions are among the latest 22 recipients of the no-strings-attached MacArthur Foundation “genius grants.”

The $500,000 fellowships for 2011 were announced Tuesday by the Chicago-based John D. and Catherine T. MacArthur Foundation. Recipients largely don’t know they’re in contention for the annual awards, and often learn they’re winners with an out-of-the-blue phone call informing them they’ll receive the money over the next five years.

“I was dumbfounded, I actually cried,” said Francisco J. Nunez, 46, founder of the Young People’s Chorus of New York City. Nunez finished what he called a “very strenuous” board meeting when he received a call from a phone number he didn’t recognize.

“I get this call from a gentleman,” Nunez said. “He tells me to tell whoever I’m with to leave and go into a private room. Next thing I know I have to sit down at my desk. I started shaking.”

Recipients can spend the money however they like, but many like Nunez say the honor of the fellowship makes them focus on what they would accomplish in their fields if only they had the means. And now they do. His group’s many choir programs have more than 1,000 young singers.

“I feel like I have an opportunity here and a challenge to figure out something really great,” he said. The foundation cited him for “shaping the future of choral singing for children.”

Even though they’re referred to as the “genius grants,” MacArthur Foundation President Robert Gallucci said the more attractive quality is creativity.

“We hope we’re giving these people an opportunity they wouldn’t otherwise have to pursue their area or interest and let that spirit that has driven them to be free to accomplish more in the future,” Gallucci said. “We’re aiming here at the future.”

As in previous years, a wide variety of fields are represented on the list of recipients, including both arts and sciences. This year’s list includes a former U.S. poet laureate, an elder rights lawyer, an evolutionary geneticist, a jazz percussionist, a cellist and a developmental biologist.

The foundation relies on hundreds of anonymous nominators to offer names to be put in contention for the grants. Nominations only are accepted from the list of anonymous nominators. Recipients often say they have no idea who nominated them. Names are then given to a selection committee of about a dozen anonymous members. They meet regularly to review nominations, narrow the list and then make final recommendations to the MacArthur Foundation’s Board of Directors.

Including this year’s recipients the MacArthur Foundation has awarded 850 genius grants since 1981.

Jeanne Gang, 47, was the architect of Chicago’s 82-story Aqua Tower and her firm, Studio Gang, puts a focus on green building and sustainable design. MacArthur cited Gang’s designs for challenging “the aesthetic and technical possibilities of the art form.” Gang said she will put together a plan for the grant money and methodically follow it.

“I’ve always tried to maintain a very experimental side and research side of our practice,” Gang said. “(The grant) will feed into our research, our prototyping, our creativity.”

Kevin Guskiewicz’s studies at the University of North Carolina in Chapel Hill have made strides in the diagnosis, treatment and prevention of sports-related concussions. Guskiewicz, 45, said he wants to use some of the grant money to develop rehabilitation plans for athletes and soldiers who suffer concussions. The foundation noted Guskiewicz’s combination of laboratory and on-the-field investigations to further his research.

“It’s sort of like piecing together a puzzle,” he said. “We still have several more pieces of the puzzle to put in place.”

Some MacArthur money could go to the ECO Girls project in southeastern Michigan. Tiya Miles, 41, started the project when she was on sabbatical from her job as a history professor at the University of Michigan in Ann Arbor. The environmental mentorship program connects urban girls with college students, she said.

“We’ve been getting some small grants, but I didn’t know how I was going to fund this project,” Miles said.

Miles’ scholarship focuses on the history and legacy of slavery in the U.S. and the relationships between African and Cherokee people in early America. The foundation said Miles is “reframing and reinterpreting the history of our diverse nation.” The grant money affords her the luxury of taking time to think and reflect on her future, Miles said.

“I have lots of plans that I could imagine,” she said.

——

Online:

MacArthur Foundation: http://www.macfound.org/

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