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	<title>Salon.com > Fenton Bailey</title>
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		<title>We&#8217;re still watching, Tammy Faye</title>
		<link>http://www.salon.com/2007/07/25/tammy_faye/</link>
		<comments>http://www.salon.com/2007/07/25/tammy_faye/#comments</comments>
		<pubDate>Wed, 25 Jul 2007 11:39:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>

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		<description><![CDATA[Tammy Faye Messner was such a genius at come-into-my-living-room TV that she spent even her final moments working the camera.]]></description>
			<content:encoded><![CDATA[<p>With Tammy Faye it was always about the eyes. </p><p> The very first thing Tammy did on the very first day of filming "The Eyes of Tammy Faye," the documentary we made about her, was show us her dead mother's glasses on her coffee table. She liked to keep them around, she said, to remind her how she saw things. And then, with the cameras rolling, she put them on. </p><p> In that moment we knew -- as did she -- that this would be the opening of our film. It was such an arresting, almost ghoulish thing to do, to put on your dead mother's glasses. Yet it reminded us that we all have different points of view because we are all looking through different lenses. And no matter how differently we see things, no matter how we may judge people accordingly, it's all temporary anyway. </p><p> In the opening of the movie <a href="http://dir.salon.com/story/ent/movies/review/2005/05/06/crash/index_np.html">"Crash,"</a> there's some mournful voice-over about how our lives are isolated by glass: car windscreens, television screens, computer screens. Rather than seeing this as a prescription for melancholy and loneliness, Tammy saw the screen as an opportunity to make a connection and determined to put herself in front of the eye of the camera. </p><p><a href="http://www.salon.com/2007/07/25/tammy_faye/">Continue Reading...</a></p>]]></content:encoded>
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