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	<title>Salon.com > Jamais Cascio</title>
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	<link>http://www.salon.com</link>
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		<title>Swords, spells and Academy Awards?</title>
		<link>http://www.salon.com/1999/11/23/blizzard_diablo/</link>
		<comments>http://www.salon.com/1999/11/23/blizzard_diablo/#comments</comments>
		<pubDate>Tue, 23 Nov 1999 17:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Gaming]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/feature/1999/11/23/blizzard_diablo</guid>
		<description><![CDATA[Diablo II vies to be the first role-playing game to be sanctified by Hollywood.]]></description>
			<content:encoded><![CDATA[<p><b>F</b>or eight minutes, we are in another world. A dying man lies on the ground of his cell in a medieval insane asylum, as dust motes float in a Brownian dance across a shaft of sunlight. As he tells the story of meeting a stranger  at a crossroads inn, we see the tale unfold before us. A hooded figure staggers into the inn, drawing the attention of the hardened warriors who sit and drink around the fire. The stranger is in pain, barely able to contain the demons that reside  within him. We watch as the demons are temporarily unleashed, easily killing all but the narrator, who hides in the corner and watches.  The inn is set ablaze, and the stranger walks out, the narrator following him on his journey. Roll credits.</p><p>Playing along with a handful of other animated shorts at a theater on Sunset Boulevard in West Hollywood, Calif., last week, "Diablo: The Calling" seemed only slightly out of place. It wasn't the sole computer-generated film in  the collection, nor was it the only one with a truncated plot. But it was the only film participating in this screening  -- all fulfilling the "public exhibition" requirement for Academy Award consideration -- that had been originally produced as the intro animation for a computer game. (The short is <a target="new" href="http://www.oscars.org/awards72/rules72/rule17.html">eligible</a> for the Oscar because it was shown on a screen before it appeared as part of the game.)</p><p><a href="http://www.salon.com/1999/11/23/blizzard_diablo/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The teeny-weeny Web server</title>
		<link>http://www.salon.com/1999/08/16/ipic_server/</link>
		<comments>http://www.salon.com/1999/08/16/ipic_server/#comments</comments>
		<pubDate>Mon, 16 Aug 1999 16:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/log/1999/08/16/ipic_server</guid>
		<description><![CDATA[It&#039;s the size of a match head and costs a buck, but can serve audio clips and thousands of Web pages.]]></description>
			<content:encoded><![CDATA[<p><b>R</b>emember the olden days of computing, way back when a Web server was laughably massive -- at least the size of a box of matches?  Those steam-engine days are long gone, thanks to Hariharasubrahmanian  Shrikumar, a computer science graduate student at the University of  Massachusetts. Hariharasubrahmanian (Shri, to his friends) has <a target="new" href="http://www-ccs.cs.umass.edu/~shri/iPic.html">developed a Web server</a> that works on a $1 microprocessor the size of a match head. If Shri has his way, these micro-Web servers will soon be everywhere, from alarm clocks to corporate air conditioning systems,  perhaps even riding on the backs of small animals as tracking devices.</p><p>This micro-Web server, called the IPic, can currently be found <a target="new" href="http://128.119.41.46:9089/">here,</a> but -- since it gets moved around a fair bit -- has its contents mirrored <a target="new" href="http://www-ccs.cs.umass.edu/%7Eshri/iPic/fs">here.</a></p><p><a href="http://www.salon.com/1999/08/16/ipic_server/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Meesa like Web talk?</title>
		<link>http://www.salon.com/1999/06/23/jarjar_3/</link>
		<comments>http://www.salon.com/1999/06/23/jarjar_3/#comments</comments>
		<pubDate>Wed, 23 Jun 1999 16:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Star Wars]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/log/1999/06/23/jarjar</guid>
		<description><![CDATA[Stand aside Swedish Chef, Jar Jar Binks translates the Net.]]></description>
			<content:encoded><![CDATA[<p><b>A</b>s if you needed <a href="/media/col/shre/1999/06/11/jarjargay/index.html">more</a> Jar Jar in your life, the <a target="new" href="http://www.hit-n-run.com/jarjar.html">Jar-Jargonizer</a> has appeared -- to translate e-mail and Web pages from English to the annoying patois of "The Phantom Menace's" Jar Jar Binks. You can even send translated  mail directly from the site. Amaze your friends! Frighten your enemies!</p><p>Created by Scott Murdock and Ken Wilson of <a target="new" href="http://www.hit-n-run.com/entrance.html">Bad Movie Night,</a>  the Jar-Jargonizer is a toy for both Jar Jar fans and Jar Jar <a href="/tech/log/1999/05/28/jar_jar/index.html">haters</a> alike. According to Murdock, "Ken thoroughly hated 'The Phantom  Menace' and felt that it was an <a href="/tech/feature/1999/06/08/jarjar/index.html">insult</a> to all true 'Star Wars' fans. I  liked the movie but winced every time Jar Jar Binks spoke."</p><p>The Jar-Jargonizer works best with large, diverse content, such as that from a Web site devoted to discussion. <a target="new" href="http://slashdot.org">Slashdot</a> and Salon.com's <a href="http://tabletalk.salon.com/webx?15@@">Table Talk</a> work  particularly well. "Don-nuh read it if you-sa're pure of heart," is the translation from the Slashdot excerpt: "Don't read it if you're pure of heart."</p><p><a href="http://www.salon.com/1999/06/23/jarjar_3/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Will Linux be banned down under?</title>
		<link>http://www.salon.com/1999/06/07/linux/</link>
		<comments>http://www.salon.com/1999/06/07/linux/#comments</comments>
		<pubDate>Mon, 07 Jun 1999 16:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Linux]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/log/1999/06/07/linux</guid>
		<description><![CDATA[The source code&#039;s four-letter words could run afoul of new Australian censorship legislation.]]></description>
			<content:encoded><![CDATA[<p><b>D</b>id the drafters of Australia's new <a href="/tech/feature/1999/06/07/censorship">Net censorship legislation</a> ever imagine that<br />
their rules might ban Linux? After all, the Linux source code has quite a<br />
few instances of the word "fuck" sprinkled throughout, mostly as commentary<br />
about problems with software. Can an operating system be considered unsuitable for minors?</p><p>Using grep -- the powerful Unix search command -- to go through a recent version of Linux, I came up with some comment lines and error  messages<br />
that were clearly intended as the sort of coarse humor engineers of all sorts engage in.</p><p>Some examples:</p><pre>
 ./drivers/block/cmd640.c:16: *  These chips are basically fucked by
design
./fs/ufs/ufs_super.c:184:     printk("ufs_read_super: fucking Sun blows me\n");
./lib/vsprintf.c:9: * Wirzenius wrote this portably, Torvalds fucked it up :-)
 </pre><p>The last is particularly amusing -- "Torvalds" is, of course, Linus Torvalds, the Finnish computer scientist who started Linux in the first place.</p><p>The problem is, while adult engineers might find commentary such as this humorous, the sort of people who want to censor the Internet are more<br />
likely to find it offensive. Which leads us back to the simple  question: How will the Linux source code fare if the the Australian censorship law<br />
passes?</p><p><a href="http://www.salon.com/1999/06/07/linux/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Write your name on Mars</title>
		<link>http://www.salon.com/1999/05/10/mars/</link>
		<comments>http://www.salon.com/1999/05/10/mars/#comments</comments>
		<pubDate>Mon, 10 May 1999 16:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[NASA]]></category>
		<category><![CDATA[Space]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/log/1999/05/10/mars</guid>
		<description><![CDATA[Space enthusiasts are signing their names to a CD bound for Mars -- where it will be radiated beyond recognition.]]></description>
			<content:encoded><![CDATA[<p>When will you get a chance to visit Mars? Who knows -- but your name could easily make its way onto the very  next mission. By visiting the <a target="new" href="http://spacekids.hq.nasa.gov/2001/">Sign<br />
Up For Mars</a> Web site, you can give NASA your name and let space agency officials burn it onto a CD-ROM that will be carried to the Red Planet on the Mars Surveyor 2001 Lander. John Lee, a program analyst for  the Mars 2001 mission, expects to collect "3 to 4 million names at a minimum."</p><p>A similar CD was carried on last year's Mars 98 Polar Lander -- but only school-age kids could participate. Over 932,000 kids' names  were collected, and Lee says that quite a few adults wanted in on it, too. Now they're getting their chance. Within a day of announcing the new CD on a NASA mailing list, nearly 9,000 people signed up to have their names rocketed into space in April 2001. Lee says adults are as excited as kids about the names CD,  if not more so. In fact, he's been hearing from kids who don't want their names sent to Mars, but who have been added to the CD by  "overzealous uncles." Some kids are afraid that the CD will be used by  Martians to compile an invasion hit list.</p><p><a href="http://www.salon.com/1999/05/10/mars/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The ecology of computer viruses</title>
		<link>http://www.salon.com/1999/04/07/melissa/</link>
		<comments>http://www.salon.com/1999/04/07/melissa/#comments</comments>
		<pubDate>Wed, 07 Apr 1999 17:36:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>

		<guid isPermaLink="false">http://www.salon.com/technology/feature/1999/04/07/melissa</guid>
		<description><![CDATA[Who was vulnerable to Melissa? Only users and companies who&#039;d standardized on a software "monoculture" -- like Microsoft&#039;s.]]></description>
			<content:encoded><![CDATA[<p>I admit it: I am highly amused that a virus named after a topless  dancer from Florida managed to bring the Internet to its (figurative)  knees. I can be amused, since I wasn't affected by the virus in the  least. Unlike the hapless users who found that a list of porn-site  passwords had been sent from their machines to 50 of their nearest  and dearest friends, I'm on a Mac, and I use Word Perfect and Eudora.</p><p>Although the press trumpeted Melissa as the worst Internet attack  since the <a target="new" href="http://www.discovery.com/area/technology/hackers/morris.html">Robert Morris Worm,</a> only computers running a particular combination of Microsoft software were vulnerable in any meaningful way. You had to be running Windows <i>and</i> Word 97 <i>and</i> Outlook e-mail. People who weren't just sat back and wondered what the fuss was all about.</p><p>For those of us who pay attention to such things, the fuss was, at  its root, about organizations mandating a certain operating system,  word processor and e-mail program for all of their users. Turns out  that many of the places reporting an infestation of Melissa (and its  variants) were corporations and government agencies that had enforced  a single standard for computing within their confines.</p><p><a href="http://www.salon.com/1999/04/07/melissa/">Continue Reading...</a></p>]]></content:encoded>
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