Jamie Stengle
Exhibit shows Grosz’s take on Dallas in ’52
This undated photo provided by the Dallas Museum of Art shows a 1952 oil on canvas by artist George Grosz titled "Dallas Skyline." A series of works created by Grosz in 1952 illustrating the city of Dallas are going on exhibit beginning Sunday, May 20, 2012, at the Dallas Museum of Art. (AP Photo/Dallas Museum of Art)(Credit: AP) DALLAS (AP) — Twenty paintings from 1952 that capture Dallas as more skyscrapers went up and the city began to sprawl away from downtown, are going on exhibit together for the first time in more than a half-century.
“Flower of the Prairie: George Grosz in Dallas,” a series of works by the German Dadaist George Grosz, opens Sunday at the Dallas Museum of Art. The series captures everything from the downtown skyline rising from the prairie to the colorful bright lights of a street once filled with theaters to a man with a cowboy hat striding down the street.
Curator Heather MacDonald said that the series captures a moment in the city’s history that vanished within a decade as the city grew. The exhibit says the city expanded from 50 square miles at the end of World War II to 198 square miles by 1955.
“It feels like an unintentional commemoration of the city built in the first half of the 20th century and that almost is swallowed up and disappeared by the city that was built after, by the so-called metroplex,” she said. “That sense of this dense commercial downtown, it’s gone fast,” she said.
Grosz, an expatriate German best known for satirical works depicting the rise of fascism in his home country, was commissioned in 1952 by department store executive Leon Harris Jr., whose family founded A. Harris & Company in Dallas in 1887, to commemorate the store’s 65th anniversary.
MacDonald said Grosz was an unusual choice for a corporate commission. She said that while Grosz — who left Berlin in 1933, just before Adolf Hitler was appointed chancellor, and eventually settled in New York — needed the money from the commission, he may have also been motivated a lifelong love of the American West.
“He was struck of course by skyscrapers and all the muscularity and growth of our infrastructure downtown and he was also fascinated by the cowboy legend,” said Maxwell L. Anderson, director of the museum.
A work titled “In Front of the Hotel,” shows a street scene in front of The Adolphus, a historic hotel downtown where Grosz stayed while he was in the city. Those featured in the watercolor include a smartly-dressed woman, a man in a cowboy hat and a man in overalls. A couple of the works depict residents in black neighborhoods of the city, including one called “A Glimpse into the Negro Section of Dallas,” showing a grouping of well-dressed African-Americans.
Three works show the city’s historic sources of wealth — one of cattle, another depicting an oil refinery and another showing people picking cotton — though the exhibit notes that by the 1950s, the city’s economy was already dominated by banking.
“Refreshments on the Way,” shows a man in a cowboy hat standing outside of a restaurant called the Pig Stand, famous for a pork sandwich. A sign shaped like a pig with the words “pig sandwich” on it.
Grosz’s watercolor “Dallas Broadway” depicts a colorful scene of a street filled with dozens of theaters and people. The exhibit said that with growing competition from the entertainment venues in the suburbs, most of those theaters were closed by the 1970s. All but one, the Majestic Theater, was razed.
The series was first exhibited at the Dallas Museum of Fine Arts, the predecessor to the Dallas Museum of Art, in October 1952. The series was again displayed in 1954 in New York before being largely forgotten.
One work from the series, “Romantic Moon Over Texas,” is missing, its whereabouts unknown, MacDonald said. Most of the works ended up in the collections at the Dallas Museum of Art or Southern Methodist University by the early 1960s. One piece featured in the exhibit came from a private collection.
MacDonald said a few of the images are reproduced frequently in books about Grosz, but most she’s never seen reproduced.
In addition to photographs of the city from the 1950s, the exhibit also features 12 works Grosz made earlier in his career. A watercolor over ink called “Nazi Interrogation” from 1935 depicts a particularly brutal scene.
Leon Harris Jr. died in 2000 at age 74. A. Harris & Company merged with rival Sanger Brothers in 1961 to form Sanger-Harris, which was absorbed by Foley’s in the mid-1980s. That chain was later taken over by Macy’s.
Grosz died in 1959 at the age of 65.
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If You Go…
FLOWER OF THE PRAIRIE: GEORGE GROSZ IN DALLAS: Exhibit runs May 20 through Aug. 19 at the Dallas Museum of Art, 1717 North Harwood, http://www.dm-art.org/. The exhibit is included in the general admission price of the museum. Adults, $10; students, $5; children under 12, free; seniors 65 and older and military, $7. Open Tuesday and Wednesday, 11 a.m.-5 p.m.; Thursday, 11 a.m. to 9 p.m.; Friday, Saturday and Sunday, 11 a.m. to 5 p.m. Closed Mondays.
Fewer people registering for Susan G. Komen races
DALLAS (AP) — Many supporters of the Susan G. Komen breast cancer charity have abandoned the group’s events after it decided to stop making grants to Planned Parenthood and then reversed that decision.
In the months since the controversy, organizers of individual Race for the Cure events have seen participation decline by as much as 30 percent. Most also saw their fundraising numbers go down, although a couple of races brought in more money.
Race organizers acknowledge the effect of the Planned Parenthood decision, which angered people on both sides of the abortion debate.
Only nine races have been held since the debacle, but a downward trend has already emerged.
The 5K runs and walks account for most of the fundraising for the nation’s largest breast-cancer charity.
Texas residents sift through rubble from tornadoes
Sherry Enochs, stands in what is left of her home as she recounts the tornado that struck her home Wednesday, April 4, 2012, in Forney, Texas. Enochs was babysitting three children all under the age of 3, when the tornado struck. All survived the storm with minor bumps and bruises. (AP Photo/Tony Gutierrez)(Credit: AP) FORNEY, Texas (AP) — As a twister bore down on her neighborhood, Sherry Enochs grabbed the three young children in her home and hid in her bathtub. The winds swirled and snatched away two of the children. Her home collapsed around her.
Miraculously, no one was seriously hurt.
Enochs, 53, stood Wednesday amid the wreckage of what was once her home in the North Texas city of Forney, among the hardest hit by a series of tornadoes that barreled through one of the nation’s largest metropolitan areas a day earlier. No one was reported dead, and of the more than 20 injured, only a handful were seriously hurt.
Continue Reading CloseGroups work to identify aging trail-marking trees
In this Feb. 23, 2012 photo, arborist Steve Houser talks about a Native American marker tree, left, in Dallas. The pecan tree, more than 300 years old, stands out from the others in a forested area of Dallas, a 25-foot segment of its trunk slightly bowed and running almost parallel to the ground before jutting high up into the sky. (AP Photo/LM Otero)(Credit: AP) DALLAS (AP) — The pecan tree, more than 300 years old, stands out from the others in a forested area of Dallas, a 25-foot segment of its trunk slightly bowed and running almost parallel to the ground before jutting high up into the sky.
It, like numerous others across the country known as Indian marker trees or trail trees, was bent in its youth by American Indians to indicate such things as a trail or a low-water creek crossing.
“If they could talk, the stories they could tell,” said Steve Houser, an arborist and founding member of the Dallas Historic Tree Coalition. The trees, he said, “were like an early road map.”
Continue Reading CloseEgyptian Women Participate In Bush Fellowship
DALLAS (AP) — Former President George W. Bush’s policy institute has launched a fellowship program designed to help women in the Middle East hone their leadership skills as they build a network of support.
Charity Wallace, director of the women’s initiative at the George W. Bush Institute, says the goal is to “empower women to transform their countries.”
The inaugural group participating in the yearlong fellowship is a diverse gathering of 14 Egyptian women.
Former first lady Laura Bush, who chairs the women’s initiative, says the idea for the fellowship grew out of her husband’s belief that women will lead the freedom movement.
On Thursday, she will give a keynote address before a town hall discussion with women from the program to mark International Women’s Day.
Friend: Texas Gunman Upset His Wife Was Doing Well
LANCASTER, Texas (AP) — Family friends say a Texas man accused of killing six relatives in a Christmas Day murder-suicide was struggling financially and didn’t like that his estranged wife was doing well.
Authorities say 56-year-old Aziz Yazdanpanah (ah-ZEEZ’ YAWZ’-dahn-pahn-aw) was dressed as Santa when he fatally shot his estranged wife, their two teenage children and three other relatives Sunday inside an apartment in the Dallas-Fort Worth suburb of Grapevine.
After a private burial for the six victims Thursday, family friend Azar Shahbazi (AH’-zahr shah-BAH’-zee) said she believed Yazdanpanah was upset because his wife “was doing good on her own.”
The wife’s brother, Ali Rahmaty (AH’-lee rah-MAH’-tee), says he’d been financially supporting the family. He says Yazdanpanah had been unemployed for more than a decade, but says he never thought Yazdanpanah would become violent.
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