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	<title>Salon.com > Jeremiah Moss</title>
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		<title>New York&#8217;s dying signs</title>
		<link>http://www.salon.com/2012/04/09/new_yorks_dying_signs/</link>
		<comments>http://www.salon.com/2012/04/09/new_yorks_dying_signs/#comments</comments>
		<pubDate>Mon, 09 Apr 2012 18:50:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[New York City]]></category>

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		<description><![CDATA[A Brooklyn designer dedicated to saving local lettering talks about what we lose when corporate logos take over]]></description>
			<content:encoded><![CDATA[<p><a href="http://vernaculartypography.com/">Vernacular Typography</a> is the creation of graphic designer and Brooklyn native Molly Woodward, who has spent the past decade taking photos of the city's "found lettering." All over the city, and the world, local signage is disappearing and being replaced with mass-produced signs and the brands of global corporations. Molly is trying to preserve it--and she has a <a href="http://www.kickstarter.com/projects/1066989841/vernacular-typography">Kickstarter</a> campaign to help do that.</p><p>I asked her a few questions about "endangered local signage."</p><p><strong>How are you defining "Vernacular Typography"?</strong></p><p>I guess it should technically be Vernacular "Lettering," but I define Vernacular Typography as the found lettering that exists in the built environment and surrounds us everyday. It doesn't have to be pretty or use an existing typeface, it's just any visual representation of language.</p><p><strong>How do you think New York City's vernacular typography differs from other cities around the country and the world?</strong></p><p><a href="http://www.salon.com/2012/04/09/new_yorks_dying_signs/">Continue Reading...</a></p>]]></content:encoded>
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