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	<title>Salon.com > Jonathan Alexander</title>
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		<title>&#8220;Treme&#8217;s&#8221; meta pleasures</title>
		<link>http://www.salon.com/2012/09/24/tremes_meta_pleasures/</link>
		<comments>http://www.salon.com/2012/09/24/tremes_meta_pleasures/#comments</comments>
		<pubDate>Mon, 24 Sep 2012 14:29:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[George W. Bush]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Treme]]></category>
		<category><![CDATA[LA Review of Books]]></category>
		<category><![CDATA[Katrina]]></category>

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		<description><![CDATA[The HBO show is as much about the act of producing art about Katrina as it is about the storm's aftermath]]></description>
			<content:encoded><![CDATA[<p>Telling the story of Hurricane Katrina and its impact on the Louisiana and Mississippi Gulf Coast has, understandably, taken some time. After the raw immediacy of the event and the unmediated pain captured in news reports, trauma sets in. Trauma requires distance if we are to understand it as more than a wound, if we are to see the possibility for meaningful reflection. The renewal of HBO’s "Treme," set in the immediate aftermath of Katrina, testifies to the lingering impression of the storm and the flooding of New Orleans on the cultural imagination. The process of transforming the experience and memories of these ruinous events into aesthetic products shows us how our culture meditates on trauma.</p><p><a href="http://www.salon.com/2012/09/24/tremes_meta_pleasures/">Continue Reading...</a></p>]]></content:encoded>
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