Nancy Spiller

I want my HGTV!

Why bother wreaking havoc on your own home with remodeling when you can watch other people do it on Home and Garden TV?

  • more
    • All Share Services

I want my HGTV!

I’m addicted to cable television’s Home and Garden TV. Ever since HGTV joined our local lineup, I’ve been mesmerized by this encyclopedic video shelter magazine with its steady stream of design chat, remodeling rambles and how-to tips. I haven’t been this turned on by television since a childhood steeped in family sitcoms. Then I pined for the perfect world à la “Father Knows Best” and “The Donna Reed Show.” I now recognize pipe dreams when I see them — hence my attraction to HGTV.

I watch HGTV not because I want to spend every spare minute stenciling walls, building backyard ponds or rearranging bathroom fixtures, but because I’ve had it with home-improvement projects. The network provides a comforting reminder why I should never give in to any of the urges illustrated. I’ve arrived at this point of home-improvement ennui after spending more than a decade doing damage control on a 74-year-old house that the kindlier maintenance people, those who still return my phone calls, dub “decrepit.” My husband and I have replaced, restored, recovered, refinished, replumbed, rejigged, reorganized, painted, patched, planed and bolted seemingly every inch of our ancient abode. Many nights I’ve cried for a landlord to rescue us. Once I thought I was going to have to call the police to eject a siding salesman from our living room. I’ve earned the right to plop down in our snuggle chair and get high on the fumes of other people’s handiwork.

The network’s ultrachipper hosts would have us believe that hardware stores deal solely in party goods. The primary motivating force in this universe is the need to “pull a room together.” All sins are forgiven in the effort to achieve this goal, including fabric stapled to foam core for window valances, checkerboard patterns painted on kitchen tiles and golf clubs hauled out of the garage to lean saucily against the living room hearth. This is the last word in niche programming — one show actually detailed how to install a wall niche.

HGTV bends its genders with peel-and-stick glee. Women get to wave around the power tools while men fuss like old-fashioned hausfraus, arranging flowers and elaborate decorating and dining plans for family and guests. Sexual stereotypes are dealt a direct blow on “Designing for the Sexes.” Typically the problems boil down to this: She wants crown molding and soft colors, he wants a 60-inch television set. The natty male host proves the perfect neutralizing beige, showing both sides how to have what they want. SUV-size armoires were made for couples like these.

I know the network is not for every taste. A friend, who recently transformed her historic bungalow with the aid of an interior designer, admits with an audible cringe that she once stumbled across the channel on her cable system. “They had covered an entire room in chintz, including the French doors,” she says, “and were starting to mix patterns, plaids with florals. I fled in terror.”

Stick around, I say; a good scare can be highly cathartic. I’m paralyzed with an abnormal dread by the “TIPical Mary Ellen” show. A complete throwback to a ’50s-style homemaker, Mary Ellen is an earthy, fleshy-faced Everywoman who reminds me of the suburban moms of my youth: that and Lily Tomlin’s quietly seething housewife selling Grrrrr detergent. Mary Ellen good-naturedly suggests I “make a hobby of saving money around the house” by making liquid soap from the last slivers of bars and using humidifier water in my iron instead of buying distilled. Nothing catapults me back to my home office faster.

A while back, the only television series I watched religiously was HGTV’s “Dream House,” an ironically titled documentary series following a middle-class, Midwestern family who wanted to add “a little more room” to their castle. I call it “Scream IV.” Despite a documentary crew rolling tape for national broadcast, it’s a nightmare from the first chomp of wrecking jaws to the final episode in which Dad files criminal charges against the kitchen cabinetmakers. In between and along with the standard astronomical cost overruns and months of delay, the designer gives the contractor three different sets of incorrectly measured blueprints, the asymmetrically pitched new roof must be ripped out and redone and the roofers disappear with the first winter snows. Just before Christmas, a holiday the family won’t be spending as promised in their new home, Dad loses his job.

My favorite moment is when the weary patriarch asks, “What’s that going to cost, another $10,000?” The contractor does a Clint Eastwood squint, pause and blink — and replies: “That’s a good question.”

It’s the most helpful hint I’ve gleaned from the network’s font. Now when my husband asks if we can get someone to paint the cracked window trim or stop the wood floors from splintering, I have the perfect nonviolent reply. I simply mute HGTV, squint, blink and say, “That’s a good question.”

Let’s give them something to talk about

A grazing menu to muffle the most garrulous guests.

  • more
    • All Share Services

Batter for frying: Mix a cup or two of all-purpose flour with a pinch of salt and enough sparkling water or beer to make it the consistency of cream. If it’s too thin, add more flour. Let it sit and thicken some more for a half-hour or more.

Anchovies for frying: Get enough fresh anchovies for a half-dozen or more per person. If you can’t find fresh anchovies, fresh sardines can be substituted. If you can’t find them in your local fish market, they might be available fresh and live at a coastal bait shop. If the fishmonger hasn’t cleaned them because he’s too tired or busy that day, fillet the fish by snapping off its head and slipping your finger in at the exposed neck, gutting the fish from top to bottom and removing the spine and skeleton. Rinse clean and pat dry.

Squash blossoms for frying: Fresh zucchini blossoms are preferable, but blossoms from other summer squashes can be used. Inspect the interior of the blossom for bugs and pick them out if necessary, rinse the flowers with water and pat dry. Insert a sliver of mild but flavorful cheese, soft enough to melt, like fontina, and press the end of the blossom closed.

Frying: Fill a large frying pan one-half to three-fourths of the way up the sides with a mixture of vegetable oil, such as corn or canola, and olive oil for flavor. Heat over medium-high flame. Dip the squash blossoms in the batter and set them in the hot oil, turning after a few minutes and cooking until nicely golden on all sides. Remove with a slotted spoon, drain on paper towels and keep warm on a plate in a low-temperature oven. Sprinkle lightly with good, coarse sea salt before serving. Do the squash blossoms before the fish because the latter will flavor the oil. Dip the fish fillets in the batter and place them in the hot oil, turning after a few minutes and cooking until nicely golden on both sides. Drain on paper towels and keep warm in the oven until ready to serve. Sprinkle lightly with sea salt. Serve with lemon wedges alongside.

Continue Reading Close

Anywhere but here syndrome

How do you enjoy traveling when all your companions want to talk about Disneyland?

  • more
    • All Share Services

Anywhere but here syndrome

I am gutting a fresh anchovy in a kitchen in Umbria as if my happiness depends upon it. And it does. My fingertips are red with blood and muck as they remove the entrails. Sliding from the wide-eyed silver fish head to its tail, I feel the nubby, sharp firmness of its spine as I lift the skeletal remains away from the flesh and smell the salt of its sea perfume. This earthy, tactile undertaking is like a faith healing, grounding me, for this moment, in Italy.

It has not always been so on this Italian cooking school adventure shared with other travelers. Thanks to the magic carpet of conversation, we’ve tromped through the jungles of Indonesia. We’ve visited the Sultan of Brunei. We’ve toured the vineyards of France. We’ve seen the latest architectural wonders in Bilbao, Spain. Finding myself held captive by my garrulous companions and the stories they need to constantly tell, I feel I’ve been everywhere but here, the Italy I had traveled so far to savor.

I’d come for a weeklong cooking session, assuming it would be my most intimate encounter yet with the country I loved. I would not only be eating the local foods but shopping for and preparing them. But food and cooking in this crowd soon became a form of self-defense, a way to mute my companions’ streaming travelogues and salvage my trip, a way to connect to the here and now.

I’ve always considered food to be a fundamental mode of transportation. As a child, it helped me escape the Velveeta vacuum of the suburbs. My family never had a reason to leave our native state of California. Who needed the world when we had Disneyland?

Food was my way of visiting distant places. As soon as I could read, I began looking for recipes that sounded like they came from far, far away. Supermarket frozen tamales and canned chow mein wouldn’t cut it. I searched for exotica in cookbooks and magazines and on the back of pasta packages. As soon as I could reach the top of the stove I began cooking up my discoveries. The results helped me imagine what life was like elsewhere. Cinnamon in the spaghetti sauce was a warm, friendly note from southern Italy. Gâteau was a cake from France, not a box. Rumaki said Hawaii, pfeffernuss was a comforting cookie coveted in the cold of northern Europe’s holiday season.

Adulthood allowed me to indulge in my travelin’ jones. I winged my way across oceans to eat dishes in the place of their origin. My motto became travel globally, eat locally. I enjoyed momos in Katmandu, chestnut crepes at the Paris flea market, Belgian frites in Brugge. I came to love Italy in great part because of the food, and I returned repeatedly over the years to Tuscany, where I found the perfect combination of melt-in-your-heart landscapes and memorable meals. When the opportunity arose to explore cooking in Umbria, a place I’d been told was like what Tuscany “used to be,” I took it.

The only catch was that it was a group experience, and I’d forgotten how challenging such a situation could be. I could expect to experience not only the culture of my destination but also the baggage brought along by my fellow travelers — strange personalities mixing in confined spaces. They might not share my love of solitude, and silent contemplation of my surroundings. They might not even share my passion for food and Italy. They might want to talk about something other than St. Francis’ life in Assisi or the countless regional varieties of pecorino. They might want to talk about something else altogether, like a life spent racking up frequent-flier miles and initially entertaining anecdotes. In small measure it might have added spice to the trip, but ladled liberally at every meal and waking moment it gave me a queasy sensation that I was everywhere except where I wanted to be.

I’d faced the phenomenon before of travelers trying to put distance between themselves and an adventure in process. While touring China with a high school marching band, I was beside myself with the thrill of actually eating Chinese food in China, while the adult chaperones talked at length and longingly of the small local restaurants they enjoyed back home. Many of the teenagers simply couldn’t face another plate of mixed mystery vegetables and meat with rice. They wanted hamburgers and hot dogs. As we toured the Forbidden City, some of them hung off one another singing “Take Me Home, Country Roads.” One girl brought her eating disorder to the Beijing banquet of Peking duck. While I reveled in the authenticity of the experience, she fled to the bathroom, followed by a flock of adults begging her to eat. Concern for her fate lightened when she was later discovered scarfing peanut butter and crackers in her hotel room.

When I went trekking in Nepal I opted for an Australian tour group instead of one with Americans. I didn’t want to hear my fellow countrymen’s complaints if the medieval Hindu kingdom wasn’t up to Disneyland’s standards. The Aussies were happier, better-natured and less prone to whining than the Americans. They always seem to be thrilled to be out of their own country. (Why not when they get to vacation for months at a time?) But according to the group with which I was traveling, television was Australia’s favorite pastime and Paul Hogan its highest artistic achievement. The lack of television on the trail — at the time, there was no TV in the entire country — seemed to make them a little desperate. They would calm themselves by reciting Hogan’s complete oeuvre, each one contributing favorite bits as they floated to mind, providing our entertainment for entire evenings around the campfire. They conjured up his spirit as if it were a protective shield.

I wonder if travelers’ need to talk of home and other places doesn’t arise from a fear of losing themselves to the present journey. Rather than absorbing the new place, they fear they’ll be absorbed by it. I think of the two former mainlanders I encountered in the legendary paradise of Kauai. One was a man selling bananas and pineapples from a roadside stand; the other was a blond woman who tried to sell us a time share while taking our order for sushi. Both had an anxious look in their eye as they told their own stories of innocently arriving on the island, becoming captivated by its charms and deciding to cut loose from their previous lives and stay. They made me wonder if the people who have truly found happiness in a new place keep themselves away from tourists, the unsettling presence of those who might still be seeking paradise or know it to be elsewhere. As for people who are constantly on the move, like those I met in Italy, I wonder if they travel the world in search of the place in which they can stay put, or travel in fear of one day actually finding it.

In Hawaii I could walk away from the banana stand and the sushi shop. In Nepal I could walk ahead or drop behind the Hogan stories, or on a layover day go bird-watching solo and possibly encounter, as I did on one such outing, a monkey. We shared no words, just a long, curious stare, a lingering moment to wonder about our separate lives.

In China I’d wander away from the group to take photographs and explore on my own. I found that in the less-traveled areas we visited, I was as much a curiosity to the locals as they were to me. As I was unable to speak the language, gestures had to do. One man, who seemed stunned by the sighting of a Caucasian in his local municipal park, offered me a peach. I later learned it was a symbol of immortality and, when given between friends, a sign of affection.

Food continues to provide me with a means of both connection and escape. In Nepal slaughtering a live, free-range chicken (I don’t know that they have any other kind) for dinner temporarily knocked Paul Hogan off the conversational charts. To this day it remains the best chicken I’ve ever eaten.

In Italy I became happily lost in cooking. A few of the quieter members of the group and I silently filleted fresh anchovies and stuffed squash blossoms with slivers of five-milk cheese, then dipped them in batter and fried them in the extra-virgin olive oil we’d seen being pressed that morning. Discussion ran to the here and now of the fig sausage flavored with fennel we sampled and the best technique for scrubbing clams for fettuccine con vongole. Talking about the tastes and tasks at hand became a delicious avoidance ritual.

The recipes for fried anchovy fillets and stuffed squash blossoms provide both the tactile distraction of labor-intensive cooking and the foundation of a good grazing menu. My suggestion is to serve the dish when you feel you’d rather not face your company around a table one more night. Pass plates in the living room while watching TV or perusing that gorgeous pile of coffee-table books. Add a well-chilled pinot grigio, or similar light and snappy Italian white wine, and practice, between bites, the fine art of changing the subject.

Continue Reading Close