Peter Leonard
Eurovision stages battle of the oldies
United Kingdom's Engelbert Humperdinck performs during the final show of the 2012 Eurovision Song Contest at the Baku Crystal Hall in Baku, Sunday, May 27, 2012. (AP Photo/Sergey Ponomarev)(Credit: AP) BAKU, Azerbaijan (AP) — Amid the usual jamboree of youthful exuberance — and questionable taste — this year’s Eurovision Song Contest featured a pair of elderly acts among its most high-profile contenders.
The night opened with some two-note crooning by the UK’s black-clad veteran act Engelbert Humperdinck, who Scottish comedian Robert Florence acerbically remarked on Twitter looked “like an inaccurate waxwork of Johnny Cash.”
Russia’s Buranovskiye Babushki, a group of six grannies, offered a similarly static stage show, but did liven up their act “Party for Everybody” with some choreographed baking in an onstage oven.
The 57-year-old pan-European competition viewed by some 125 million people worldwide is hailed by its legion of devoted fans as harmless, kitschy fun that allows Europeans to forget their differences — and economic troubles — for at least one night.
The winner is picked by juries and television viewers across the continent, so a broad appeal is deemed key to success.
Singing for Albania, Rona Nishliu, carefully balancing an elaborate braid, gave a frankly terrifying and ear-shattering rendition of indescribable “Suus.”
Europe’s more boring countries lived down to expectations with performances that were forgotten even before they were over. Slow ballads were the flavor of the evening, with Estonia arguably achieving new depths of bland.
Past the half-way mark, Romania’s six-piece Mandinga mercifully livened up proceedings with a pounding musical potpourri of bagpipes and brass, extravagant wardrobe choices, and a sultry performance by lead vocalist Elena Ionescu.
Bookmakers favorite Loreen, a 28-year-old Swede of Moroccan-Berber descent, went for the windswept look as she battled a wind machine to belt out the club music-lite hit “Euphoria” and assay some vaguely robotic dance moves.
Moldova’s Pasha Parfeny ended the night’s two-hour proceedings with a pleasantly upbeat gypsy ditty backed up some cheery, bright-bloused beaties.
As last year’s winner, oil-rich Azerbaijan is hosting the annual competition. Few think it stands any chance of a repeat victory, but the country hopes the hundreds of millions of dollars it has invested in preparing for the event will serve as a public relations coup and mitigate misgivings about its poor democracy and human rights record.
The host country, a comparatively little-known former Soviet republic, has dug deep to make sure it’s also a star.
The new Crystal Hall concert venue, a light-bathed arena on a point jutting out into the Caspian Sea, cost $134 million to build and was put up in a speedy eight months. Countless more millions have been deployed embellishing the capital, Baku, and buying a huge fleet of brand new London-style taxis.
Such profligacy has aroused concerns about the spiraling costs involved in holding the contest in times of austerity.
“At the moment, if the costs are growing more and more every year and it needs to be more splendid, there are countries that would have huge difficulties, especially with financial situation in Europe at the moment, in organizing it,” said Annika Nyberg Frankenhauser, media department for the European Broadcasting Union, under whose auspices Eurovision is held.
Still, on the night, the rain fell hard, although diehard Eurovision fans in Baku were not deterred and stuck it out on the windswept seafront promenade to cheer along their singer in front of the big mega-screen provided.
Amid the glitz, antigovernment activists have held a number of protests in the week running up to the final, seizing on the opportunity of the increased international media presence to draw attention to what they describe as the government’s authoritarian style of rule.
On Friday, police quickly shut down a small flash mob near the competition venue, roughly dragging away dozens of demonstrators and stuffing them into waiting buses, at least of one which bore a Eurovision logo.
Three demonstration participants were sentenced to jail terms of five and six days on Saturday, while 17 others were fined 20-25 manat ($25-32).
Eurovision set for battle of the oldies
Russia Buranovskiye Babushki perform during rehearsal for the final show of the 2012 Eurovision Song Contest at the Baku Crystal Hall in Baku, Friday, May 25, 2012. The finals of the 2012 Eurovision Song Contest will be held at the stadium on May 26, 2012. (AP Photo/Sergey Ponomarev)(Credit: AP) BAKU, Azerbaijan (AP) — Usually a jamboree of youthful exuberance — and questionable taste — this year’s Eurovision Song Contest features a pair of elderly acts among its top contenders.
Engelbert Humperdinck, 76, takes the stage Saturday night for the United Kingdom, 45 years after he first got international attention crooning the hit “Release Me.” He’ll be wearing a necklace given to him by Elvis Presley.
Humperdinck faces stiff competition for the gray vote from Russia’s Buranovskiye Babushki, a group of six grannies, the eldest of them 77. Their performance understandably won’t include the intense gyrations favored by many younger performers, but does feature some choreographed baking.
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Serbia's Zeljko Joksimovic performs during the second semifinal at the 2012 Eurovision Song Contest at the Baku Crystal Hall in Baku, Friday, May 25, 2012. The finals of the 2012 Eurovision Song Contest will be held at the stadium on May 26, 2012. (AP Photo/Sergey Ponomarev)(Credit: AP) BAKU, Azerbaijan (AP) — A memorable melody. Distinctive stage presence. Some horse-trading of votes.
Those are secrets to success in the annual Eurovision Song Contest, a televised pan-European extravaganza viewed by some 125 million people worldwide that is now entering its 57th year.
The winner is picked by juries and television viewers across the continent. Semifinals this week have whittled down the entries to 26. A smorgasbord of revealing outfits and onstage preening is expected at Saturday’s final, but gray-haired acts from the U.K and Russia are stealing most of the attention.
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BAKU, Azerbaijan (AP) — On a recent evening on Baku’s seaside promenade, throbbing Euro-dance music blared out from an open-air concert as families strolled by. Cafes serving fragrant skewered meat served throngs of locals and foreigners.
The capital of this former Soviet republic has shed its dour, industrial image and evolved into a vibrant metropolis combining the old world charms of Istanbul with the architectural ostentations of Dubai. Now it has the perfect stage to show off its decade-long transformation: the Eurovision Song contest.
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ALMATY, Kazakhstan (AP) — A prominent international advocacy group demanded Monday that Kazakhstan suspend the ongoing trial of 37 people accused of mounting mass riots in a western oil town last year.
New York-based Human Rights Watch said in a statement that many defendants claim they only yielded incriminating testimonies after being subjected to physical abuse while in detention.
The unrest in Zhanaozen in December came after a seven-month long occupation of the main square by oil workers demanding higher salaries. A confrontation with police descended into rioting during which at least 16 people were killed.
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ALMATY, Kazakhstan (AP) — A court in Kazakhstan sentenced 47 people to jail terms of up to 15 years on charges related to a spike in terrorist attacks in the Central Asian nation last year, prosecutors said Thursday.
The month-long trial, which ended Wednesday, was held behind closed doors in western Kazakhstan, and few details have been made public.
One group of 42 defendants was jailed on charges including forming a terror group, financing extremist activity and organizing a series of attacks. The remaining five defendants, who were tried in a parallel case at a separate location, were linked to specific attacks in the western oil city of Atyrau in October.
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