Salon Staff

Come celebrate San Francisco values!

Stick it to GOP Puritans with Salon founder David Talbot, special guest Oliver Stone and other culture war heroes

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Come celebrate San Francisco values!

The release party for “Season of the Witch” will be a celebration of the San Francisco values of social tolerance and experimentation, as explored in David Talbot’s new book. This event will feature music and art of the 1967-‘82 era as well as speakers recounting some of the wild stories that defined this explosive time. Guests include director Oliver Stone, who will discuss how films like “The Doors” channeled the demonic energy of the period, and how his love for the San Francisco 49ers was reflected in “Any Given Sunday.” Other special guests include Scrumbly Koldewyn and Fayette Hauser of the infamous drag queen troupe the Cockettes; Peter Lewis of the legendary band Moby Grape; activist Cleve Jones; and other political, sports and literary luminaries.

Date: Friday May 18, 2012, 7:30 p.m. – 10 p.m.

Location: 1687 Market Street, San Francisco, CA 94103



If you plan on attending you must confirm by emailing your name to RSVP@salon.com.



Salon Core members: You can avoid the $8 entrance fee by clicking here and using the RSVP button on the left side of this landing page. If you’re not a member of Salon Core, please consider joining today — in addition to gaining access to this event, you’ll enjoy the many great benefits listed on the Salon Core landing page.

Want to know more about “Season of the Witch”? Check out the video below and then use one of the links to the right to order a copy now, pick up a copy at your local bookstore or buy a signed copy at the “Season of the Witch” release party on May 18.

Just added: David Talbot will also be appearing at Book Soup in Los Angeles on May 14 and at Town Hall Seattle on May 24. There will be private receptions after both of these events for Salon Core members — use the RSVP links in the right column of the Core landing page to confirm your attendance and receive further details.

Notice anything different?

Salon Gets a Makeover

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Salon has always believed in not just truth, but beauty. Our original design back in 1995 – a clean, art deco look created by Salon’s first art director, Mignon Khargie – immediately set Salon apart. Now Salon is once again separating itself from the cookie-cutter digital clutter that defines too much of the Web with a bold and striking new design.

We asked designer Kelly Frankeny to create a news tabloid as imagined by Coco Chanel. Frankeny — a globetrotting designer who is often dropping into beleaguered democracies in Africa and Latin America to work her wonders for embattled newspapers – responded to our challenge with a sophisticated and dynamic design. A brilliant and sassy blond Texan, she has created a new Salon as big as her personality. And yes, while invoking the brassy urgency of a news tabloid, the new design also conveys the elegance of the House of Chanel. Both Frankeny and the new Salon know how to use red lipstick and a simple black dress for maximum effect.

To fuel Salon’s explosive growth – Salon’s audience has soared to 7.7 million monthly unique visitors, up 30 percent over 2011 – our redesign provides more intuitive navigation and deeper social integration to optimize the site for Salon’s vibrant community.

We also aimed to pop out our robust sites – Politics, Arts and Life – so they loom as special destinations for our readers. And stay tuned for an entirely new dimension – Salon Studio, which will debut next month. You can check out the Salon Studio coming attractions – including original video series, music shows and art galleries – by clicking on the video trailer on the Salon Studio home page.

We hope you enjoy our new look, and agree that it matches the power of our journalism. We want to hear from you. Please jump into Comments and tell us what you like and what needs more work. Salon, as always, is a work in progress.

David Talbot, CEO
Kerry Lauerman, Editor-in-Chief

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Occupy heats up

Watch the video of Natasha Lennard’s interactive Q&A on the future of Occupy VIDEO

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Occupy heats up (Credit: Michael Coniaris)

As winter thaws, the hot spots of the Occupy movement are seeing the first ripples of resurgence. From New York to Oakland, Calif., crowds are returning to the streets, but will the plan for a May 1 General Strike spark an American Spring or will the movement splinter and fade into Tea Party-like irrelevance? Watch the Salon webcast with Occupy correspondent Natasha Lennard to hear her thoughts on these issues:

To participate in upcoming Salon webcasts with staff and friends, join the Salon Core community.

Stop killing black kids

Watch the video of Quincy McCoy's interactive Q&A on the epidemic of violence against young black men VIDEO

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Stop killing black kids

Salon has covered the Trayvon Martin killing relentlessly, but none of our coverage has struck a nerve like the article “Is My Son the Next Trayvon?” by the chief operating officer of Salon Studio, Quincy McCoy. As a black man who escaped the rough neighborhoods of his youth to provide a better life for his child, Quincy’s article conveyed the constant anxiety suffered by all black parents — regardless of class.

Quincy recently hosted an online conversation on the epidemic of violence against young black men. Here is the full video of that discussion:

To participate in Salon’s webcasts with staff and friends, join the Salon Core community.

Your Obamacare stories

As the Supreme Court debate rages on, we want to feature stories about how the law has affected you

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Your Obamacare stories (Credit: Jeff Malet/MaletPhoto.com)

Two years after the president signed it into law, Obamacare is beginning to have a big impact: Millions more young adults are insured; prescription costs for the elderly are on the decline; and children with preexisting conditions can no longer be denied coverage. Yet, as Andrew Leonard detailed on Tuesday, it’s at this very moment when the legislation is starting to extend coverage and reduce costs that the Supreme Court seems determined to destroy it.

As the justices debate constitutionality of the legislation, we want to know how the law is affecting regular Americans. Has the Affordable Care Act changed you or your family’s healthcare experience?

Blog about it on Open Salon – and we may feature your story on Salon.

Quick Hits: Rock icon Levon Helm plays live

The legendary Band drummer recounts stories from his long career and rambles through two classics VIDEO

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Quick Hits: Rock icon Levon Helm plays live

Rock legend Levon Helm — the drummer and a lead singer for the Band — is batting 1.000 at the Grammys. Last month, when his “Ramble at the Ryman” won best Americana album, he made it three in a row — three nominations, three wins — following Grammy Awards for his two previous albums, “Dirt Farmer” (2007) and “Electric Dirt” (2009). Not bad for a 71-year-old survivor of throat cancer, who had once lost his voice completely.

These days, a happy-to-be-alive Levon Helm presides over what he calls “midnight rambles” — concerts in his Woodstock, N.Y., barn, where he’s surrounded by musical friends and family, including his daughter, singer Amy Helm. His voice may be raspy, but his energetic drumming and high-beam smile can warm the coldest winter night. Following rousing versions of “The Weight” and “Ophelia,” Helm invites Marco Werman into his house for after-midnight conversation.

Watch Quick Hits: An Interview with Levon Helm on PBS. See more from Sound Tracks.

Like Johnny Cash or Willie Nelson, there is something fundamentally authentic about Levon Helm. His music always felt real and if you ever read his autobiography, “This Wheel’s on Fire,” you know he doesn’t flinch from describing his long, rambunctious ride.

To anyone who grew up with Levon Helm and the Band, it’s a shock to see him these days, a reminder of our own mortality. He’s gaunt, almost spectral, and his voice is sometimes a whispery rasp. As Levon explains, these midnight rambles — which have become a tremendous success featuring a who’s who of guest stars – began as “rent parties” organized by his manager Barbara O’Brien to pay the mortgage on his farm and cover his medical bills. Weed and whiskey were replaced by cancer treatments.

But Levon Helm is a survivor. A man who beat the odds. He’s a true gentleman. And he can still drum like a demon for two hours straight.

What’s important to Levon now is keeping his American roots music alive, and passing it on. Lots of new groups seem to be tuning in – from the Decemberists to Mumford & Sons and the Carolina Chocolate Drops.

We’re tempted to describe Levon as a lion in winter, but as you’ll see in this interview with Marco Werman, he’s more like a Cheshire cat with that incredible smile and a wry perspective on his life. Don’t miss his rendition of a Turkish Army Band toward the end of this conversation.

Our Quick Hits team was directed by John MacGibbon with Andy Bowley as director of photography.

Watch Quick Hits: Levon Helm Performs “The Weight” on PBS. See more from Sound Tracks.

I pulled into Nazareth was feelin’ about half past dead
Just need to find a place where I can lay my head

It’s one of the most famous opening lines to any rock song of the past 50 years, and it was sung originally by drummer Levon Helm in a clear, strong tenor voice with an unmistakable Arkansas twang. Since it’s release in 1968, “The Weight” has become an essential part of the American songbook.

This version — filmed for Quick Hits at a Feb. 4, 2012, midnight ramble concert in Levon’s Woodstock, N.Y., barn is “The Weight” at its most communal. A song in which everyone shares the burden and the joy.

Levon’s spirit hovers over the whole song but he turns over the opening vocals to Woody Platt, a smooth, handsome country singer from North Carolina, whose group, the Steep Canyon Rangers, shares the stage with the Levon Helm Band. Larry Campbell, a Jackson Browne look-alike who leads Levon’s outfit, joins in, followed by Brian Mitchell singing about “crazy Chester” (Rick Danko’s role in the original). Teresa Williams (Campbell’s wife) and Amy Helm (Levon’s daughter) deliver some heartfelt harmonies.

Look closely and you’ll spot Donald Fagen of Steely Dan on piano.

Written by Robbie Robertson, “The Weight” is a masterpiece of biblical allusions, enigmatic lines and iconic characters. But the heart of the song has always been Levon Helm, who emerged from the Southern cotton fields to play with Bob Dylan and become the only American in a group that reintroduced America to its musical roots.

Watch Quick Hits: Levon Helm Performs “Ophelia” on PBS. See more from Sound Tracks.

“Back porch music” is how Levon Helm describes what he and his band perform in their midnight rambles. It’s the music of the traveling tent shows he used to hear as a kid in Arkansas. Communal music, everybody joining in. A little country. Some rockabilly. A touch of gospel. A tinge of blues. Add the guitars, drums and horns that power rock ‘n’ roll, and it’s the Levon Helm Band in action.

“Ophelia” is the perfect kind of song for this: old timey and fired up — with plenty of humor and some clever lyrics:

Ashes of laughter
The ghost is clear
Why do the best things always disappear?
Like Ophelia
Please darken my door.

That’s Jim Weider on guitar, followed by Larry Campbell, the leader of the band. Clark Gayton does the trombone honors, and we get to hear Amy Helm (who has her own band, Ollabelle). Levon brings us home with his distinctive drumming, ending in a flourish and a smile of pure satisfaction.

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