Stephen Prothero

SALON Daily Clicks: Newsreal

Tibetan Buddhism is hot in Hollywood, boffo in advertising, the cause of choice in rock 'n' roll.

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Buddhism is back and coming to a stadium near you.

Actually, two stadiums, both in stereo. The “Tibetan Freedom Concert,” sponsored by the San Francisco-based Milarepa Fund, hits Downing Stadium on Randall’s Island, New York, on June 7 and 8. A competing “Tibetan Freedom Benefit Concert,” put on by Tibet House of New York, plays the Civic Auditorium in San Francisco on June 8.

Natalie Merchant, Philip Glass and Ziggy Marley and the Melody Makers headline the San Francisco gig, while a younger, louder and very trendy crew — Sonic Youth, Foo Fighters, Porno for Pyros, Bjvrk, Rancid and the Beastie Boys among them — will play New York City.

Buddhism in general and Tibet in particular have long been a favored cause/religion among the rock ‘n’ roll set, but more recently their appeal has gone mainstream. In Macy’s stores, employees spritz incoming shoppers with Om perfume, while Barnes and Noble clerks push “Zen and the Art of Changing Diapers.” In a Gatorade spot, Michael Jordan hikes up a mountain in search of a guru and the meaning of life. “Life’s a sport,” the teacher tells him, “drink it up.” Apparently Jordan hasn’t read “Sacred Hoops,” the Zen tract by Chicago Bulls coach Phil Jackson.

This is not the first time Americans have gone gaga over Buddhism. In the ’50s, the Beats had a yen for Zen, as exemplified by the late Allen Ginsberg. But Zen was a little too esoteric for the mainstream. Buddhism’s more recent breakthrough has a distinctly Tibetan tinge. Apart from Richard Gere’s oft-publicized association, Hollywood has released one horrible movie about Tibetan Buddhism, “Little Buddha,” starring Keanu Reeves. In “Ace Ventura Pet Detective: When Nature Calls,” Jim Carrey’s Ace — his mantra: “Alllllrighty then!” — achieves “omnipresent supergalactic oneness” in a Himalayan monastery. “Everybody in Hollywood wants to belong to the Buddhist religion now,” says the Rev. Julius Goldwater, an Angeleno who has been practicing Buddhism for 70 years, “but none of them are real Buddhists.”

Tibetan Buddhism is even bigger in advertising. Anheuser-Busch aired ads during the Olympics featuring thirsty lamas eyeing a Budweiser blimp, and IBM built an entire ThinkPad campaign around the telepathic technologies of Tibetan holy men. Lycos, the Web search engine, features Himalayan Sherpas as Internet “guides” in its multimillion-dollar TV ad campaign.

Sitting atop this religio-cultural trend is the Dalai Lama, the exiled spiritual leader of the Tibetan people. Born Tenzin Gyatso in eastern Tibet in 1935, he fled to Dharamsala, India, in 1959 after the Chinese overran the Land of Snows. Thanks to his nonviolent struggle for Tibetan self rule, the Dalai Lama has replaced Nelson Mandela as the rebel with a cause. Mild-mannered, smart, even sexy in a celibate sort of way, the Dalai Lama did a bona fide celebrity tour last month, meeting with President Clinton in the Oval Office, chatting with Larry King on CNN (King: “What will you come back as — a rabbi?”) and celebrating a Tibetan “freedom Passover” with Supreme Court Justice Stephen Breyer. This while Catholic Cardinal Joseph Ratzinger was denouncing Buddhism as “spiritual autoeroticism.”

In case you missed him on his just-concluded U.S. tour, don’t fret. He’ll be back in June to kick off the San Francisco benefit. And in the fall he’ll be coming to the big screen in two biopics: Martin Scorsese’s “Kundun” and “Seven Years in Tibet,” starring Brad Pitt. A third is in development with Steven Seagal.

Why the Tibetan vogue? Bob Summers of McCann, Erickson Worldwide in Atlanta thinks the image of the Tibetan monk resonates because it is reassuring in this madcap, materialistic world. Being acquainted with Asian holy men via “Kung Fu” and the “Karate Kid,” when we see a Tibetan monk, we know he stands for wisdom, tranquillity, simplicity — “the inner peace of knowing you can get yourself a Wall Street bonus,” says Summers.

Theologically, Tibetan Buddhism offers piety without the need to believe in God. According to Chris Queen, a Harvard dean and a practicing Buddhist, Americans are “tired of theism” but aching for spiritual fulfillment. Tibetan Buddhism promises spirituality without the trappings of religion — a pope without the pomp.

The Dalai Lama is also irresistibly politically correct. On college campuses, according to University of Michigan Professor Donald Lopez, students see Tibetan freedom as “an unambiguous political cause.” The battle between the Dalai Lama and the Chinese isn’t just good theater — “Gandhi” goes to Tibet — it’s a post-Cold War morality tale pitting the evil Chinese empire against everybody’s exotic underdog.

Not all Buddhists consider this boom a boon. The online Buddhist journal CyberSangha has exiled both the Dalai Lama and Tibetan repression to its “not hot” list. The Dalai Lama is “deeply naive” politically, says Queen “His Holiness may be like Gandhi, but Tibet is not India and the Chinese are not the British.” Tibet, he says, to the inevitable chagrin of Dalai-lovers who are used to instant gratification, will remain a “toxic waste dump” for the Chinese for years to come.

Given the unstable life span of American celebrityhood, how long can Tibetan Buddhist chic last? With “Kundun” and “Seven Years in Tibet” due to open later this year, can Dalai Lama Halloween costumes be far behind? And if we aren’t already terminally bored by the time a “We Are the World”-style single for a free Tibet comes out, the sight of Steven Seagal wreaking righteous vengeance on enemies of the Dharma will surely produce the coup de grace.

Or will it? The Dalai Lama knows that the history of hip, like the history of the cosmos, runs in cycles of life, death and rebirth. So what if he and his religion are destined to die of overexposure in foreign stadiums? They’ll be back.

Salon Daily Clicks: Newsreal

Timothy Leary is dead and well and blasting through outer space.

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Timothy Leary’s cremains have boldly gone where no man has ever gone before.

Early yesterday morning, a winged Pegasus XL solid-fuel rocket hitching a ride on the underbelly of a Lockheed L-1011 jumbo jet ignited at 39,000 feet above Spain’s Gando Air Force Base on the Canary Islands and delivered a MINISAT research satellite owned by the Spanish government into orbit 300 miles above Earth.

On the way the Pegasus also sloughed off a canister owned by Houston-based Celestis Inc. containing “the individually encapsulated cremated remains” of 24 former human beings. Seven grams of “Star Trek” creator Gene Roddenberry were strapped in this 9-by-12-inch mausoleum. Another lipstick-sized aluminum capsule was reserved for a quarter ounce of Leary.

After learning he had terminal prostate cancer, the LSD guru had vowed to “give death a better name or die trying.” Would he commit “directed de-animation” live on the Web? Or have his head cut off and frozen? No and no. He died in his sleep and was privately cremated — a rather conventional coda from a man who had excoriated traditional modes for much of his life.

America’s first modern cremation took place in a cigar box of a building in Washington, Pa., in 1876. The star of that day, who according to a prescient New York Times reporter was destined to be “principally famous as a corpse,” was a would-be baron from Bavaria with more bluster than means. For roughly the next century, cremation was reserved for theosophists, socialists and other crackpots.

But in the last two decades cremation has boomed, and not just among Timothy Leary types. According to Jack Springer, president of the Cremation Association of North America, the national cremation rate is now 21 percent.

Along with the boom in cremation has come a bewildering array of choices. Independent Urn Sales of Holly Hill, Fla., offers a “Star of David” urn for Jews, “Calvary” for Christians (in a “Crucifix” version for sick souls and “Risen Christ” for the healthy-minded), “Pink Triangle” urns for gays and the unadorned and oddly titled “Cube Large” (for overweight cheapskates?). You can display an urn on your mantel, tuck it in a columbarium niche or squirrel it away alongside savings bonds in a safe deposit box. Or you can skip the urn altogether and scatter the ashes on the warning track at Shea Stadium or Candlestick Park — assuming you don’t get caught. “Cremation Keepsake Pendants” are available from any self-respecting death-care provider.

In a college course I teach, called “Death and Immortality,” students often fantasize about going out with a bang: incineration on an open pyre in Washington Square in Greenwich Village, or a post-cremation bash complete with acid jazz and hemp brownies sprinkled with ashes. Hiring the Neptune Society to scatter your ashes at sea just isn’t hip anymore.

But shooting your remains into space — now that’s style, especially if, as Celestis president Chan Tysor promises, you are guaranteed after a few years to keel back toward Earth and burn up “like a shooting star.” (Your space burial, the Celestis Web site promises, will not leave behind any unsightly “orbital debris.” What could be hipper than a green reincineration?)

The “Celestis Earthview Commemorative Spaceflight Service” does not come cheap. Rocketing in an environmentally friendly manner to the front lines of our “spacefaring civilization” will set you or your heirs back $4,800. A 10 percent discount is available for members of the Celestis Associates Program (cost: $35 a year; students: $25). If the launch, as my students say, “pulls a Challenger,” Celestis will either refund your money or collect another seven grams of your loved one’s ashes and try real hard to be more careful next time.

Leary appears to have escaped such humiliation. His seven grams of pulverized bone, mixed with trace elements of C20H25N3O, are now safely in orbit, passing over your head and mine roughly every 90 minutes. In a few years, they will tilt back to earth, accelerating, burning, burning, burning out, surfing a hissing wave of smoke and light, vaporizing in the black, empty silence of space. “I’ll be a space pioneer,” Leary told longtime friend Carol Rosin after viewing the Celestis video puff piece that sold him on space burial two days before he died. “I will be the light.”

Like Do and his Heaven’s Gate followers, Leary — the man who wrote the ad copy for both the ’60s (“turn on, tune in, and drop out”) and the ’90s (“to immortalize, digitize!”) — dreamed a quintessentially American dream: to light out for new territories, using the powers of spirit, mind and controlled substances to, in his words, “form higher units in neurological (and physical) Outer Space.” But he knew better than to trust his scheduled ascension to a UFO and the clockwork of comets. Instead, he waited for death to come to him, then put his trust in the thrust of a Pegasus rocket. If the Heaven’s Gaters were, as I’ve heard it said, “killed by kitsch,” Leary was memorialized by it, presumably with the requisite ironic wink.

Yes, the Celestis service is a crass, commercial venture, and Leary is now its pitch man. But give the guy credit. At the end of the millennium, Leary is out in front once again, reminding us this time of fallen Viking warriors launched into the sea on ships of fire, riding light into darkness, challenging everyone over 30 to live recklessly and then to die without shame.

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