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Oil companies are going all-in on petrochemicals — and green chemistry needs help to compete

Global oil consumption declined by roughly 9% in 2020 as the pandemic reduced business and pleasure travel, factory production and transportation of goods. This abrupt drop accelerated an ongoing shift from fossil fuels to renewable energy.

U.S. government forecasts show that oil use for transportation, industry, construction, heating and electricity is declining and will continue to drop in the coming years. This trend has enormous implications for the oil industry: As the International Energy Agency observed in 2020, “No oil and gas company will be unaffected by clean energy transitions.”

Graphic showing products made from a barrel of oil.

About 80% of every barrel of oil refined in the U.S. today is used to make gasoline, distillate (diesel) and jet fuel, with the rest going into petrochemical products. EIA

Many of these companies are trying to make up losses by boosting production of petrochemicals derived from oil and natural gas. Today roughly 80% of every barrel of oil is used to make gasoline, diesel and jet fuel, with the rest going into petrochemical products. As demand for petroleum fuels gradually declines, the amount of oil used for that “other” share will grow.

This makes sense as a business strategy, but here’s the problem: Researchers are working to develop more sustainable replacements for petrochemical products, including bio-based plastics and specialty chemicals. However, petrochemicals can be manufactured at a fraction of the cost. As a biochemist working to develop environmentally benign versions of valuable chemicals, I’m concerned that without adequate support, pioneering green chemistry research will struggle to compete with fossil-based products.

This video from Austrian oil and gas company OMV shows how petrochemicals serve as building blocks for goods from pharmaceuticals to bike helmets.

Pivoting toward petrochemicals

Petrochemicals are used in millions of products, from plastics, detergents, shampoos and makeup to industrial solvents, lubricants, pharmaceuticals, fertilizer and carpeting. Over the next 20 years, oil company BP projects that this market will grow by 16% to 20%.

Oil companies are ramping up to increase petrochemical production. In the Saudi Arabian town of Yanbu, for example, two state-owned companies, Saudi Aramco and Sabic, are planning a new complex that will produce 9 million metric tons of petrochemicals each year, transforming Arabian light crude oil into lubricants, solvents and other products.

These changes are happening across the global industry. Several Chinese companies are constructing factories that will convert about 40% of their oil into chemicals such as p-Xylene, a building block for industrial chemicals. Exxon-Mobil began expanding research and development on petrochemicals as far back as 2014.

The International Energy Agency projects that petrochemicals will account for one-third of growth in global oil demand through 2030 and half of growth in demand through 2050.

The promise of green chemistry

At the same time, in the U.S. and other industrialized countries, health, environmental and security issues are driving a quest to produce sustainable alternatives for petroleum-based chemicals. Drilling for oil and natural gas, using petrochemicals and burning fossil fuels have widespread environmental and human health impacts. High oil consumption also raises national security concerns.

The Department of Energy has led basic research on bioproducts through its national laboratories and funding for university BioEnergy Research Centers. These labs are developing plant-based, sustainable domestic biofuels and bioproducts, including petrochemical replacements, through a process called “metabolic engineering.”

Researchers like me are using enzymes to transform leafy waste matter from crops and other sources into sugars that can be consumed by microorganisms – typically, bacteria and fungi such as yeast. These microorganisms then transform the sugars into molecules, similar to the way that yeast converts sugar to ethanol, fermenting it into beer.

In the creation of bioproducts, instead of creating ethanol the sugar is transformed into other molecules. We can design these metabolic pathways to create solvents; components in widely used polymers like nylon; perfumes; and many other products.

My laboratory is exploring ways to engineer enzymes – catalysts produced by living cells that cause or speed up biochemical reactions. We want to produce enzymes that can be put into engineered bacteria, in order to make structurally complex natural products.

The overall goal is to put carbon and oxygen together in a predictable fashion, similar to the chemical structures created through petroleum-based chemistry. But the green approach uses natural substances instead of oil or natural gas as building blocks.

This isn’t a new concept. Enzymes in bacteria are used to make an important antibiotic, erythromycin, which was first discovered in 1952.

All of this takes place in a biorefinery – a facility that takes natural inputs like algae, crop waste or specially grown energy crops like switchgrass and converts them into commercially valuable substances, as oil refineries do with petroleum. After fermenting sugars with engineered microorganisms, a biorefinery separates and purifies microbial cells to produce a spectrum of bio-based products, including food additives, animal feed, fragrances, chemicals and plastics.

In response to the global plastic pollution crisis, one research priority is “polymer upcycling.” Using bio-based feedstocks can transform single-use water bottles into materials that are more recyclable than petroleum-based versions because they are easier to heat and remold.

Reducing the cost gap

To replace polluting goods and practices, sustainable alternatives have to be cost-competitive. For example, many plastics currently end up in landfills because they’re cheaper to manufacture than to recycle.

High costs are also slowing progress toward a bioeconomy. Today research, development and manufacturing are more costly for bioproducts than for established petrochemical versions.

Governments can use laws and regulations to drive change. In 2018 the European Union set an ambitious goal of sourcing 30% of all plastics from renewable sources by 2030. In addition to reducing plastic pollution, this step will save energy: Petroleum-based plastics production ranks third in energy consumption worldwide, after energy production and transport.

Promoting bio-based products is compatible with President Biden’s all-of-government approach to climate change. Biomanufacturing investments could also help bring modern manufacturing jobs to rural areas, a goal of Biden’s American Jobs Plan.

But oil company investments in the design of novel chemicals are growing, and the chasm between the cost of petroleum-based products and those produced through emerging green technologies continues to widen. More efficient technologies could eventually flood existing petrochemical markets, further driving down the cost of petrochemicals and making it even harder to compete.

In my view, the growing climate crisis and increasing plastic pollution make it urgent to wean the global economy from petroleum. I believe that finding replacements for petroleum-based chemicals in many products we use daily can help move the world toward that goal.

Constance B. Bailey, Assistant Professor of Chemistry, University of Tennessee

This article is republished from The Conversation under a Creative Commons license.

Being autistic may amount to a language difference — not an impairment

Experts generally agree that, no matter how many words you use, a large percentage of communication comes via nonverbal actions — facial expressions, body language, and so on. If you are autistic like me, that means you struggle with many aspects of this non-verbal communication.

Now, a new study now offers insights as to why that might be the case — though many autistic people say the study is reaffirming exactly what they’ve known for years.

The study, published in the Journal of Autism and Developmental Disorders, suggested that those on the autism spectrum find it difficult to accurately identify angry facial expressions when they are displayed with the intensity and speed that neurotypicals find “normal.”

As the lead author of the study explained in a University of Birmingham news release, “We identified that autistic people had a specific difficulty recognizing anger which we are starting to think may relate to differences in the way autistic and non-autistic people produce these expressions. If this is true, it may not be accurate to talk about autistic people as having an ‘impairment’ or ‘deficit’ in recognizing emotion — it’s more that autistic and non-autistic faces may be speaking a different language when it comes to conveying emotion.”

PhD researcher Connor Keating, the lead author of the study, elaborated on this issue in an email to Salon where he discussed the so-called “double empathy problem.” This is the idea that empathy relies heavily on both how we instinctively express emotions and what we have grown to expect from previous social interactions — experiences that can be very different for autistic people. When that happens, there is a communication breakdown which upsets both autistics and allistics (non-autistic people).

“The double empathy problem was conceptualized by Damian Milton, an autistic academic,” Keating explained. “Many autistic individuals over the years have endorsed the double empathy idea, agreeing that it matches their own experiences.” 

His study, he added, is the first “to show that a difficulty recognizing moving, rather than still, angry expressions is associated with autism, and not alexithymia.” Alexithymia is a condition related to autism that impacts emotional communication.

It is fair to say that many autistic people, when reading that, will probably react the same way that I did: Of course!

“As a kid I only understood obvious outright expressions of anger and aggression,” Jen Elcheson, a school support worker from Prince George BC Canada, told Salon by email. “Subtle ones? Forget it. Especially if the person had ambiguous body language.”

Elcheson recalled incorrectly thinking other people were being humorous when in fact they were expressing facetiousness.

“My response would just further piss them off,” Elcheson recalled. “Confusion, shame, and my own anger towards myself followed. I got it wrong, again!”


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Even as an adult nearing 40, Elcheson says it is a “struggle at times” to understand subtle non-verbal and sometimes even verbal cues. “I don’t always know what may be going on with someone who is not autistic,” Elcheson added. “I can usually understand fellow autistic just fine. Ditto for people who are otherwise neurodivergent, as I have other [neurodivergent] diagnoses as well.”

Alex Plank, founder of a popular forum site for neurodivergent people, observed that he often feels like he is speaking a different language from neurotypicals, particularly when it comes to emotions.

“I often have people think I’m being rude when I’m just being factual or trying to communicate urgency,” Plank explained in an email. He added that he often overlooks social customs such as remembering to greet someone or avoid talking over them.

“I’ve noticed when talking with other autistics, we tend to talk over each other and it works fine — we stop talking if we need to or the other person does,” he mused.

Indeed, this unexpected anger can be mystifying to those on the spectrum, and often seems to emerge entirely unprompted. Morénike Giwa-Onaiwu, a visiting scholar at Rice University who is also on the autism spectrum, recalled how both she and other autistic people often have the experience of communicating with people who suddenly become very angry.

“I would just be really confused,” Giwa-Onaiwu told Salon. “I didn’t understand where they were getting that vibe or what was happening because I’m thinking we’re holding a conversation and I’m not taking up whatever cue I guess I’m supposed to be picking up from their face or their body language.” This is more than a mere faux pas or embarrassment; as Giwa-Onaiwu observed, “it puts you in a really dangerous situation” because neurotypicals may not react well to an autistic person who does not correctly process their anger.

“I think they truly don’t understand that we are not perceiving what they’re perceiving,” she added. 

Podcast host and life coach Danielle Sullivan (who is late-diagnosed autistic) expressed hope that the study would help people better understand the precise nature of how autistic people struggle.

“I think this study’s conclusions are absolutely correct,” Sullivan wrote to Salon. “Although emotional intelligence varies in autistic people (the same way it does in allistic people) as a whole, autistic folks don’t have impaired emotional intelligence. We do have a distinct and different language and expression for our emotions that can be just as hard for neurotypical to read in our faces as it is for us to read in neurotypical faces.”

For what it’s worth, not all autistic individuals feel this way. Iconic autism and animal rights advocate Temple Grandin, for instance, told Salon by email that “I have always been able to recognize anger. I use the tone of voice as the main indicator for anger.”

Either way, if there is one common theme from all of the conversations I’ve had with autistic individuals — both for this article and many, many others — it is that our neurology simply makes us different, not worse. As British psychologist and autism specialist Tony Attwood once wrote, “I see people with Asperger’s syndrome as a bright thread in the rich tapestry of life.”

Joe Biden, Donald Trump and the Weimar Republic: History’s dark lessons

If Donald Trump’s movement is destined to be America’s answer to Nazism, than the Joe Biden administration is currently a rough equivalent of the Weimar Republic — the unstable constitutional democracy that governed Germany before the rise of Adolf Hitler. The comparison is imperfect, but the cautionary tale is still clear. There is an obvious risk that Biden and the narrow Democratic majorities in Congress will fail, and that Trump or a successor will take over and then cement themselves into power for at least the next generation. Every American who wants to avoid this — especially Biden and the leading Democrats in Congress — needs to learn the right lessons from Germany in the 1920s and 1930s.

It would require a medium-length academic article to lay out all the similar and dissimilar qualities of these two nations in these two periods. But for the purposes of understanding the threat posed by Trumpism, there are five key similarities:

1. Both sagas began with an incompetent right-wing ruler. In Germany’s case, they had the misfortune of being led by Kaiser Wilhelm II, who has been described as viewing “other people in instrumental terms,” as a “compulsive liar” and possessing “a limited understanding of cause and effect.” That sounds more than a little bit like Donald Trump, whose administration was plagued with scandal and who failed to effectively manage the COVID-19 pandemic. On both occasions, that ruler was eventually removed from power (through losing both World War I and the German Revolution in the case of the former and losing the 2020 election in the case of the latter).

2. Both stories continued because of a Big Lie. Hitler appealed to nationalist sentiments by claiming that Germany had actually won World War I but been betrayed behind the scenes by a conspiracy of socialists and Jews. Trump, who displays narcissistic traits and has spent years telling people that any election he loses is by definition stolen from him, has without evidence or any logical argument insisted that Biden cheated in 2020. Another defeated president might have been dismissed as a pathological sore loser, but Trump’s cult of personality is so strong that his Trumper tantrum has now become a defining part of Republicanism.

3. Both used their Big Lies to break democratic norms. In Hitler’s case, he became a de facto legal dictator shortly after rising to power. Because America has a much longer history of unbroken democratic government than Germany did in 1933, things will be trickier for the Trumpists. In Trump’s case, he became the first president to lose an election and refuse to accept the result (there have been 10 previous defeated presidents, and all accepted the voters’ verdict), as well as the first to incite an insurrection to stay in power. Trump is now reportedly fueling conspiracy theories that he could still overturn the election; just as significantly, Republicans are using his Big Lie to restrict voting for Democratic-leaning groups throughout the country. Through these methods, they will make it possible for Republicans to steal future elections — presidential and local — through means created to “fix” the problem they manufactured through their Big Lie. No doubt there will be many future Big Lies.

4. Both Hitler and Trump use fascist tactics to win over their supporters. These include appeals to nationalism, vilification of “out” groups and conditioning their followers to use self-expression as a substitute for authentic political self-agency. (It helps when they can create a cult of personality around the leader figure.)

5. Both may wind up using their legal troubles to create resurrection narratives. Hitler famously served nine months in prison for participating in a failed coup d’état known as the Beer Hall Putsch. Trump may go to prison for anything and everything from his own coup attempt to the numerous financial crimes alleged against him. If he’s convicted, he will likely be held up as a martyr; if he doesn’t, that fact will be cited as vindication. 

Because of these similarities, it is unfortunately conceivable that Trump will complete his takeover of the Republican Party (generously assuming he has not already done so) and the Trumpists will win every future election because of their various voter suppression laws and Orwellian propaganda. We face a future in which Trump’s brand of right-wing politics is not only empowered, but virtually impossible to dislodge. My guess is the process will start gaining steam soon, win some important victories in the 2022 midterm elections and then climax when either Trump or a Trumpist is elected in 2024.

How can Biden make sure this does not happen?

He must recognize the gravity of the crisis and prioritize neutralizing it. That means making sure Republicans can’t cover up the truth about Trumpism’s anti-democratic agenda, and that voting rights are protected.

None of that will be possible as long as Republicans in the Senate can filibuster legislation to death. Even though Democrats have a theoretical majority in a 50-50 Senate because of Vice President Kamala Harris’ tie-breaking vote, two Democrats — Joe Manchin of West Virginia and Kyrsten Sinema of Arizona — have infamously refused to support ending the filibuster. Their rationale is that of British Prime Minister Neville Chamberlain, who notoriously gave part of Czechoslovakia to Germany and thereby emboldened Hitler: Like Chamberlain, they want to appease the far right extremists in their midst. Today this means legislation that would protect voting rights, investigate the Trumpist coup effort and help America’s economy recover from the COVID-19 pandemic is being unnecessarily thwarted or watered down by Republicans bent on reclaiming power.

While Biden has expressed frustration with Manchin and Sinema, that is nowhere near enough. Biden and other leading Democrats need to make it clear that if Manchin and Sinema do not support ending the filibuster, they will suffer serious political consequences. The Trumpists understood this principle when they stripped Rep. Liz Cheney of Wyoming of her position in the House Republican leadership because she wouldn’t back the Big Lie. In their quest to Make America Forever Trumpist, they will tolerate no dissent. When it comes to what Democrats must do to stop Manchin and Sinema, however, the goal is not to suppress dissent but to make sure that those who do suppress dissent can’t rise to power. If Manchin and Sinema refuse to do something reasonable to stop them, the Democratic Party must make them suffer politically for it. To quote John F. Kennedy’s final speech (which he never got to deliver because he was assassinated: “This is a time for courage and a time of challenge. Neither conformity nor complacency will do. Neither fanatics nor the faint-hearted are needed.”

Consider this nightmare scenario: Sinema and Manchin switch parties and Democrats lose control of the Senate. As bad as that might be, it would also force Republicans to shoulder some of the blame for political gridlock, and might be preferable to Democrats being seen as impotent because two bad senators are blocking their entire agenda. If Biden can’t get Manchin and Sinema to stop supporting the filibuster and back his agenda, then they deserve to be effectively treated as Republicans even if they remain nominal Democrats. Biden can still creatively use executive power to at least somewhat follow this next step. (I elaborate on that here.)

That step is to make sure that he adequately addresses the people’s legitimate needs. The Weimar Republic fell, in part, because of widespread economic hardships that the government simply could not fix. Biden needs to make sure that the vast majority of Americans feel economically secure, safe from threats foreign and domestic (like terrorists and pandemics), and protected from long-term existential crises like global warming, plastic pollution and income inequality. Any legislation passed anywhere in the nation that limits citizens’ access to voting must be stricken from the books. Lies spread in bad faith to discourage voting, from Trump claiming he won in 2020 to myths about mail-in ballots, have to be proactively rebutted. 

It is unrealistic to expect Biden to be a revolutionary even if Manchin and Sinema do stop playing God, but he is capable of doing a lot entirely on his own. Whenever possible, he must be bold.

Finally, Biden must make sure that we never forget Jan. 6. Just as George W. Bush’s presidency was defined by his response to the 9/11 terrorist attack, so too will Joe Biden’s be defined by whether he can make 1/6 into a cornerstone of our political consciousness. If he can do that, he will be able to make sure that Trumpism’s anti-democratic philosophy — which poses a far more dangerous threat to America than Islamist terrorism — is known by all but its followers for what it is.

This won’t be easy, but we don’t have a choice. A century ago one of the world’s great powers collapsed into authoritarian evil with astonishing rapidity: While monarchists and major capitalists believed Adolf Hitler was a clown they could control, the opponents were divided, confused and ineffective. Aspects of that history are repeating themselves, and the question now is whether we have learned from the mistakes of the past to alter the outcome.

Brother of QAnon conspiracy theorist Michael Flynn assumes command of US Army Pacific

According to Stars and Stripes, the brother of disgraced Gen. Michael Flynn, Gen. Charles Flynn, is assuming command of U.S. Army Pacific.

“Flynn — the younger brother of Michael Flynn, who briefly served as national security adviser under former President Donald Trump — took the reins from Gen. Paul LaCamera, who will move on to command U.S. Forces Korea,” reported Wyatt Olson. “Flynn arrived from Washington, D.C., where he had served since June 2019 as deputy chief of staff for Army operations, plans and training. He has been stationed in Hawaii numerous times, most recently as deputy commanding general at U.S. Army Pacific.”

Unlike his brother, Charles Flynn has not publicly embraced QAnon conspiracy theories or called for a military coup. However, he has not been without controversy — the Army tried to conceal the fact that he was involved in response planning to the Capitol riot in January.

Kyrsten Sinema faces a major ultimatum from one of her biggest supporters

Sen. Kyrsten Sinema (D-Ariz.) is facing a serious ultimatum from one of her biggest state supporters. According to HuffPost, former Arizona Attorney General Grant Woods has now reached his breaking point with Sinema’s stance on the filibuster.

Woods, a former Republican who worked on late Sen. John McCain’s (R-Ariz.) presidential campaign but switched to the Democratic Party in 2018, endorsed Sinema during her election campaign in 2018. Now, he appears to be concerned about the decision he made to do so.

On Friday, June 4, Woods sounded off as he shared his concerns about Sinema’s unwavering support of the filibuster.

“I do think that Sen. Sinema and every senator should support ending the filibuster for the voting rights bill,” he said, adding, “To keep the Jim Crow filibuster while losing some of these basic voting rights that are central to our democracy is preposterous.”

“Sen. Sinema should know that, so should Sen. Manchin,” Woods said, referring to Sen. Joe Manchin (D-W.Va.), who has also been quite vocal about his opposition toward the filibuster’s removal. “At the end of the day, I’m very hopeful that they’ll come around and do the right thing. But if they don’t, then I don’t think they belong in the Senate anymore.”

Despite the ultimatum, heightened intraparty resistance, and criticism, Sinema has made it clear that she supports the measure. In a public statement released on Friday, the Arizona Democratic lawmaker doubled down on her belief as she works with Republican lawmakers’ efforts to preserve the filibuster.

“It is a tool that protects the democracy of our nation,” Sinema said Tuesday in Tucson, at an event with Sen. John Cornyn (R-Texas). “Rather than allowing our country to ricochet wildly every two to four years back and forth between policies, the idea of the filibuster was created by those who came before to create comity and to encourage bipartisanship and work together.”

Replace the police: new response strategies for mental health crisis calls

By all accounts, in the early morning hours of March 23 last year, Daniel Prude, a 41-year-old Rochester, New York, man, was having a psychotic break. Prude’s fate was sealed after his brother, trying to help, called 911. Police responded by handcuffing the naked Prude, pinning him to the ground and suffocating him to death.

“Mr. Daniel Prude was failed by our police, our mental health care system, our society, and by me,” Rochester Mayor Lovely Warren said during a press conference about the incident. 

Over the past year, the use of 911 calls to dispatch police in psychiatric emergencies is coming under long-overdue scrutiny, and momentum is building to divert these calls to mental health crisis teams. Such reforms, advocates say, could have prevented interactions with law enforcement that ended the lives of Prude, Nicolas ChavezWalter Wallace Jr., Angelo QuintoDeborah Tanner, and countless others who were met with weapons rather than psych care. 

People with untreated serious mental illness are 16 times more likely to be killed during an encounter with the cops than other civilians, according to research by the Treatment Advocacy Center, a national nonprofit supporting treatment for severe mental illness. The reason: Cops are usually not trained to adequately identify or  understand psychosis. Rather, their training tells them to react to every encounter as a potential threat.

Justice reform and mental health advocates say sending mental health crisis teams to deal with psychiatric emergencies would save lives, although making widespread reforms like this one would likely strain mental health resources.

* * *

Responding to the shooting of 13-year-old Linden Cameron, a boy with Asperger’s syndrome who was shot  and seriously injured by a police officer in Salt Lake City last year, Utah recently passed a law creating a council to devise standard training for police crisis intervention teams statewide. More often, initiatives to divert police from psychological crises calls are happening at the city level. Last month, New York City announced the expansion of a six-month pilot program to reroute some of the more than 150,000 annual mental health calls from police officers to mental health experts and EMS. “We’re now convinced that this approach is going to work citywide,” Mayor Bill de Blasio said of the program during a recent budget briefing. A senior advisor to the mayor, Susan Herman, said that the city will continue to strengthen crisis prevention and establish a “health centered approach.” 

De Blasio’s noting of this change in a budget meeting is significant. Law enforcement around the country is beginning to see reform in this area through a cost saving lens. According to a 2017 national survey of police and sheriff’s departments, 10% of law enforcement budgets — over $900 million nationally — were spent responding to people with mental illness, accounting for more than 20% of total law enforcement staff time. 

Measures to move cops away from intervening in mental health crises largely have the backing of city leaders and law enforcement. Praising New York City’s launch of its pilot program in November, Police Commissioner Dermot Shea said officers “applaud the intervention by health professionals in these nonviolent cases and as always stand ready to assist.”

In the wake of outrage over Daniel Prude’s death, the city of Rochester is sending the Person in Crisis Team, not police, to mental health crises. Denver, Albuquerque, and Portland, Oregon, are also moving toward unarmed response for mental crisis calls. In Los Angeles, the LAPD’s Mental Evaluation Unit  has for years been using two-person teams of clinicians and officers to de-escalate crises, but the department recently launched a pilot program to divert more 911 calls to crisis counselors and get teams into the field faster. 

Some cities are using a program established 30 years ago in Eugene, Oregon, as a model. The program, Crisis Assistance Helping Out On The Streets (CAHOOTS), launched by Eugene’s White Bird Clinic in 1989, consists of a medic and a crisis worker, neither carrying weapons. 

CAHOOTS received around 24,000 calls last year, and teams requested police backup only 150 times, according to Tim Black, director of consulting at White Bird Clinic, who said he’s getting more calls from cities of all sizes to help divert police from “quality of life” and mental health calls. 

“If someone shouts in the streets, the response is to call the cops,” Black said. “Mattress on the sidewalk? Call the cops. We have to get out of that mindset.” 

But if mental crisis teams appear to be an obvious way to save money, time and especially lives, why has it taken so long to take police out of the picture? According to Black, public awareness and pressure to change — and a year of protests over police violence — have broken through the inertia of law enforcement.

“The response is coming from the public to demand this,” Black said. “If we wanted law enforcement to make these changes we would be waiting a long time.”

But changes can be made. Before the rise of ambulance companies, it was police officers who typically took ill people to the hospital. 

“You also need places to take people in crisis other than a hospital or jail,” Black added, noting that more low-barrier shelters, sobering centers and stabilization centers where people in crisis can chill out for several hours are useful alternatives. 

* * *

Making these changes will likely put a strain on resources, according to Lisa Dailey, acting executive director of the Treatment Advocacy Center, who says that police reforms need to go hand in hand with changes to mental health systems.

“The patient is like a hot potato,” Dailey told Capital & Main. “[Law enforcement] doesn’t want this responsibility, but the mental health system doesn’t want it either. The philosophy of state departments of health is no involuntary detainment. That makes it more likely that they will end up in the criminal justice system.”

Several resources and policy changes are needed, said Dailey: more beds at inpatient facilities, more workers at outpatient centers and time enough for patients to stay until they stabilize. Eliminating the loophole allowing Medicaid to reject paying for treatment at mental health and substance abuse treatment facilities with more than 16 beds is another policy change Dailey advocates. 

“States have no incentive to fund facilities with state dollars, then ultimately they close facilities. The whole [mental health] system is underfunded and poorly organized,” notes Dailey. 

The wide ranging George Floyd Justice in Policing Act currently making its way through Congress focuses on curbing police abuses and the use of chokeholds, but does not reroute mental health crises away from police. 

That’s fine, say advocates like Black, who says different communities have distinct needs for mental health and addiction services. “Listen to community stakeholders, because that is where the truth is, people with lived experience.” 

A majority of the public is willing to make a financial investment on the federal level. A 2020 survey from the Alliance for Safety and Justice found more than three-quarters of voters support using federal funding to expand mental health crisis responses to divert mental health 911 calls away from police. Mental health and police reform advocates have been calling for these changes for years. Now, with renewed scrutiny on police throughout the nation, they say there’s no need to wait. 

Copyright 2021 Capital & Main

I killed the beloved hero of my books, and reader reactions were intense. Would I do it again?

In November 2013, the third book in my bestselling “Divergent” series, “Allegiant,” had been on the shelves for a few weeks, and I was on a run. It was cold, and I had lost my keys somewhere along my path. As I waited for my husband to drive back to the apartment to let me in, I sat on my back steps and tweeted about my misery, as one does. Within seconds, I received a reply: I hope you freeze to death. Without hesitating, I blocked the user and closed Twitter.

My reaction was automatic. At that point, I had been receiving angry messages — even threats — for weeks. Some were obvious hyperbole — like the person who threatened to “chop my breasts off” — and some were more frightening. It’s harder to tell the difference than you’d think, and unlike many other women on the internet dealing with casual vitriol, I hadn’t had much practice. Up until then, my mentions were pretty tame, nothing outside the norm for a new author. This intense anger was provoked by a particular decision I had made: to end my series with the death of my main character.

Since then, every single time I open myself to reader questions, I get this one: Do you regret it?

* * *

A good ending, my writing professor told me in college, is both surprising but inevitable — and you have to earn it. So when I reached the climax of my third book, I tried on different endings in my mind. I wanted to make sure that the one I had planned since the first book was really the right choice. They all felt wrong, like I was avoiding something. They felt like cowardice.

On the day I wrote that scene, I told my husband, “I’m just going to try it and see how it feels.” I could always change it if it didn’t feel right. My heart raced the entire time. When I finished that afternoon, I was emotional — not because I had written her death, but because I knew it would take. Everything inside me was steady; this felt like the right ending for Tris, the character who had been living in my head for three books. This was the one. I knew it the way I knew I wanted to be a writer, the way I knew “Divergent” was ready for submission, my inner compass pointing resolutely north.

And yet for months after I sent in the draft, I was nervous. Not because I thought it didn’t work—I had set this ending up over the past two books, and to top it off, this installment, unlike the others, was written in two points of view. And not because I thought my readers would revolt — the death toll in the rest of the series was substantial, so surely they were prepared to lose characters at that point? But I worried I had been too obvious about it.

Hadn’t I?

At the end of both “Divergent” and “Insurgent,” Tris faced a kind of death — in one, she almost drowns; in the other, she’s nearly executed. In those books, there was still more for her to become, more for her to understand about what sacrifice meant and why it was powerful, one of the fundamental questions of her character from the beginning. But at the end of  “Allegiant,” she was no longer becoming; she had become. And she gave her life for someone she loved despite his deep flaws. She saw what he needed, as her parents had once seen it for her. “Allegiant” therefore ended just as “Divergent” had, the books mirroring each other.

I was so sure everyone would see my handiwork and guess what was coming. It’s almost funny to me now, how wrong I was.

* * *

At the time of “Allegiant”‘s publication, the book set a record for number of preorders at its publishing house, HarperCollins — approaching half a million. It was wild, a rarity in YA before and since. That meant everyone would read the final installment at the same time. And as they finished, there was a collective burst of shock and grief over her death, with no one outside the readership to mitigate it. It created a storm in a teakettle. The reaction built momentum, and culminated in the threats and anger to which I later became desensitized.

The question I ask myself, ten years after “Divergent” first hit the shelves, is this: Is it the fault of my readers for not seeing my ending coming, or is it mine? Answering that question requires me to ask what my books conditioned them to expect. For me, raised on books like “Bridge to Terabithia,” “A Summer to Die,” “The Outsiders,” “Harry Potter” — and later, “Flowers for Algernon,” “For Whom the Bell Tolls” and “The Death of Ivan Ilyich” — losses are a part of reading. I expect them, and have never particularly minded. A painful loss in a book feels like practice for the greater losses that await us all in life, no matter who we are. Or they give the losses we have already endured a voice, a moment of recognition.

But none of that answers the question of whether I did a good enough job at setting up my ending. Does it feel surprising, but inevitable? Does it feel earned? Those aren’t questions I can answer. The answers from others seem to be mixed, as they always are. But another thing I learned when studying writing is that the work must primarily speak for itself, and if people don’t understand what you’re up to, you shouldn’t leap to blame them for it. My writing education taught me to strip away defensiveness and look at what’s there, to be unafraid of what you’ll find. So when I look back at the books, yes, I do wince in places, because it’s my old work, and like any writer I can see now how many things I might have done better. I am sure that one day I will feel that way about the work I’m doing now, too.

But do I regret the way I ended my series? No. I don’t, and I never have.

As time has gone on, the tone of the messages I receive from readers — people are still discovering the series anew after ten years! — has changed. There are more fans of the ending than there used to be, and that’s nice for me, but I’m not talking about them. I’m talking about the ones who are sad — sometimes profoundly so — and plead with me to write another installment.

This plea feels like its own expression of grief. What do we feel after a loss but a desperate need to go back to the way things were before? That’s impossible when we lose a loved one. But when we lose a beloved character, there is someone out there who can give us what we want, who could end our discomfort: the author. And the last few years have yielded results on that front in the form of continuations and reboots of stories — in books, movies and TV — we thought were long over.

But I’m not interested in providing an end to that discomfort. And it’s not because I want to shock people, or because I am — as one morning show host once put it — “ruthless.” It’s because this ending is an exploration of resilience, for the characters that remain as well as for the reader. It communicates that losses can be endured. That healing is possible. That pain is not forever. That discomfort is OK. This is something I wish I could go back in time and say to the parents who scolded me in the signing line for making their teenagers cry: It’s OK for your child to feel this. It’s OK to care about something, and then lose it. It’s OK that time doesn’t run backward.

I cling to these messages myself as I contend with my own assortment of discomforts. As I watch my parents age, as I battle anxiety and chronic pain, as I experience the losses of this pandemic along with everyone else, as I come to terms with the fact that the wonderful anomaly with which I began my career is unlikely to occur again. As I age, and friendships fade, and my options, once endless, begin to narrow. The things I am enduring — the things we are all enduring — may not always be OK, but it is OK to feel sad about them. Sometimes life feels that way.

I did end up writing the closest thing I’ll likely get to another installment: I explore the psychological aftermath of being a teenage “chosen one” in my most recent book (named, you guessed it, “Chosen Ones“) and the cost of bearing heavy burdens at a young age. I even destroyed Chicago for a second time — my apologies to my fellow Chicagoans.

But as for “Allegiant” — nothing has changed. My inner compass is still pointing north.

Mark Meadows pushed DOJ to investigate election conspiracies during final Trump days: report

According to a report from the New York Times, White House chief of staff Mark Meadows sent off a series of emails to the Justice Department during the waning days of Donald Trump’s administration, imploring the agency to investigate far-fetched claims of election tampering.

The Times came into possession of five emails dated during the last weeks of December and early January, where Meadows implored acting Attorney General Jeffrey Rosen to intercede on the president’s behalf as he attempted to cling to power.

According to the Times’ Katie Benner, Meadow’s emails asked the DOJ “… to examine debunked claims of election fraud in New Mexico and an array of baseless conspiracies that held that Mr. Trump had been the actual victor. That included a fantastical theory that people in Italy had used military technology and satellites to remotely tamper with voting machines in the United States and switch votes for Mr. Trump to votes for Joseph R. Biden Jr.”

The report notes that Rosen rebuffed Meadows’ entreaties while noting, that Rosen, “… had refused to broker a meeting between the F.B.I. and a man who had posted videos online promoting the Italy conspiracy theory, known as Italygate.”

As Benner explained, “the communications between Mr. Meadows and Mr. Rosen, which have not previously been reported, show the increasingly urgent efforts by Mr. Trump and his allies during his last days in office to find some way to undermine, or even nullify, the election results while he still had control of the government.”

You can read more here.

Cooking Hawai’ian food isn’t just chef Sheldon Simeon’s passion — it’s what brings him comfort

When Hawai’ian chef Sheldon Simeon thinks about comfort, his mind immediately goes to coming home after a day at the beach. A bowl of saimin  a dish of noodles, broth and spam  warms him up after wading in the cool waters. Sometimes, it’s sugary malasada, known as Portueguese donuts, that comfort him, and other times, it’s a local soup of stew. Care, simplicity and warmth bring comfort to the chef’s life, but like many in his Hawaii’an community, it’s not only about the food.

“All of this [food] is all comfort to me, but the biggest comfort is when you’re sharing it surrounded by your family and your loved ones,” Simeon told me this spring.

Simeon became a household name as he competed on Season 10 of Bravo’s “Top Chef.” A fan favorite and competition finalist, Simeon has gone on to open award-winning restaurants LINEAGE and Tin Roof. His new cookbook, “Cook Real Hawai’i,” tells a myriad of stories about history, family and community through Hawai’ian food.

“We wanted to put the word ‘real’ in it to really capture people’s attention about the depth of our culture,” Simeon said. “We’re much more than pineapples on pizza or shredded pig in the cooked underground oven at a luau. We are this culture that is based in diversity.”

RELATED: In “Everyone’s Table,” Gregory Gourdet shares healthy recipes and an amazing story of perseverance

Born and raised in Hilo, Hawai’i, the third-generation Filipino-American uses “Cook Real Hawai’i” as a vivid opportunity to share the diversity and rich history of Hawai’ian cuisine. An immigrant-heavy tropical oasis, Filipino, Japanese and Portuguese culinary traditions heavily influence Hawai’ian culture and food, which is also deeply rooted in indigenous Hawai’ian ingredients and cooking practices.

Sheldon, who is of Filipino heritage, communicates this incredible diversity through recipes like spam musubi, garden poke, loco moco gravy rice and chicken liver mousse. These dishes  and so many others in the book  help tell the story of a state that’s often been showcased through aimless travelogues, stereotypical movies and the stories of non-Hawaiian tourists.

“What I hope that we did with this cookbook is that we’ll make people dive in deeper and see that we’re a lot more than just what you can experience at a resort,” Simeon said. “Talk to the workers and talk to the people from the community who are at these resorts, and you’ll find that it’s amazing and you can go into real depth and almost a grittiness of our history of Hawai’i through its food.”

Sheldon’s own history is filled with these familial and local stories. In elementary school, he helped his father — a welder by trade and his culinary hero — slaughter four pigs for a 700-person party. They also made pu pu platters of poke, smoked meats, potato and macaroni salad and Filipino desserts. Between helping his family cook at various events and washing down dishes and cooking pits, cooking Hawai’ian food isn’t just Simeon’s passion — it’s what brings him comfort.

“I was very fortunate to come from a family that puts food in the utmost highest respect,” Sheldon said. “We cherish anything surrounded by food, and I find joy in that and what I do today.”

Though Simeon’s career has landed him on TV screens and taken him across the globe, he still loves the feeling of waking up at 3:00 a.m. to cater a large event, as well as working long hours to ensure that every guest or patron is satisfied. A father and family man, the pandemic has disrupted Simeon’s usual way of providing comfort and joy to his community — but he’s eager for what’s next.

“The ultimate comfort is your ohana [family],” Simeon said. “We didn’t get to celebrate a lot of these moments together in this last year, but we look forward to the future.” 

For Simeon, his slow-cooked, hearty Portuguese bean soup, which he described as “the comfort food of Hawai’i” is bringing him peace. It’s a dish that can’t be rushed, the base of which is stewing down the ham hocks and the broth. Simeon’s enjoyed many cultural iterations, including a favorite from a Japanese friend, and the different variations of the soup represent the diversity and cultural ingenuity of Hawai’i that Simeon loves so much.

Simeon’s iteration is rooted in his familial roots, and the Portuguese influence is also especially apparent. The key ingredient? Well, like many of the dishes in Simeon’s collection, the best things in life take time.

***

On the Big Island, this “everything but the kitchen sink” soup is one of our favorite rainy day comfort foods (and in Hilo, it rains a lot). The foundation of the dish is smoked Portuguese sausage flavored with warm spices like cinnamon and cloves. Dad always kept a few links stashed in our freezer just in case the weather called for it.

The running joke in Hawai’i is that the Portuguese locals love to do two things: talk and eat. And the only way to keep them quiet is to make a hearty soup with choke (lots of) fillings: beans, potatoes, macaroni, cabbage, etc.

Perfect for a leisurely afternoon cook, this is one of those soups where you throw everything in the pot and simmer until pau (finished). Usually the strong seasoning of homemade sausage is enough to flavor the broth, but if you’re using a milder store-bought variety like I often do, you can supplement the warm flavor with a little pumpkin pie spice.

– Sheldon Simeon

Recipe: Portuguese Bean Soup 

Serves 8

  • 2 pounds smoked ham hocks (2 to 3 hocks)
  • 1 tablespoon neutral oil
  • 3/4 pound Portuguese sausage, store-bought or homemade, sliced or crumbled
  • 1 large sweet onion, medium-diced
  • 1 large carrot, sliced
  • 3 stalks celery, medium-diced
  • 3 cloves garlic, crushed and peeled
  • 1 large baking potato, peeled and cut into 1-inch cubes
  • 1 (15-ounce) can tomato sauce
  • 1 (14.5-ounce) can diced tomatoes
  • 1 (15.5-ounce) can kidney beans, undrained
  • 3/4 cup elbow macaroni
  • 1 tablespoon sugar
  • 1 teaspoon Diamond Crystal (or teaspoon Morton) kosher salt, plus more to taste
  • 1 teaspoon freshly ground black pepper, plus more to taste
  • 1 teaspoon pumpkin pie spice
  • 1/2 medium head green cabbage, cored and chopped, or 1 bunch kale, trimmed and chopped

For serving

  • Tabasco sauce
  • Portuguese Sweet Rolls

In a large pot or Dutch oven, combine the ham hocks and 3 quarts water to cover the hocks. Bring to a boil, then reduce the heat and simmer gently, covered but with the lid askew, until the hocks start to fall apart when poked with a spoon, 2 to 3 hours.

Remove the hocks from the pot and pour the broth into a separate container (the broth should have now reduced to about 2 quarts; add water if necessary to get to this amount). Once the hocks have cooled enough to handle, pick all the meat from the bones and set aside.

Wipe out the pot you used to simmer the ham hocks. Add the oil and heat over medium-high heat until shimmering-hot. Add the sausage and brown on all sides, about 5 minutes. Reduce the heat to medium-low and stir in the onion, carrot, celery, and garlic. Continue cooking, stirring occasionally, until the onion is soft and translucent, about 12 minutes.

Add 2 quarts of the reserved broth, the potato, tomato sauce, diced tomatoes, kidney beans (with liquid), macaroni, sugar, salt, pepper, and pumpkin pie spice and stir. Increase the heat and bring to a boil, then reduce the heat and cook at a gentle simmer, covered, for 1 hour.

Stir in the cabbage and cook until crisp-tender, about 5 minutes. Remove from the heat and let the soup sit, covered, at room temperature for 2 to 3 hours before serving. Even better if you let it chill in the fridge overnight. Reheat until warmed through, and adjust the seasoning with more salt and black pepper as needed.

Serve with Tabasco and Portuguese sweet rolls.

This recipe has been reprinted with permission from “Cook Real Hawai’i” by Sheldon Simeon and Garrett Snyder, copyright © 2021. Published by Clarkson Potter/Publishers, an imprint of Penguin Random House. Photography copyright: Kevin J. Miyazaki © 2021.

Like it as much as we do? Click here to purchase a copy of “Cook Real Hawai’i.”

 

Read more “Tastes of Comfort”: 

“We’ll all get there together”: Chef Edward Lee on restaurants’ resiliency and #MeToo in the kitchen

Over the past 18 months, Edward Lee’s day-to-day life has shifted dramatically. In early 2020, the chef, author and TV host was planning to open his fifth restaurant, Khora, in Cincinnati, while managing his other eateries in Louisville and Washington, D.C. 

Then the pandemic hit, and the restaurant industry — and its workers — were immediately in crisis. 

“There was a time that was very scary because everyone got fired or furloughed, and no one knew when the unemployment checks were coming in,” Lee said during a recent appearance on Salon Talks. “For some people, it was three weeks. For some people, it was over a month. People were panicking. And they were literally to the point where they said, ‘I don’t know where my next meal may come from. I’m good this weekend, but maybe not next week.'” 

Lee stepped up and through his nonprofit organization, the LEE Initiative. He launched the Workers Relief Program, which now has 21 kitchens across the U.S. that have fed more than 1 million meals to out-of-work restaurant employees. 

And while things may appear to be normalizing for restaurants as pandemic restrictions continue to lift (and they are, to a great extent), Lee said it’s going to take time to unwind the damage that 2020 did to the industry. 

The chef spoke with Salon about the realities of owning a restaurant right now, what it was like launching multiple food-based charitable initiatives during a pandemic and how his past experiences on “Top Chef” prepared him to serve as a guest judge on the current season. To learn more, read or watch our conversation below.

This transcript has been lightly edited for clarity and length.

Before we chat a little bit about some of the realities of owning a restaurant right now, I wanted to ask a couple of questions about “Top Chef” Season 18, on which you are an all-star judge. You were originally a contestant on the show in 2011. You had a great run. I was curious if you think having faced the fear of having to pack your knives and go will make you a more sympathetic judge? 

Not necessarily. I think some of it is — when you go through the competition, you also realize what it takes to win. And I ultimately did not win. So I think it makes you sympathetic, but not necessarily. I wouldn’t give anyone a pass, because you sort of went through it yourself. I had to go home early, so you do, too, if you mess up a dish. It’s just the way it works.

Right. Without spoiling anything — because we’re partway through the season  is there anyone or maybe a couple of chefs who caught your eye early as potential front runners?

Well, because of timing and schedule, I only joined the show towards the end. I think I’m the last three of the episodes, so by then, it’s really on the cream of the crop. So I didn’t have to suffer through the early episodes where everyone’s cooking bad food. I chose the end, when I knew the food was going to be great.

That’s a smart choice. Transitioning a little bit to talking about the food industry off-screen, Bon Appetit published a lengthy interview [with you] in December that was titled, “I’m Afraid It’s Too Late To Save Restaurants.”  In it, you detailed some of the helplessness that you and other owners were feeling. I think it was eye-opening for a lot of people who maybe aren’t super close to the industry. There was a line that I was hoping you could expand upon. You had said, “It’s the fluctuations that really hurt us. We rely on patterns and predictability for inventory, for staffing, for everything.” Could you say a little bit more about what it’s been like over the last year with regards to a lack of predictability?

Yeah. Food is perishable, right? So once you order something from your farmer or distributor, you have a finite amount of time in which to sell it. If you don’t, it goes into the garbage. And so if you think about that, it’s very tight. We could open up and have a packed house, or we could open up and have zero customers. Or we can have a weekend, which has happened, where we had bought all the food, prepped it, we’re waiting for the guests to come and then we had to shut down our restaurant with all of this food and we don’t get compensated for it, right? So those things are incredibly frustrating and it doesn’t make for a good restaurant.

So, I am sure people who are listening to this over the past year have had a situation where you went to a restaurant and they’re like, “Well, we’re out of this dish. We’re out of that dish. We don’t have this.” And you get frustrated. But know that that restaurant is trying to predict, right? 

You can’t have a hundred portions of everything waiting in the kitchen because you’ll lose your business. So we’re kind of lowering our pars, in kitchen lingo, and then all of a sudden you get busy, right? And everyone starts ordering salmon and you’re like, “We’re out of the salmon. We’re out of the fried chicken.” And it’s frustrating because as restaurant people, that’s horrible for us. We don’t want to do that. 

It’s a huge supply chain problem, as well. Because there are no customers, because restaurants were cutting back — the producers, the farmers, everyone went down to low inventory. The chicken producer doesn’t want to sit on a thousand pounds of chicken either, so now we’re back and open and we’re going, “OK, I need 40 pounds of chicken wings again.” And they’re going, “I don’t have it.” 

Right.

You got to wait eight weeks for me to raise more chicken. These things are happening in all aspects. We saw it happen with toilet paper and with sanitizer and now it’s happening with food. So it’s a very interesting thing because we’re sort of at the tail-end of the pandemic shutdown, but in some ways we’re only at the beginning of the restaurant turmoil, which is going to happen over the next year or two.

On a related note, something I watched a lot of my friends who are chefs go through is anything they could try over the last year, they did. Like meal kits, or they started in-restaurant bodegas or to-go cocktails. They bought tents, and then suddenly the tents weren’t OK. I was curious, as a chef, if you could talk a little bit about having to constantly innovate. Was that exhausting?

Oh, it’s terribly exhausting. Like when you say innovate, it wasn’t innovation. It was just keeping your head above water, just afloat. It was trying to just keep yourself from drowning. So turning my fine dining restaurant into a barbecue shack for four weeks, I enjoyed it and it was fun, but to me it wasn’t innovating. It was something that I had to do, right? Which is different from something that I want to do. But I saw all of my chef friends, the entire industry, become so creative…just doing all these crazy things, just to float, just to survive.

Part of it was really fascinating. Some people really did some interesting things. And some of it was heartbreaking. To see chefs selling $8 cheeseburgers just so they can make payroll and pay their way — it’s heartbreaking. So it’s been a very, very exhausting year, and it’s more the psychological exhaustion, not necessarily the physical. And again, it’s like we’re not out of it. There’s still so much unpredictability right now. So it’s going to be a while before we get to some kind of “normal,” whatever that is.

And you’re in a unique position because your restaurant in Cincinnati opened in 2020. Is that correct?

Mm-hmm. 

What was that process like? And how was it different than pre-pandemic restaurant openings?

It was awful. We opened in late October, just in time for the winter shutdown. We got a couple of emails from people like, “Why would you open a restaurant during a pandemic?” And I’m like, “We were supposed to open in April of 2020.” So it was all slated, we were on schedule. 

People don’t know this. From concept to execution to actual opening of the doors, it takes about two years to get a restaurant off the ground. Also, this is part of a bigger hotel. So all of a sudden we had this whole thing, everything’s ready to go in April, May of 2020. So every month we’re just waiting, waiting, waiting.

Finally, it got to wintertime. And we’re like, “Literally, this brand new equipment that we got is going to turn to junk. [It] has never been used. It’s going to turn to junk. We have to throw it away and get new equipment, because you just can’t leave it like that.” 

So we took a shot and we just opened, and we did okay. We actually had a really good opening and things were great, and then winter happened and there were more restrictions and shutdowns. You kind of lose steam. So then we reopened, I think in February, and now we’re trying to find that footing. It’s really hard because in any new restaurant, you have to find your loyal customers. You have to get your footing, you have to get your sea legs. And it’s just like, we just never got that.

We’re still in this weird holding pattern, but the food is great, the service is great. The people who are coming love it…So we’re just kind of floating through that way, but things are getting better. Literally, like every week it gets better. So we’re hopeful.

That’s fantastic. Well, I wanted to ask — I’ve written before for Salon about how Midwestern food tends to get  I think unfairly  a bad rap sometimes. I had seen it described that at Khora you’re making “modern pasta dishes and small plates with a Midwest sensibility.” What does Midwestern food mean to you?

So for me, from a very practical standpoint, all of the ancient grains and the flours that we use for the pasta is grown in Ohio. And it gets milled to order when we order it. So they’re super fresh. And a lot of them are grains that are indigenous to the United States.

The Midwest is a huge agricultural goldmine. People don’t realize how many farms there are in the Midwest. So I think there’s a practicality to the food. I didn’t grow up in the Midwest. I went to school in Michigan, so, I can’t say that I’m like a Midwesterner, but I do think there’s a lot of sensibility that is shared with Southern hospitality.

I think it’s a slightly more practical version of Southern hospitality. I’m not going to sit up drinking bourbon until four in the morning, but there is this warmth. There’s a friendliness, there a conviviality. The people in Cincinnati are so nice, but in a different way than Kentucky, too.

It’s not exactly the same. It’s not like “slap you on the back and hooting and hollering” hospitality. It’s a little bit more reserved. It’s a little bit more pulled back. 

Obviously, like any restaurant I do, it’s going to be pushing the envelope a little bit more. I’m not here to do Midwestern food.

So when we say it’s a Midwestern sensibility, it’s like, yeah. We’re going to do pasta. And we’re going to push the envelope. It’s not Italian, but at the end of the day, it’s delicious. It’s comforting. It’s got a lot of butter in it.

We’re not going to go crazy and start putting foams on the menu. The color may be different. The sauce may be different. But you will still recognize it once you eat it — that it’s good comfort food and fills your belly and makes you feel good.

I’m excited to check it out. I wanted to talk some about your work through both the LEE Initiative and the Restaurant Workers Relief Program, specifically. Let’s start with the Workers Relief Program, through which I think you’ve served more than a million meals to service industry members to date. Is that right?

Yeah. Yeah. I think we’re pushing like 1.2 or 1.3 million now. 

That’s amazing. Could you tell me some about what it was like to get that initiative off the ground?

It was crazy because we literally started the day after the shutdown. I think it was like March 17th or something was the official shutdown date in Kentucky, and March 18th, we started.

It really started because between my three restaurants, I had all this food. We had a full walk-in. And I was like, “Well, I hate to throw this away.” And I had full staff, and I was like, “What are we going to do?” I said, “Let’s just cook up some meals and we’ll hand them out to the community.” And really it started, [by saying], “Let’s just hand them out to the neighbors in Old Louisville, the neighborhood.” 

I put out a Facebook post or Instagram notice and the first day, like 50 people come. And by the second day, 300 cars were lined up around the block. It was insane — and it was all service industry [members]. It was all our friends and family. It wasn’t the homeless guy down the street. It was all restaurant people. 

In the beginning, it wasn’t a restaurant relief program. It was just free food for anyone. And it was all restaurant people, and I realized this is going to be an issue. I didn’t know it was going to last a year. But I knew this was going to be longer than a few weeks.

There was a time that was very scary because everyone got fired or furloughed, and no one knew when the unemployment checks were coming in. For some people, it was three weeks. For some people, it was over a month.

People were panicking. And they were like literally to the point where they said, “I don’t know where my next meal may come from. I’m good this weekend, but maybe not next week. And if those unemployment checks don’t come in…” It was a huge panic. So what I’m most proud of, yes, we handed out the meals, and we turned our restaurant into a grocery store, too. 

People literally did not have toilet paper, and we were handing out toilet paper. For us, we were handing out these things, but we were also giving people hope. We were giving people a sense of calm and normalcy in this crazy thing. People would come and stop and then cry for 15 minutes. And we would let them.

I cannot tell you how many times I’ve said the words “We’re all going to get through this. Don’t worry.” Half the time not even believing it myself, but you give that out to your community. And I think that’s what I’m very proud of. And from there, Maker’s Mark was our sponsor, and we had so many people come on board. And then what I didn’t realize is, people start flooding money into our website for this program. So, we decided this is not just a Louisville problem, this is a nationwide problem. 

So, we went from one kitchen to, I think, 21 kitchens in less than a month.

A couple more things about the LEE initiative that I wanted to highlight — could you talk some about the restaurant reboot relief program?

Yeah. So that part of it is the farms, and what I discovered when I started traveling was if anyone had it worse than restaurants, it’s the farmers, right? At least with the restaurants, we were able to turn off our lights, shut off the gas and electricity and go away. And farmers, you can’t do that. There’s no way to shut off a cow. Or to press pause on a carrot. They just continue to grow. You have to keep putting money into it. So, I saw this one farm and they had taken all their celery, beets and a bunch of things, and it was just sitting in a huge compost pile. 

They were like, “We have no buyers. We have to just destroy it.” So there are a lot of farms that had this choice, which was either give your crops away for free or destroy it. It wasn’t a viable option, so we started purchasing all this surplus product from these small family farms. 

Basically, it was a credit. Anything from like $15,000 to $25,000. We’d buy all that, they could use it up over time and then we would take the food and just donate it back to restaurants in the community that needed it and that were doing good work. So it was a win-win for everyone. I think we’ve given out over a  million dollars in grants to small, independent farmers, sustainable family farms around the country. 

That’s fantastic. In addition to the pandemic, I think 2020 was also a year where we saw the restaurant industry take another look at some of the gender disparity and sexism in some professional kitchens. I wasn’t sure if that was something that you all talk about in the Women Culinary and Spirits Program, which is your six-month program for women chefs? 

I mean, yeah. Of course. This is the whole reason why that exists. Listen, we need more women in leadership roles in the food world. It’s just as simple as that. And there’s not enough.

Listen, when you have a boys club, as a man, it’s fun. But it’s not healthy for the industry. It’s not healthy for society. It just doesn’t work and we’ve seen that. And, happily, we’ve gotten — it’s 15 now, 10 chefs and five bar spirit mentees. #MeToo has been around for a couple of years now, right? 

And a lot of restaurants have already corrected. And here’s the thing — the restaurant industry, to me, is still the best industry in the world. We do everything right. When we are not perfect and when there is a fault, we rise together, we call each other out and we try, and we do it. And we’re flexible. And we adjust and we adapt. Having said that, there was a case in Louisville . . .

There was . . .

Like five months ago or something, about a bar manager like raping someone . . . I’m like, who’s doing that now? Just forget about anything else, but like, after #MeToo, in a pandemic, who’s doing that now? 

I remember when that thing hit the papers and Lindsay [Ofcacek, the LEE Initiative managing director and cofounder]  and I just texted each other and was like, “This is why we have this program. This is why we need it.” Because even after all that, even after all the reckoning, there’s still some jack-off going out and doing this sh*t. And sorry for my language, but it frustrates me because to me it’s not about just that restaurant or that bar. 

It brings the whole industry down. Because then they go, “Well, all men are scumbags.” And it’s not. Actually, 90% of the industry is really good people.

It’s these people who do this, and they need to be called out and we need to fix our stuff. And we are. And we’re making strides and we’re doing it. But in the meantime, it is still a problem.

My final question for you, Edward, is a two-parter. As we emerge from some COVID restrictions, what needs to happen for restaurants to be able to build back? And is there anything that customers can do to sort of help or assist in that effort?

We’re already seeing it, but we need some kind of consistency. We need to be able to control our destiny a little bit. We need to be able to have some predictability in what’s going to happen. And I think you’re seeing a little bit of it. 

And for customers, I think, listen. Just be patient with us. We’re trying as best we can. There’s a labor shortage now. There’s going to be a food shortage, I guarantee. The prices for food are already going up, they’re going to skyrocket this summer, so menu prices are going to go up. Staffing is going to be an issue. That level of meticulous service that you used to get in 2019, may not be there for a while, and it’s not for lack of trying. 

It’s just there are so many hurdles right now. But, listen, chefs and restaurateurs are a resilient group and we adapt. We’ll figure out a way out of this. If you think about it, most of the country opened up in, let’s say, March, April. Literally, hundreds of thousands of restaurants all tried to open in a three-week period across the country. It’s going to be pandemonium. There’s no way that that was going to be a smooth transition. And for my part, I’ve been dining out at a lot of restaurants to support. You’re seeing the struggles, you’re seeing it in their faces. And I would just say, be patient. Be patient. And we’ll get there. We’ll all get there together.

A guide to cheese and condiments for summer meals

I consider both cheese and condiments to be essential when it comes to elevating a summer spread. Whether I’m making a cheese plate or a more formal meal, I always try to make sure sweet, salty, sour, bitter, and umami notes are present in the cheeses and condiments I put out: together, they make for a party on the taste buds. Try these 5 cheese and condiment pairings for a future summer cheese board, sandwich, or hot-off-the-grill dish.

1. Taleggio & Grainy Mustard


Photo by Marissa Mullen

Taleggio is a wash-rind cow’s milk cheese from Italy, notable for its creamy texture, orange exterior, and pungent aroma. Although Taleggio’s smell can be potent, its flavor is mild and buttery with a fruity tang. I love the combination of taleggio with a whole grain mustard, especially on something super-savory, like a hot dog. Cover a hot dog bun with room temperature taleggio, followed by a thin layer of mustard. The savory juices from the hot dog complement the pungent cheese, while the mustard cuts through with a tangy finish.

2. Sharp Cheddar & Pickle Relish


Photo by Marissa Mullen

An aged sharp cheddar with sweet pickled cucumbers has always been a favorite cheese board pairing of mine. For a summertime meal, cheddar melts wonderfully on sandwiches and burgers alike. Cheddar can be quite creamy on the palate, which is why I love brightening the bite with a pickle relish. Relish has the tang, sweetness, and bitter flavors to round out the experience. To put this pairing to work, I’d recommend layering cheddar and relish on a super-crispy chicken smash burger, or even using the cheese in the burger, be it classic beef or a fried mushroom version.

3. Gruyere & Honey Mustard


Photo by Marissa Mullen

Gruyere is an earthy and complex Swiss cow’s milk cheese. When on the younger side, the cheese has a mild and creamy flavor. As it ages, it develops notes of hazelnut and slightly fruity characteristics of pineapple and apricot. Both offer an excellent base for a smooth honey mustard (store-bought is great, as is quickly stirring together whatever mustard and honey you have on hand, but you could also make your own if you’re feeling ambitious), encouraging the sweeter notes in the cheese to shine while still remaining on the savory side. Gruyere is another great melting cheese, making this pairing shine in grilled cheese and burgers alike.

4. Camembert & Tomato Jam


Photo by Marissa Mullen

Camembert is a decadent French cow’s milk cheese with notes of salted butter, creme fraiche and mushrooms. Pairing this elegant cheese with tomato jam takes the experience to a whole new level. Something like ketchup can be a bit sweet, while this tomato jam recipe incorporates lemon, cinnamon and chili flakes for an extra zesty kick. Spread some camembert on a slice of toasted bread, then add a layer of tomato jam, and top it with a juicy turkey burger for an elevated barbecue treat.

5. Blue Cheese & Buffalo Sauce


Photo by Marissa Mullen

Last, but definitely not least, this is a classic combination for the summer grilling season. Blue cheese and buffalo sauce (which is technically a simple combination of hot sauce, butter and garlic powder) work wonderfully together, blending the pungent and creamy notes of the blue with the sauce’s buttery, spicy vinegar-y kick. I highly recommend trying this combination on a chicken burger or with grilled wings

 

Why Loki, Marvel’s charming antihero, remains an exciting fan-favorite after a decade

No character in the Marvel Cinematic Universe has the staying power of Loki. Portrayed with just the right amount of smarm and charm by Tom Hiddleston, the impish trickster with the ability to shapeshift and cast illusions is a favorite among fans despite the fact he’s betrayed friends and family multiple times since debuting opposite Chris Hemsworth in 2011’s “Thor.” The most predictable thing about him might be his unpredictability. And yet no one thought the character would return to the MCU after being killed by the all-mighty Thanos (Josh Brolin) in the opening scene of 2018’s “Avengers: Infinity War.” However, we’re now on the cusp of the character leading his very own show.

Debuting Wednesday, June 9 on Disney+, the six-episode “Loki” follows a past version of the character, though it’s not a prequel. This Loki is the man who successfully stole the Tesseract, aka the Space Stone, when the Avengers traveled to the past in 2019’s “Avengers: Endgame.” His actions that day ultimately created a branched reality — the very thing the Ancient One (Tilda Swinton) warned the Avengers about when they attempted to gather the stones in the past. So when the show picks up, Loki will find himself being forced to work with the Time Variance Authority, an organization dedicated to protecting the proper flow of time, to help restore the main timeline he broke when he fled with the Tesseract in 2012.

It remains to be seen whether or not the series is one of the shows Marvel’s Kevin Feige said was developed with additional seasons in mind. But with this particular setup — and assuming the show operates independently of the main overarching narrative of the MCU — this is the type of series that could easily run for multiple seasons should the people involved desire it. And given his comments over the years, Hiddleston definitely seems game to portray Loki until he’s too old to do so.

But what is it about the character, a Frost Giant who was adopted by Odin (Anthony Hopkins) as a baby and raised as an Asgardian, that has allowed him to persevere – especially when Natasha Romanoff (Scarlett Johansson), Tony Stark (Robert Downey Jr) and even Steve Rogers (Chris Evans) have not? What gives Loki, a character who has been both villain and antihero, such longevity in the MCU? Is it Hiddleston himself? Is he nurturing goodwill with his enchanting performance? Is it the character’s unpredictability keeping things fresh? Or is it the potential of a flawed man still searching for an identity and purpose? 

Over the last decade, Hiddleston — whose name was once bandied about as a possible James Bond candidate after a stellar turn in “The Night Manager” — has won favor with Marvel and its fans thanks to his continued dedication to the role of Loki and his support of the extended universe. Some actors have been happy to say goodbye after fulfilling their contracts, but you’d be hard-pressed to find an actor who loves his job with Marvel more than Hiddleston. (Never forget the time he dressed up in character and took over Hall H at San Diego Comic-Con in 2013.) But in addition to his acting chops and commitment to the role of Loki, Hiddleston is also just an effortlessly charming individual, and some of that natural charisma bleeds into his performance, making the character a richer and more complex character as a result. And it’s a good thing too because a character like Loki — someone ruled by his emotions, whose only allegiance is to himself, and who wouldn’t think twice before double-crossing his own brother — runs the risk of becoming either very annoying or quite tired rather quickly. Luckily, Loki is neither. 

After learning the truth of his origins in the first Thor film, Loki’s anger toward his family and the betrayal he felt put him on a path to finding his purpose, which resulted in him becoming the mouthy and manipulative, power-hungry antagonist of the first Avengers movie. At the time, no one outside of Feige and other decision-making executives likely knew what was in store for the future of the MCU.

But now we can look back and see Hiddleston’s captivating turn in “The Avengers,” in which he attempts to take control of Earth using an army of Chitauri forces, was more than just the catalyst for the various heroes recruited by Nick Fury (Samuel L. Jackson) to finally team up. It was also the beginning of what might be the best character arc in the entire MCU. No one save perhaps Sebastian Stan’s Bucky Barnes, aka the Winter Soldier, has had a more complicated or effective emotional personal journey throughout the entirety of the Infinity Saga (and beyond). Perhaps that is why when Loki was eventually killed several films later in the middle of his redemption arc during the opening scene of “Infinity War,” the heartbreak seemed to extend beyond the edges of the frame and into the real world. 

The exceptionally fun 2017 film “Thor: Ragnarok,” which immediately preceded “Infinity War,” saw Loki forced to confront his past and make a decision regarding his future. The death of his father and the return of Hela (Cate Blanchett), the Goddess of Death and the sister neither Loki nor Thor knew existed, ultimately meant the end of life as he knew it. But rather than fleeing at the first chance like everyone assumed he would, Loki accepted his place in his family and returned to his brother’s side after the destruction of Asgard. Of course, he also pocketed the Tesseract before the planet was destroyed, a seemingly innocuous decision that would unfortunately lead Thanos right to him. But learning to care about something more than his own immediate wants was a redeeming moment for Loki, as was his attempt to save Thor from Thanos, so his death was both an effectively heartbreaking moment that resonated with fans while serving as a harbinger of what was to come. 

It also felt like closure, so when a past version of Loki popped up in “Avengers: Endgame” when Tony, Cap, and Scott Lang (Paul Rudd) traveled to 2012, it was a pleasant surprise. That the new series “Loki” follows this branched-reality version of the character and won’t erase the character’s original narrative arc is what makes the show such an intriguing new chapter. When the show premieres, Loki hasn’t gone through any sort of character evolution. He is still the angry man who tried to force all of humanity to kneel before him in a desperate attempt to find his place in the world. He has yet to go through the events of his mother’s death or the destruction of Asgard. He’s a man out of time, a man without a home. And it’s the chaotic, still-in-progress nature of Loki and the inability to guess what he might do when an organization like the Time Variance Authority, which is dedicated to order, tries to force him to do what they say that makes this new chapter so exciting. 

Each episode of the show, which also stars Owen Wilson as Mobius M. Mobius and Gugu Mbatha-Raw as Judge Ravonna Lexus Renslayer, will see the character travel through time and space on a mission to restore order to the timeline. But will this Loki follow the same path as the man we know and love? Or will this version make different choices without Thor by his side? More importantly, will he find what he’s looking for?

Loki is a man driven by insecurity and an ongoing struggle with his identity, though he deftly covers up his deficiencies with a devious wit and charm. The constantly shifting logo in the show’s trailer represents both the character’s shapeshifting ability as much as the idea that he doesn’t know where he belongs or who he is yet. And although the beats of such a character arc are hardly new territory for Hollywood — you could argue they’ve even been done to death at this point — the potential for greatness still exists as Loki remains pleasantly unpredictable. It means anything can happen, and with Hiddleston promising a show that is unlike anything Marvel has ever done, there’s no reason to believe Loki the man and “Loki” the show won’t continue to endure and evolve even beyond this first season. After all, he certainly has the staying power.

“Loki” premieres Wednesday, June 9 on Disney+.

Why Trump is hinting at a run for Congress in 2022

On MSNBC Saturday, ex-Breitbart staffer and former GOP spokesperson Kurt Bardella offered a potential reason why former president Donald Trump and his allies have floated with the idea of running for Congress, or possibly even angling to become speaker of the House.

“Donald Trump is so — he’s so desperate for attention, he’s so desperate to get everybody talking about him and, to me, that’s what this is,” said Bardella. “Anything that he can talk about and get people excited and agitated about that he’ll entertain is just par for the course. If anything, the only reason I can see him running for anything in 2022 is he’s scared to death of what his legal situation will be, and will use public office as a legal shield. That’s the only reason why he would ever consider doing anything before 2024.”

Watch below via MSNBC:

15 things you might not know about “Catch-22”

Joseph Heller’s 1961 war comedy “Catch-22” is one of the most beloved novels of the 20th century, not to mention one of the funniest. Here are a few interesting bits of information about both how Heller’s story came to be and the legacy that it left behind.

1. Joseph Heller sketched out “Catch-22″‘s concept and characters in about 90 minutes.

Heller recalled the birth of his most famous novel as if it were a classic movie scene. While lying in bed in his apartment on the West Side of Manhattan in the early 1950s, Heller was struck with what would become the iconic opening line of the story: “It was love at first sight. The first time he saw the chaplain, ‘Someone’ fell madly in love with him,” with “he” and “someone” holding the place for Heller’s protagonist’s eventual name, Yossarian. Over the course of an hour and a half, he developed the basic plot and collection of characters that he’d ultimately pour into his novel.

2. Joseph Heller wrote the first chapter of “Catch-22” at work the following day.

Heller was an advertising copywriter when he had the idea for the novel. He spent the workday following his creative epiphany, writing out the entire first chapter of what would become “Catch-22” by hand. He submitted the chapter to “New World Writing” magazine by way of a literary agent, and a full year passed before he completed a second chapter.

3. Joseph Heller went through four numbers for the book’s title before landing on 22.

The original title of the story, as published in “New World Writing,” was “Catch-18.” Acquiescing to his publisher’s qualms about confusion with the WWII novel Mila 18, Heller dragged his title through a sequence of changes: “Catch-11” (which was deemed too similar to the contemporary film “Ocean’s 11”), possibly followed by “Catch-17” (which posed the same problem with Billy Wilder’s war movie “Stalag 17”), and then “Catch-14” (which Heller’s editor thought just didn’t sound funny enough). Finally, everyone landed on “Catch-22”.

4. Many of “Catch-22”‘s characters were based on Joseph Heller’s friends.

Heller was a veteran of World War II, and he based a number of”Catch-22″‘s characters on his army buddies. Yossarian’s name came from fellow WWII veteran Francis Yohannan. Additionally, the sociopathic Milo Minderbinder was designed with Heller’s childhood friend, Marvin “Beansy” Winkler of Coney Island, in mind.

5. Joseph Heller was frequently asked about Yossarian’s ethnicity and religion.

The protagonist’s ethnic background has been cause for debate since the book’s publication. In “Catch-22”, Heller introduces Yossarian as Assyrian, despite the fact that his surname suggests otherwise. In response to readers’ curiosity, Heller amended Yossarian’s heritage in “Catch-22″‘s 1994 sequel “Closing Time.” In the second book, Yossarian was declared Armenian.

However, the most common question Heller received regarding Yossarian’s background concerned his religion, as many readers sought confirmation that the character shared Heller’s Jewish faith. In 1972, Heller responded to these quandaries in a letter to Northeastern University professor James Nagel, stating, “Yossarian isn’t Jewish and was not intended to be. On the other hand, no effort was expended to make him anything else.”

6. Earlier drafts of “Catch-22″​​​​​​​ included a greater Jewish influence.

As Nagel writes in a section of “Biographies of Books: The Compositional Histories of Notable American Writings” devoted to “Catch-22,” “The early drafts of the novel, particularly the sketches and notecards, have a somewhat more ‘Jewish’ emphasis than does the published novel. In Judaism, ‘eighteen’ [the original titular numeric] is a significant number in that the eighteenth letter of the Hebrew alphabet, ‘chai,’ means ‘living’ or ‘life.’ . . .  Thematically, the title ‘Catch-18’ would thus contain a subtle reference to the injunction in the “Torah” to choose life, a principle endorsed by Yossarian at the end of the novel when he deserts.”

7. “Catch-22”was initially only popular on the East Coast.

While “Catch-22″stands today as a universally appreciated political satire, it proved unsurprisingly polarizing in the heated climate of the 1960s. High school and college students, particularly those who lived on the East Coast, were early fans of the novel. As Heller told George Plimpton of “The Paris Review” in 1974, by 1962 sales were dwindling: “‘Catch-22’ was not making much money. It was selling steadily (eight hundred to two thousand copies a week)—mostly by word of mouth—but it had never come close to the New York Times best-seller list.”

8. “Catch-22″​​​​​​​ earned the wrath of the East Coast’s premier critics.

“Catch-22” wasn’t universally panned, but it certainly didn’t win any popularity contests among the upper echelon of the literary criticism circuit. The original 1961 New York Times review opens: “‘Catch-22,’ by Joseph Heller, is not an entirely successful novel. It is not even a good novel. It is not even a good novel by conventional standards.” (The reviewer did like its comedy and originality, though.)

second review from The New York Times called the book “repetitive and monotonous,” as well as, curiously, “too short” to properly flesh out its character ensemble. Similarly, The New Yorker accused Heller’s prose of “giv[ing] the impression of having been shouted onto paper,” adding, “what remains is a debris of sour jokes.”

9. Joseph Heller was principally inspired by one novel.

While Heller recognized a number of influences on his writing, including novelists Louis-Ferdinand Céline, Evelyn Waugh, and Vladimir Nabakov, the author once identified a single work that convinced him to write “Catch-22”: the dark World War I comedy “The Good Soldier Švejk” by Czech author Jaroslav Hašek.

10. Joseph Heller was accused of plagiarism.

Thirty-seven years after the publication of “Catch-22,” the book came under fire for similarities to the 1950 war novel “Face of a Hero.” Londoner Lewis Pollock made the connection in 1998 and contacted “The Sunday Times” to condemn “Catch-22” as a rip-off of the obscure Louis Falstein story.

From there, the accusation gained international traction and eventually reached Heller himself. The author rejected Pollock’s claims, insisting that he had never read “Face of a Hero” prior to the controversy. Furthermore, his editor combated the theory by asking his interrogators why Falstein, who had only passed away in 1995, would never have broadcast any such concerns if they had borne any weight.

Also defending Heller this time around? The New York Times. Mel Gussow wrote in the paper, “An examination of the two books leads this reader to conclude that the similarities between the two can easily be attributed to the shared wartime experiences of the authors.”

11. Deleted “Catch-22″​​​​​​​ chapter gave Major Major a different backstory.

One of Heller’s more absurd characters is Major Major Major Major, cursed with his unfortunate handle and unfavorable likeness to Henry Fonda. Originally, Heller planned to delve into Major’s past in the States. He had written Major Major as a former English teacher from Vermont with a distaste for Henry James.

12. One “Catch-22″​​​​​​​character provides the namesake of a Marvel Comics institution.

The Marvel Comics superhero Isaiah Bradley undergoes a series of experiments during World War II to turn him into a “Black Captain America” at the military base Camp Cathcart, named for “Catch-22″‘s rank-climbing soldier, Col. Chuck Cathcart.

13. “Catch-22″​​​​​​​’s original manuscript lives at Brandeis University.

After the novel was published in 1961, Heller donated his original manuscript to Brandeis University. The Massachusetts school preserves the document today, and honored the collected works of its author in 2009 on the 10-year anniversary of his death.

14. CBS tried to adapt “Catch-22” into a sitcom.

While director Mike Nichols’ 1970 feature film adaptation of “Catch-22” didn’t find huge critical or commercial success, it was hardly as big a failure as the small screen endeavor inspired by Heller’s book. In 1973, ABC produced and broadcast a “Catch-22” sitcom pilot starring Richard Dreyfuss as Yossarian. The series never got a second episode. Hulu had greater success, turning the book into a miniseries in 2019.

15. An NBC host committed “Catch-22″​​​​​​​-inspired vandalism.

Journalist John Chancellor, known best as a host and correspondent on NBC Nightly News for 23 years, played host of NBC’s “Today” show between 1961 and ’62. During his tenure on the daytime program, Chancellor — a fan of Heller’s newly published novel — had personalized stickers reading “Yossarian Lives” printed, and pioneered a practical joke of placing them (discreetly) all over the hallways, offices, and bathrooms of NBC’s headquarters. He revealed his secret to Heller over a round of drinks following the author’s guest appearance on “Today.”

For more fascinating facts and stories about your favorite authors and their works, check out Mental Floss’s new book, “The Curious Reader: A Literary Miscellany of Novels and Novelists,” out May 25!

A slowing current system in the Atlantic Ocean spells trouble for Earth

It was a seamless synthesis of science and art, expanding the frontiers of human knowledge while being eerily beautiful at the same time. That was the response when, in the 1960s, professor Henry Stommel, a pioneering oceanographer, introduced a model to his colleagues that explained the motions of ocean waters. Decades later, Dr. Michael E. Mann, a distinguished professor of atmospheric science at Penn State University, still marvels at what he describes as the “elegant” nature of Stommel’s model.

“It consisted of two boxes, a cold fresh box at high latitudes and a warm salty box at low latitudes, to represent the North Atlantic ocean,” Mann told Salon by email. “He showed that this simple model predicted an overturning ‘thermohaline’ circulation — a circulation driven by contrasts in ocean water density due to both temperature and salinity, each of which influence water density.”

Thus, armed with a model so simple that it can be solved with algebra, scientists now understood the ocean currents in the Atlantic.

This is how scientists figured out what is called the Atlantic meridional overturning circulation, or “AMOC” for short. When it comes to the motion of the ocean, AMOC is essentially a complex system of conveyor belts. The first belt contains warm water that flows north, where it cools, evaporates and increases the salinity of the ocean water. That water then cools, sinks and flows south, creating a second major belt. These currents are connected to each other by regions in the Nordic Sea, Labrador Sea and Southern Ocean, keeping sea levels down on the United States’ eastern seaboard and warming up the weather in Europe.

This current system connects many different pieces of life on Earth: tides, hurricanes, sea levels, ocean life, salinity, fisheries, water pollution, temperatures, weather — all are affected by this current system. A sudden shift in how the Atlantic current system works would drastically change life on Earth.

Yet the more we learn about ocean currents, the more we have cause for alarm. A February study published in the journal Nature Geoscience reconstructed the history of the current going back 1,600 years and found that circulation is weaker now than at any other point in that span. They identified the most likely culprit as global warming. With the Greenland Ice Sheet and Arctic ice melting as the planet heats up, and rain and snow levels increasing, the water flowing north loses much of its salinity and density. This causes the water to flow south more slowly and weakens AMOC overall.

More recently, another study in the journal Nature Geoscience that identified the important role played by winds in causing changes in ocean circulation. As lead author Dr. Yavor Kostov of the University of Exeter said in a press release, scientists have struggled to understand the variability in AMOC because there are so many variables that have an effect on it. He noted that after learning that winds influenced circulation in both sub-tropical and sub-polar locations, scientists concluded that “as the climate continues to change, more efforts should be concentrated on monitoring those winds — especially in key regions on continental boundaries and the eastern coast of Greenland — and understanding what drives changes in them.”

The obvious question, then, is: what will happen if climate change continues to weaken AMOC?

“This won’t lead to another ice age (like ‘The Day After Tomorrow,’ which is a caricature of the science), but it may well threaten fish populations and lead to accelerated sea level rise along the U.S. east coast,” Mann told Salon. “This is furthermore a reminder that there are surprises in the greenhouse, and often they are unwelcome ones. If we want to avoid more and more of these unwelcome surprises, we need to bring carbon emissions down dramatically in the years ahead.”

Kevin Trenberth, a distinguished senior scientist at the University Corporation for Atmospheric Research, told Salon by email that if AMOC stopped moving heat northwards, the topical Atlantic would get much warmer. That in turn would lead to more frequent and devastating hurricanes, even as Iceland and parts of Europe cool immensely.

“AMOC acts as a relief valve for the Atlantic heat buildup in the tropics,” Trenberth explained. “In the Pacific there is no equivalent and the relief valve is ENSO,” which stands for “El Niño and the Southern Oscillation.”

Ken Caldeira, an atmospheric scientist at the Carnegie Institution for Science’s Department of Global Ecology, said that it is ultimately impossible to predict with certainty what will happen if AMOC slows down — but that it is very unlikely to be good.

“For me, it is not so much about the direct impacts of this particular change, which I think are highly uncertain, but rather if we are impacting major parts of planetary-scale processes and knocking them out of the range that they operated in (and we adapted to) over the entirety of human history, it is a pretty safe bet that we can anticipate some fairly nasty unknown unknowns,” Caldeira wrote to Salon. “That may be just indefensible bias that cannot be rigorously supported, but I for one am not up for big gambles at planetary scale.”


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Pesto and sourdough meet in these twisty knots

leavened, enriched dough is the perfect starting point to get creative in the kitchen. Of course, baking the dough straight away without any embellishment would be delicious enough — think brioche! — but it’s also a foundation that can be taken in myriad directions. I’ve folded, braided, cut, twisted, balled, laminated, and now knotted the basic dough, each yielding a completely different result. And the final shape isn’t simply an aesthetic affectation. It also serves to modify the final eating experience. In some cases, like with these savory pesto knots, it is a way to trap a delicious filling between layers of the tender, buttery dough.

Why twist and knot the dough?

When baking, the structure and shape of the treat is almost as important as the ingredients and process. Take, for example, a baguette, with its long and slender shape, compared to something like a boule, which is round and hefty. The smaller diameter of the former results in bread that bakes faster, as the oven’s heat penetrates through the dough in less time, resulting in a thin, crispy crust — the hallmark of a good baguette. Conversely, a round boule takes longer to bake due to its increased diameter and thickness, meaning the crust ends up thicker and heartier.


Photo by Maurizio Leo

Similarly, you can compare these knots to something like my Sourdough Savory Rolls With Parmesan & Ricotta, which are two different shapes yielding two different eating experiences. Both recipes have an enriched dough base (that is, dough with added egg, dairy, and/or sugar), but where the rolls have more layers and more filling overall, these knots have less filling, and tend to exhibit more softness and tenderness rather than crispy-crunchiness.

https://www.instagram.com/p/CPlsYYkF4ug/

The twisting and tying of these savory knots are not only for the sake of appearance. The areas of each knot that are “hidden” from the heat of the oven — specifically, all the nooks and crannies — remain tender and delicate. The areas that see more direct heat crisp up just enough to give each knot added structure and crunch. The result: a delightful contrast that keeps the palate excited. Though it doesn’t hurt that the knotted shape is appealing in its design — visual appeal does go a long way toward enjoying what you’re eating!

What other fillings can you use with these knots? 

Because it’s not yet full-on summer here, my garden isn’t quite up to producing enough basil for me to make from-scratch pesto, but that’s okay. This recipe will work just as well with a premade pesto, especially if it’s high-quality. And while pesto is always a solid choice in my book, this dough — without sugar and decidedly savory — is adaptable for almost any other savory filling that would taste good with a slightly buttery dough. (Which is to say: just about anything!)

Here are a few ideas to get you started making these sourdough knots with a twist:


Photo by Maurizio Leo
  • Olive oil, chopped garlic, and herbs (parsley, thyme, or cilantro)
  • Chopped sun-dried tomatoes (with their oil) and chopped olives
  • Grated pecorino and cracked black pepper
  • Grated cheddar and minced jalapeños

When swapping out the pesto for another filling, be sure to keep in mind how much you’ll be spreading on the dough. The more filling you add, the more difficult it will be to shape the final knots. However, don’t let this discourage you from being creative here! Even if it’s challenging, as long as you get the piece of dough into a tight mound, it’ll bake up wonderfully.

A battle of washes: Milk and egg versus olive oil 

In developing this recipe, I wanted to try various methods for promoting browning of the knot’s crust. Typically, I’ll use an egg wash, a standard way to get that beautiful golden shine you’ll find on rolls and buns. However, since these knots include olive oil in the dough (for flavor and texture) and in the pesto, I wanted to test the effectiveness of brushing olive oil onto the shaped knots just before baking.


Photo by Maurizio Leo

As you can see above, the olive oil resulted in a moderately shiny crust, but nowhere near the levels attained when using a milk and egg wash. The proteins and sugars found in the milk and egg promote increased browning through the Maillard reaction, resulting in knots with a deeper golden color and a shinier crust. In the end, either route will work well, but the egg wash wins out. If you do choose to go with an olive oil wash, I’d also recommend lightly dotting the knots with oil after baking to give them a little more shine and suppleness.

What toppings can you finish these knots with? 

When they finished baking, I topped the knots with finely chopped pine nuts, echoing the nuts found in a typical basil pesto. Not only do the nuts bring a little more buttery flavor, but they also add extra crunch and visual appeal.

Depending on your filling of choice, consider what other toppings might work well. For example, a fresh grating of cheese would highlight just about any savory filling; a sprinkle of dukkah can brighten each knot with the added spices; an Espelette and black pepper blend can kick it up a notch and bring some heat. Of course, you can never go wrong with a light dusting of coarse sea salt for added texture and flavor, especially if you opted to brush the knots with olive oil after baking.

***

Recipe: Sourdough Knots With Pesto

Prep time: 37 hours 30 minutes
Cook time: 50 minutes
Makes: 9 knots

Ingredients

Dough:

  • 66 grams unsalted butter
  • 265 grams water
  • 146 grams ripe sourdough starter (100% hydration)
  • 442 grams bread flour, plus more for dusting
  • 1 large egg (about 53 grams)
  • 9 grams fine sea salt
  • 18 grams extra-virgin olive oil
  • 1/2 cup basil pesto

Egg wash:

  • 1 large egg, beaten
  • 1 tablespoon whole milk
  • Topping:
  • Extra-virgin olive oil, for brushing
  • A small handful of pine nuts, finely chopped (optional)

Directions

  1. Mix the dough (9:00 a.m.).

    Cut the butter into small pats and place on a plate to sit out at room temperature and soften. In a small pot, heat the water to about 76°F (24°C). Warming the water will help increase the final dough temperature at the end of mixing to ensure strong fermentation activity.

    In the bowl of a stand mixer fitted with the dough hook, mix the sourdough starter, flour, egg, salt, and warm water on low speed until combined and no dry bits of flour remain. Increase the speed to 2 and mix for 3 to 5 minutes, until the dough starts to clump around the dough hook — it won’t completely come off the bottom of the bowl.

    Let the dough rest, uncovered, for 10 minutes in the bowl.

    The butter should be at room temperature by this time — a finger should easily push into a piece without much resistance. If the butter is still cold, place it in the microwave for a few seconds at a time until it’s soft to the touch.

    Turn the mixer on low speed and slowly stream in the oil. Once all of the oil is absorbed and the dough comes back together around the dough hook, add the butter, one piece at a time, waiting until each piece is fully incorporated before adding the next. Continue to mix until the dough is smooth and once again begins clumping on the dough hook, about 5 minutes total. The dough will be homogeneous and moderately elastic (strong) at the end of mixing, but still sticky.

    Transfer the dough to a clean bowl, cover with reusable plastic or a silicone lid, and bulk ferment.

  2. Bulk ferment the dough (9:30 a.m. to 12:30 p.m.).

    Let the dough rise at warm room temperature (76°F/24°C) for a total of 3 hours. During this time, you’ll give the dough three sets of “stretches and folds” (see the next step for explanation) to give it additional strength. The first set is performed 30 minutes after the start of bulk fermentation, and the next two sets at 30-minute intervals, then the dough will rest for the remaining 2 hours 30 minutes. Set a timer for 30 minutes and let the dough rest, covered. After 30 minutes, give the dough its first set of stretches and folds.

    To stretch and fold, with wet hands, grab the north side (the side farthest from you) of the dough and stretch it up and over to the south side. Then fold the south side up over the north. Perform two more folds, one from east to west and one west to east. Finally, let the dough rest, covered, for 30 minutes.

    Perform the remaining two sets of stretches and folds in the same way, with 30 minutes of rest in between. After the third set, let the dough rest, covered, for the remaining time in bulk fermentation.

  3. Chill the dough (12:30 p.m. to 1:30 p.m., or up to 24 hours later).

    After bulk fermentation, place the covered bowl in the refrigerator for at least 1 hour or up to 24. This time in the fridge will chill the dough, making it easier to roll out, cut, and twist into knots.

  4. Roll out the dough, spread the pesto, cut, and shape the knots (1:30 p.m.).

    Line a half sheet pan with parchment paper. Remove the bowl from the fridge, uncover, and liberally flour the top of the dough and a work surface. Using a plastic or silicone bowl scraper, gently scrape the dough onto the floured surface. Using a rolling pin, roll the dough out to a rough 10×14-inch rectangle so the long sides are at your left and right. Using an offset spatula or the back of a spoon, spread the pesto onto the dough from edge to edge.

    Next, fold the top of the dough farthest from you down toward your body, overlapping about two-thirds of the dough-rectangle. Repeat for the bottom edge of the dough, folding it up over the dough so it completely overlaps and makes a three-layered rectangle in front of you, with short sides to your left and right — imagine folding up a letter you’re sending to your pen pal (is that still a thing?). Using a sharp chef’s knife, cut the rectangle into 9 (1-inch) strips.

    Starting with one strip, hold the opposite ends of a strip in each hand and begin twisting. After a few revolutions, the strip of dough dangling between your hands can now be knotted. Hold one end still and, using your other hand, coil the twisted strip around your stationary hand one or two times, ending by tucking the end of the dough in the moving hand into the center circle of the coil, twisting the whole thing to make a twisted knot. Place the knot on the prepared baking sheet. Repeat with the remaining strips, arranging in three rows of three knots.

  5. Proof the shaped knots (2:00 p.m. to 4:30 p.m.).

    Cover the baking sheet with a large, airtight bag and let the dough proof on the counter at room temperature for 2 1/2 hours. Be sure to heat the oven 15 to 30 minutes before the full 2½-hour proof time.

  6. Bake the knots (preheat oven at 4:00 p.m.; bake at 4:30 p.m.).

    Place a rack in the middle of the oven; heat to 400°F (200°C).

    In a small bowl, whisk the egg and milk until frothy. Uncover the baking sheet. Using a pastry brush, gently brush the egg wash onto each knot in a thin, uniform layer.

    Bake the knots for 20 minutes. Reduce the oven temperature to 350°F (175°C) and bake for 15 to 20 minutes more, until the tops are golden. Avoid over-baking to ensure the knots are only slightly crunchy on the outside but have a soft interior.

    Remove the pan from the oven. Lightly brush with the oil and top with the pine nuts, if using. Let the knots cool for a few minutes, then enjoy. They’re wonderful while still warm.

    Once cooled, the knots can be stored in an airtight container on the counter for several days. Reheat in the microwave or a warm oven before serving.

Seeds vs. plants: A buying guide for budding gardeners

During the second half of May, I keep an eye on the weather forecast (even more obsessively than usual), because I have dozens of vegetable plants ready to be transplanted into the garden. Here in northeastern Pennsylvania, we can still get a late frost that would be fatal for my tender young plants.

My garden is a mixture of plants from nurseries and ones that I started myself from seed, and whether you should grow from seed or buy plants very much depends on your individual situation. Root vegetables such as beets and parsnips don’t transplant well, and they should be directly seeded in the garden, as should be beans, peas, and leafy greens like lettuce and spinach. For all the others, here’s a list of factors to consider.

* * *

Hunting for heirlooms?

Seed companies will carry tons more varieties of any given vegetable than what you’ll be able to find already growing at a nursery. There are more than 10,000 different tomato varieties to be found as seeds, while a well-stocked nursery might carry two dozen varieties at best. If you have your mind set on more unusual varieties (including heirlooms) that you cannot find as plants, starting from seed is the way to go.

* * *

Can you bathe your seedlings in light?

The need for sufficient light for seed starting cannot be overstated. I have found that the often-recommended sunny window for your seedlings just won’t do—soon they start bending toward the light, and they get leggier with every inch they are removed from the light source. Unless you are the lucky owner of a greenhouse, you will need full-spectrum growth lights that emulate sunlight. A new trick I tried this year is to use the LED lights from my hydrogarden after removing the water bowls and grow decks. I am happy to report that the seedlings are the strongest I have ever grown.

* * *

Ready to make a commitment?

Ask yourself whether you can invest the time and effort to start from seeds. It means watering daily, sometimes twice a day. Letting seeds dry out even the slightest bit during germination is an absolute no-no, and keeping them consistently moist is key.

You also need to monitor the temperature. For example, tomato seeds germinate best at 65°F to 85°F; anything lower or higher will delay germination — or the seeds won’t germinate at all.

* * *

Consider the overall cost

Seed packets are often touted as cheaper than buying plants, but once you add up all the costs of a proper setup for seed starting, plus figure in your time and effort, it might be more economical to just buy plants. It’s the safer way, too, as you don’t have to deal with the uncertainties of seed starting.

* * *

The quantity factor

How many plants of a vegetable you want is also a factor. Seed packets usually contain much more than you will be able to fit in your garden, but you don’t have to use all the seeds in one year (seed viability depends on the vegetable). I love fairy-tale eggplants, which are difficult to find at local nurseries; that’s why I start them from seed and split the packet with a friend. This way I get fresh seeds every year. For tomatoes, I like to have one or two plants for each variety—the famous San Marzano tomatoes for sauce and canning, and beefsteak and cherry tomatoes for eating fresh. Buying a seed packet for each variety does not make much sense economically. The same applies to bell peppers and hot peppers.

For herbs, it depends. If you just need a few basil leaves for caprese or a batch of pesto, buy a plant or two. But if you’re like me, you can never have enough basil for pesto, freezing, and drying, so growing basil from seed is the best option. The same holds true for parsley. To make, say, tabbouleh, one plant doesn’t get you very far.

Another consideration is that you can keep harvesting certain annual herbs only until they start blooming. To ensure a constant supply of cilantro and dill, you’ll need consecutive generations of plants, so growing them from seed is best. By the time you need a new cilantro plant, all the nurseries will be likely sold out.

Rosemary, thyme, sage, marjoram, oregano, and many other herbs are perennials, and one plant is usually enough to cover your needs. In this case, buying a plant makes more sense than starting from seed. Plus, herbs are slow and finicky to germinate — parsley takes 14 to 30 days.

* * *

Whatever you decide, don’t delay your shopping — the demand for both seeds and plants has skyrocketed since last year.

“WandaVision” echoes myths of Isis, Orpheus and Kisa Gotami to explain how grief and love persevere

During a flashback scene in Marvel’s Disney Plus show “WandaVision,” the superpowered android Vision comforts his wife, Wanda Maximoff, after the death of her twin brother. “But what is grief,” he tells her, “if not love persevering?”

The line has become famous among Marvel fans and inspired an internet meme. But it also neatly summarizes the events of the show. Later, distraught over Vision’s death after battling the villain Thanos, Wanda uses her magic powers to bring a version of him back to life. He becomes her husband in a sitcom fantasy world of her own creation. In order to establish this dream world, Wanda pulls an entire town of people into her magic bubble to play roles of her choosing.

The success of “WandaVision” continues Marvel’s impressive record. But besides extending the studio’s string of box office hits into television, “WandaVision” also continues another familiar pattern from Marvel: echoing much older stories from world mythologies.

Marvel and mythology

As I show in my recent book, “Religion and Myth in the Marvel Cinematic Universe,” examples of that pattern are not hard to find.

The origin stories where Marvel heroes discover their powers often resemble initiation rituals found around the world. In those rituals, the hero often dies – literally or symbolically – and achieves a new status upon coming back to life.

For instance, it shows up frequently in stories of shamans from around the globe, where individuals grow very sick or even briefly die, then return with supernatural powers. Similarly, Iron Man, Thor, Captain America and Black Panther all gain their powers after near-death experiences.

In some cases, as when the Avengers battle one another – such as in 2016’s “Captain America: Civil War” – the tragic battle between heroes resembles the scale and savagery of Achilles fighting Hector in the Greek “Iliad” or Arjuna battling Karna in the Hindu “Mahabharata.” Among the Avengers, when it is revealed that Captain America hid knowledge of who killed Iron Man’s parents, it results in a similarly vicious battle between the two heroes.

And when the Avengers battle monsters and villains, those antagonists often mirror the giants, dragons and beasts of much older stories. Think, for instance, of the Abomination and Red Skull, who resemble ogres found in stories like the Norse myth “Beowulf” or the Chinese folk tale “Journey to the West.”

The primary villains also have mythic connections. Thanos, whose name means “death” in Greek, has similarities to mythic figures of death from around the world. Like the Greek god Hades, at times he appears regal, surrounded by servants and followers, sitting in a throne while wearing armor and a crown. Other times he is like Mara, the god of death in Buddhism, who assumes monstrous forms and commands an army of frightening and misshapen creatures.

The Avengers’ final attempt to defeat Thanos also parallels quests to overcome death found in stories like the Mesopotamian epic “Gilgamesh” or the tales of Siberian shamans. Like those ancient heroes, the Avengers undertake a great journey to acquire magical objects – in their case, the Infinity Stones – to overcome death.

Wanda’s grief

In the case of “WandaVision,” its portrayal of grief and loss brings to mind many famous world myths. In Egyptian mythology, the goddess Isis searches for the dismembered body parts of her murdered husband Osiris. After Isis reassembles Osiris, the couple have a son, Horus. Similarly, when Wanda cannot put Vision’s destroyed body back together, she recreates it out of magic and goes on to have twins with him.

Wanda’s actions also bring to mind a famous tale from the Buddhist tradition. In that story, a woman named Kisa Gotami is heartbroken when her only child dies. She begs the Buddha to bring the child back to life. The Buddha tells her to bring him a mustard seed from a house where no one has died. Going from house to house, Kisa Gotami discovers there is no family that has not experienced death, grief and loss. In the end, she comes to terms with her sorrow and joins the Buddhist path.

Interestingly, “WandaVision” arrives at a similar ending. For most of the series, Wanda clings to the idea that she can keep Vision alive and live happily ever after with him. But she eventually realizes it is wrong to keep her fantasy family alive at the cost of imprisoning an entire town. Like Kisa Gotami, she ultimately acknowledges the reality of death and lets Vision and their children go by ending the spell that animates them.

As Wanda watches Vision slowly vanish before her eyes, viewers may be reminded of the myth of Orpheus, a Greek hero, and his wife, Eurydice. After Eurydice dies from a snakebite, Orpheus persuades Hades to release her from the underworld. Unfortunately, on the journey back, Orpheus breaks the one rule Hades gave him: Do not look at her before reaching the surface. When he does, he watches Eurydice disappear all over again.

Timeless lessons

It’s possible that these parallels between the Marvel stories and ancient myths are part of their ongoing popularity. Both genres tap into fundamental questions that people have been trying to answer for thousands of years. What is worth fighting for? How do I live my best life? Why do we have to die?

“WandaVision,” meanwhile, is all about grief, but – like many myths before it – there is a sprinkle of hope. As Vision begins to disappear, he tells Wanda, “I have been a voice with no body, a body but not human, and now, a memory made real. Who knows what I might be next? We have said goodbye before, so it stands to reason, we’ll say hello again.”

Those words capture the same ache felt by Isis, Orpheus, Kisa Gotami and any person – ancient or modern – who has ever lost a loved one. The mythological tales remain relevant across time and across cultures, reappearing in these Marvel stories. That fact makes me wonder if we can alter Vision’s famous words just a bit: “What is Marvel, if not mythology persevering?”

Michael Nichols, Professor of Religious Studies, Martin University

This article is republished from The Conversation under a Creative Commons license.

Fauci fights back as right-wing attacks enter new, more conspiratorial phase: “It’s all nonsense”

Republican attacks on Dr. Anthony Fauci have entered a new, more conspiratorial phase following the release of thousands of his emails this week via a Freedom of Information Act Request by several news organizations, including the Washington Post, BuzzFeed News and CNN

Since the pandemic began last year, Fauci has emerged as a flashpoint of conservative ire despite his role as a top adviser to former President Donald Trump. But recent attacks have become more brazen and vitriolic as members of Congress and high-profile right-wing pundits stepped up their attacks, asking for his firing — or worse. Top aides to Trump even suggested this week that Fauci is the GOP’s new Hillary Clinton: someone reviled by the Republican base that Trump will continue to use as a punching bag at rallies.

Much of the recent criticism stemmed from the idea that Fauci, a longtime director of the National Institute of Allergy and Infectious Diseases who has served under seven presidents, did not investigate fully the theory that COVID-19 had leaked from a lab in Wuhan, China, where the virus seemingly originated. At worst, some claimed (falsely) that the emails contained evidence he actively lied about the virus’ origins, and about the effectiveness of masks, as a way to consolidate political power or hold onto his celebrity status.

The right-wing media ecosystem latched onto one of Fauci’s emails in particular, sent Feb. 1 — well before the virus became widespread in the United States — as evidence of Fauci’s deception. The immunologist Kristian Andersen wrote him about the virus’ “unusual features,” which might have suggested human engineering.

“On a phylogenetic tree the virus looks totally normal and the close clustering with bats suggest that bats serve as the reservoir,” Andersen wrote. “The unusual features of the virus make up a really small part of the genome (<0.1%) so one has to look really closely at all the sequences to see that some of the features (potentially) look engineered."

Many conservatives referred to the email as a “smoking gun,” and suggested that Fauci was “warned” the virus was engineered — but there’s more to the story. As the Washington Post notes, Andersen did thoroughly investigate the idea COVID-19 was man-made, and her California lab published a study several weeks later in the journal Nature concluding that the theory COVID-19 leaked from a lab was unlikely based on a more complete analysis of the virus’ genetic structure.

“Our analyses clearly show that SARS-CoV-2 is not a laboratory construct or a purposefully manipulated virus,” the study found. “It is currently impossible to prove or disprove the other theories of its origin described here.”

The “lab leak” theory was given a new round of new oxygen last month when the Wall Street Journal reported three researchers at the Wuhan Institute of Virology were hospitalized with a flu-like illness in November 2019, at least a month before the first recorded case of COVID-19. 

In reality, Fauci has said repeatedly over the past year that he believes it is more likely COVID-19 spread from animals to humans, though he has never ruled out the possibility of a lab leak and publicly called on President Joe Biden and public health researchers to investigate the virus’ origins further.

Fauci blasted the new round of right-wing vitriol during a Friday appearance on MSNBC’s “The Rachel Maddow Show,” calling the backlash “misleading” and “inappropriate.”

“The [lab leak] question is extremely legitimate — But what’s happened in the middle of all that is I’ve become the object of extraordinary, I believe completely inappropriate, distorted, misleading and misrepresented attacks,” Fauci said. “It’s really very much an attack on science.”

Among those attacks were prominent calls in both houses of Congress for Fauci to be fired. Rep. Marjorie Taylor Green, the controversial congresswoman with a history of racist and conspiratorial statements, even introduced a bill, called the “Fire Fauci Act,” which would reduce the career public official’s salary to $0.

Sen. Rand Paul, perhaps his most prominent critic on Capitol Hill, had within a few hours begun to use the controversy as a fundraising pitch on Facebook: “Dr. Fauci MUST GO,” the solicitation reads. “He’s continuously and deliberately misleading the public at every turn. It’s time to FIRE FAUCI.” 

In fact, Republicans and conservative interests have spent more than $300,000 over the last month alone targeting Fauci with Facebook ads, according to data from Bully Pulpit Interactive cited by Politico.

The blitz got a signal boost on right-wing media, where Fox News provocateur Tucker Carlson speculated that redactions in the emails likely meant Fauci was under investigation already — “We can only hope,” he added.

The messages filtered down across social media, with #FireFauci trending on Twitter for a brief moment while users on both Reddit and Facebook called for Fauci to be tried for war crimes. The most-viewed Facebook posts on Fauci this week included vitriol-filled screeds from Ben Shapiro, Dan Bongino, Steven Crowder and Donald Trump Jr., among others.

For President Biden and his White House, the attacks have presented a growing conundrum — address the attacks directly, and risk amplifying them, or ignore it and hope the narrative doesn’t catch on.

Friday’s presidential press briefing ended with an impromptu exchange that highlighted the tightrope walk.

“Mr. President, do you still have confidence in Dr. Fauci?” a reporter shouted at Biden left the room.

Poking his head around the corner, Biden said, unequivocally: “Yes, I am very confident in Dr. Fauci.”

For his part, Fauci told Rachel Maddow that he’s focusing on the very-much-still-raging pandemic, and celebrating the considerable successes the country has made. 

“My job was to make a vaccine and use my institute and these talented scientists that we have there and that we fund in the various universities to get a vaccine that was highly safe and highly effective,” he continued. “We succeeded.” 

“All the other stuff is just a terrible, not happy type of distraction. But it’s all nonsense.”

Godless grifters: How the New Atheists merged with the far right

It was inspiring — really inspiring. I remember watching clip after clip of Sam Harris, Richard Dawkins and Christopher Hitchens debating Christians, Muslims and “purveyors of woo,” exposing the fatuity of their faith-based beliefs in superstitious nonsense unsupported by empirical evidence, often delivered to self-proclaimed prophets by supernatural beings via the epistemically suspicious channel of private revelation. Not that Harris, Dawkins and Hitchens were saying anything particularly novel — the inconsistencies and contradictions of religious dogma are apparent even to small children. Why did God have to sacrifice his son for our sins? Does Satan have free will? And how can the Father, Son and Holy Spirit be completely separate entities but also one and the same?

The “New Atheist” movement, which emerged from the bestselling books of the aforementioned authors, was the intellectual community that many of us 15 or so years ago were desperately looking for — especially after the 9/11 terrorist attacks, which seemed to confirm Samuel P. Huntington’s infamous “clash of civilizations” thesis. As Harris once put it, with many of us naively agreeing, “We are at war with Islam.” (Note: This was a dangerous and xenophobic lie that helped get Donald Trump elected. As Harris said in 2006, anticipating how his brand of Islamophobia would enable Trump’s rise, “the people who speak most sensibly about the threat that Islam poses to Europe are actually fascists.”)

New Atheism appeared to offer moral clarity, it emphasized intellectual honesty and it embraced scientific truths about the nature and workings of reality. It gave me immense hope to know that in a world overflowing with irrationality, there were clear-thinking individuals with sizable public platforms willing to stand up for what’s right and true — to stand up for sanity in the face of stupidity.

Fast-forward to the present: What a grift that was! Many of the most prominent New Atheists turned out to be nothing more than self-aggrandizing, dogmatic, irascible, censorious, morally compromised people who, at every opportunity, have propped up the powerful over the powerless, the privileged over the marginalized. This may sound hyperbolic, but it’s not when, well, you look at the evidence. So I thought it might be illuminating to take a look at where some of the heavy hitters in the atheist and “skeptic” communities are today. What do their legacies look like? In what direction have they taken their cultural quest to secularize the world?

Let’s see if you can spot a pattern:

Sam Harris: Arguably the progenitor of New Atheism, Harris was for me one of the more entertaining atheists. More recently, though, he has expended a prodigious amount of time and energy vigorously defending the scientific racism of Charles Murray. He believes that IQ is a good measure of intelligence. He argued to Josh Zepps during a podcast interview not only that black people are less intelligent than white people, but that this is because of genetic evolution. He has consistently given white nationalists a pass while arguing that Black Lives Matter is overly contentious, and has stubbornly advocated profiling “Muslims, or anyone who looks like he or she could conceivably be Muslim,” at airports. (When Harris believes he’s right about something, it becomes virtually impossible to talk him out of it, no matter how many good arguments, expert opinions or hard data are presented to him. Like Donald Trump, he’s pretty much unteachable.) Harris has also partly blamed the election loss of Hilary Clinton on “safe spaces, trigger warnings, [and] new gender pronouns,” released a private email exchange with Ezra Klein without Klein’s permission, and once suggested that New Atheism is male-dominated because it lacks an “extra estrogen vibe.”

His primary focus these days is boosting the moral panic over “social justice warriors” (SJWs), “political correctness” and “wokeism,” which he apparently believes pose a dire threat to “Western civilization” (a word that has a lot of meaning for white nationalists). Consequently, Harris has become popular among right-wingers, and the sentiment of solidarity appears to be mutual. For example, he’s described Ben Shapiro as being “committed to the … rules of intellectual honesty and to the same principles of charity with regard to other people’s positions,” which is odd given that Shapiro is a pathological liar who routinely misconstrues his opponents in service of a racist, misogynistic, climate-denying agenda.

Michael Shermer: The founding publisher of Skeptic magazine, which once published a favorable review of Milo Yiannopoulos’ book “Dangerous” and a defense of child-rapist Jerry Sandusky, Shermer made a name for himself as a “skeptic.” However, his legacy has been overshadowed by, among other things, a protracted history of sexual harassment and assault allegations, with James Randi once calling him “a bad boy” whom numerous people at atheism conferences had complained about. In 2014, he was accused of rape, which he later flippantly joked about on Twitter. Since then, he has dedicated an impressive amount of time belittling “SJWs” and “the woke,” often hurling ad hominem attacks and middle-school insults towards those with whom he disagrees. For example, Shermer has referred to “SJWs” as “mealy-mouthed, whiney, sniveling, and obsequious,” and “a bunch of weak-kneed namby-pamby bedwetters.” He once tweeted, in Trumpian fashion: “Know this Regressive Lefters/SJWs — you will lose. Those of us who believe in truth & justice will prevail. Yours is a failed ideology. Losers.” After I wrote a critique of Steven Pinker’s recent book “Enlightenment Now!”, which contains many serious errors, Shermer took to Twitter to call me a “cockroach.” None of this should be that surprising, since he describes himself as an anti-woke, anti-reparations libertarian who thinks Ayn Rand’s “Atlas Shrugged” is “a remarkable book.”

But be careful: Shermer has also acknowledged, in writing, that he’s fantasized about murdering people. “Or, if not actually killing the particular bastard,” he reports, “at the very least I imagine dislocating his jaw with a  crushing roundhouse knuckle sandwich that sent him reeling to the pavement.” This comes from his book “The Moral Arc,” which received an extended, glowing blurb from Steven Pinker.

Lawrence Krauss: A world-renowned cosmologist who authored “A Universe From Nothing” and ran the Origins Project formerly at Arizona State University, Krauss was among the most academically accomplished of the New Atheists. In 2018, though, he was dismissed from his job as director of the Origins Project after an investigation found that he had violated the sexual harassment policy of the university “by groping a woman’s breast while on an ASU-funded trip in late 2016.” He has also repeatedly and vigorously defended his onetime friend Jeffrey Epstein, the child sex trafficker, who “donated $250,000 to the Origins Project over a seven-year span.” According to a 2011 Daily Beast article, Krauss claimed, “I don’t feel tarnished in any way by my relationship with Jeffrey; I feel raised by it,” adding that he didn’t believe the “beautiful women and young women” surrounding Epstein were underage. (Plenty of other people have said it was impossible not to realize that, and Krauss himself has acknowledged that Epstein favored “women ages 19 to 23,” which surely should have been a red flag.) After a 2018 BuzzFeed article detailing some of the sexual harassment allegations against Krauss was published, a flood of further accusations emerged online, some of which I catalogued here.

Richard Dawkins: Once a heavyweight within the world of evolutionary biology, Dawkins energized atheists the world over with his book “The God Delusion.” Over time, though, it became increasingly clear that he’s neither an adult-in-the-room nor a particularly nice guy. For some bizarre reason, he obsessively targeted a Muslim teenager in Texas, who was arrested after a homemade clock he brought to school was wrongly thought to be a bomb. He also flipped out over what came to be called “Elevatorgate,” which began with Rebecca Watson calmly asking men to be thoughtful and considerate about how they make women feel at conferences — for example, in the enclosed space of an elevator. This resulted in a flood of rape and death threats directed toward Watson, while Dawkins mocked the situation by writing a shocking letter addressed “Dear Muslima,” in which the first line was “Stop whining, will you.” More recently, he’s made it clear that he isn’t bothered by the allegations against Krauss, and posted seemingly anti-trans comments on Twitter. When asked why Twitter has caused him so much trouble, he claimed: “I love truth too much.” (For Dawkins’ troubling views on aborting fetuses with Down Syndrome, see this.)

James Lindsay: Once a promising young atheist, Lindsay published “Everybody Is Wrong About God” in 2015 and, three years later, “How to Have Impossible Conversations,” co-authored with Peter Boghossian (below). Referring to himself as “apolitical” but boasting a profile page on the right-wing, anti-free-speech organization Turning Point USA, he is now one of the most unhinged crusaders against “critical race theory” (CRT), an idea about which he seems to have very little actual knowledge. (This is unsurprising, given that Lindsay has literally argued that he doesn’t need to understand “gender studies” to call for the entire field to be canceled. See #10 here.) Over the past few years, he has teamed up with Christian nationalist and COVID conspiracist Michael O’Fallon, and now rakes in plenty of cash via Patreon — proof that grifting about “free speech” and “CRT” pays. Known for his social media presence, Lindsay has called women he disagrees with “bitches,” while — seriously — hurling “your mom” insults at intellectual opponents who point out his mendacities. He recently argued that antisemitism is caused by woke Jews (i.e., they’re doing it to themselves), spread COVID conspiracy theories, and claimed in 2020 that people should vote for Donald Trump (as he did) because Joe Biden is a neo-Marxist, or will succumb to the influence of scary neo-Marxists like Black Lives Matter.

Last year, Lindsay co-authored the commercially successful book “Cynical Theories,” which received a glowing endorsement from Steven Pinker but repeatedly misrepresents the ideas of those it hysterically, and incorrectly, claims are tearing down “Western civilization.” And let’s not get into his wildly delusional conspiracy theories about the “Great Reset,” which apparently, as someone Lindsay retweeted put it, “aims to introduce a new global planetary diet”! If you want to understand Lindsay’s worldview, I suggest reading Jason Stanley‘s excellent book “How Fascism Works,” which captures the anti-intellectual, anti-academic, anti-social justice spirit of Lindsay’s activism perfectly.

Peter Boghossian: A “philosopher” at Portland State University and “longtime collaborator of Stefan Molyneux” (a white supremacist demagogue who once declared, “I don’t view humanity as a single species …”), Boghossian wrote “A Manual for Creating Atheists in 2013. A year later, he tweeted: “I’ve never understood how someone could be proud of being gay. How can one be proud of something one didn’t work for?” This was followed by a defense of Nazis (no one outside Hitler’s Germany should ever be called a “Nazi”), and a stern rejection of the historically accurate claim that “slavery … was not merely an unfortunate thing that happened to black people. It was an … American institution, created by and for the benefit of the elites.”

In 2017, Boghossian and Lindsay attempted to “hoax” gender studies by publishing a fake article in a peer-reviewed gender studies journal (note: the journal had nothing to do with gender studies). But it turned out this was based on a demonstrable lie, which they of course never admitted. Their paper ultimately ended up in a pay-to-publish journal. That was followed by an even more elaborate and even more bad-faith “hoax,” which resulted in a response from Portland State University professors alleging that “basic spite and a perverse interest in public humiliation seem to have overridden any actual scholarly goals.” Indeed, Boghossian and his crew failed to get institutional review board approval for this experiment, resulting in serious accusations of unethical actions. “I believe the results of this office’s view of your research behavior,” wrote the vice president for “research and graduate studies” at Boghossian’s university, “raises concerns regarding a lack of academic integrity, questionable ethical behavior, and employee breach of rules.” On May 6 of this year, Boghossian — a vocal critic of “cancel culture” — called for “the defunding of Portland State University,” which he incorrectly described as promoting “illiberal ideologies.” (See here for more.)

 

David Silverman: Silverman made a name for himself as a “firebrand” atheist, even appearing on Bill O’Reilly’s Fox News show several times to take on “Papa Bear” himself. But “explosive … allegations of sexual assault and undisclosed conflicts of interest” got Silverman fired from American Atheists, where he was president. In the years since, he has given voice to a stream of grievances about feminism, social justice and the like, referring to social justice as “a cancerous social movement” that “has to be undone,” adding: “I have a lot of regrets for being in your whiney culty immitation [sic] of feminism.” The same day, he spoke with Sargon of Akkad (aka Carl Benjamin, a member of Britain’s far-right party UKIP) about “Feminist Tyranny.” (More here, here and here.)

Steven Pinker: To many of us early on, Pinker seemed to genuinely care about maintaining his intellectual integrity. But, once again, high expectations only meant a harder crash. Consider that Pinker has claimed that rape is often “over-reported.” To support this, he cites right-wingers like Christina Hoff Sommers and Heather MacDonald as primary sources. Over the past few years, he has become unhealthily fixated on “political correctness,” social justice and “wokeness,” and participated in the 2017 “Unsafe Space Tour” of college campuses, organized by the right-libertarian magazine Spiked. It also came out, much to Pinker’s chagrin, that he’d assisted the legal defense of sex trafficker Jeffrey Epstein, even appearing in photographs with Epstein taken after the latter was convicted of sex crimes in 2008. Here’s a picture of Pinker with Dawkins (and fellow New Atheist Daniel Dennett) flying to a TED Conference with Epstein. Pinker’s response? It’s hard to make this up: despite being a vociferous “opponent” of censorship — bad ideas must be exposed to the light! Free speech must never be hindered! — Pinker blocked half of Twitter to stop people from mentioning his past links to this rapist and pedophile. Of course this backfired, drawing even more attention to the issue, a phenomenon that I call the “Pinker-Epstein Effect” (which is nearly identical to the Streisand Effect but specific to, well, Pinker and Epstein). Although Pinker was never as prominently connected to “New Atheism” as the others, his influence within the movement, partly because of his advocacy for secularism, is undeniable. (See here for more.)

This is hardly an exhaustive list. But it’s enough to make clear the epistemic and moral turpitude of this crowd. There is nothing ad hominem in saying this, by the way: The point is simply that the company one keeps matters. What’s sad is that the New Atheist movement could have made a difference — a positive difference — in the world. Instead, it gradually merged with factions of the alt-right to become what former New York Times contributing editor Bari Weiss calls the “Intellectual Dark Web” (IDW), a motley crew of pseudo-intellectuals whose luminaries include Jordan Peterson, Eric and Bret Weinstein, Douglas Murray, Dave Rubin and Ben Shapiro, in addition to those mentioned above.

At the heart of this merger was the creation of a new religious movement of sorts centered around the felt loss of power among white men due to the empowerment of other people. When it was once acceptable, according to cultural norms, for men to sexually harass women with impunity, or make harmful racist and sexist comments without worrying about losing a speaking opportunity, being held accountable can feel like an injustice, even though the exact opposite is the case. Pinker, Shermer and some of the others like to preach about “moral progress,” but in fighting social justice under the misleading banner of “free speech,” they not only embolden fascists but impede further moral progress for the marginalized.

Another way to understand the situation goes like this: Some of these people acted badly in the past. Others don’t want to worry about accusations of acting badly in the future. Still others are able to behave themselves but worry that their friends could get in trouble for past or future bad behavior. Consequently, the most immediate, pressing threat to their “well-being” has shifted from scary Muslim immigrants, evangelical Christians and violent terrorists to 19-year-old kids on college campuses and BLM activists motivated by “wokeness.” This is why Lindsay has teamed up with a Christian nationalist and why Boghossian talks about the “Great Realignment” in which anti-woke alarmists, like him, end up joining hands with “conservative Christians” in “Culture War 2.0.”

What ties these people together is an aggrieved sense of perpetual victimhood. Christians, of course, believe that they are relentlessly persecuted (note: they aren’t). The IDWs similarly believe that they are the poor helpless victims of “CRT,” “standpoint theory” and other bogeymen of woke academia. But really, if “Grievance Studies” studies anything, it should be how this group of extremely privileged white men came to believe that they are the real casualties of systemic oppression.

An excellent example of this delusion comes from an inadvertently hilarious interview with Boghossian for the Epoch Times, a media company associated with the Falun Gong movement that is “fueling the far-right in Europe” and has spread COVID conspiracy theories. In it, Boghossian warns that “woke ideology” has produced “a recipe for cultural suicide.” This has led him — the co-author of “How to Have Impossible Conversations” — to spout extremist rhetoric like this:

I’m done playing. … I am waging full-scale ideological warfare against the enemies of Western Civilization. … We must broker absolutely zero tolerance with this ideology, and the only way forward at this point is full-scale ideological war, and I will take no prisoners, … . I seek the complete eradication and extirpation of the ideology from every facet of life.

That’s scary, intolerant and even fascistic. And it’s exactly where the New Atheism movement has ended up, to the exasperation of those who still care about secularism.

To conclude, let me bring things full circle: At least some studies have shown that, to quote Phil Zuckerman, secular people are “markedly less nationalistic, less prejudiced, less anti-Semitic, less racist, less dogmatic, less ethnocentric, less close-minded, and less authoritarian” than religious people. It’s a real shame that New Atheism, now swallowed up by the IDW and the far right, turned out to be just as prejudiced, racist, dogmatic, ethnocentric, closed-minded and authoritarian as many of the religious groups they initially deplored.

We never needed rape scenes to tell stories of sexual assault – finally, movies & TV are catching up

“Tuca & Bertie,” the zany and colorful adult cartoon following the adventures of two, 30-something female birds (Tiffany Haddish and Ali Wong), will return this month, this time on Adult Swim after being canceled by Netflix after one season. As we await the show’s next chapter, it’s important to reflect on why it gained such a fervent following in the first place and warranted saving. In particular, this humble show featuring cartoon birds wasn’t just hilarious and insightful, but challenged onscreen storytelling conventions.

Salon revisited the quirky, relatable delights of the show’s first season, from social anxiety to the day-to-day frustrations of being a woman in the workplace. One storyline in particular comes to mind: that is, when Bertie (Wong), an anxious song thrush, opens up to her best friend Tuca (Haddish), a free-spirited, exuberant toucan, about her experience being sexually assaulted as a child by her lifeguard. To this day, the trauma of the assault has stopped Bertie from swimming again for years until that episode.

What made this sexual assault storyline so special wasn’t even necessarily about what it included, but rather, what it didn’t. The show didn’t depict a scene of the assault, name or identify the character who harmed Bertie, or, as some eagle-eyed fans pointed out, even include a single male character in that episode. In this way, it was a masterclass in the future of sexual assault storytelling — one in which we don’t need triggering, violent assault scenes constructed for the male gaze, and instead center survivors, and explore how this violence has impacted them.

What started with “Tuca & Bertie” in 2019 has ushered in a wave of thoughtful, compassionate and much-needed transformation in storytelling of sexual assaults — primarily from more and more women writers and directors, after years of male writers like Dan Weiss and David Benioff of “Game of Thrones” fame having notoriously subjected audiences to almost countless graphic rape scenes. After all, for lazy, male writers, sexual violence will always be a quick and easy means for “shock factor,” or the simplest way to make a female character “grow.”

Instead, we can now turn to female creators. From HBO’s “I May Destroy You” to “Promising Young Woman,” produced by Margot Robbie, we’re increasingly witnessing an evolution in the presentation of and dialogue around rape culture in media — starting with the dated idea we need rape scenes at all. “Promising Young Woman,” the story of a young woman’s quest to avenge her friend who was raped at a party in medical school, centers around a rape that’s never shown, and maddeningly portrays the unforgivable violence of everyday male complicity with rape culture. Throughout the film, Carey Mulligan as Cassandra feigns intoxication at bars to expose men as sexual predators, and confronts and punishes those who harmed or denied justice to her friend. Absence of a scene of the rape itself seems to strengthen the film’s storytelling power, focusing on and bringing to light the intensity of the aftermath of sexual violence for victims and their loved ones.

Meanwhile, HBO’s “I May Destroy You,” which first aired last year, follows author Arabella (Michaela Coel) as she navigates life, friendships, and her career after a sexual assault at a bar that she struggles to remember. Like “Promising Young Woman” and “Tuca & Bertie,” the show – created, written, produced and co-directed by Coel –explores how the emotional violence of sexual assault long outlasts the act itself. All of these features have sparked powerful and important conversation on rape culture, and they’ve done so without triggering, dehumanizing rape scenes.

“Tuca & Bertie” show creator Lisa Hanawalt spoke to TV Guide in 2019 on the decision to not include a scene of the assault, or bring to life Bertie’s attacker in any way at all, “because [she] didn’t want anyone to judge whether or not [Bertie] overreacted to it.” She explained, “We just wanted to say, ‘You know what? Something happened, and it traumatized her. And it really doesn’t matter what those specifics are.'”

The thoughtful, survivor-centric writing and decision-making of “Tuca & Bertie” spoke to a common experience among survivors — specifically, gaslighting and dismissal even in the event that they’re believed about what was done to them. One in three women globally has experienced sexual or domestic violence, but few report their experiences, many citing fear of disbelief or retraumatization. If their account of their trauma is believed, it’s often heavily scrutinized or compared to other supposedly more violent scenarios, with survivors implicitly or explicitly told they’re overreacting, as Hanawalt suggests. 

On top of often being accused of overreacting, survivors also face doubt and criticism if they come forward about their experience after time has passed. Yet, as “Tuca & Bertie” masterfully shows, not talking about your assault for years is highly common, often a result of repressing one’s trauma, or not even realizing what was done to them was violent until later in life.

As Hanawalt pointed out, if someone comes forward about their experience with assault either in a show or movie, or real life, the only information we really need is that they were harmed, it traumatized them, and they need our support. Allowing survivors to anonymize their abuser is also crucial to supporting them, and helping survivors feel comfortable and safe speaking on what happened to them without pressure to disclose more details than they wish, and potentially retraumatize or endanger themselves.

The assault storyline of “Tuca & Bertie” didn’t happen in a vacuum — over the course of the show, Bertie faces routine sexual harassment in the workplace and the outdoors, and as many women can relate to, she’s forced to shrug it off, and at times, process complicated emotions about it. Bertie has also struggled with intense, sometimes debilitating anxiety most of her life, that seems likely to extend from the aforementioned childhood trauma. In this way, the show has allowed audience members who are survivors of any kind of trauma to reflect deeply on whether or how this trauma has continued to affect them and their mental health, today. And guess what? It does all of this without rape scenes, and with two cartoon birds.

Hopefully, the show will pick up right where it left off in its groundbreaking, relatable and compelling storytelling when the show returns. 

Season 2 of “Tuca & Bertie” premieres Sunday, June 13 at 11:30 p.m. on Adult Swim

From a deer boy to Gina Rodriguez staring down the apocalypse, here’s what’s new on Netflix in June

Several states including California may be poised to fully reopen this month or next, but June is still the perfect time for streaming marathons in bed, if you want it to be. And with dozens of new shows and movies dropping this month, Netflix sure makes bed-bingeing sound like the better option. From captivating nature documentaries that may even tempt you to go outside, to queer love stories that are perfect for Pride Month and all months, Netflix has got you covered.

But first, before saying hello to the streaming platform’s exciting new titles, say goodbye to the ones that are leaving. If you were looking for it these past couple days, cult classic “Hannibal” seasons 1-3 left Netflix on June 4, despite ongoing rumors the platform is considering adopting the NBC drama for a fourth season. Hipster sketch comedy series “Portlandia” will also leave Netflix on June 9.

But the bulk of the disappearing Netflix titles aren’t leaving until June 30, giving you a bit more time for one last “Back to the Future” marathon — or, if you enjoyed “Cruella” on Disney+, consider Emma Stone’s earlier work in “Crazy Stupid Love,” alongside her “La La Land” costar Ryan Gosling and Steve Carrell. And if recent shifts toward post-pandemic normalcy have you feeling nostalgic, indulge in a classic “Land Before Time” rewatch with your favorite animated dinosaurs, or some “Twilight Zone,” if you’re curious as to the origins of the recently cancelled modern adaptation.

When Netflix titles are gone, they’re gone, meaning it’s your last chance to find out what David Fincher’s “Girl with the Dragon Tattoo” is actually about, or better yet, discover what your pets are up to when you’re not home in animated family comedy “Secret Life of Pets.” But if you’re ready for new, read on for the exciting Netflix originals that start streaming this month.

“Breaking Boundaries: the Science of Our Planet,” June 4

Based on Johan Rockström and Owen Gaffney’s book of the same name, “Breaking Boundaries,” streaming now, is Netflix’s third project with nature historian and broadcaster Sir David Attenborough. But this isn’t necessarily your typical, peaceful nature documentary. It’s an urgent and scientific wake-up call, exposing how humanity has pushed conditions on Earth beyond what have kept our planet stable for 10,000 years, and highlighting how we’re at a critical point for its survival — and ours. 

“Feel Good” Season 2, June 4

This British comedy drama, formerly airing on BBC but adopted by Netflix for a second and final season, follows the budding relationship between Mae (Mae Martin), a lesbian comedian and struggling former drug addict, and George (Charlotte Ritchie), a straight-presenting woman who remains uncomfortable telling friends and family about her relationship with Mae. Season 2 will pick up after Mae’s relapse at the end of last season, as she tries to reconnect with George and confront her own past. The show has been widely praised for its candid and fun portrayal of the minefield that is gender, sexuality and dating.

“Sweet Tooth,” June 4

A new fantasy series adopted by Jeff Lemire’s “Vertigo” comic, “Sweet Tooth” follows the story of Gus, a boy who’s half-human and half-deer in his search for his lost mother in a post-apocalyptic world, 10 years after an event called “The Great Crumble.” Starring Christian Convery as Gus, “Sweet Tooth” tells a story that’s achingly familiar to a real-life world thrown into catastrophe by a global pandemic, as it follows the continued impacts of a virus that led to the mass birth of human-deer hybrids like Gus. 

“Kitty Love: An Homage to Cats,” June 5

Hosted by famous Dutch cat Abatutu who is voiced by Nicolette Kluijver, “Kitty Love” is a documentary celebrating the day-to-day lives of a group of Dutch cats. Netflix promises the documentary will feature the cats’ “finest and friskiest moments,” so ailurophiles — you’re in for a treat. 

“Awake,” June 9

“Awake” is the story of Jill (Gina Rodriguez), a troubled former soldier and her fight to save her family, herself, and the world around her. A mysterious catastrophe has wiped out all electronics, and also, puzzlingly rendered humans unable to sleep. Scientists must discover a cure in a nightmarish race against time, all while Jill must decide whether to sacrifice everything to save the world.

“Lupin” Part 2, June 11

“Part 2” will pick up where the hit French thriller series left off, as Arsène Lupin (Omar Sy), the world-famous gentleman thief and master of disguise, sets out to avenge his father, a chauffeur to the Pelligrinis, who are the wealthiest family in France. Arsène’s father was accused by the Pelligrinis of stealing a diamond necklace owned by Marie Antoinette, and died in prison as a result. “Lupin: Part 2” will follow the last season’s cliffhanger, as Arsène seeks a new ally and tries to expose Hubert Pelligrini’s (Hervé Pierre) crimes. “Lupin” was created by George Kay, the creator of “Killing Eve,” and a modern adaptation of French writer Maurice LeBlanc’s early 20th century novels.

“Picture a Scientist,” June 13

A timely new documentary that offers a case study of three women in STEM professions, “Picture a Scientist” exposes ongoing, persistent stigma toward female scientists in their places of work. The documentary follows the lives of biologist Nancy Hopkins, geologist Jane Willenbring, and chemist Raychelle Burks, as they navigate workplace harassment, discrimination, and the gender pay gap in their male-dominated industries. Filmmakers Sharon Shattuck and Ian Cheney spoke with Salon last year about the shocking and frustrating inequalities highlighted by their documentary.

“Penguin Town,” June 16

As its name would suggest, “Penguin Town” is an adorable documentary chronicling the story of endangered penguins flocking together in a town in South Africa, as they find mates, raise a family, and interact with the human locals. The documentary series produced by Patton Oswalt promises to be the feel-good summer show we all need. 

“Good on Paper,” June 23

Stand-up comedian Andrea Singer (Iliza Shlesinger) has put dating on the backburner for years — until she meets the seemingly perfect Dennis (Ryan Hansen). Dennis checks all the boxes, but Andrea and her friends have their doubts, and are determined to find the truth in this star-studded comedy written by Iliza Shlesinger, and based on a “(mostly) true story.” Directed by Kimmy Gatewood, who’s previously directed “The Baby-Sitters Club” and “Girls5eva,” the movie will also feature appearances from comedian Margaret Cho, as well as supermodel Taylor Hill and “Bachelor” nation superstar Tyler Cameron. 

“The Ice Road,” June 25

Starring Liam Neeson and directed by Jonathan Hensleigh, the writer of “Jumanji” and “Armageddon,” “The Ice Road” is the thrilling story of a seemingly impossible rescue mission of Canadian diamond miners, when their mine collapses and entraps them. Neeson, who plays a big-rig ice road driver, takes it upon himself to rescue the miners amid a massive storm, among other terrifying conditions. 

“Sex/Life,” June 25

Based on B.B. Easton’s novel “44 Chapters About 4 Men,” “Sex/Life” is the story of a not-so-typical love triangle between a suburban mother (Sarah Shahi), her husband (Mike Vogel), and her wild past. According to Netflix, the new original comedy-drama series promises to be a wild and provocative glimpse into “female identity and desire.” 

Here’s everything else coming to Netflix this month:

June 1
“Super Monsters: Once Upon a Rhyme”
“Abduction”
“American Outlaws”
“Bad Teacher”
“Black Holes | The Edge of All We Know”
“CoComelon: A Sunny Day for Play”
“Cradle 2 the Grave”
“Flipped”
“Fools Rush In”
“Happy Endings” Season 1-3
“I Am Sam”
“Love Jones”
“Million Dollar Baby”
“Ninja Assassin”
“Seven Souls in the Skull Castle: Season Moon Jogen”
“Seven Souls in the Skull Castle: Season Moon Kagen”
“Stand by Me”
“Starsky & Hutch”
“Streets of Fire”
“Swordfish”
“The Adventures of Sonic the Hedgehog” Season 1
“The Best Man”
“The Big Lebowski”
“The Wedding Guest”
“The Wind”
“What Women Want”

June 2
“2 Hearts”
“Alone” Season 7
“Carnaval”
“Kim’s Convenience” Season 5

June 3
“Alan Saldaña: Locked Up”
“Creator’s File: GOLD”
“Dancing Queens”
“Pretty Guardian Sailor Moon Eternal The Movie” Part 1 / Part 2
“Summertime” Season 2

June 4
“Breaking Boundaries: The Science of Our Planet”
“Feel Good” Season 2
“Sweet Tooth”
“Trippin’ with the Kandasamys”
“Xtreme”

June 5
“Kitty Love: An Homage to Cats”

June 7
“Vampire Academy”

June 9
“Awake”
“Fresh, Fried & Crispy”
“L.A.’s Finest: LA’s Finest” Season 2
“Tragic Jungle”

June 10
“A Haunted House 2”
“Camellia Sisters”
“Locombianos”

June 11
“Love (ft. Marriage and Divorce)” Season 2
“Lupin” Part 2
“Skater Girl”
“Trese”
“Wish Dragon”

June 13
“The Devil Below”
“Picture a Scientist”

June 14
“Elite Short Stories”

June 15
“FTA”
“Unwind Your Mind”
“Let’s Eat”
“Life of Crime”
“Power Rangers Dino Fury” Season 1
“Rhyme Time Town” Season 2
“Sir! No Sir!”
“Workin’ Moms” Season 5

June 16
“Lowriders”
“Penguin Town”
“Silver Skates”

June 17
“Black Summer” Season 2
“The Gift” Season 3
“Hospital Playlist” Season 2
“Katla”
“Silver Linings Playbook”

June 18
“A Family”
“Elite” Season 4
“Fatherhood”
“Jagame Thandhiram”
“The Rational Life”
“The World’s Most Amazing Vacation Rentals”

June 19
“Nevertheless”

June 22
“This Is Pop”

June 23
“Good on Paper”
“The House of Flowers: The Movie”
“Murder by the Coast”
“Too Hot to Handle” Season 2

June 24
“Godzilla Singular Point”
“The Naked Director” Season 2
“The Seventh Day”
“Sisters on Track”

June 25
“The A List” Season 2
“The Ice Road”
“Sex/Life”

June 26
“Wonder Boy”

June 28
“Killing Them Softly”
“The Seven Deadly Sins: Dragon’s Judgement”

June 29
“StarBeam” Season 4

June 30
“America: The Motion Picture”
“Lying and Stealing”
“Sophie: A Murder in West Cork”

I have a physical dependency on Xanax. The drug’s dark side isn’t discussed enough

My mentor was dying and I had no idea what to say.

It was Spring 2018 and John Pettegrew, Lehigh University’s chair of history and my dissertation adviser, had just received a call from his doctor. We were meeting to discuss my dissertation proposal; I’d completed my coursework years earlier with a 3.8 GPA and had done well on my exams. Every previous conversation I’d had with Pettegrew had been stimulating and enthusiastic on both ends. Because he was kind, he reiterated how much he believed in my proposed topic and, knowing that I’m autistic, made a point of understanding neurodiversity. I had switched advisers precisely because our minds were simpatico. Yet in this meeting, for the first time ever, I began to wonder if Pettegrew’s cancer diagnosis might thwart that fate.

He asked that I leave the room so he could take his personal call. I did so, of course, but I could tell as soon as I returned that the news had not been good. All of the energy seemed drained out of him. He tried his best, but it was clear that he was distracted. To this day I question whether I should have even asked the next question that came out of my mouth, but my instincts told me that he would be okay with it.

“Professor Pettegrew, how are you feeling? Do you think I need to switch advisers?”

He smiled at me sadly, but with a twinkle still in his eyes, and said, “I’m going to beat this, Matt. You’re going to get your PhD and I’m going to watch while it happens.”

Those were the last words I ever heard my academic mentor utter in his own voice. Within a few weeks of that conversation, Pettegrew had passed away.

* * *

I was crippled with grief at the loss of my mentor. Little did I know that this would also be the first in a chain of events that would culminate in my mental health issues, for a period, becoming too much to manage.

All of my life I have struggled as an autistic person. When you are neurodivergent but live in a world run by neurotypicals, there are countless obstacles separating you from the kinds of lives that other people can take for granted. Finding and maintaining employment (much less gainful and emotionally fulfilling work) is more difficult, if not impossible. Every type of relationship, from those with family and friends to romances and mundane encounters with strangers, is fraught with difficulty because so many of the people around you speak a language that you don’t understand. You are bullied, you are fired, you are dismissed as weird, you are left feeling alone. If there is anything worse than the loneliness, it is the sting that accompanies every occasion when your autism gets you penalized in the game of life. The pain is unbearable; the anxiety stems, I suspect, from a visceral desire to never have to feel that way again.

These struggles lead to traumas, and those traumas build up, eventually causing generalized anxiety disorder. For me it has destroyed romantic relationships, friendships and career opportunities. Many moments in my life that would otherwise have been happy were tarnished because of this. The anxiety disorder manifests itself in my life in a number of ways and, after years of therapy, I have determined that it is largely due to my neurological differences — both the fact that I’m autistic and the fact that I’ve accumulated a lot of trauma from the abuse I endured as an autistic person.

Despite this, around 2010 I resolved to build a life for myself, piece by piece. I would get a PhD in history, become a professional writer, find true love and learn how to reduce the obviousness of my autistic tics around un-empathetic normies. It was painstaking, but by 2012 I had obtained my MA in History from Rutgers-Newark, was en route to the PhD and had started making my living as a writer. In 2016 I was hired as a staffer at Salon and, after years of dating around, had found a long-term partner. When 2018 opened up, I could not have imagined life being much better, anxiety notwithstanding.

Pettegrew had met me a few years into my self-improvement phase and had been an early, reassuring ally the entire time. Now he was gone. The road ahead for my academic career was going to be bumpy. I tried my best to prevent spillover from that into the other, non-academic areas of my life, but that proved easier said than done. Trying to protect what I had built was like trying to protect a sequence of dominos after the first one had been knocked over. Eventually, I needed to be hospitalized for anxiety, depression and other serious mental health issues — not once, but twice in a span of six months.

Even though I am terrified of taking pills (I’ve reported on the opioid epidemic), the second hospitalization convinced me that I needed to pursue a pharmacological route, which I had previously avoided in favor of a strictly therapeutic one. When I was released, I was booked to see a psychiatrist, where I was prescribed a benzodiazepine called Xanax, as well as (later on) Lexapro. The Xanax in particular scared me, as benzodiazepines like Xanax, Ativan, Klonopin and Valium have a sinister reputation.

Nevertheless the drugs worked. If my anxiety was an ocean, the medication was a surfboard. It didn’t reduce the size or tempestuousness of the waves, but it allowed me to ride them out as long as I kept my footing. Over time, though, I realized that when I didn’t take the Xanax, my earlier fears about pills would be realized: I experienced severe withdrawal symptoms, including uncontrollable anxiety worse than anything I’d experienced before I was hospitalized. There was a deep depression, a feeling of hopelessness, that was analogous to what I had felt during the events which occurred between Pettegrew’s passing and my second hospitalization. My body would break into cold sweats, forbade me from sleeping by stuffing my brain with racing and disjointed thoughts, and kept me uncomfortable with gastric ailments. Eventually my doctors agreed that I should gradually taper off the Xanax and use medical marijuana to cope with the withdrawal symptoms. It helps, but doesn’t fully make them go away.

This process began more than a month ago. I’m still going through it now and worry that it may last even longer. My doctors did nothing wrong — I’ve learned, from years dealing with mental health professionals, that prescribing drugs is as much an art as a science — but still I’m in quite a pickle. There is a stigma associated with being dependent on a benzodiazepine, but I do not believe there is anything a reasonable person could have asked me to do differently. I did not break the law. I never took any benzodiazepines that were not prescribed to me, and I needed those prescriptions because I was coping with a debilitating ailment. My doctors did the best they could, and so did I.

* * *

“The withdrawal process is grueling, but what you are experiencing is extremely common and normal,” Angela L. Robinson, clinical director at NorthNode Group Counseling, told me over email. “You need to allow your body to heal itself through detoxification.”

As Robinson pointed out, it is normal to struggle as you taper off of a benzodiazepine dependency. The side effects can last anywhere from a couple weeks to a month, or even longer, depending on how long a patient took the drug and the extent of their dependence.

“Benzodiazepines are very powerful and complex drugs,” Robinson said. “The drug works by slowing down activity from your nervous system, the information highway throughout your body, to your brain. Benzodiazepines work to decrease activity in the nervous system. It diffuses the physiological and emotional side effects of stress. The drug does not solve the root cause of the stress.”

Robinson says she has seen patients respond to withdrawal in harrowing ways.

“Typically, clients have a severe physical reaction during the detox,” Robinson recalled. “Remember, because the drug tranquilizes the activity within the nervous system, your body will start to feel restless, because the signals are waking up. I’ve seen clients develop uncontrollable shakes, psychosis and/or feel panicky. Other common withdrawal symptoms include sweating profusely, chills, insomnia and/or trouble sleeping, suicidal ideation, and increased depression.”

Dr. Leela Magavi — a board-certified adult psychiatrist and board-certified child and adolescent psychiatrist who has worked with patients struggling with anxiety, depression and PTSD — wrote to Salon that she is wary of prescribing benzodiazepines precisely because they can be dangerous.

“I have evaluated many individuals who have endured similar symptoms,” Magavi explained. “I would contend that most individuals struggle with titrating off of benzodiazepines due to their addictive properties. I only initiate benzodiazepines when warranted due to their addictive properties. Many patients present to my clinic on high doses of benzodiazepines, which were initiated by their primary care physician or another specialist. I find this very concerning and do whatever I can to collaborate with my physician colleagues to educate them about the potential dangers of benzodiazepines.”

Given the risks, one might be apt to wonder if doctors are overprescribing benzodiazepines. Certainly, something similar happened with synthetic opioids, fueling an ongoing addiction crisis.

Regarding overprescription, Magavi was unequivocal.

“Certainly,” Magavi told Salon. “I have had patients present to my clinic on alprazolam or Xanax 4 mg per day and other similarly concerning doses. Individuals hope for relief and improvement, but these short-acting, habit-forming medications can create more problems and rebound anxiety for patients.” She urged people dealing with benzodiazepine withdrawal to advocate for themselves as much as they can.

“Some physicians may discount symptoms if they are not common, but I would recommend reiterating their symptoms or seeking a second opinion,” Magavi advised. “I would encourage them to present to the ER with any acute concerns as they may need to restart the medication for a short period of time. Some physicians may cross-titrate to a long-acting benzodiazepine and gradually titrate off of this to decrease withdrawal symptoms.”

Addiction counselor Dr. Aaron Weiner also expressed concern that benzodiazepines are over-prescribed, saying that they should only be used as a short-term solution to serious and immediate crises.

“Generally speaking, these medications are more indicated for say acute moments,” Weiner told Salon. “Like if someone has just lost a family member or there’s something urgent that has just gone on, but not so much for the chronic stuff. The tools do have a place in time, but I think that they are over-prescribed because it can be alluring, both from the provider perspective who wants to provide a solution, and then also for the patient.”

He also urged anyone withdrawing from the medication to do so under medical guidance, since in extreme scenarios the process can cause cardiac events or seizures.

One thing I have noticed, during my own withdrawal experience, is that the nature of the anxiety I feel is a little different than its earlier incarnations. In the past, I was easily triggered by stimuli which reminded me of past traumas, and that in turn caused the anxiety. Now the anxiety is constantly there, beneath the surface, regardless of whether a specific trigger can initiate it. I asked some of the experts if this is normal.

“Definitely,” Magavi told Salon. “Some individuals experience new-onset panic attacks, which feel completely different and alarm them. Most individuals experience an exacerbation of their panic and anxiety symptoms and may even experience frightening derealization or depersonalization.”

The reason, Weiner explained, is biological.

“Generally speaking, anxiety is caused by something in the environment, seeing a threat, or sometimes it’s being on edge. If you’ve been on edge for so long, because you feel like something bad is going to happen, that can become a habit, but what’s going on with the withdrawal is that it’s purely driven by a biological change and imbalance of chemicals in the brain that is in the process of being corrected slowly.”

Magavi added that it is important for people struggling with withdrawal to try to confront their inner demons, the ones that caused their anxiety condition.

“It is extremely important to remain introspective, confront insecurities and weaknesses, and heal from trauma,” Magavi said. “This allows individuals to work on the root of the problem and could considerably decrease the amount of medication they warrant or the dosages they require. To what extent does one need to undergo an introspective psychological biography to effectively address these issues? I advise all individuals to engage in therapy. I provide therapy during sessions, but individuals benefit from meeting with a psychologist and psychiatrist concurrently to expedite healing and recovery.”

* * *

This was not an easy article for me to write (and I’ve had the displeasure of interviewing Ben Shapiro). But from a strictly idealistic standpoint, I want to make sure that no one who experienced anxiety like I do ever has to endure my current physical and psychological ordeal. On a more personal level, though, I am tired of feeling like I should be ashamed of my dependency.

Or of my anxiety.

Or of my autism.

Or of any of the things that make my neurology, my psychology, different from the norm.

I did nothing wrong. I was not wrong for being born autistic. I was not wrong for developing PTSD after being traumatized as an autistic person (and, on some occasions, for being Jewish). I was not wrong for seeking medical help so I could improve my life. And it was not my fault for developing a dependency on the drug I was told to take by doctors.

I am not ashamed. And if you suffer from anxiety, if you are autistic, if you were prescribed a medicine that later became toxic for you, you should not be ashamed either.

Senior Trump Org. official subpoenaed as prosecutors ramp up investigation: report

Yet another top Trump Organization executive has reportedly been subpoenaed by the office of Manhattan District Attorney Cy Vance, Jr.

“As prosecutors ramp up their investigation of Donald J. Trump and his family business, the Manhattan district attorney’s office has subpoenaed a senior finance executive at Mr. Trump’s company to testify before a state grand jury, according to people with knowledge of the matter,” The New York Times reported Friday. “The executive, Jeffrey McConney, has long served as the Trump Organization’s controller, making him one of a handful of high-ranking executives to oversee the company’s finances.”

Prosecutors have reportedly been focused on trying to get Trump Org Chief Financial Officer Alan Weisselberg to “flip” and turn state’s evidence.

“The prosecutors, who are working for the district attorney, Cyrus R. Vance Jr., have examined the extent to which Mr. Trump handed out valuable benefits to Mr. Weisselberg’s family and whether taxes were paid on those perks, The New York Times has reported. Mr. Vance’s office has mounted an aggressive effort to gain Mr. Weisselberg’s cooperation against Mr. Trump and the Trump Organization, people with knowledge of that effort have said. When seeking to turn an insider into a cooperating witness, prosecutors often seek leverage over the person, including any evidence of past wrongdoing, and then typically offer leniency in exchange for testimony or assistance,” the newspaper explained.

McConney has worked at the company for decades.

“The subpoena of Mr. McConney, who has worked at the company for nearly 35 years, suggests that the examination of Mr. Weisselberg’s conduct has reached a new phase, with the grand jury hearing evidence about him,” the newspaper noted. “Under state law, witnesses such as Mr. McConney who appear before the grand jury are granted immunity on the subject of their testimony. They cannot exercise their Fifth Amendment right to refuse to answer questions on the grounds that they might incriminate themselves. (If they lie, they still can be prosecuted for perjury.)”

Read the full report.