Romance novels need a canon
"Bet Me" by Jennifer Crusie
A contemporary romantic comedy set to Elvis Costello and lots of luxurious and sinful sugary treats. Read the whole essay.
Like a rich WASP family, the New York Times does not, as a rule, air its disagreements in public. The newspaper of record has a (supposedly unwritten) rule barring opinion columnists from criticizing one another by name. It would be unseemly. So you will never see columnist Paul Krugman specifically criticize something written by columnist David Brooks.
But what you will see, regularly, is Paul Krugman criticizing unnamed people who happen to have made the exact same argument as David Brooks. (Or Thomas Friedman.)
Last week, Krugman wrote a column attacking so-called “centrists” who defend the Paul Ryan budget plan and criticize the president for being too “partisan” about it. The column came a few days after Mr. Brooks defended the Paul Ryan budget plan and criticized the president for being too “partisan” about it.
Yesterday, former New York Times editor Bill Keller, who is now an opinion columnist despite his distinct lack of interesting opinions, attempted to defend the honor of centrists in a column in which he once again fundamentally misunderstands the argument against “centrism” as a philosophy: It depends entirely on finding the middle point between two extremes, and in our national politics right now, the middle point between two extremes is almost invariably “the Democratic Party agenda.” An ideological moderate has an ally in Barack Obama. The pathological centrist, on the other hand, dreams of a candidate whose beliefs are directly between Obama and Romney, even though such a candidate would be more conservative than “moderate.”
Keller defends his argument with research provided by “Third Way,” a centrist think tank dedicated to pushing the Democratic Party ever further to the right. According to “Third Way” polls, Democrats can only win by appealing to people exactly like the founders of Third Way: “pro-business” deficit hawks. “Pro-business” deficit hawks tend to be massively overrepresented in New York and Washington elite circles, so an argument that everyone else in America thinks the same way has a certain appeal to someone like Bill Keller. It is all bullshit: “Fiscally conservative, socially liberal” voters represent a slim minority of a slim minority of actual voters, even if they also represent a majority of newspaper and magazine editors.
Keller is maybe not the best example of the important role of the “centrist” in the American political arena, as he is one of those many “centrists” whose dedication to “centrism” led him to push for war against Iraq as a means of retaliating against an entirely different group of people who had attacked us on 9/11. The radical, extreme leftist view, at the time, was that maybe we don’t really need to invade and occupy Iraq, and many of those sage centrists now share that opinion.
Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at email@example.com and follow him on Twitter @pareeneMore Alex Pareene.
"Bet Me" by Jennifer Crusie
"Welcome to Temptation" by Jennifer Crusie
Another of Crusie's romantic comedies, this one in the shadow of an ostentatiously phallic water tower. Read the whole essay.
"A Gentleman Undone" by Cecilia Grant
A Regency romance with beautifully broken people and some seriously steamy sex. Read the whole essay.
"Black Silk" by Judith Ivory
A beautifully written, exquisitely slow-building Regency; the plot is centered on a box with some very curious images, as Edward Gorey might say. Read the whole essay.
"For My Lady's Heart" by Laura Kinsale
A medieval romance, the period piece functions much like a dystopia, with the courageous lady and noble knight struggling to find happiness despite the authoritarian society. Read the whole essay.
"Sweet Disorder" by Rose Lerner
A Regency that uses the limitations on women of the time to good effect; the main character is poor and needs to sell her vote ... or rather her husband's vote. But to sell it, she needs to get a husband first ... Read the whole essay.
"Frenemy of the People" by Nora Olsen
Clarissa is sitting at an awards banquet when she suddenly realizes she likes pictures of Kimye for both Kim and Kanye and she is totally bi. So she texts to all her friends, "I am totally bi!" Drama and romance ensue ... but not quite with who she expects. I got an advanced copy of this YA lesbian romance, and I’d urge folks to reserve a copy; it’s a delight. Read the whole essay.
"The Slightest Provocation" by Pam Rosenthal
A separated couple works to reconcile against a background of political intrigue; sort of "His Gal Friday" as a spy novel set in the Regency. Read the whole essay.
"Again" by Kathleen Gilles Seidel
Set among workers on a period soap opera, it manages to be contemporary and historical both at the same time. Read the whole essay.