Romance novels need a canon
"Bet Me" by Jennifer Crusie
A contemporary romantic comedy set to Elvis Costello and lots of luxurious and sinful sugary treats. Read the whole essay.
The New York Times opinion section, like the Senate, has this rule where you aren’t allowed to call out a colleague by name when you think he or she is full of shit. As in the Senate, this rule is silly and anachronistic and enforces a strained phony cordiality at the expense of honesty. It doesn’t ever stop Paul Krugman, though, who simply responds to his columnist peers’ dumb arguments without ever referring to them by name.
For example: David Brooks, whose most annoying schtick is to write something that sounds reasonable until you realize what he’s actually arguing (like, for example, “people often don’t intervene when they see something horrible happening” is a very interesting point, unless your real point is that this is because of hippies and the terrible ’60s), wrote earlier this month that American income equality is overstated, and that the real income gap worth examining is that between the college-educated upper middle class, who are doing well, and those with only a high school education, who have been left behind by our post-industrial economy. (In this case Brooks’ “actual” point is that “Blue inequality” is merely the resentment of educated liberals who hate success while “Red states” have the real authentic American inequality.)
Krugman, in a column published three days later, wrote:
Anyone who has tracked this issue over time knows what I mean. Whenever growing income disparities threaten to come into focus, a reliable set of defenders tries to bring back the blur. Think tanks put out reports claiming that inequality isn’t really rising, or that it doesn’t matter. Pundits try to put a more benign face on the phenomenon, claiming that it’s not really the wealthy few versus the rest, it’s the educated versus the less educated.
So what you need to know is that all of these claims are basically attempts to obscure the stark reality: We have a society in which money is increasingly concentrated in the hands of a few people, and in which that concentration of income and wealth threatens to make us a democracy in name only.
Hah, I wonder who those “pundits” are, don’t you? He went on:
In response, the usual suspects have rolled out some familiar arguments: the data are flawed (they aren’t); the rich are an ever-changing group (not so); and so on. The most popular argument right now seems, however, to be the claim that we may not be a middle-class society, but we’re still an upper-middle-class society, in which a broad class of highly educated workers, who have the skills to compete in the modern world, is doing very well.
It’s a nice story, and a lot less disturbing than the picture of a nation in which a much smaller group of rich people is becoming increasingly dominant. But it’s not true.
Oh, those usual suspects!
In today’s New York Times, Krugman’s column on the doomed supercommittee contains what I would characterize as a slightly off-topic tangent:
Oh, and let me give a special shout-out to “centrist” pundits who won’t admit that President Obama has already given them what they want. The dialogue seems to go like this. Pundit: “Why won’t the president come out for a mix of spending cuts and tax hikes?” Mr. Obama: “I support a mix of spending cuts and tax hikes.” Pundit: “Why won’t the president come out for a mix of spending cuts and tax hikes?”
You see, admitting that one side is willing to make concessions, while the other isn’t, would tarnish one’s centrist credentials. And the result is that the G.O.P. pays no price for refusing to give an inch.
These so-called “centrist” pundits sound pretty dumb, right? Here’s New York Times columnist Thomas Friedman, earlier this week:
Here we are in America again on the eve of a major budgetary decision by yet another bipartisan “supercommittee,” and does anyone know what President Obama’s preferred outcome is? Exactly which taxes does he want raised, and which spending does he want cut? The president’s politics on this issue seems to be a bowl of poll-tested mush.
How funny, this sounds a lot like what Paul Krugman’s unnamed idiot “centrist” pundit keeps saying.
To my knowledge, no one bothers to do this with Maureen Dowd columns, because she rarely makes arguments worth engaging with.
[Second example via Weigel]
Alex Pareene writes about politics for Salon and is the author of "The Rude Guide to Mitt." Email him at firstname.lastname@example.org and follow him on Twitter @pareeneMore Alex Pareene.
"Bet Me" by Jennifer Crusie
"Welcome to Temptation" by Jennifer Crusie
Another of Crusie's romantic comedies, this one in the shadow of an ostentatiously phallic water tower. Read the whole essay.
"A Gentleman Undone" by Cecilia Grant
A Regency romance with beautifully broken people and some seriously steamy sex. Read the whole essay.
"Black Silk" by Judith Ivory
A beautifully written, exquisitely slow-building Regency; the plot is centered on a box with some very curious images, as Edward Gorey might say. Read the whole essay.
"For My Lady's Heart" by Laura Kinsale
A medieval romance, the period piece functions much like a dystopia, with the courageous lady and noble knight struggling to find happiness despite the authoritarian society. Read the whole essay.
"Sweet Disorder" by Rose Lerner
A Regency that uses the limitations on women of the time to good effect; the main character is poor and needs to sell her vote ... or rather her husband's vote. But to sell it, she needs to get a husband first ... Read the whole essay.
"Frenemy of the People" by Nora Olsen
Clarissa is sitting at an awards banquet when she suddenly realizes she likes pictures of Kimye for both Kim and Kanye and she is totally bi. So she texts to all her friends, "I am totally bi!" Drama and romance ensue ... but not quite with who she expects. I got an advanced copy of this YA lesbian romance, and I’d urge folks to reserve a copy; it’s a delight. Read the whole essay.
"The Slightest Provocation" by Pam Rosenthal
A separated couple works to reconcile against a background of political intrigue; sort of "His Gal Friday" as a spy novel set in the Regency. Read the whole essay.
"Again" by Kathleen Gilles Seidel
Set among workers on a period soap opera, it manages to be contemporary and historical both at the same time. Read the whole essay.