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Wednesday, Oct 20, 1999 4:00 PM UTC1999-10-20T16:00:00Zl, M j, Y g:i A T

The drapes of wrath

Is interior home design responsible for the downfall of American masculinity?

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The first half of “Fight Club” feels like a remake of Woody Allen’s 1978 film “Interiors” with the genders reversed. Where Allen’s vanilla ice cream-looking study of Geraldine Page’s cold beige rooms contrasted her womanhood (or lack thereof) to that of joke-cracking, red dress-wearing life-force Maureen Stapleton, “Fight Club” throws a squeaky clean corporate mouse played by Edward Norton into the grimy macho world of Tyler Durden (Brad Pitt). You know Pitt plays a real man because his hair’s messed up and he lives in what Norton’s character calls “a dilapidated house in a toxic waste part of town.”

Norton is psychologically castrated because of his office job, condo ownership and addiction to catalog shopping. Fincher’s hilarious tour of the condo pans the living room and floats the Ikea catalog description of tables and chairs above the pieces, so that the catalog copy becomes the air Norton breathes. Similarly, Geraldine Page in “Interiors” arranged perfect white flowers in perfect white vases because she was a repressed aesthete, and Maureen Stapleton knew how to have a good time since she knocks over one of said vases — drunk and dancing. If both maddening films are partly about gender, they are also partly about housewares. Namely, the neuroses not just of ownership and consumer goods, but the supposed spiritual void symbolized by a nice-looking room.

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Sarah Vowell is the author of "Radio On: A Listener's Diary" (St. Martin's Press, 1996) and "Take the Cannoli" (Simon & Schuster, 2000) and is a regular commentator on PRI's "This American Life." Her column appears every other Wednesday in Salon. For more columns by Vowell, visit her column archive.  More Sarah Vowell

Wednesday, Jul 28, 2010 8:33 PM UTC2010-07-28T20:33:00Zl, M j, Y g:i A T

Shuttle contractor lays off 1,400 workers

United Space Alliance, which services NASA's space fleet, lets go employees in Florida, Texas and Alabama

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The private contractor that handles the bulk of the work servicing NASA’s space shuttle fleet is notifying 1,400 employees in Florida, Texas and Alabama that they will be laid off in the fall.

United Space Alliance this week began telling workers, including 900 employees at the Kennedy Space Center, that they are expected to be let go by Oct. 1 as part of planned reductions from the end of the space shuttle program.

Laid off workers will receive between four and 26 weeks of pay, depending on their years of service.

The shuttle program now employs about 8,700 contractors, down from 12,000 employees in October 2008. It also employs another 1,200 civil workers, who are expected to be assigned to new programs after the shuttle.

The last shuttle flight is expected next year.

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Information from: Florida Today, http://www.floridatoday.com

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Thursday, Nov 12, 2009 2:13 PM UTC2009-11-12T14:13:00Zl, M j, Y g:i A T

Inside the Ikea police state

A tell-all by a former Ikea executive accuses the furniture giant of surveillance, deceit and racism

Shoppers rest in a branch of the Swedish retail store IKEA in the Israeli city of Netanya

Shoppers rest in a branch of the Swedish retail store IKEA in the Israeli city of Netanya, north of Tel Aviv August 24, 2009. According to Israeli media reports, thousands of Israelis have signed a petition to boycott the retailer amid a row with Sweden over a Swedish newspaper which repeated Palestinian accusations dating from the early 1990s that Israeli troops took organs from men who died in custody. A spokesperson for IKEA said on Monday that they are a commercial non-political organization that has and will continue to have an excellent relationship with Israeli consumers. REUTERS/Ronen Zvulun (ISRAEL POLITICS BUSINESS) (Credit: Reuters)

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Der Spiegel has corrected this story since it was published.

The founder of Ikea, the international Swedish home furnishing chain, is one of the richest men in the world. Yet Ingvar Kamprad is widely considered to be something of an average guy who lives a modest life. He’s just like his furniture; simple, honest and a little wooden.

Anecdotes that support that image abound. The Swede from Smaland reportedly still has a 30-year-old “Klippan” sofa in his living room, along with another early classic developed by the furniture giant, the “Billy” bookshelf. These sorts of stories not only illustrate Kamprad’s modesty, they also testify to the long-lasting quality of his modestly priced furniture.

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Tuesday, Oct 20, 2009 12:26 AM UTC2009-10-20T00:26:00Zl, M j, Y g:i A T

How do you solve a problem like Ikea?

All I wanted was a cheap bed. What I got was a Kafkaesque nightmare

How do you solve a problem like Ikea?
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Not long ago I moved to Toronto, and during a recent dinner with a friend and his wife, the subject of my sleeping arrangements came up. By “sleeping arrangements,” I mean the air mattress on the floor of my new shoebox apartment.

“Go to Ikea,” said my friend.

“Oh, Ikea,” said his wife, clapping her hands. “You must. Must.”

Evidently their guest-room bed, in which I’d once slept, was purchased there.

“So cheap,” my friend’s wife said.

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Craig Davidson was unable to turn his stint as an Ikea co-worker into a full-time gig and as such remains resolutely unemployed. He admits to fabricating the names of some Ikea products, but he bets you can't tell which ones.   More Craig Davidson

Thursday, Sep 3, 2009 4:08 PM UTC2009-09-03T16:08:00Zl, M j, Y g:i A T

“Ikea, stop the Verdana madness!”

What do we want? Our old font. When do we want it? Now.

Forget about bogus health care reform townhall outrage: For a real grassroots rebellion, check out the firestorm protesting Ikea’s decision to switch fonts in their online and printed catalogs.

Time’s Lisa Abend has a good overview of the contretemps touched off by Ikea’s decision to switch from Futura, a classic font created by the Bauhaus-influenced German typeface designer Paul Renner in the 1920s, to Verdana, a Microsoft product designed to look good on computer screens.

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Andrew Leonard

Andrew Leonard is a staff writer at Salon. On Twitter, @koxinga21.  More Andrew Leonard

Sunday, Jul 12, 2009 12:11 PM UTC2009-07-12T12:11:00Zl, M j, Y g:i A T

IKEA is as bad as Wal-Mart

Everyone loves a bargain, but a new book illuminates the dangers of cheap stuff

In this Oct. 2, 2008 file photo, a shopper strolls pass the ten dollar toys on display at a Wal-Mart Supercenter in Rosemead, Calif. Wal-Mart Stores Inc., the world's largest retailer, said Thursday, Nov. 6, 2008, its low-price focus and sales of Halloween merchandise boosted October same-store sales by 2.4 percent, ahead of expectations.

In this Oct. 2, 2008 file photo, a shopper strolls pass the ten dollar toys on display at a Wal-Mart Supercenter in Rosemead, Calif. Wal-Mart Stores Inc., the world's largest retailer, said Thursday, Nov. 6, 2008, its low-price focus and sales of Halloween merchandise boosted October same-store sales by 2.4 percent, ahead of expectations.

My mother still owns, and uses, the same vacuum cleaner she bought early in her marriage, just after World War II. She still lives in the house my father — not a carpenter by trade, but an electrician — built in the early 1950s with the help of his brothers, a small but sturdy Cape Cod-style dwelling with hardwood floors and solid wood doors that close with a hearty, satisfying clunk (as opposed to the echoey click of hollow-core doors). Today the idea of anything — a household appliance, a piece of furniture, a house — being built to last is almost laughable. When your vacuum cleaner stops sucking, you most likely haul it out to the curb and trek to Target or a big-box home-goods store to replace it. Even if you could readily find someone to repair it, the trouble and the cost would be prohibitive. If you need a bookcase, there’s always IKEA: Sure, you’d prefer to buy a sturdily built hardwood version that doesn’t buckle under the weight of actual books, but who has extra dough to spend on stuff like that? The IKEA bookcase is good enough, for now if not forever.

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Stephanie Zacharek is a senior writer for Salon Arts & Entertainment.  More Stephanie Zacharek

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