The New York Times
The Writer's Life
A titan of American letters reflects on his timeless art and the sacrifices it exacts.
Behold the Writer on Writing. Oh, how that very question — How does the writer write? — rings in my ears, unasked but clearly etched across the eager faces of the steady stream of hopeful young acolytes who make the long trip up here to my little outpost in the country. “Please,” they seem to beseech, “what alchemy, what ethereal fire transforms our wordy soup of glottals and fricatives into language and that language into writing … your writing, Mr. Rakoff?” Why even attempt an answer when so few truly agree what constitutes writing? Surely, the act is not merely confined to those moments, all too rare sadly, when pen is taken in hand, digit raps against typewriter key or, in my case, when I speak into this cunning little recorder or dictate aloud to Caitlin, amanuensis in excelsis extraordinaria, whom I plucked lo these many years ago from that fiction colloquium at the New School. [CAITLIN: REMIND REMIND REMIND ME ABOUT THE BLURB FOR TOBY WOLFF. DO NOT LEAVE THE HOUSE THIS EVENING WITHOUT MAKING ME COME UP WITH SOMETHING!]
All is Writing, I tell them. And, of course, Writing is All, I tell them, as well. For me the “writing” of my day begins the very instant I open my eyes, even before perhaps, when I sleepily hear my wife Jane, pathological early riser that she is, get up to dress and start breakfast. A writer’s cortex kicks into gear even then. On cold mornings, that calming interval of staying warm among the labial folds of my eiderdown, mesmerized by the whorls of frost upon the windowpane by the bed — the only sounds being the hiss of the wood-burning stove in the kitchen and the regular whack! whack! of Jane as she chops more wood outside — that, too, is writing. Don’t let anyone tell you different.
I tend to write best with a little privation, a numinous absence, a lack to push my thoughts forward: that hour of growing hunger before Jane fixes lunch; a brief period last summer when Celia, our youngest, shut the piano cover down on Caitlin’s fingers and I was forced to bang out an entire chapter myself on the old Royal; during the frozen-earthed silence of winter. Especially during winter.
Luckily for me, winter comes early to these parts. Autumn’s end is signaled by the grackles, those cacophonous weird sisters, those ludic brigands, their greasy black pin feathers brilliantined in the sunlight like the multi-hued spumy plume upon an oily puddle, laying waste to the damson plum in the yard. (Once, sitting in my Nakashima chair in my study, I watched for hours as Jane tried to wrap the oft-stripped fruit tree in meter upon meter of protective plastic sheeting. How many times did she fall from the ladder in her efforts that day? Strange the details that evade memory. And all to no avail. The birds still, like robber bridegrooms, absconded happily with the small, stone-hard purple hearts.) Not six short weeks thereafter, do the clouds come scudding across the low mountains to the North carrying with them the cold winds and the immense hibernative quiet. A little hardship: so good for the writer.
Above all, the writer must write for himself. Accolades and external laurels can be lovely but prove wanting in the end if the inner yearning to write (and write and write) is lacking. No sooner had we moved up here than, for example, Jane — talk of her National Book Award nomination for poetry and the attendant vicious gossip about the jealousies of the two-artist couple still buzzing on the carrion-glazed lips of that pack of vultures we call the literary establishment — stopped writing almost entirely. I always wondered at her much-professed time constraints. Was it a flagging desire, perhaps? After all, I often tell her, writers write.
O larkspur! O hawthorn!
Just as Meg Ryan, in “You’ve Got Mail,” waxes panegyric about “bouquets of pencils,” [CAITLIN: HAVE I THANKED NORA FOR THE AMARYLLIS? LET'S DO A NOTE SOONEST IF NOT] so I, too, even though I have not used a pencil in years, will spend a meditative hour arranging my bouquet. This, too, is writing: Red blue yellow yellow blue green yellow blue; yellow blue yellow green blue blue red yellow; yellow green blue blue blue red yellow yellow, I go on and on only to look up hours later to find the sky fading into indigo, the pale column of smoke rising from the wood fire Jane has lit under the washbasin out back.
The noxious, detergent fumes of the machine-bruised garment choke me and keep me from my work. I sneeze and become rheumy-eyed and quite sullen and I am not a man given to truculence. Give me the elemental, tidal smell of the clothesline, the fragrance of sun, of hands lovingly snapping a garment in the breeze to pendulously sway on the line and then suddenly, gloriously, the wind rushes in, a momentary presence in the shirt, a Woman of Air puffing out that dress. What visiting soul, what shade? My muse, perhaps?
But the breeze filling the clothes on the line is colder these days as they grow ever shorter. Jane’s hands will be red and raw from the effort. No matter, supper can wait. Perhaps I shall rise from my desk early and make Jane a cup of tea! Ah, the too-giving writer is the doomed writer. My curse, alas.
I look down at my pencils. Those steadfast wooden soldiers. There is no judgment in them. “Go,” they say. “There shall be work tomorrow. Tonight you can sit in front of the fire, your lips grow dark from purple wine. Go.” It is a good day. A writer’s day.
[CAITLIN: THEY WANT 1,000 WORDS. I THINK THIS IS ABOUT THAT. FOR WHAT THEY'RE PAYING ME, I'M NOT ABOUT TO BUST MY ASS ON THIS ONE. I BET THEY GAVE JOYCE CAROL OATES AT LEAST $5,000, LIKE SHE NEEDS THE MONEY. A FEW FINAL THINGS BEFORE YOU GO: CALL UP GOZZI'S IN GREENWICH AND ORDER AN ORGANIC TURKEY FOR THANKSGIVING. NOT THE WILD, THE ORGANIC. THE WILD IS TOO TOUGH. IT SHOULD PROBABLY BE A BIG ONE THIS YEAR. THE DIDION-DUNNES MIGHT BE COMING. ALSO, FIND OUT REMNICK'S WIFE'S NAME -- MAKE SURE HE EVEN HAS A WIFE; HE SEEMED A LITTLE RAREFIED AND SUSPICIOUSLY TRIM WHEN I MET HIM, IF YOU KNOW WHAT I MEAN -- AND LET'S ORDER ONE OF THOSE PASHMINA THINGS FOR HER. CHECK TO SEE WHAT COLOR WE SENT TINA LAST CHRISTMAS, WE DON'T WANT ANY DOUBLING UP. THE GIRLS WANTED TO SEE SOME ANIMALS AT THE FARMER'S MARKET, THEY SET UP A PETTING ZOO OR SOMETHING. I TOLD THEM YOU'D TAKE THEM, I HOPE THAT'S OK. I'D ASK JANE BUT THE "MISTRESS OF THE MANOR" IS, AS ALWAYS, "TOO BUSY." BEFORE I FORGET, I HAVE SOME NOTES ON YOUR STORY. SOMEONE'S BEEN READING HER ALICE MUNRO A LITTLE TOO CLOSELY, DON'T YOU THINK? NOT TO WORRY, WRITING TAKES TIME, CAITLIN. AND WE'VE GOT LOTS OF THAT. SEE YOU IN THE MORNING.]
David Rakoff's forthcoming book is "Half Empty." He lives in New York. More David Rakoff.
We don’t need truth vigilantes
But we do need good political reporting, and the media's rote repetition of Santorum's JFK lies fell short
Rick Santorum and John F. Kennedy (Credit: AP/Wikipedia) New York Times public editor Arthur Brisbane got a lot of grief last month for a blog post in which he asked readers whether the Times ought to be “a truth vigilante.” I didn’t join the pile-on, because truth be told, I kind of understood what he was getting at. Sure, “truth vigilante” is a shrill, easily mocked term: It doesn’t take “vigilantism” to get at the truth, only good reporting. But there can be questions for editors and reporters about how far is too far – what’s good reporting, and what’s hectoring? What’s debunking, and what’s partisan water-carrying? (Also, I don’t like the practice of mocking people for asking questions, even when we think the answer should be obvious. Better that Brisbane ask than to ignore the issue entirely.) I can understand why some cases aren’t clear.
Continue Reading CloseJoan Walsh is Salon's editor at large. More Joan Walsh.
Anthony Shadid, the best of his generation
The NYT reporter, acclaimed for his unparalleled coverage of the Middle East, died in Syria on Thursday
Anthony Shadid, winner of the 2010 Pulitzer Prize for International Reporting with The Washington Post (Credit: AP) WARSAW, Poland — I woke up this morning to the news that Anthony Shadid has died — apparently of an asthma attack — while on assignment in Syria. Whether you knew his byline or not, the loss is incalculable.
I can speak in absolutes about the quality of his work. No one reported the Middle East with greater clarity and nuance than Shadid. No one brought the humanity of the people of the region, people who live in a perpetual state of stress even when they are living in the comparative comfort of Beirut and Tel Aviv, to the wider world with a surer touch than Anthony.
Continue Reading CloseWhat David Brooks gets right about the left
Relying on a mic check to make strategy is a big mistake
David Brooks, philosophe As he often does, in his column Friday New York Times columnist David Brooks offered what looks like a “nonpartisan” analysis. Social movements, he warned, are suffering because everyone thinks they should make up their own belief system. Unless you’re Nietzsche, Brooks advises, this is a guarantee of failure. Every man is not a political genius.
It’s not a hard task to figure out whom Brooks is really criticizing: Occupy Wall Street. But it’s not alone. The democratization of ideology is vastly more tempting to the self-inventing liberal left than to the authoritarian right. Nobody does emotionally consistent talking points like the conservative right. Nobody does “whatever floats your boat” like the liberal left. The belief that every man is a philosopher makes progressives vastly more vulnerable to the destructive dynamic Brooks describes. It is an irony Brooks would appreciate that the left acts more like the right believes (and vice versa).
Continue Reading CloseLinda Hirshman is the author of “Victory: The Triumphant Gay Revolution,” forthcoming in June 2012. Follow her on Twitter @LindaHirshman1 More Linda Hirshman.
The “education crisis” myth
Ignore the media spin. Wages and working conditions -- not skills -- are the real reasons jobs get outsourced
A production line in Suzhou Etron Electronics Co. Ltd's factory in Suzhou, China on June 8, 2010 (Credit: Reuters) Has the term “education” become a code word? And if so, a code word for what?
These are the major unasked — but resoundingly answered — questions to emerge from two much-discussed articles about the future of American manufacturing. One is a cover story in the Atlantic Monthly about why jobs are being shipped overseas. It concludes that “to solve all the problems that keep people from acquiring skills would require tackling the toughest issues our country faces” — the first of those being “a broken educational system.” The second and even more talked about article comes from the New York Times. It looked at why Apple Computer has moved its production facilities overseas, concluding in sensationalistic fashion that “it isn’t just that workers are cheaper abroad” but that America “has stopped training enough people in the mid-level skills that factories need.”
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David Sirota is a best-selling author of the new book "Back to Our Future: How the 1980s Explain the World We Live In Now." He hosts the morning show on AM760 in Colorado. E-mail him at ds@davidsirota.com, follow him on Twitter @davidsirota or visit his website at www.davidsirota.com. More David Sirota.
Newspapers, “truth vigilantes” no more
The NYT's fact-checking question was absurd, but the real problem is that the press has lost its credibility
(Credit: Library of Congress/U.S. Farm Security Administration) Time was when newspaper journalists prided themselves on being working stiffs: skeptical, cynical and worldly-wise. “If your mother says she loves you, check it out.” I’ve always preferred the unofficial motto of my native New Jersey: “Oh yeah, who says?”
Fact-check politicians? Here’s how H.L. Mencken saw things in 1924: “If any genuinely honest and altruistic politician had come to the surface in my time I’d have heard of him, for I have always frequented newspaper offices, and in a newspaper office the news of such a marvel would cause a dreadful tumult.”
Continue Reading CloseArkansas Times columnist Gene Lyons is a National Magazine Award winner and co-author of "The Hunting of the President" (St. Martin's Press, 2000). You can e-mail Lyons at eugenelyons2@yahoo.com. More Gene Lyons.
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