Have you ever eaten roo? Not many Australians have either, but we Aussies
do insist on serving it in any restaurant we open overseas. You can try it
with salad in downtown Manhattan at the newly opened Eight Mile Creek,
recently praised by the New York Times for its fabulous food and restrained
decor. Or you can order it from the joey menu at the Outback
Steakhouse in the form of a “Grilled Cheese-A-Roo” or the inexplicably
hyphenless, “Mac A Roo ‘N Cheese.” To compare the two restaurants is also to
compare different conceptions of Australia, from the sophisticated to the
crass, from the real to the fake. The carefully prepared culinary
exotica at Eight Mile Creek is without doubt worth the trip, but is it
really any more Australian than the American food with funny names at the Outback Steakhouse?
National identity and authenticity are deeply complicated issues.
Discovering that schism between who we are when we are at home and who we are when we are away can come as a shock. Uniting the two and working out what it means to represent a nation, an ethnicity and a family can be a
desperately confusing task, sometimes as painful as it is exciting. And
measuring the reactions of others who see us as the bearers of strange food
and diphthongs — seeing ourselves through their eyes — is an important part
of grappling with this issue. Unless, of course, you are just
in it for the money, which — if you are the Outback Steakhouse — means that you take the issue and cheerfully wad it into a tiny little ball before shoving
it as far up a roo’s bum as it can go. That’s right, right up its arse.
Before I discuss the real thing at Eight Mile Creek and whether it really is
the real thing, before I explain the inauthenticity of the Outback
Steakhouse’s “kookaburra wings,” “prime minister’s prime rib” and
“walkabout soup,” I am obliged to point out that if anyone tried to serve a
dessert called “chocolate thunder from down under” in Australia, the very
planet itself would tilt as my nation stood in one frenzied rush to milk the
dessert name for all of the scatological jokes that it invites.
Invites? Gets down on its chocolatey knees and pleads. Color, sound, lame
metaphors for your bum — it has everything, but it is not even remotely
genuinely Australian.
Syllabic exotica temporarily aside, what does a roo actually taste like and
what is the etiquette for eating an animal that stands proudly on your
national crest? Well, it tastes great. It is rich, dense and chewy, but as
served in the seared kangaroo salad at Eight Mile Creek, it somehow manages to be tender, too. The marinated vegetables (zingy peppers and cucumber)
and the mint leaf, crisp shallots and lettuce provide the perfect
counterpoint to the meat. Light and bursting with moisture, they prevent
the appetizer from being too heavy. You eat the salad Asian-style, rolling
up the roo and the vegetables in the lettuce leaf and eating the roll with
your hands. The other animal on Australia’s crest is the emu; it is served
as an emu carpaccio at Eight Mile Creek. The translucent red slice of emu
that sticks to the plate appears at first to be a jelly, but closer
inspection reveals the wide grain of the meat. If the roo is rich, the emu
is much more so. The carpaccio is an intense and delicious experience. As
with the salad, crisp vegetables and a black truffle vinaigrette provide
lighter moments so that the taste is full but not overwhelming.
While a bald eagle starter would almost certainly provoke a few letter bombs,
it seems that we Australians have fewer misgivings about eating the animals
from our currency than do Americans. We love the kangaroo no less for
eating it: It is a symbol that inspires affection and awe, but we are also
intensely proud of its uniqueness, and this pride is easily extendable to
its unique taste. Emus, on the other hand, are crabby, pecking, dangerous
buggers, and no one would really think twice about cooking one up for
dinner. But of course, we don’t. These national emblems are national
dishes only in the sense that no one else can serve them up and claim them
as indigenous. Most Australians do not eat them on a regular basis, and
many Australians today have never tried them. For tens of thousand of
years, these animals were game for the continent’s indigenous people, but
they are only beginning to gain popularity as exotic meats in urban
Australia.
Lamb, on the other hand, is what your Mum put in the oven on Sunday morning.
As it slowly roasted over the day, it sent out Looney Tunes fingers that
beckoned you to the oven door and drove you mad with desire. The lamb shank
at Eight Mile Creek is so tender it practically falls off the bone. It is
succulent and juicy and the serving is large, almost as good as Mum makes.
Examples of other genuinely Australian fare offered at the restaurant are
the yabbies in the yabby bisque — even city dwellers know how to catch
relatives of these little freshwater crustaceans in the local creek or park
pond — and the pavlova. If you were lucky as a child, pavlova (“pav”) is
what Mum used to serve after the lamb roast on special occasions.
Allegedly named for the famous ballerina, a pavlova is a meringue, brittle on the
outside, sticky on the inside and served with varying combinations of cream
and fresh fruit. At Eight Mile Creek, it is served with passion fruit
cream; it is classic birthday fare.
So what does it mean when you live as an expatriate and the food you grew up
eating has suddenly become the cuisine de jour? I feel a distinct pride,
and in many ways I feel personally responsible for
this boom. Sure, the most I can take credit for is eating, but this
particular incarnation of Australian food is my personal Australia, it’s my
“real thing.” I feel, therefore, that a little thanks from the United States wouldn’t go astray. I also am very proud of and would
like to be thanked for vegemite, for koalas and for Dame Edna Everage. I
have a powerful urge to invite everyone I know in the U.S. back to my Mum’s
in Melbourne for a Sunday roast (note to self: Call Mum tonight).
Little bubbles of hysteria surge inside when I witness people paying $30
for the solid Aussie fare I grew up eating.
Of course the commodification of one’s cultural heritage, even if it is
genuine, leaves as much out as it includes. A good friend who grew up a
Catholic Italian Aussie would identify her default Australian meal as
lasagna. And other friends — Greeks, Vietnamese, Chinese and New Zealanders
– also have their different default dishes. So, along with the pride and the
unjustifiable sense of accomplishment comes an irritation at the
simplifications and inaccuracies that occur. But this is not an entirely
bad thing. Years ago, the last time my Mum tried to serve sheep’s brains for
dinner, I faked a dramatic bout of flu and spent dinnertime lying, grateful,
on the couch while my siblings groaned through their meal. Even though the
American economy is booming right now, it would without doubt stagger
horribly in the wake of an invitation to share in this Aussie experience.
Much better to stick to roasts and seafood.
Fortunately, the diversity of seafood on offer at Eight Mile Creek and the
ingenuity of its presentation also parallel the experience that most
Australians have eating out or at home. And all of this is made more
exciting by the extensive antipodean offerings on the wine list. Eight Mile
Creek is small (smoking downstairs, non-smoking upstairs), and seating will
be tight on busy nights. That’s OK, the friendliness of the waiters and
the owners as they prowl through the evening guarantee a relaxed and happy
atmosphere.
I have to admit that when I ate at the Outback Steakhouse, everyone seemed
pretty happy there, too. The restaurant was crowded, and I had to wait an
hour to be seated, but what did that crowd know? They probably think that Paul
Hogan is Australian. Well, OK, he is, but I wish he would shut up
about it. His appeal to international audiences is oddly inexhaustible, and
he wouldn’t be a problem for Australian expats if there were other popular
representations of Australians to balance him out.
But witness the insidious effect of Dundee and types similar to the “Croc
Hunter:” I was recently in an emergency room in the Midwest to get treated for a finger wound, and when the doctor stuck my thumb with an excruciating series of needles, for the first time in my life I screamed aloud and then passed out from pain. “Just pretend it’s a croc bite,” the doctor said.
It is true that Aussies themselves love that romantic image of the
Australian as a rural, no-worries Jack or Jill of all trades — probably
because most of the country’s 18 million citizens live in cities that cling
to the coastline. It’s hard to resist contributing to the misinformation
when someone asks you quite sincerely if kangaroos hop through the back yard.
A friend in New York recently convinced an associate
that the Melbourne rains are particularly dangerous because that’s when the
crocs come up out of the sewers. The big mutant crocs, that is, not the
small ones — those are around all the time. Because of jokes like this, we have to take
the blame for Hogan’s iconic status. I draw the line, however, at the
pottage of marsupials, place names and misappropriated jargon
that litters the Outback Steakhouse menu. It’s hard to explain why I
happily eat kangaroo, but I am offended by the suggestion of eating
so-called kookaburra wings (a.k.a. Buffalo wings). Any Australian would
agree: The P.R. people got that one horribly wrong.
A few more pointers: No Australian has ever said “Down under dinnies.” We do have the word “dunny” though: It is an
outhouse toilet. There is no such word as Aussie-tizers, but the attending
trademark, courtesy of Outback Steakhouse lawyers, no doubt, probably gives that one away. Regarding “Russell’s Marina Bay,”
as in “A bloomin’ onion … from Russell’s Marina Bay,” there is no such place.
As for “Hooley Dooley,” as in “a hooley dooley portion of our Caesar salad.”
Hmmm. Hooley dooley salad, perhaps with some squiggely squaggley sauce and
some yippety jippety croutons. Take note, Eight Mile Creek. Other
travesties: “Darned,” as in “The Wallaby Darned.” Used about as often as
wily (in the coyote wily) and grizzly (as in the bear grizzly). And the
“‘Shrooms” in the “Sauteed ‘Shrooms” is just not an Australian word. In
fact, this diminutive defies the rules of abbreviation in Australian
English. Mushrooms are, of course, “mushies.”
Offering the prime minister’s prime rib is like serving up loin of Clinton.
And it must be said that when Australian Aboriginals go walkabout,
they are generally not known to take soup. I’m pretty sure they have no
soup bowls for this purpose. The crap de resistance of the menu is the
startling use of the word “Aboriginal” to describe fried onions, as in “An
Outback Ab-original.” Get it? I can barely convey the hysteria and
distaste that this phrase provokes in me.
The food itself, standard American, not Australian, franchise fare –
grilled chicken, shrimp, burgers and Caesar salads — is served in a room
with stuffed koalas, pictures of Hogan, hanging akubras, whips and cans of
Fosters. The cutlery is comprised of a fork and a huge Dundee-like steak
knife, the likes of which I have never eaten with before. Still, there is
clearly a big market for such bullshit-a-roo. In the words of its own
publicity, the Outback Steakhouse has “bloomin’ boomed, mate.” Not only does it have restaurants in 48 states, it has others in
locations as diverse as Canada, Brazil and Guam. And apparently, it plans
to open a restaurant in Australia. There will be chocolate thunder down
under, mark my words.
Will this year’s Olympiad in Sydney and the attendant international focus on
Australia provide an opportunity for pseudo-exported Australiana
to become any more sophisticated? Perhaps. The instantaneous success of
Eight Mile Creek suggests that there is a hunger to connect with the real
Australia. The word of mouth about the restaurant is huge and there is a
sense that New Yorkers want the business to succeed. The brothers who own
Eight Mile Creek must be tired already of being compared to a franchise (who
would compare new American cuisine to McDonalds?), but it is hard not to
comment on the casual sophistication that the restaurant achieves against
the pretty shameful backdrop of so-called Australian food in the United States. It will stop and eventually it will be Eight Mile Creek that
newcomers are compared to — the restaurant sets a brave new standard that will be hard
to meet, no matter how many crocs you’ve wrestled.
All right then, to aid you in your Olympic TV watching and advertisement
discrimination this year: Yes, we do say, “G’day” and yes, it is a barbie.
No, they are not shrimp. We call the big ones prawns. Shrimp are small,
hardly worth the chewing, and we barbecue our prawns on television more
often than anywhere else. For your average barbie, we often prefer snags
(sausages) with tomato sauce (ketchup) and white bread (white bread). OK,
mate?
NEW YORK (AP) — “Pink slime” was almost “pink paste” or “pink goo.”
The microbiologist who coined the term for lean finely textured beef ran through a few iterations in his head before pressing send on an email to a co-worker at the U.S. Department of Agriculture a decade ago. Then, the name hit him like heartburn after a juicy burger.
“It’s pink. It’s pasty. And it’s slimy looking. So I called it pink slime,” said Gerald Zirnstein, the former meat inspector at the USDA. “It resonates, doesn’t it?”
The pithy description fueled an uproar that resulted in the main company behind the filler, Beef Products Inc., closing three meat plants this month. The controversy over the filler, which is made of fatty bits of beef that are heated and treated with ammonium to kill bacteria, shows how a simple nickname can forever change an entire industry.
In fact, beef filler had been used for decades before the nickname came about. But most Americans didn’t know — or care — about it before Zirnstein’s vivid moniker was quoted in a 2009 article by The New York Times on the safety of meat processing methods.
Soon afterward, celebrity chef Jamie Oliver began railing against it. McDonald’s and other fast food companies later discontinued their use of it. And major supermarket chains including Kroger and Stop & Shop vowed to stop selling beef with the low-cost filler.
Bettina Siegel, a food blogger who posted an online petition asking the USDA to stop using the filler in school lunches, said the controversy isn’t based on the term alone. She said consumers are just upset that the filler is not what they think they’re getting when they buy “100 percent ground beef.”
But Siegel acknowledges that the name doesn’t hurt her cause, either. She said the term “filled a vacuum” in the public arena about the filler; her petition, “Tell the USDA to STOP Using Pink Slime in School Food” had more than 200,000 signatures within a week.
Beef Products, which makes the filler, blames its plant closings on what it calls unfounded attacks. About 650 jobs will be lost when plants in Amarillo, Texas, Garden City, Kansas, and Waterloo, Iowa close on Friday. Another plant in South Sioux City, Neb., will remain open but run at reduced capacity.
Still, the company, based in South Dakota, said it’s not considering changing the filler’s name. Instead, Beef Products set up a website, beefisbeef.com, to combat what it calls “media-perpetuated myths” about the filler.
Meanwhile, the author of the term “pink slime” makes no apologies about his creation. Zirnstein, who has since left the USDA, said he thinks “pink slime” is a better descriptor than “lean finely textured beef.”
“It says it’s lean. Great. But it doesn’t describe what kind of lean it is,” said Zirnstein, who doesn’t think the product should be mixed into beef. “Textured. What does that mean?”
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PREY VENG, Cambodia, and SAMUT SAKHON, Thailand — In the sun-baked flatlands of Cambodia, where dust stings the eyes and chokes the pores, there is a tiny clapboard house on cement stilts. It is home to three generations of runaway slaves.
The man of the house, Sokha, recently returned after nearly two years in captivity. His home is just as he left it: barren with a few dirty pillows passing for furniture. Slivers of daylight glow through cracks in the walls. The family’s most valuable possession, a sow, waddles and snorts beneath the elevated floorboards.
Before his December escape, Sokha (a pseudonym) was the property of a deep-sea trawler captain. The 39-year-old Cambodian, his teenage son and two young nephews were purchased for roughly $650, he said, each through brokers promising under-the-table jobs in a fish cannery.
There was no cannery. They were instead smuggled to a pier in neighboring Thailand, where they were shoved aboard a wooden vessel that motored into a lawless sea. His uncle had fallen for the same scam five years prior and escaped to warn the others. But Sokha told his son, then just 16, that this venture would turn out differently. He was wrong.
“We worked constantly, for no pay, through seasickness and vomiting, sometimes for two or three days straight,” he said. “We obeyed the captain’s every word.”
Near-daily death threats reinforced the captain’s supremacy. So did his Vietnam War-era K-54 pistol, and the night he carved up another slave’s face in view of the crew. “For 20 hours a day, we were forced to catch and sort sea creatures: mackerel, crabs, squid.” It’s back-breaking work, under the searing tropical sun. “But the fish wasn’t for us,” he added.
So who was it all for?
The answer should unsettle anyone who closely examines Thailand’s multi-billion dollar wild-caught seafood industry and the darkest links in its supply chain.
“It’s an export-oriented market. And we know the countries where these products are exported to,” said Lisa Rende Taylor, chief technical specialist with the United Nations Inter-Agency Project on Human Trafficking or UNIAP. “Do the math.”
For Americans, the calculation is worrisome. Thailand is the United States’ second-largest supplier of foreign seafood. Of America’s total seafood imports, one out of every six pounds comes from the Southeast Asian nation.
In 2011 alone, Thailand exported 827 million pounds of seafood worth more than $2.5 billion to the US, according to National Marine Fisheries Service figures. The only nation that consumes more Thai seafood exports is Japan.
Murder is an occupational hazard. But a monotonous job assembling iPads is heaven compared to slavery on a Thai trawler, where conditions are as grueling and violent as any 19th-century American plantation. The lucky escape within a year or so. Less fortunate are those traded several times over for years on end.
Denying that the fruits of forced labor reach the biggest importers of Thai seafood — Japan, America, China and the European Union — has become increasingly implausible.
The accounts of ex-slaves, Thai fishing syndicates, officials, exporters and anti-trafficking case workers, gathered by GlobalPost in a three-month investigation, illuminate an opaque offshore supply chain enmeshed in slavery.
A long trail of offshore operators — slave boats, motherships and independent fishmongers — can obfuscate the origins of slave-caught seafood before it ever reaches the shore. While the industry’s biggest earners rely on clannish and violence-prone fishing crews for raw material, they’re distanced from the worst abuses by hundreds of nautical miles and several degrees of middlemen.
The result is that many Thai factory bosses have no idea who caught the seafood they process for foreign consumers.
There are caveats. The majority of Thailand’s two largest seafood exports to the US — tuna and shrimp — are sourced differently. Most “Thai” tuna is actually imported from overseas and processed for re-export. The shrimp industry, though routinely accused of abusing poor migrants, is at least vulnerable to spot checks on seaside farms.
The same cannot be said for deep-sea trawlers, the favored vessel of slave-driving captains.
The species caught by Thai trawlers legal and illicit alike include sardines, mackerel, cuttlefish, squid, anchovies and “trash fish,” tiny or foul-tasting catch ground into animal food or preserved to create fish sauce. Americans consume these breeds en masse. One in five pounds of America’s imported mackerel or sardines comes from Thailand, according to US government records. For processed fish balls, puddings or cakes — made from trawlers’ trash fish — the figure is one in three pounds. Thai fish sauce supplies nearly 80 percent of the American market.
All that trawler catch ends up in familiar American fare: anchovy pizzas, squid linguine, smoked mackerel salads and fish fillets on ice. Even pets are entangled: trash fish is a common dog- and cat-food ingredient. But industry representatives in Thailand admit there’s often no way to tell whether a particular package of deep-sea fish was caught using forced labor.
Using bar codes, American shoppers can track packaged Thai-exported seafood to its onshore processing facility, said Arthon Piboonthanapatana, secretary general of the Thai Frozen Foods Association. “You can trace it back to the factories.”
But exporters, he said, are not in the business of policing the fishing syndicates that supply their factories. “We only have the power to enforce our members,” Arthon said. “We have no power to enforce other stakeholders such as boats or fishermen.”
American seafood importers consider themselves similarly powerless in overseeing far-flung Thai boats. “Western regulatory agencies have little or no reach, or authority, over various parts of the value chain,” said Gavin Gibbons, spokesman for the National Fisheries Institute, America’s chief seafood trade organization and lobbying group based outside Washington, DC. The institute will promptly respond to allegations against specific factories, he said. But so far, it has not found an effective way to monitor conditions on deep-sea boats catching US-bound fish.
“We have started discussions with our members about just how far an audit could realistically go and whether, perhaps, there are dockside audits that could be developed,” Gibbons said.
The “nature of boats being at sea,” he said, presents a major challenge to industry’s self-policing efforts.
International pressure to rid Thailand’s seafood trade of slavery is mounting. Thailand teeters just above the US State Department’s worst human-trafficking ranking and could be downgraded this summer. Last year, during a visit that vexed Bangkok officials, a UN rapporteur declared that forced labor is “notoriously common” in Thailand’s fishing sector and even alleged police complicity.
“It’s not like monitoring brothels, plantations or factories … all this labor is at sea,” Rende Taylor said. “So it’s essentially a universe where captains are king. Some are out to make as much money as possible by working these guys around the clock and being as cruel as they want to be.”
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Would Americans eat less meat, and would animals be treated more humanely, if slaughterhouses were made with glass walls and we all could see the monstrous killing apparatus at work? This is the query at the heart of Timothy Pachirat’s new book, “Every Twelve Seconds” — the title a reference to the typical slaughterhouse’s cattle-killing rate.
Before you think this is a column merely about food, recognize that Pachirat’s question isn’t (only) about the immorality of the cheeseburger you had for lunch. It’s about the larger phenomenon whereby modern society has reconstructed itself to hide so many horrific consequences from view.
Calling this the “politics of sight,” Pachirat’s blood-soaked experience inside a slaughterhouse spotlights only the most illustrative example of how we’ve divorced ourselves from the means of producing violence — and how, in doing so, we have made it psychologically easier to support such brutality. Sadly, billions of factory-farmed animals dying barbaric deaths are just one subset of casualties in that larger process.
Today, for example, free trade policies that promote offshoring allow Americans to enjoy consumer goods at ultra-low prices without having to see that those low prices represent companies taking advantage of the developing world’s poverty wages, environmental destruction and human rights abuses. A veritable slave may have assembled the iPad you are reading these words on, but thanks to the supply chain’s geography and Apple’s lack of transparency, you can easily avoid dealing with the ethical implications of that reality.
Another example: Many Americans drive gas-guzzling SUVs, proudly slapping patriotic declarations on their bumpers. This seems perfectly reasonable, but only because many either don’t live near polluted oil-drilling sites or don’t have to personally experience the ramifications of our petroleum-focused military policies. Ultimately, by separating the consequences of gas consumption from the driver, we’ve created the psychological conditions for fossil fuel consumption to seem like an honorable statement of strength rather than an endorsement of environmental degradation and war.
Speaking of war, the politics of sight sculpt our martial policies. We ended conscription, separating most of our fellow citizens from the consequences of military action; we conduct combat via unmanned aerial vehicles that remove the pilot-shooters from the populations being bombed; and both the military establishment and the media themselves suppress photographs of coffins or battlefield viscera that might show us what war really looks like.
Some of this, of course, is an inadvertent byproduct of larger trends like globalization that stretch supply chains across the planet. Some of it comes from a culture narcissism that teaches us to consider only on our immediate surroundings and nothing else. Much of it, though, is a deliberate effort to hide the truth. From the Pentagon’s photo policy to agribusiness now championing so-called ag gag laws to punish activists who expose factory farm atrocities, vested interests are exploiting the fact that “out of sight, out of mind” is a default setting in the human mind.
For his part, Pachirat ends his brave journey unconvinced that, unto itself, removing the veil will be enough to make us a more thoughtful — if not moral — society. He’s almost certainly correct. The atrocities that power modern life are now integral to what we define as the norm. And whether that norm is eating meat, driving massive cars or flippantly waging war, changing the status quo warrants more than just knowledge — it requires the will to change once knowledge is available.
Fortunately, history proves Americans can summon that will. However, without knowledge — without an end to the moment’s deceptive politics of sight — the most important changes can never happen.
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Jazmin is 27 years old and beautiful. She has the fierce, dark beauty of a Mexican Indian, but she’s tall, and when you see her move, you think Masai warrior or maybe ninja. And it’s true: She does have ninja skills. When I first met Jazmin, she’d just killed a pheasant. She was sitting on the deck talking with a friend when she spotted the bird at the edge of the yard, 20 feet away. She casually picked up a two-by-four and hurled it. The missile hit the pheasant in the head, a neat kill. Jazmin walked over and picked it up. “Dinner,” she said.
She says she doesn’t particularly like killing animals, but she does kill from time to time, if she has good reason. A deer invaded her garden and she killed it with a machete, and she sometimes nets fish in the surf near her home on the coast of Guerrero, Mexico. It’s a skill born from practice and necessity: She grew up rural and poor. Her father abandoned her family when she was 8, and her mother, Esperanza, had to find a way to support seven children. “We ate a lot of natural things,” she says. “Things from the forest. My brother used to kill iguanas. I’ve got a good iguana recipe if you want it. It’s the best meat as far as I’m concerned. There are two types of iguana: green and black. The black is good to eat. The green is too beautiful to kill. Last winter I found a big black one in my house! Can you believe it? The way you kill them is you step lightly on their heads and then pull on the tail.”
Humans worship athleticism, talent and perfection. We have a fascination with the tiny fraction of people who stand on the other side of the line that separates life from art: the grand master, the prima ballerina. We are drawn to people who embody something of the divine; the ones who, through their grace and inspiration, remind us that to be alive is majestic. Often these heroes in our spotlight are athletes. Sometimes they are leaders — warriors, politicians or rebels. Sometimes they are great chefs or composers or guitarists. But outside the spotlight and the enchantment of our collective worship, there are other artists, who turn mundane actions into magic, who approach humble tasks with perfect artistry. The masters of skills born of necessity and perfected to fulfill a pride that is autonomous from credit or accolades, a pride based on the perfection of the action itself, the economy of movement, the swiftness of results.
Jazmin Rudin is one such person. She possesses the grace and determination to execute any task at hand with astonishing efficiency. For example, she hunts shrimp in the river with a homemade metal spear. ”You take a long sharp piece of metal, filed at the end. It has to be really sharp. You attach that to a piece of surgical tubing so it snaps back to you when you throw it,” she says. She mimes aiming a spear, and remarks that on a good day she can spear two kilos of shrimp this way. I express disbelief. She shrugs.
“It’s a cultural thing. If you learn when you’re really little it’s easy enough. You have to learn because the shrimp are not going to come to your house and knock on your door.” She explains her technique: “The shrimp are under the rocks. You go underwater, and lift each rock. Don’t lift it all the way. You need to lift gently so they don’t see you.” She’s a demonstrative teacher. She talks slowly, and pauses to make eye contact. She’s checking to make sure I understand her. To help me get it, she uses hand motions. “They also like to hide in the roots of the trees that grow into the river; they hang out in there, caved up. Before you go for it, you have to check out all the potential exits they might have.” She mimes looking around and adds, “Sometimes you have to grab them with your hand, which can be prickly. But I say no! You’re for me. I don’t care if you bite me, you’re not escaping me!” She laughs. “But really, it’s all about taking aim. Just like hunting with a gun. When everything is correct you’ve got your shrimp.”
But hunting isn’t Jazmin’s only talent. The lectures on killing iguanas and spearing shrimp are just digressions: I’m here in her Oregon kitchen for a lesson in grilling chicken, estilo Mexicana. She learned this recipe for pollo asado from her mother, who raises chickens. Her mother learned it from her grandmother. Both women have lived their entire lives in the same small Guerrero village. Jazmin describes her grandmother as “muy antiquada,” or very antiquated. “She has Indian ways, folk ways,” Jazmin says. “There’s something a little witchy about her.”
Jazmin starts by butterflying a chicken thigh with a deft stroke of her knife. When I admire her technique she says, “My mother always says: ‘I know how to cook chicken, but you are the chicken maestro.’” There’s too much delight and humor in Jazmin’s countenance for this revelation to sound boastful. Besides, as I watch her demonstration, I realize she’s just stating a truth. “Take the leg,” she says. “Find the thickest part and slice it open, like so. Don’t cut it all the way through. Leave a layer of flesh so that you can fold the meat back. When you fold it open, the bones and meat are on one side, and there’s pure meat on the other side. You want to cut it so both sides are of equal thickness.” She slams the chicken leg flat on her cutting board. “Chickens prepared this way absorb more sauce,” she says and gives me a challenging look. I’m not about to argue with someone who can kill living shrimp with a handmade spear.
After salting the butterflied chicken legs and breasts, she sets the meat aside in a bowl and works on the sauce. “You’ll want to put seven dried chiles guajillos to soak in a bowl of water,” she says, helpfully adding, “It’s important to soak the chiles first, because it helps the chile to retain the red color.” She assembles her spices: powdered oregano, cumin seed, ground cloves and whole peppercorns, which she’ll grind in a stone mortar and pestle, or molcajete. The basalt bowl stands on its own three legs; the grinding stone is the size and texture of an avocado. “In Mexico everyone has the rock,” she says, laughing. “But if you don’t have a molcajete, use the blender. It’s not quite the same, but it works.” To make the sauce, she places two cloves of garlic and strips of wet chile in the molcajete, and then deftly adds spices and water a little at a time. The finished result is a uniform liquid, which she ladles over the chicken.
While the chicken marinates and the grill heats, we talk. Jazmin’s pueblo on the coast of Guerrero sounds a lot like the village in coastal Jalisco where I spent part of my childhood. It’s a rural culture, rooted in farming and fishing and family. Jazmin has always felt different from the other girls in town; she’s never cared for makeup or clothes. “I’m old-fashioned like my grandmother,” she admits. But although her values may be old-fashioned, she’s not exactly a textbook campesina: Her great joy in life is surfing, she raves about Hank Williams III, and she’s taught her dog, Rambo, to ride on the front of her four-wheeler. She married Mark, an older guy from Oregon, when she was 19, so that could help explain her cultural idiosyncrasies. But as I watch Jazmin laugh uproariously at a silly joke, it strikes me that even without the foreign influence, she would have been an oddball. She’s one of those rare individuals who always cleaves true to some inner compass.
“The secret to barbecuing chicken is to make sure the flame isn’t too hot,” she says, holding her hand over the gas grill, which she views with some contempt. We’re standing on a back porch in Bend, Ore., and Jazmin has been waxing poetic about the superiority of Mexican chickens. “In Mexico, we get a chicken that’s been killed that day. And it’s double good when you grill it over real coals; these gas grills have nothing on real charcoal.” She slaps a chicken thigh on the grill. “Keep turning the chicken over and over again,” she instructs. “It’s a totally different style. Not as juicy maybe, but more flavorful.” She’s right; when we pull the chicken off the grill a scant 20 minutes later, the meat has a satisfying, chewy texture and the flavor sings, savory and complex. Jazmin gives me a look, as though to say, “I told you so.”
“What do you call this recipe?” I ask.
“It’s called pollo asado,” she says, grinning. Grilled chicken. The answer is pure Jazmin: no nonsense and uttered with the easy confidence of a maestro. Like any great artist, she knows to let her work speak for itself.
Ingredients
- 1 chicken, cut into pieces
- Salt
- Soy sauce (optional)
- 7 dried red chiles guajillos
- 1 teaspoon of ground cloves
- 1-2 cloves of garlic
- 1 teaspoon of cumin seed
- 1 teaspoon of whole peppercorns
- 1 teaspoon of powdered oregano
Directions
- Butterfly chicken.
- Splash chicken with soy sauce and sprinkle with salt.
- Rinse chiles and put them in a bowl. Fill the bowl with water until the chiles are covered. Let soak for 10 minutes. Reserve water.
- When the chiles are the consistency of wet satin, grind or blend them with the garlic and spices.
- Add the water left over from soaking the chiles to the spice/chile mixture.
- Pour liquid over raw chicken and leave to marinate for an hour.
- Heat your grill.
- When chicken is marinated and grill is hot, throw your chicken on the grill.
- Turn the chicken every minute or two until it’s done.
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The battle over “pink slime” is getting messier. Blaming an “unfounded public outcry over the use of boneless lean beef trimmings” in the nation’s commercially sold ground beef supply, meat processor AFA Foods Inc. filed for Chapter 11 bankruptcy protection on Monday. Beef Products Inc. — the South Dakota-based meat titan that invented the pink slime manufacturing process — is also reeling, idling plants in multiple states. In response, Iowa Gov. Terry Branstad, a politician who hails from a state where there is a whole lot of boneless beef extrusion going on, called for a congressional investigation into the causes of the public uproar.
“We have a smear campaign going on against a product that is healthy and safe,” Branstad said. “If they get by with this, what other food products are they going to attack next?”
Score another scalp for social media. Because when Terry Branstad inveighs against “they,” that’s exactly who he’s talking about: the easily outraged masses of Twitter and Facebook. We’ve known about “pink slime” for years. Food Inc. took us into a Beef Products Inc. factory and showed us the repulsive stuff back in 2008. The New York Times referenced the name (coined by a USDA researcher as far back as 2002) and devastatingly punctured the safety claims in a breakthrough piece of reporting in 2009. Celebrity chef Jamie Oliver blasted it on his reality TV show a full year ago.
But only in the last few weeks has pink slime captured the national consumer consciousness, and in doing so provided us with just the latest example of how quickly social media grass fires can become conflagrations with real dollar-and-cents consequences. On March 5, the Daily reported that the USDA was holding firm to its plans to buy 7 million pounds of pink slime for its national school lunch program. The very next day Bettina Siegel, a blogger who writes extensively about food and kids, created a petition on Change.org titled “Tell USDA to Stop Using Pink Slime in School Food.” Within a week the petition had over 200,000 signatories and an Internet frenzy had been born.
Fox News columnist Dan Gainor would have us believe that the real villain here is ABC News, which jumped on the anti-pink slime bandwagon with particular passion, but make no mistake, “pink slime” is a semantic framing that was born for the Twitter era. When you have only 140 characters to spread the news, “pink slime” packs all the wallop you need. The process itself, in which fatty trimmings left over at the slaughterhouse are heated, disintegrated via centrifuge, and then dosed with ammonia, is easy to express in a simple Facebook illustration. We saw it with Susan G. Komen for the Cure and we saw it with SOPA — when the social media masses get a bee in their bonnet, they can’t be stopped.
Certainly, the beef industry knows whom it is blaming.
From the Kansas City Star:
The outrage over pink slime registered the sort of quick and virulent response that seems to characterize a new media age. Janet Riley, spokeswoman for the industry group the American Meat Institute, said she’d never seen anything like it — not with E.coli outbreaks, passing worries about so-called mad cow disease or sundry health studies.
“It’s been a social phenomenon,” she said. “Twitter just made it crazy.”
The beef processing industry is trying to fight back, with websites – Beef Is Beef, Pink Slime Is a Myth – and even a catchy slogan, “Dude, it’s beef.” Pink slime contrarians are also eager to point out that if we want low prices for our burgers and “efficient” use of our beef resources, we should learn to embrace pink slime. But I suspect that the defenders of “lean, finely textured beef” are unlikely to see a social media wave of support break in their favor.
I may be the wrong person to make this argument, as I am a Berkeley, Calif., resident who feeds his children hamburgers made from grass-fed cows raised in Marin. But the questions of whether “pink slime” is safe or efficient or guarantees us low-cost patties are all beside the point. It is impossible to look at the beef trimmings being transformed into pink goo in “Food Inc.” without being revolted. And when American consumers are revolted, they don’t reach for their wallets. Gov. Rick Perry can warn all he wants about how “social media rumors” and “hysteria” threaten to destroy any industry. Maybe that’s even true. But it’s not social media’s fault that pink slime is getting a bad rap. It’s the inherent disgustingness of the process that deserves the blame. When you see it, or think hard about the process that creates it, you just don’t want to eat it.
What’s amazing about the current social media revolution is that it is bringing to pass something that food activists have been dreaming about for decades: If only consumers were more informed about the nature of the industrial food system, they would change their behavior. Well, guess what, with a little help from grass-roots viral marketing, the activists turn out to have been right.
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