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Tuesday, Mar 28, 2000 5:00 PM UTC2000-03-28T17:00:00Zl, M j, Y g:i A T

Better dead than red, white and blue

By electing Vladimir Putin president, Russians chose a product of the same repressive police state that has cost millions of lives -- because being a superpower is better than being a Western plaything.

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With a 52-percent majority, acting president Vladimir Vladimirovich Putin has won the Russian presidential elections held Sunday. His main challenger, Communist Party leader Gennady Zyuganov, garnered about 30 percent of the vote. The only Western-oriented liberal candidate, Grigori Yavlinsky, came in third with 6 percent.

Thus, more than 80 percent of Russians voted for a former KGB agent or a communist. After nine years of U.S.-assisted reform, IMF and World Bank loans and dialogue with the European Union, the Council of Europe and NATO, not to mention four years of perestroika, Russian citizens overwhelmingly supported candidates with either avowedly anti-Western views or suspected enmity for the West, democratic ideals and free-market economics. How has this happened in a land scarred by decades of uniquely vicious secret police repression and ruinous communist rule? What does this mean for Russia and its relations with the West?

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Jeffrey Tayler is a frequent contributor to Salon Travel. He lives in Moscow.  More Jeffrey Tayler

Friday, Dec 23, 2011 5:00 PM UTC2011-12-23T17:00:00Zl, M j, Y g:i A T

I miss hating the Soviet Union

My obsession with the USSR was a form of teen rebellion. Now, I can't help thinking: They despised us like pros

soviet

 (Credit: Albert Campbell via Shutterstock)

Ronnie Dunn, half of the former bestselling country music duo Brooks & Dunn, has a singing voice that’s echoed through many a truck stop and stadium. And Dunn loves himself some Soviet art.

You read that right. Soviet art. This summer, I went to Nashville to interview Dunn for PRI’s “Studio 360.” “I’ll show you my Gerasimov,” he said with a drawl, as he strode up his mansion’s staircase in cowboy boots. “That one’s a Timkov.” The balladeer showed me wall after wall of impressionistic landscapes, portraits and sketches. And then he turned the interview on me: What was Moscow like the last time I went? How’s the traffic? When did I learn Russian, and why?

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Julia Barton is a writer who lives in St. Paul, Minnesota. Her website is juliabarton.comMore Julia Barton

Friday, Sep 30, 2011 10:01 PM UTC2011-09-30T22:01:00Zl, M j, Y g:i A T

“My Joy”: Nightmare voyage into the Russian heartland

Avoid cops, hookers and horny Gypsies! Country drive turns death trap in a dark fable of Russian history

A still from "My Joy"

A still from "My Joy"

I’m startled to report that one of the darkest Russian films I’ve seen in a career of watching dark Russian films, Sergei Loznitsa’s black-comic backwoods odyssey “My Joy,” will actually play American theaters (no doubt briefly) before moving on to a somewhat longer life as a home-video cult object. This mordant, slow-motion horror film about a truck driver’s journey into hell — the title is 100 percent sardonic, maybe more so — was the most unexpected and arresting picture in the 2010 Cannes competition. Despite what you might believe about that festival, audiences there generally flock to lighter fare, and few seemed to appreciate that “My Joy” had a bleak, grotesque, near-perfect poetry in its soul.

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Andrew O

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Sunday, Aug 21, 2011 11:01 PM UTC2011-08-21T23:01:00Zl, M j, Y g:i A T

Falling in love as the USSR crumbled

Twenty years ago, we were caught up in the throes of history. And the throes of passion

The romance that began in the throes of history

“I saw you in my dream last night,” my ex-wife said, touching my arm when we happened upon each other in downtown Manhattan the other day. She spoke as if continuing a conversation only recently interrupted. In fact, the last time we’d talked intimately was two decades ago, back when the Soviet Union had crumbled to dust.

“Mm hmm, yes, I saw you in my dream,” she repeated, her Russian accent faded now to a passable American. “Very clearly I saw you. And you were dead.”

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Paul Greenberg is the author of the James Beard Award-winning "Four Fish, the Future of the Last Wild Food." He is on Twitter @4fishgreenberg and on the web at fourfish.org.  More Paul Greenberg

Friday, Aug 19, 2011 5:21 PM UTC2011-08-19T17:21:00Zl, M j, Y g:i A T

Fascinating Solzhenitsyn story makes English debut

A newly translated story by the Russian master asks elegant, timeless questions

Alexander Solzhenitsyn.

Alexander Solzhenitsyn.

“The New Generation” (“Molodniak”), a short story by Alexander Solzhenitsyn, recently appeared for the first time in English translation on the American Scholar website. Written in 1993, the story was first printed two years later in the Russian journal Novyi Mir.

The 1990s were a strange time for Solzhenitsyn. In 1991, he published the last volume of “The Red Wheel,” his 5,000-page novel about the history of the Russian Revolution — the fruit of 18 years of toil in the woods of Vermont. It was not overwhelmingly well-received. In 1994, Solzhenitsyn returned to Russia. If you remember one thing about his return, it’s that they briefly gave him his own talk show, and that the host was likened to “a combination of Charlie Rose and Moses.” Solzhenitsyn eventually abandoned the pretense of inviting guests and simply talked the whole time himself, mostly about the corruption and spiritual decline of Russia. The show was cancelled after a year.

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Elif Batuman’s first book, The Possessed: Adventures with Russian Books and the People Who Read Them, was recently published by Farrar, Straus and Giroux. She lives in San Francisco.  More Elif Batuman

Thursday, Jul 14, 2011 8:39 AM UTC2011-07-14T08:39:00Zl, M j, Y g:i A T

What to watch instead of “Winnie the Pooh”

While the yellow bear makes a comeback on the big screen, his Soviet doppelganger Vinni Pukh deserves some love too

Vinni Pukh (or Vinni-Puh), the Soviet cousin of Winnie the Pooh.

Vinni Pukh (or Vinni-Puh), the Soviet cousin of Winnie the Pooh.

With its totally un-Pixarlated look and nougaty nostalgia core, Disney’s new “Winnie the Pooh” movie might be the perfect antidote for the summer 3-D blockbuster. Then again, do you really want to pay $12 for a film whose main appeal is that it feels old? Not to get all Eeyore on you, but I’d just as soon fork over my money for something I haven’t seen before. (Which also rules out the new “Transformers,” with its reused fight sequences.)

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrewMore Drew Grant

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