Africa

Bearing the smoke

How photographers Carol Beckwith and Angela Fisher captured an Africa no other outsider has seen.

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Bearing the smoke

When Carol Beckwith and Angela Fisher, the photographer-authors behind “African Ceremonies,” came to the Salon offices to be interviewed, heads turned as they walked past the cubicles. This was partly because of the eye-catching clothing and accouterments they were wearing — elegant, flowing African robes in deep, earthy reds and browns and golds, plus pendulous golden necklaces, earrings and bracelets. But it was also, I think, because of the air they exuded — a mind-catching combination of passion, theatricality and humility.

In the ensuing hour, as their words transported us back to an Africa we all love, I was filled with inspiration and admiration for these women — Beckwith, an American graduate of the Boston Museum School of Fine Arts, and Fisher, an Australian-born social-science graduate of Adelaide University — who had had the sensitivity, intelligence and persistence to glimpse the African soul and, even more amazing, gain an intimate access to that soul as no other foreigners ever had. And I felt a profound gratitude that they had chosen to offer up these glimpses in a sumptuous celebration that all of us can share — and that will enrich our lives and the lives of generations to come, around the globe.

A major exhibition of photographs from “African Ceremonies” will open at the Brooklyn Museum of Art in New York on July 14 and run through Sept. 27. The book is available at most bookstores and through online booksellers.

“African Ceremonies” is such a monumental work. How did you originally come up with the idea for the book?

Beckwith: Carol and I both had a dream that we wanted to record all the ancient ceremonies and cultures in Africa, across the continent, before these wonderful traditions disappear. We had just finished a book called “African Ark,” which was a five-year collaboration about the Horn of Africa, and people said to us, “Are you going to do another book?” and we looked at each other and thought, “This is the moment to start.”

“African Ceremonies” was a 10-year project. The first year was taken raising funds in America to cover the fieldwork. We really wanted to tell a story in Africa that goes into every kind of passage in life that people take: the transition from birth to initiation, then from courtship to marriage and then finally into adult life and gaining richness. Then we did a series of communal ceremonies that included seasonal ceremonies, and ceremonies of religious beliefs and healing, and the final passage of life, which is the passage of death and the passage into the afterworld — the world that many Africans actually view as greater than the world that we’re in today.

How did you plan such an ambitious project?

Fisher: We actually put up a very large pegboard around the room, and we would pin up ceremonies that we knew existed, according to the months. We had January through to December on the pegboard, and we would say to ourselves, “Right, we know that the traversing of the Niger River in Mali is something that happens in December, and the great cattle crossings are December to January,” so we’d make a little mark there.

We put everything we could possibly think of onto that board and then we started researching and finding out the ceremonies that, say, happen every 12 years — could we get that into this period? Or could we get, say, a Masai passage from warriorhood to elderhood, which is once every seven years in Kenya, onto the board? And we made a kind of organizational plan where if a ceremony happened only once every year or once every several years, that ceremony got priority. And then we would map out year by year.

It sounds very organized, but Africa is completely different from that, so what we would find is that we’d set off with a plan to record a king’s 25th anniversary, let’s say. That was a set date, so we could record that, and then we thought we would go on to do a fantasy coffin funeral — and we’d find that there wasn’t one at the moment, but there was something else happening with voodoo on the border of Ghana and Togo. So suddenly we were off to record that. We really kept our eyes open and asked a lot of questions, and sometimes got some of the best ceremonies completely unexpectedly off the backs of ones we’d already planned. Eventually, we spent six to seven months a year — not all in one visit but in several visits per year — for the 10 years to record the ceremonies, and learned a lot through the process.

So the book was organically growing as you were in the field, finding out about new ceremonies?

Beckwith: Yes, we initially thought that the book would take us three to four years. After three to four years, we realized that if we could achieve this coverage in 10 years, it would be fantastic. At the end of 10 years, we had over 200,000 images, which had to be edited down to the best 850. We had the most intense year of editing images, of deciding which ceremonies represented a category, how to give the expanse of the whole continent showing the richness and diversity of it, how to contrast one side with the other in terms of marriage rituals and the like.

And there were so many surprises along the way.

For example, we taught our great nomad chief friend, Mokao, in the Sahara Desert to write in Fulfulde. If a major ceremony was happening, he would write a letter phonetically in Fulfulde, send it with a camel rider in the nearest town and get it posted to us. We would have to leave London on 24 hours’ notice in response to these very special invitations from across the globe. Sometimes we would arrive and learn that the ceremony had been postponed for six weeks, and Mokao would say to us, “We have a wise Wodaabe proverb: She who cannot bear the smoke will never get to the fire.” And that became our motto for having patience over the course of our fieldwork.

How did you get access to so many of the ceremonies, some of which had never been photographed or even witnessed by outsiders before?

Fisher: Both of us have been passionately involved with traditional Africa for 30 years each, and we have made very strong friends in different communities across the continent; we see every visit as a visit into a new community where we are going to become a part of that community. By the time we came to doing “African Ceremonies,” we had become connected with certain families who really wanted us to record things. Also, when people realized how dedicated we were to something, they would say, “Have you heard that the Bella people, who have worked with the Tuareg, also do a very interesting part in the Cure Salee ceremony? Or this is a time when all the camel people come together, and they’re looking for a salt cure from the ground, and you’ll get a mixture of Tuareg, Wodaabe and Bella people all at once.”

We had spent enough time to really win people’s confidence, and we also believed that whenever we did anything in Africa, we should always repay in a way that was appropriate. Sometimes people really needed wells being dug for them, and sometimes people really needed millet to be carried into a village, or sometimes people just wanted personal razor blades for haircutting and fishing hooks. That kind of community made doing this book possible, because people let us into things that other visitors would never see.

Clearly you have a very deep-seated respect for the local cultures and the people you encountered along the way. They must have sensed that respect and sensitivity on your part, and probably opened up to you in a way that they wouldn’t normally open up to outsiders.

Beckwith: We entered very slowly into villages. We would come in, we would meet the village chiefs, we would sit under an acacia tree, getting to know the chief and his family. We’d learn 50 words of every language group before we went in — we’d usually write them on our hands so we wouldn’t have to pull notes out and could be more spontaneous — and just the effort to learn 50 words was so appreciated. We could greet people properly, we could thank them, we could ask basic questions. It was only when we really got to know the chief and his family in the village that we would pull out our cameras, because they would understand then what we wanted to do, and would have agreed to allow us to be there. Our goal was to be as invisible as possible. And when we finished our work — because as Angela said, there’s such a wonderful principle of reciprocity in Africa — we would usually sit with the elders and say, “How is life for you and what do you need?” And our goal wasn’t to give them something that would depend on us to maintain but, rather, to help them with something that they could have for themselves, totally apart from us.

So sometimes it was needing water from a well, and sometimes it was, as in the case of the Masai, “Could you help us to start the very first all-Masai primary school?” And we would say, “Why do you need this?” — because they were so resistant to sending their children to school — and they would say to us, “The government is forcing us to send our children to school and we’re sending them out to Kikuyu schools; they’re learning about agriculture and they’re coming home ashamed of being traditional pastoral people and thinking that they’re being ‘primitive.’ We want our children to be proud of who they are and, if they must enter the 20th century, to enter with their values intact and with a sense of how pastoralism can survive and enhance the country. So we would like to teach our children with Masai teachers and Masai textbooks.” We got very involved in this project and helped start the first all-Masai primary school on the border of Kenya and Tanzania. Our feeling always was to give back and honor all that people had given us to make our work possible.

And by doing that, you became woven into these people’s lives.

Beckwith: For years and visit after visit. We visited the different groups many times.

How many different groups did you actually visit?

Fisher: Probably about 45 different groups. The interesting thing is that our photographs became far more interesting after our third or fourth visit. We’d look at them and think, “Isn’t that fascinating, that we knew exactly where to take that photograph from?” or “That photograph of so-and-so is much better; he’s really relaxed with us.” There’s just an area where you realize that familiarity and trust in photography — as well as, for us, familiarity with what’s happening in a ceremony — are important. If you can see a ceremony twice, you can actually think: That whole group is going to go down to the chalk cliff and paint their bodies and go through the forest; we’d be better off in this position if we can possibly get access.

So for days in advance we could ask the elders, “Would it possible for us to go into the forest and take the chalk cliff?” It’s just a feeling of pre-guessing things, as well as having people feel very comfortable with you. We would hang out with them 24 hours a day, and some of the nicest photographs would just be taken very casually, when you’d just suddenly think, “Doesn’t she look wonderful? I want to take her picture. She’s just doing her thing.”

Beckwith: What was really delightful was that the longer we stayed with people, the more the women would want us to transform to look like them. With the desert nomads in Niger, for example, after a few months, they said, “To tell you the truth, we don’t actually like the clothing that you wear, and your hairstyles aren’t very fashionable. Could we tress your hair, or could we dress you properly?” And so pretty soon we were wearing embroidered wrappers and little tunics, and our hairs were in many braids, and they’d say, “We know you may not want to be scarified, but can we draw little patterns on your cheeks so you have our designs, and put head wraps on you?” And pretty soon, we were looking just like the desert nomad women, and they were so much happier with us.

The difficulty came when we’d be sitting with the women sharing intimacies and suddenly the men would start doing something absolutely amazing, and we really needed to be photographing it, but we couldn’t leap up because we’d become honorary women.

So Angela and I realized that if we put on our camera jackets and trousers, we would suddenly become genderless again. People would say, “Oh, yes, now they’re outsiders, with their camera jackets and trousers; they’re half-men and half-women.” Then it was fine with everyone if we jumped up and ran off and photographed the men.

As long as you changed your clothes.

Beckwith: Yes, as long as we changed our clothes. Because in Africa, what people wear, whether it’s clothing or adornment or jewelry, tells the story of where they are in life, their status, whether they’re married or unmarried, whether they have to behave in a certain modest way or whether they can be a bit more aggressive. So the story and statement of our clothing and jewelry, whether we were them or foreigners, allowed us a certain curious freedom as photographers. We were very lucky because we were given incredible access to both male and female worlds, which we could never have had if we had come in as men, who would not have been allowed to penetrate a female world. We couldn’t believe how we had luck and access and invitation to photograph some of the most intimate ceremonies of the males.

Can you think of one in particular?

Fisher: We did one circumcision with the Teneka in Benin that I don’t think any outsider has photographed before. This circumcision, which happens at about 27 years of age, is very grueling for a young man. They go through many days and weeks of ritual building up the courage to do this. We were not only allowed into that area, we were sort of taken in as part of the community. We went through every single ritual with them; we even witnessed the elders, who have a special dance where they hug the man who’s about to be circumcised. They would hug him around the chest as they danced, and they were actually listening to the pulse of his heart. If they felt his heart was racing too hard, they would give him very quietly — and not seen by the rest of the community — a special herb that would calm him down so he would be able to face the next few days and the challenge of initiation and circumcision. These are the kind of secrets that you learn.

Is there a woman’s ceremony that stands out in your mind?

Beckwith: Among the Krobo people, who live in eastern Ghana, there is a very beautiful and poignant initiation ceremony that takes place each year. During a three-week period, an entire generation of young girls makes the transition to womanhood, which is something very different from what we know in the West. During this period, they learn the domestic arts, they learn the cultural arts of music and dance, they learn the arts of female beautification and they even learn the arts of seduction. One of the striking rituals of this is that the young girls are led by their ritual mothers at the climax of the ceremony into a sacred forest, where they undergo a test of their virginity. Each girl is lowered onto a sacred stone from Krobo Mountain, which is the place of their origin. As her buttocks touch the stone the priestesses study her belly. If her belly remains calm, they say she’s a virgin; but if her belly trembles, it means that she is not a virgin. In the olden days, she would have been thrown off Krobo Mountain, but today her family is heavily fined. At the end of this ceremony, where the girls have been taught by ritual mothers — not their real mothers but mentors whom they have for life — all that is necessary to enter womanhood, the girls are presented at a ceremony to the community, to family and above all to potential suitors. It’s a beautiful ceremony. It takes place with grace, delicacy and refinement, and the girls are considered to be among the most desirable wives in all of West Africa.

Were there any circumstances where you felt emotionally conflicted or ethically conflicted? Where a ceremony you were photographing was in some way troublesome to you?

Beckwith: I think that in Muslim societies we sometimes met resistance to ceremonies being photographed. The fathers or the brothers of the women felt that they didn’t want their women photographed, that they didn’t want any of these pictures published. We were very sympathetic and we understood this and we always asked for permission to photograph, and if they said no, we respected it. But sometimes with time and with an understanding of the project, the noes would turn into yeses. I remember on Lamu Island, off the coast of Kenya in the Indian Ocean, we spent many years with one family, who finally said, “Yes, you may photograph my daughter, but she must be covered with the bui-bui, a black veil — only her eyes will show — and you have to take her in this little corner of the rooftop in order to have natural light with three corners shielding her from the eyes of the town.”

And we did. We took the picture. And it was a beautiful picture because the expression of who she was and everything she stood for came through her eyes. She was trying to say to us, I think, “I know I can’t show any more, but I’m going to tell you everything.” And of course her hands were also beautifully painted for the photograph, so this is really a portrait of a woman expressing her inner being through her eyes and her hands, and it came out of a great patience and respect for the resistance and, in time, the no turning into the yes.

Do you remember the moment when the no turned into a yes?

Beckwith: It was terrifying because we thought, “What if we blow this?” We had this one chance to take this picture and thought, “What if our exposure’s not right? We know that they’ll give us about five minutes to do it — what if we don’t load the camera right?”

I remember once, and thank God it only happened once, we loaded the camera and the film didn’t catch on the sprocket, and we spent the whole day in the Sahara Desert with desert nomads, photographing a most wonderful ceremony. At the end of the day, we unrolled the film and suddenly realized what had happened, and we went into a total sulk. We went off to the corner of the nomad camp and looked so gloomy and blue that the nomads came over and said, “What’s wrong with you?” When you’re in nomad society, you’re expected to be present and social all the time. We explained what had happened, and they said, “Oh, that’s absolutely nothing; we’ll do everything for you tomorrow that we did today, so start smiling again and come join us.”

Fisher: The first trip we did with the Wodaabe was really extraordinary because it so typified their motto: “She who can’t bear the smoke will never see the fire.” Carol and I had decided to meet in Niger, in the capital. We flew in within three hours of each other, not knowing what flights we were on, waited for each other and took our bags and our little cameras and went down to the truck depot in the town, caught a truck — and within six hours we were in the desert in a town called Abalak. In Abalak we knew that if we got off the truck we would actually meet some of the Wodaabe people who were coming into the market, because we had researched market days and Friday was market day in Abalak. So we literally had just arrived, on the back of a truck, got off at the market and walked around the market to find the Wodaabe corner. We found a chief who was called Hasan, and we said to him, “We have come to photograph the annual Geerewol ceremony where men do beauty dances to attract wives, and we’re serious, we really would love to record it.” And he said, “Absolutely, would you like to come with our family?”

It all happened so very quickly. “What you need to do,” he said, “if you’ve got the money, is buy yourself a donkey and put the luggage on the back of the donkey, and then you’re free to walk.” So he helped us buy a donkey, and then that night we left the market with the nomads, with our little belongings on top of the donkey.

Six weeks later, we were still walking with the nomads. No ceremony had begun. And what was remarkable was that we actually learned at this stage that we were becoming very bonded to the family, and we knew that through this something very special would happen to our lives. Every day was very enjoyable; we walked about 10 kilometers [6.2 miles] a day in the midday sun — I don’t know why they walk in the midday sun, but they do — and we actually managed to live off a calabash of milk a day. We didn’t have other food with us at all and we were in the middle of the desert.

After about four weeks we looked at each other and thought, “We don’t look bad! We really look healthy! In fact, we look the best we’ve ever looked!” And we realized that we were very lucky, as the two of us obviously have an enzyme inside the body that allows us to break down milk, which many Western people don’t have. But we, like the Wodaabe, could get complete nourishment from just eating and drinking fresh milk from a calabash. And after six weeks, sure enough, the ceremony started, and we were the only outsiders to be there.

Beckwith: When the ceremony was over, the chief who had been our host came to bid farewell to us. It was so difficult to leave because we had become so close emotionally to these people. And I had managed to learn their language over a period of time, so that eliminated the need for an outside translator. When we came to leave, the chief came running behind us, scooping up sand from our footsteps, and he took this sand and he put it into a little leather talisman pouch over his heart, and said to us, “If I wear your footsteps over my heart, I know that in this way you’ll return to me again.” We’ve been back about 15 times since then to visit those Wodaabe nomads.

Looking back at your books and at all the years you’ve been doing this, what do you feel you’ve learned from Africa — what have you taken away from the continent?

Fisher: We’ve realized that the ancient cultures of Africa, the still-whole belief systems, are very important in life. We’ve realized that one of the most important things is the passing on of knowledge from one generation to another, the benefit of elders in a community, where you can really learn from people who have lived and experienced and who can guide you through life. Another thing is that in photographing some of the initiation rites and the rites of marriage and courtship, we’ve realized how important it is that people have the chance to go through life being trained at each stage for the next situation in life: You don’t go in blind to your next role; you go in with a feeling of confidence in your ability to be a good wife and look after a husband, bring up children, become a good lover, grind grain and do beautiful dances. Whatever is required of a woman, the teaching is always there — and the same applies for a young man coming into manhood.

The other thing we realized is that Africans really understand that if you live in an environment, it is very important to pay homage to that environment, to always give back when you take something. For instance, agricultural people always offer a blessing to the ancestors and ask permission before cultivation. It’s a kind of respect and a feeling of trying to live in a complete world rather than in friction against your environment. So the ceremonies that keep you in balance with your environment are very strong in the traditional world.

The other balancing ceremonies are the times when people can actually be in contact with their own spirit world; at these times people pay their respects to their own belief systems and have time to think about them and reflect on their own inner thoughts.

When we come back into the Western world, we realize that many of these very cherished values are actually missing from our world. People are growing up in apartments on their own; people have areas of loneliness or areas of trauma; they are put into roles that are too complex for them, or become initiated into adulthood just by taking a driver’s license. And you think to yourself, there’s no real concept of letting an individual move through life from one stage to another with a sort of regular balance of learning and harmony.

We hope that “African Ceremonies” actually captivates the world and helps people realize that there are still traditional values that are very important, that the traditions in our life are very important and that the ancient values that belong to all of our cultures are very relevant.

As you tour to promote the book, are you encountering a lot of ignorance about Africa, and is that really frustrating?

Fisher: We feel that the Western world is really misled about Africa. The press and the exposure on television and radio is always the bad news — the wars, the politics, famine, drought. Africa has had some amazingly bad and horrific situations, but behind that, it is an enormous continent, and you’re really hearing only about the small pockets of disaster areas. There are hundreds and hundreds of cultures that aren’t suffering from these at all, and are leading probably more prosperous, in one sense of the word, lifestyles than we are in the Western world. In Africa, the sun is always shining. And on top of that, people really enjoy laughing — I mean, people really laugh every day. There’s a sense among many cultures and different communities of how to enjoy what you have and how to balance what you’re able to take on and what you’re not able to take on. Sometimes a slightly simplified life is a more enjoyable life.

And when you don’t have a thousand things happening at once, people get terrific enjoyment. They have great times in the markets selling butter and grain; they have wonderful times when they’re herding cows. There are hard times, too, of course, but they’ve actually learned to really enjoy whatever is offered to them.

We feel that most Westerners have never really had a chance to be exposed to this part of Africa — unless they’ve actually traveled there themselves — so people think, “Oh, my God, you’ve been in such an incredibly dangerous environment,” or “This must have been so difficult to do,” or “Africa is going through such torment at the moment, we would never go there.” But Africa is a huge continent and we can benefit so much from seeing other ways of living, from having our eyes opened. Our Western way of living is wonderful, but there are other ways that are also wonderful. There’s creativity that’s completely different, and there are people who have actually managed to exist in terrains that we in the Western world couldn’t survive a day in. And how they’ve done it, and the calculation of all the things that one has to be very sensitive to — the elements, and the rains, and the seasons, what cattle can actually take on and what they can’t, and how often you have to visit a well and water animals, how long an animal can go across a desert, how long a camel can last without water. These things are very, very finely tuned by people, and it’s very much a deep experience to see it.

Did you ever despair?

Fisher: I despaired once over the size of Africa. It was in covering the Sudan in doing “Africa Adorned.” Sudan is by far the biggest country in Africa, and one could spend one’s entire lifetime doing a book on Sudan. And when I realized that I’d taken on a project to record adornment across Africa, the despair inside of me was a confusion and an overwhelming [feeling] of “Where do I turn next?” I realized that I’d actually come to a point in southern Sudan where I couldn’t figure out whether I should go north, east, south or west; the continent was just too vast. So I sat for a couple of days and then I thought, “You just have to make a stab at it.” And ironically I went south across Zaire and met Carol in Niger, recording “Nomads of Niger.” As it turned out, at that moment she needed a Suzuki jeep, and so the jeep that I’d been driving through Eastern Africa and southern Sudan and then across Zaire and West Africa changed hands — and she went off in it back into Wodaabe land to record the Wodaabe people. So moments of despair, I think, have been moments only. One has had them and one has realized that in life, if you can’t see an answer, you just have to sit for a little bit until it comes, and if it doesn’t come, just make a stab at it. Africa’s too big to think about too long; it’s better just to keep going and trust that something will happen — and something great always did.

Beckwith: I despaired when I saw the amount of need that Africans had, and how much of it was being met by world organizations that imposed what they thought was best for Africans on Africa. For example, when I was in Niger, I watched a $17 million aid program being set up for nomads, and the nomads came to us and said to us, “We’ve never been asked if this is going to work. But because we have a policy of hospitality and politeness toward outsiders, when they ask us if we like this project, we always say yes. We always say, ‘Yes, of course in your project our cows are producing more milk,’ because they need to hear the yes. They word the question in a way so that we have to say yes, but in fact, with our knowledge of the grasses and pasture, our cows are producing more milk, and we’re using a system that’s thousands of years old.”

When I looked into this, I realized how much was being spent on this project, and how the nomadic peoples were not being asked what they needed, and how the project was setting up a dependency on the aid organization. And I felt that even though I could help the nomads in a very small way, I could make sure that any well that we raised money to help the nomads dig would belong to the nomads: “He who digs the well owns the well.” He who digs the well knows how many people can come to the well before the water’s depleted, and how much pasture there is around the well to support the animals. So that well was calculated to meet an exact need, as opposed to a well that costs 50 times more to serve everyone, and within a month there’s no pasture left and everyone abandons the well. And since everyone is from different clans who don’t get along with each other, you have to set up a police system at the well, too.

I despaired at the amount of “good” being brought into Africa that never succeeded in meeting need, and thought it’s better to reach people successfully in a very small scale as a way of addressing need you see in Africa, rather than taking a monumental scale and not having it succeed. And I believe that it’s most important to consult the elders, because the elders in every society are the repository of wisdom. They understand wisdom on so many levels, and one is survival. And if people go in and speak to the elders, they give such wonderful guidelines about how to help with survival, or how to leave people alone and let them get on with survival. That was my moment of despair.

You’re both clearly so passionate about Africa. Is there a particular pinpoint for your passion that you can think of — an incident, an encounter, something that was the doorway for your passion into Africa, or that embodies what you feel about Africa?

Beckwith: I think contact with people. In traveling across Africa, we encounter people who have very different belief systems, very different lifestyles, whether they’re living in a rain forest, whether they’re desert nomads, whether they’re traditional animist people with traditional beliefs in the powers of the sacred forest and in nature or whether they’re Amharic Christians who have a thousands-of-years-old belief system. What’s extraordinary is that in living with people who are so different from us and each other, you come to realize that you’re all sharing a common essence, that you all in the end have the same needs in life, the same challenges, the same questions, that your emotions are all shared.

Here you are with a Surma woman who’s wearing only a large lip plate and a leather skirt and who lives in the forest. You think initially you could never find anything in common with her — and then you’re sitting side by side sharing the world together, sharing feelings about men, and about children, and about nature and survival and decoration, and about the ceremonies to come and what each stage of life is like. You feel incredibly bonded with people who are so different from you, and you somehow wish you could share with the world how possible it is to look at someone you might even think is your enemy in the Western world and realize how close you really are, and how much common ground there is between you. That happens in Africa when you open yourselves up and people open themselves up to you.

Don George is the editor of Salon Travel.

A victory for The Hague

Charles Taylor's guilt puts violent leaders in Syria and Libya on notice

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A victory for The HagueA Freetown street vendor watches a live broadcast of the Taylor verdict being delivered. (Credit: Reuters/Finbarr O'Reilly)

The verdict against former Liberian President Charles Taylor at the Sierra Leone Special Court has been eagerly anticipated by many in Sierra Leone. But, as is often the case with abusive leaders wielding power, bringing Taylor to justice was once considered a less-than-welcome development in diplomatic circles. More than a few feared at that time that bringing charges against a sitting president in the midst of a conflict would do more harm than good.

In June 2004, though, I roamed Freetown’s muggy markets trying to get a sense of what people in Sierra Leone’s capital thought of the Sierra Leone Special Court, the mixed national and international court established to deal with atrocities committed during the country’s civil war. The court’s first trial, against a popular government official, had begun that day, and the prosecutor’s opening statement could be heard on radios in market stalls and on street corners. The talk in town was not, however, of that trial. Instead people wanted to know when Taylor would be brought to justice for supporting the rebels who had caused their country so much horror. It was clear that many in Sierra Leone felt justice could be served only if Taylor was held accountable.

I admit I was doubtful about Taylor’s chances of being brought to justice. At the time, he had left office and was living comfortably in a villa in Nigeria. But less than two years later, after much international pressure, Taylor was arrested fleeing Nigeria with a carload of cash.

Taylor’s arrest and prosecution demonstrate vividly that the reach of justice has been extended and that seniority no longer guarantees protection. Victims who had long been accustomed to seeing top leaders shrug off responsibility for atrocities now expect more. Prosecuting heads of state, however, remains controversial, particularly if the leader is seen as critical to peace talks. Negotiators and commentators often argue that leaders facing likely conviction have little incentive to lay down their arms and that the prospect of prosecution may spur further violence. It is also often delicate, to say the least, to raise the issue of justice in negotiations when the person across the table is suspected of horrific crimes.

For these reasons the unsealing of Taylor’s arrest warrant on June 4, 2003, the opening day of peace talks in Ghana to end Liberia’s civil war, was not greeted with much diplomatic enthusiasm. African presidents at the talks expressed embarrassment and concern that the indictment could scuttle a successful settlement.

Yet Taylor agreed to step down from the presidency shortly thereafter. His indictment de-legitimized him both nationally and internationally. By preventing Taylor from playing a role in any future government, the indictment helped ensure he would not participate in transitional elections and removed a critical obstacle to negotiating a cease-fire agreement. The warrant helped to hasten his removal from office at a time when he was losing ground militarily. He accepted the offer of haven from Nigeria.

Dire predictions were also made when the prosecutor for the International Criminal Tribunal for the former Yugoslavia announced the indictment of the Serbian president, Slobodan Milosevic, during negotiations to end the Kosovo conflict. Yet a peace agreement was reached within days of the indictment. Two years later, Milosevic was in The Hague.

Similarly, the tribunal indicted the top Bosnian Serb leaders, Radovan Karadzic and Ratko Mladic, shortly before (and again during) the 1995 peace talks in Dayton, Ohio. Though the U.N. secretary-general castigated the tribunal’s prosecutor, the indictments may have actually benefited the peace talks by keeping the men from the negotiating table since the Bosnian president was reportedly unwilling to sit with them. The agreement prohibited tribunal suspects from holding office, which helped ensure that neither man played a part in post-Dayton Bosnia and contributed to stability.

While no two situations are exactly the same, experience shows that allowing justice to take its course won’t necessarily impede the prospects for peace. Other national leaders associated with rights abuses in Libya and Syria, like Taylor, may one day wind up in The Hague. Though an arrest in the near term may be unlikely, Taylor’s eventual apprehension and trial has taught that victims’ patience may be rewarded.

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Sara Darehshori is senior counsel in the U.S. program of Human Rights Watch and author of the report "Selling Justice Short: Why Accountability Matters for Peace."

Sudan’s return to war?

As Sudan vows to retake the Heglig oilfields, South Sudan warns it will retaliate

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Sudan's return to war?This photo of Saturday, April 14, 2012, shows the aftermath of a bombing by the Sudanese Air Force in Bentiu, South Sudan . Two Sukhoi jet fighters dropped 6 bombs in the area, killing 5 and wounding 4 others. Two Sudanese warplanes dropped "many bombs" Monday April 16, 2012, on the oil-rich city of Heglig, as long-range artillery targeted southern army positions in the disputed town, said southern army spokesman Col. Philip Aguer. He did not give a casualty figure. He also said Monday that Sudan's air force killed five civilians in aerial attacks Sunday over Heglig. Aguer also said that the town of Bentiu in South Sudan's Unity State was hit and that the conflict has spread to several southern states bordering Sudan, including Western Bahr el Ghazal. (AP Photo/Michael Onyiego) (Credit: AP)
This article originally appeared on GlobalPost.

BENTIU, South Sudan — As fears mount that Sudan and South Sudan will return to war, a South Sudan army commander here says he does not intend to withdraw troops from the disputed Heglig oil fields and he is prepared to fight.

Global Post
On April 9 the South Sudan army seized Heglig on the border between the two countries. Heglig, a major oil producing area, is internationally recognized as Sudan’s territory, but South Sudan has always claimed it.

The South Sudan army is now 30 miles north of Heglig and does not plan to pull back, said Maj.-Gen. Mac Paul of the Sudan Peoples Liberation Army. He said he is not worried about recent threats by Sudan President Omar al-Bashir that the Sudan Armed Forces (SAF) will attack to regain Heglig.

“We are not concerned about a SAF counter-attack, we are at war. When you are fighting you can go wherever you need to defend yourself,” he said. Paul said the South Sudan forces could move further into Sudan, but he said they would not advance all the way north to the capital, Khartoum.

Paul said he was not worried about Sudan’s superior air power.

“We’ve been fighting this war for 22 years as guerillas, all those mighty weapons have always been there, it is about who has the will,” he said.

Even as Paul was speaking, Sudan President Omar al-Bashir made belligerent statements that appeared to move the two countries closer to outright war.

Bashir vowed to teach South Sudan a “final lesson by force” for occupying Heglig, reported Reuters.

Wearing a military uniform covered with medals at a large rally in El-Obeid, the capital of Sudan’s North Kordofan province, Bashir threatened the leaders of South Sudan, which became independent from Sudan last year after more than two decades of civil war.

“These people don’t understand, and we will give them the final lesson by force,” said Bashir. “We will not give them an inch of our country, and whoever extends his hand on Sudan, we will cut it off.”

Bashir suggested the looming fight over the oil-producing area would spark a full-scale conflict. “Heglig is not the end, but the beginning,” he said.

A day earlier Bashir said that his government’s “main target from today” was to “liberate” the people of South Sudan from their government, made up mostly of former rebel soldiers from the Sudan People’s Liberation Movement (SPLM).

“We say that it [SPLM] has turned into a disease, a disease for us and for the South Sudanese citizens,” Bashir said, reported the Telegraph. ”The main goal should be liberation from these insects and to eliminate them once and for all. Either we end up in Juba (South Sudan’s capital) and take everything, or you end up in Khartoum and take everything.”

South Sudan’s Information Minister Barnaba Marial Benjamin responded angrily to Bashir’s insults.

“Mr. President, we are no insects and if you are launching your genocide activities to the Republic of South Sudan to kill the people of South Sudan … we can assure you we will protect the lives of our citizens,” reported Reuters.

He did offer one conciliatory gesture, saying that South Sudan was willing to resume talks immediately on all outstanding issues. “The Republic of South Sudan is not in a state of war, nor is it interested in war with Sudan,” he said.

The threatening rhetoric has been matched by troop movements and air strikes. Both sides are moving forces toward the border area, according to the Satellite Sentinel Project, which is monitoring the border area by satellite photos. Last week Sudanese planes bombed Bentiu killing five civilians and just missing a strategic bridge.

The escalating violence and the antagonistic statements have raised the prospect of two African states in outright war against each other for the first time since Ethiopia fought Eritrea in 1998 to 2000.

The threat of war between the two countries has already disrupted nearly all the oil production upon which both countries’ economies depend.

In addition to fighting over which country controls the oil production, the two countries are arguing over transport of the oil. Sudan controls the pipeline which pumps the oil to Port Sudan. But South Sudan objects to how much Sudan charges for use of the pipeline. South Sudan accuses Sudan of siphoning off a large amount of oil passing through the pipeline. In January, South Sudan stopped production of its oil so that it would not have to use the pipeline. There are plans to build a new pipeline which would traverse South Sudan and go across Kenya, but that is years from completion.

Until recently many analysts have said that Sudan and South Sudan would indulge in rhetoric but would not return to war. The two sides fought a bloody civil war that was Africa’s longest running conflict until a 2005 peace pact ended the hostilities. Eventually, under the terms of the peace agreement, South Sudan voted to become independent from Sudan and the new country was born in July, 2011.

The two countries did not agree on the exact border, however, and now they threaten to return to war over control of the Heglig oil fields.

The issue is further complicated by rebel groups which are armed by both Sudan and South Sudan, according to a recent report by the Small Arms Survey.

Bentiu, the provincial capital of South Sudan’s Unity State, sits at a strategic point along the Bentiu sits on the southern banks of the Bahr al-Ghazal River. This city is close to the border and movements of army troops can be seen going to the barracks.

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How Mandela united a nation

John Carlin talks about how the South African leader averted a bloodbath and the triumphs of the post-apartheid era

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How Mandela united a nation Nelson Mandela
This interview first appeared in The Browser, as part of the FiveBooks series. Previous contributors include Paul Krugman, Woody Allen and Ian McEwan. For a daily selection of new article suggestions and FiveBooks interviews, check out The Browser or follow @TheBrowser on Twitter.

Nelson Mandela was a most unusual, and unusually astute, leader, says author and journalist John Carlin. He used forgiveness as a political tool, in so doing ensuring that South Africa avoided what could have been a bloodbath.

You’ve had a professional interest in South Africa as a writer and journalist for more than 20 years. Can you tell us more about it?

I’ve been a journalist for 30 years now. I’ve mainly been a foreign correspondent. I’ve been based in half a dozen places and I think I’ve actually worked as a journalist in about 50 countries. South Africa is the one that left by far the deepest imprint on me. I was there at an extraordinary time, during the transition from apartheid to democracy. I arrived in 1989 as a correspondent for the Independent in London, which meant that I caught the last year of full-on, hard apartheid. Then after that there was Mandela’s release and the very painful birth pangs of the new nation, leading to the elections of 1994.

It was a period of immense drama and continual doubt as to whether the country was going to go down the road to war or to peace. You had this extraordinary character of Nelson Mandela center stage, and as a journalist I had the privilege of watching him from front row seats and at times actually talking to him one-on-one. There was an element of happy ending, which is so unusual in life generally and in particular for a journalist covering a particular story as a correspondent. I’ve had a lot of adventures in many different parts of the world and I’ve been moved by lots of people and places, but none like South Africa.

How well have you got to know Mandela? What’s he like?

I consider it to be one of the great privileges of my life to have got to know Mandela about as well as a journalist could reasonably hope to. I have interviewed him one-on-one probably half a dozen times and in addition to that I’ve had lots of small chats in and around public events and been at dinners with him. He just stands above every other political person I’ve encountered by some distance. It’s uncanny that every single person that I know who has spent time in Mandela’s presence shares my sense of admiration, bordering upon awe, for him.

It’s nearly 20 years since apartheid ended in South Africa. Has the post-apartheid era failed to deliver for most South Africans or is there a tendency to focus too much on the failings of ANC [African National Congress] rule?

The simple fact that you don’t really hear about South Africa in the international news gives you a clue that things are going reasonably well. Had it not been for the football World Cup in 2010, South Africa would have almost disappeared entirely from the international news map. When I was living in South Africa in the early 1990s, the possibility of a racial bloodbath was very much on the cards. The fact is that we haven’t come remotely close to that. South Africa remains today an impressive democracy with free and fair elections, changes of leaders, a functioning judiciary and an extremely, almost outrageously, outspoken free press. These are the big picture things that are great. You do have other things, such as corruption, crime and inefficiency, but I choose to see the glass half full. Other people choose to see it half empty.

The first book you recommend, “The Washing of the Spears,” is an historical account of the rise and fall of the Zulu nation. Can you tell us more about it?

This book has really stayed with me, and one thing I like about it is there is a continual undercurrent of deep respect, if not admiration, for the Zulu nation. The narrative has something of the rattling good yarn about it, while at the same time being extremely meticulously researched and scholarly at its core, but there is a lightness of touch in the tone and there are occasional wry asides. You put it all together and it adds up to a very satisfying and rich cocktail.

Can you tell us a little more about the history of the Zulu nation?

Before the arrival of the Europeans, the Zulu people imposed themselves as the dominant tribe in southern Africa through being extraordinarily ruthless and disciplined in war. They were the Romans of southern Africa. It was an environment of extraordinary cruelty and barbarity, and there was an awful lot of witchcraft. In the first part of the book this pre-colonial Zulu world is conjured up. On reading it you have a keener understanding as to why the Zulus have been so attracted to Shakespeare’s play “Macbeth.” You have the elements of treachery, wizardry, bloodthirstiness, scheming and at the same time the powerful ritual, kings and hierarchies. That “Macbeth”-type world conveys something of what the Zulu nation was like before the arrival of the Europeans. That is conveyed richly, and often harrowingly, in the book.

Then there is the real drama, which is the arrival of the European settlers and the inevitable clash between the two. It’s told in a richly anecdotal way, but there is also an awful lot of historical material that the author draws on. The whole thing reaches its climax with the Anglo-Zulu War in 1879. The first great battle between the British Redcoats and the Zulu impis, or battalions, was an appalling defeat for the British at Isandhlwana. It was one of the very few times in the 19th century that British imperial forces were crushed. Immediately after that there was the famous Battle of Rorke’s Drift, immortalized in the movie Zulu starring Michael Caine. In the end, the Zulu nation is defeated by the British at the Battle of Ulundi and after that begins a period of relative ignominy.

The Zulus are still the largest ethnic group in South Africa aren’t they?

They are, but only marginally bigger than Mandela’s group, the Xhosa. The Zulus are definitely the mythical group, the mythical tribe of South Africa and regarded as such by everybody else. They are certainly perceived as the warriors. King Shaka, the founder of the Zulu nation, is the Homeric Achilles-type figure who resounds through history.

From the mid-1970s, the Zulus have ostensibly been represented politically by the Inkatha Freedom Party led by Mangosuthu Buthelezi, which in the 1980s and early 1990s aligned itself to a certain extent with the apartheid government against the ANC. How powerful a political force are they now?

You’ve touched upon a subject that stirs me and moves me deeply. If there’s one thing that I wrote about with more passion than probably any other when I was in South Africa it was Inkatha. Inkatha was a conservative, right-wing Zulu political organisation and – in one of the most shocking things I have seen in my travels anywhere – they aligned with the forces of reaction in South Africa. They were basically fighting and killing in order to stop the transition to democracy and yet they were black. It almost beggars belief. I consider the leader of Inkatha, Mangosuthu Buthelezi, to be a monster. But one should bear in mind that they did not represent the entirety of the Zulu nation – one can’t be so lacking in respect to imagine they were all mindless monoliths. Actually, half the Zulus were supporting Mandela’s ANC, and what you’d get in those days were the rural Zulus siding with Inkatha and the urban Zulus tending to support the ANC.

Increasingly, the sense of the Zulus being a separate people unto themselves has been dissipated with time. The sense of Zulu pride still exists, yet one of the great things about the ANC is how they’ve managed to merge and mix all races and tribes in there. Right now the [South African] president, Jacob Zuma, is a Zulu. But he’s surrounded by people from all the other tribes. The reactionary Inkatha group is fast disappearing from the scene.

Your second book, “Move Your Shadow,” is by the Pulitzer Prize-winning author and New York Times journalist Joseph Lelyveld. One reviewer in 1985 said this book “provides the kind of authentic evidence of the ordeals of black life that few white South Africans discover.” Would you agree?

That’s certainly one important point to make. I think “Move Your Shadow” was actually the first book on South Africa that I ever read. I moved to the country in 1989 as a correspondent from Central America, where I had spent the previous six years. I really knew very little about South Africa. It wasn’t a place I had any prior interest in but the foreign editor of the Independent, in his wisdom, decided I should go there. Everybody told me that “Move Your Shadow” was the current book I had to read. So I read it, and it left a lasting impression on me.

To pick up on what you said about that review, what Lelyveld did that was most striking is that he really immersed himself in black culture and black society. He would go and spend time living in people’s huts in the countryside or in squatter settlements. He would travel vast distances across the country in buses – in fact, I think it was illegal for white people to travel on those buses. There’s that line from King Lear – “expose thyself to feel what wretches feel” – and that’s what Lelyveld did, with extraordinary integrity and courage. He really conveyed the ignominy of life for black people under apartheid but at the same time salvaged from that the tremendous courage and nobility, and indeed good humour, that people maintained, despite being submitted to what Mandela called the “moral genocide” of apartheid.

As you say, the book tells of the hardships of the black majority under apartheid. But it also shows how these hardships were the consequence of meticulous planning by the government.

That’s right. He does a good job at conveying the bureaucratic fastidiousness and overarching madness of the whole apartheid exercise. It was somewhat reminiscent of what the Nazis did. The Nazis had a tremendously efficient bureaucracy that organised the whole Final Solution to the so-called “Jewish problem.” It was a similar bureaucratic mind-set and insanity that led to the grand apartheid idea of separateness, and this is what Lelyveld looks at in his book. In particular, he examines the ghastly phenomenon of forced removals, where it was decided by bureaucrats that, for example, 5,000 people living in an area of Johannesburg, where they had been living for the past 50 years, had to return to their ancestral lands. So, in the middle of the night a whole lot of police come along in trucks and knock down their houses, tell them to pick up as many belongings as they can, put them in lorries, drive them overnight for seven hours, dump them in the middle of the veldt somewhere and say: “Right, this is now your home.” And this was happening systematically. Like I say, there was something of the spirit of the Nazi Final Solution about it, though obviously with nothing like the same degree of horror or annihilation.

Lelyveld also gets into the madness behind apartheid, especially the Biblical justification that apartheid’s deeply Christian masters sought to find in what they were doing. They would look up the Old Testament and find that – as they saw it – there were actually separate heavens for black people and white people. So if there were separate heavens, according to a particular reading of the Old Testament, therefore it made perfect sense, indeed it was morally incumbent upon them, to have separateness on earth too. So in Move Your Shadow you get both the sense of the macro-madness of apartheid with a deeply close-up view of what it was like to live as a black person under apartheid. I think probably nothing like it has been written before or since.

Your third book, “Age of Iron,” is a novel. Please tell us more.

The author is J. M. Coetzee, the Nobel Prize-winning author and, in my view, one of the top five living writers in the English language. “Age of Iron” is quite a short book – you could probably read it in a couple of hours. It’s set in mid-1980s South Africa, a time of tremendous political ferment. Mandela was imprisoned in 1964 and what followed for the next 10 years was a grave-like quiet of resignation by black people. In 1976 the first simmerings of rebellion occur and by the mid-1980s you had clashes daily in practically every township all around the country. You had the black political movement in full-on insurrectionary mode. It’s against that background that the novel is set. But Coetzee doesn’t go out and give you vivid descriptions, he’s never overtly political, he’s concerned much more with conveying a moral atmosphere.

He tells the story through the first-person voice of an older woman, Mrs Curren, who’s dying of cancer. The disease gives her this sharper focus on life and she feels with extremeness and horror the age in which she’s living. She feels the awfulness of apartheid and she conveys a tremendous sense of shame and disgrace, and that’s what Coetzee talks about. There are lots of powerful lines and powerful observations, but he does so in that extremely pithy, lean Coetzee style. There’s no fat in Coetzee’s books whatsoever – you just have this sense of there being bone all the way through. There’s one particular line when she’s reflecting and she says: “The times call for heroism; being good is not enough.” She laments the fact that just being a good person at that time in South Africa is not enough. The attitude towards these young blacks who, off-stage, are giving up their lives and showing extraordinary courage, combines on the one hand a very Coetzee sense of life’s futility and complexity, but at the same time underlying that is a real admiration. It’s very, very layered. But what really shines through is a sense of disgust with the people who have invented this apartheid system, which he conveys as a sort of disease, a contagion. Indeed, the woman’s cancer is itself a metaphor for this disease of apartheid.

Do you have any thoughts on Coetzee himself? He has a reputation for being rather intense and humourless.

It’s funny you should say that. My sense of him is of a person who makes no effort whatsoever to be liked. Most of us, in a cowardly and impish kind of way, do aspire to be liked. He doesn’t seem to give a damn about that. There’s just something sort of grim and joyless about him. I’ve known a number of people who’ve known him and he’s certainly not “Mr Personality.”

This is the only novel you have chosen. Is the literary scene thriving in post-apartheid South Africa?

I’ve been told that there are some interesting young black writers emerging who are telling the stories of their lives, the stories that were previously told by white people. Going back to Joseph Lelyved’s “Move Your Shadow,” the point about him was that he really got under the skin of black life in South Africa. What I’m hearing is that increasingly the stories are now being told by articulate, eloquent young black South Africans themselves.

But I do wonder whether maybe the golden age of South African writing might be in abeyance at the moment. With writers such as Coetzee and maybe Nadine Gordimer and André Brink, the ones who really had an international impact, I wonder whether you needed to have that atmosphere of conflict in order to generate the powerful drama that makes for a successful novel globally. Now there is nothing like that powerful moral battle going on in South Africa anymore. It’s no longer a parable for the struggle between good and evil. It doesn’t have that moral force. My suspicion would be that we are going to go through a fallow period before we return to the greats, the Coetzees and the Gordimers and so on.

Why have you chosen Anthony Sampson’s biography of Mandela and not Mandela’s autobiography, “Long Walk to Freedom”?

I was very torn, and I feel very guilty and indeed treasonous towards Mandela for not choosing his autobiography. I guess that if I have to go to a desert island and take one Mandela book with me I think it would be Anthony Sampson’s one. It covers all of the same chronological and biographical ground as Mandela’s autobiography but what it does is add Anthony Sampson’s eye. He knew Mandela very well when he was a young man during the 1950s and they remained good friends until Anthony Sampson’s death four or five years ago. So he has the credibility of knowing Mandela as well as any biographer could be expected to get to know him. But, at the same time, he was able to reflect on Mandela. And the thing about Mandela is that he’s not a man to reflect upon himself. Mandela is an actor on stage. He’s a performer. He’s a man of action. He’s not someone who pauses and reflects – at least he’s not someone who’s going to reflect publicly in a book. And so in order to analyse and draw reference from Mandela, to stand back and think about him, I think you get more guidance, very authoritative guidance, from Anthony Sampson’s book.

What sort of picture does he paint of Mandela?

At least a third of the book, if not more, takes place during Mandela’s 27 years in prison. Mandela in his autobiography will tell you about encounters and clashes he had with the prison warders and with other prisoners, but what Sampson does is put it into the context of his life. He explains the very important degree to which prison was a laboratory or school for Mandela, in which he quite consciously prepared for what he knew would be the day when he would have to sit down and negotiate the transition to democracy and try to persuade the white government to cede power rather than to do so by force of arms. That was the realisation he reached in prison, and in his relations with his jailers and the heads of the prison he was continually learning and making notes about all the aspects of the Afrikaner personality. He learned about their history; he read their books; he learned their language. He prepared himself in prison for the great political game that lay ahead. Sampson explains that very well.

On another level, what Sampson’s book does is demythologize Mandela. It talks about his private life and his first wife, whom he left for Winnie Mandela. It talks about his extraordinary passion for Winnie Mandela and his evolving, appalling disappointment, as he understood that Winnie had really been corrupted over the years by, no doubt, the very unpleasant experiences she herself had suffered at the hands of the security forces. He considers Mandela’s pain there. He also talks about his estrangement from his family, who resented in many cases the fact that he was dedicating so much of his life to the nation – to the children of the nation – and not so much taking care of his own biological children. He examines that in a way that Mandela is simply incapable of doing. There’s a great line about Mandela that Sampson quotes in the book: “He combines an extreme heartiness with an impenetrable reserve.” I think that captures Mandela very well and it tells you why he would have a problem in an autobiography of going beyond a certain surface telling of the story.

There are two things that really strike me about Mandela, looking at him from the outside. First is his extraordinary self-control, and the other is his capacity for forgiveness of his political enemies.

He has been known to have flashes of anger, certainly in meetings of the ANC leadership. There were certainly times at press conferences when, if a journalist were to ask a question that betrayed a certain foolishness or lack of information, he would snap at them. He did not suffer fools gladly.

The point about forgiveness is very important. Sampson addresses this in his book and I myself have written a lot about this. Essentially, what Sampson does is offer a corrective to the notion that Mandela just offers forgiveness for forgiveness’s sake, and is driven above all by a Gandhi-esque or Christ-like moral vision of life. The thing about Mandela that is absolutely critical to understand is this: He is over and above all else a political leader. He’s a political leader with a very clear sense of what his objective is. In prison he understood that force of arms, that revenge, that throwing the whites into the sea, was not going to be the way he was going to achieve his life’s goal of installing democracy, stability and peace in South Africa. Therefore, what I’m saying, and Sampson says this too, is that forgiveness became in Mandela’s hands a political tool. It became a key instrument to achieving a political objective. Happily, of course, forgiveness was something that meshed wonderfully with his own nature. He’s a person who’s generous by nature. But let’s not forget he was the man who founded the armed wing of the ANC in 1961, and had Mandela emerged from prison and judged that the most effective and swiftest way to achieve the liberation of his people was through force of arms and revenge, he would have gone for it. But he had it very clear in his mind that forgiveness was the tool to achieve his ends.

Let’s move to post-apartheid South Africa now and to your final book, “After Mandela,” which is written by the journalist Alec Russell. Why have you chosen it?

The 1980s and up until the elections in 1994 was in a sense the heroic age, and one that will probably resound through South African history. Quite a lot of books have been written about that period. Fewer books have been written about the post-apartheid period. It’s a period that is much more morally complex. Before, it was literally black and white. It was humanity’s great parable – nobody had any doubt about who was good and who was evil and who we should all be supporting. Now everything has become murkier and more complex, but at the same time no less fascinating.

As Alec Russell writes from the very beginning, Mandela was always going to be a hell of an act to follow. And, regrettably, the person who took over from Mandela as president [in 1999], Thabo Mbeki, failed pretty abysmally. He was not Mandela’s first choice, which in turn imbued Mbeki with a certain measure of resentment towards Mandela. Mbeki was, in many ways, the polar opposite of Mandela. Mandela is a big, generous man, confident of his authority, at one with himself, comfortable in his own skin. Mbeki is the opposite of all that. Quite a lot of the divisions he fostered in society once he became president were very much a response to that anti-Mandela personality of Mbeki. Alec Russell describes that post-Mandela period of disillusionment with rich anecdote, with very intelligent and consistently measured analysis. Russell writes in a very readable, easy style. He’s the opposite of pretentious. He’s lucid and he really gives you a sense of the post-Mandela period under Mbeki before moving on to his successor Jacob Zuma, and how corruption has crept in, and the worry that the ANC will forget its moral roots.

He addresses the issue of the “Zanufication” of the ANC, doesn’t he – the fear that it might come to resemble Robert Mugabe’s ruling Zanu-PF in next door Zimbabwe?

The concern is that they are going to become a party that just wants to stay in power for power’s sake. And that has actually been my own concern pretty much from the time they came to power. But, in terms of drawing an analogy with Zanu-PF, Alec Russell says in the book pretty much what I think: That to make an analogy between South Africa and Zimbabwe is both simplistic and insulting. There is an enormous difference between Zimbabwe and South Africa as societies and as political bodies. Certainly, at this stage, to imagine and to say that South Africa is going to go the way of Zimbabwe is way off the mark. Who knows what could be the case in 50 years’ time, but the fact is that today South Africa is a country with powerful institutions, a very powerful judiciary and a fundamental respect for the rule of law. There is also a very outspoken free press and there are powerful trade unions. Civil society is strong and carries with it a very fresh and vivid memory of what it was that the ANC fought for. I think one of the more encouraging things that Alec Russell describes in the book is the ANC meeting at which Thabo Mbeki was ousted. And as Russell describes it, a very large part of the impetus behind the move to oust him was that South Africa shouldn’t become like Zimbabwe. “No Zimbabwe here” was one of the slogans in the hall. They did not want a repetition of what had happened in Zimbabwe, of one leader entrenching himself in power for ever. That democratic impulse remains strong in South Africa.

So, as you said earlier, the glass is half full in South Africa, not half empty.

I certainly think that. As I said before, South Africa is not in the news. It’s not a country where you are seeing the slightest glimmer of a notion of political conflict, of civil war. And having lived in South Africa in the early 1990s, having seen what the potential there was for an appalling bloodbath, I never cease to be amazed that South Africa today remains a solid and stable democracy.

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Boys like me

It took traveling halfway across the globe to meet a gay male. And to realize I was one, too

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Boys like me (Credit: Lerche&Johnson via Shutterstock/Salon)

Although I was 16 and knew nearly nothing, my heart had sense enough to start racing the moment he took the seat next to me on our tour bus.

William, as he introduced himself, was tall and handsome, and his hair had a slight red tint to it as if it were burnt around the edges. I guessed he was maybe a year older than me, although it was hard to tell because all the Namibian students wore the same uniform, a polo shirt and khaki pants.

“You’re from the United States!” he announced upon sitting down. “New York or Los Angeles?”

“Chicago,” I said. Now on my third week in Africa, I had learned this could not pass without some explanation. “It’s in the middle of the country.”

It was the kind of school field trip that seemed perfectly natural during the boom years of the late ’90s. My cohort of 15 high schoolers had traveled through South Africa, Mozambique and Swaziland. Namibia’s dusty capital, Windhoek, was our final stop — and on this, the second-to-last day of the trip, our group leader launched a last-ditch effort to get us to actually interact with African people, by offering the students of a local school seats on our bus for a lift across the city.

“Chicago.” William’s Adam’s apple rode up and down on the word. “I have heard of it, and I would like to go there. I’m nearly finished with my studies, and I’ll travel. I’ll do it when I have the money.”

Delivered as it was to a well-off American sitting in an air-conditioned bus, William’s comment felt pointed. But he kept it light after that. We spoke for a while about whether or not Chicago was colder than certain European cities. Straying from the foreign-language-textbook dullness of the conversation, I noted how the muscles and tendons in William’s arms differentiated themselves as he moved his hands.

“And you,” he asked. “What are you traveling for?”

It was a good question. While the tour had some vaguely defined educational goals about international understanding, these lavish receptions undermined anything but the shallowest impulses to travel. We wanted adventure, extra stamps in our passports, to be somewhere our classmates hadn’t been. I wanted all of this as much as anyone — but more than that, I was just happy to be in places where I didn’t seem like a fag.

—-

I found it difficult to believe that I was gay. This itself is pretty difficult to believe, in retrospect. My dossier included all the stereotypes: a secret love of show tunes, zero athletic ability and even a drag turn as a baroness in a fourth-grade German play. More to the point, there was the matter of my sexual desires. As young as 9, I found myself looking thirstily at the illustrated men’s underwear ads Marshall Field’s ran in the front section of the Chicago Tribune. That tendency didn’t abate with age, and had increased by what was to me a frightening order of magnitude by the time I reached high school.

But I was a good kid, a high achiever, judicious and careful. I couldn’t imagine I was something as out there as a homosexual. I grew up in a relatively accepting community and I didn’t fear being outcast or disowned; I just didn’t want to disappear into the unexplored country of gayness, with its strange language and shadowy customs.

Sometimes I thought that my desires were simply a phase, a stop on the way to normalcy. Sometimes I thought I could correct myself by weaning myself off thoughts of boys and towards girls. And sometimes, most of the time, I just hoped against hope it would disappear and I would just be normal.

Around the time I started high school, my father had on his nightstand a novel called “The Man Without Qualities.” Although the book was unreadably long with a title that practically advertised boringness, the phrase stuck with me. It was the state to which I aspired.

This self-erasing impulse is what led me to Africa. The winter of my junior year of high school, my friend Natalie had found out about the trip, and I took to the idea immediately. Africa seemed like the perfect place to be the nonindividual I wanted to be: a place so foreign, with people so different, that I would become just some American, a traveler. My gayness would be bleached out by the sub-Saharan sun.

Over the trip’s three weeks, I was the man without qualities, as I imagined him. In Soweto I refused to giggle with everyone else at the condoms available for free in every restaurant bathroom; on safari I stayed as silent and watchful as a meerkat while my cohorts laughed and whispered around me; walking on a smoky hill in Swaziland, I asked our guide dry questions about the tiny country’s monarch.

From bustling, run-down Maputo to the windswept veldt, it was gratifyingly easy to lose my personality once I was out of my milieu. (Chalk it up to naïveté that I never noticed how firmly planted in my milieu I remained, my group’s American privilege being a moveable feast that glided through southern Africa in chartered buses and prop planes.) By the time we rolled into Windhoek, no one had ever been happier to be a cipher. I had no desires, only observations about the landscape, and my little identity problem was the furthest thing from my mind. After our conversation had died, William and I rode in silence through Windhoek, past empty, sandy parks dotted with scrubby palms. In the stillness, my heart was still racing for a reason I couldn’t identify.

—-

And then William identified it for me. He grabbed my leg hard, just above the knee.

“I’m not like other boys,” he said in a tone without any helium. There was no need for him to speak — I got his meaning when he touched me and, without meaning to, I leaned in against him hard. But nearly as soon as he had spoken, I was ready with a denial.

“I am,” I said reflexively. “I am like other boys. But that’s OK with me. I mean, it’s OK that you’re not.”

William looked at me, slightly surprised. “That’s good. That’s nice. People here aren’t like you, with even normal boys being OK with — boys like me.”

I smiled to show him there were no hard feelings, I just wasn’t that way. “What’s it like in Windhoek? I mean, to be gay,” I whispered with as much matter-of-factness as I could muster.

“Not very good. There is a youth center, but people found out and started throwing bricks through the window, so we meet in secret now.”

“That’s awful,” I said. But if my voice betrayed any concern, it was purely for myself. I already had the last minutes on instant replay. Had William fingered me as the trip’s sole homosexual immediately upon entering the bus, or had that just become clear upon talking to me?

“My parents do not know, my friends don’t.” Neither did mine. “I could never tell them. This is why I need to go to America.”

“It’s better there,” I said stupidly, and turned towards the window. All the progress I had made out here was imaginary. Culture, geography, school bus, chartered bus, none of it made any difference: Even teenagers the world over could tell what a fag I was, which meant I really was one.

My speeding heart didn’t slow after William took his hand off my leg, or even after he left the bus. He was still a threat: In the evening we’d be visiting William’s school, for a barbecue in our honor. I wished as hard as I could that William wouldn’t be there. I didn’t want to talk any more about how he was gay, didn’t want anyone to see me with him.

But when night came and he didn’t show up at the barbecue, I wasn’t relieved. I was disappointed — and finally, my shame reached me. Not shame that I was gay, but something worse: Someone braver than me, and in far more dire circumstances, had asked me for help — not even help, really, just a little fraternity — and I refused it outright. I had pushed him away just to hold on to my nonidentity.

Had he showed up at the barbecue, I could have made good and told him the truth about me. He would have been the first person I had come out to. I could have talked to him, or kissed him, or — well, it wasn’t a possibility anymore.

As the sun set on our farewell barbecue, I watched Kim, a young teacher who had come with us on the trip, flirt with an Angolan French teacher with solid arms. His hand lingered in hers when he handed her a beer. Soon, he was leaning over her with his hand on a wall, and she was moving in toward him.

It looked like something I wanted. Something I might someday deserve to have.

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Sam Biederman lives in Brooklyn. His writing has appeared in publications including N+1, Bookforum, and The Nation.

The Trump brothers’ grotesque hunting spree

The Trump sons go on safari -- and prey on the weak and helpless for fun. Sound familiar?

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The Trump brothers' grotesque hunting spreeDonald Trump, Jr. and Eric Trump (Credit: huntinglegends.com)

How arrogant and out of touch are Donald Trump’s sons? Let’s put it this way – this is a story in which their father comes off as the subtle, nuanced thinker.

It seems Donald Jr. and his brother Eric went to Africa on a hunting trip last year, and their tour company, Hunting Legends, decided recently to brag of the men’s prowess on their Web site, complete with graphic photos of the brothers and their kills. And here’s a shocker – there’s something about rich white men smiling with the carcasses of the African animals they’ve killed that a lot of people just don’t like.

The photographs are intense – images of the men proudly hoisting a dead leopard, smiling and holding a sawed off elephant’s tail next to the animal’s body, posing with a dead bull and waterbuck and an enormous, strung-up crocodile.

PeTA unsurprisingly jumped at the opportunity to get a little free press from the episode, sending out a statement that “Like all animals, elephants, buffalo and crocodiles deserve better than to be killed and hacked apart for two young millionaires’ grisly photo opportunity.” And even Donald Sr. told “Access Hollywood,” “I’ve never liked it (hunting). I’ve never liked that they like it… I’m going to talk to them about it. I’m not a fan of the whole situation.”

Yet the younger Trumps stand by their actions. In a joint statement, the brothers defended themselves, explaining, “We are both avid outdoorsmen and were brought up hunting and fishing with our Grandfather who taught us that nothing should ever be taken for granted or wasted. We have the utmost respect for nature and have always hunted in accordance with local laws and regulations. In addition, all meat was donated to local villagers who were incredibly grateful. We love traveling and being in the woods — at the end of the day, we are outdoorsmen at heart.”

Those of us who eat meat– and have respect for cultures where hunting is necessary for survival – understand that the cow that made your lunchtime burger didn’t peacefully stroll onto your plate. Most of us are deeply disconnected from the vivid reality of slaughter. The animals we eat had to die, and that means somebody had to kill them. So if the Trump brothers’ escapade put food on the table for the locals, is that such a bad thing?

In and of itself, it’s not. The Hunting Legends site, which says that “Africa is God’s country” and that “God doesn’t bless mediocrity, he blesses excellence,” would like to dispel the image that “To often we as hunters are critisized and referred to as killers.” [sic] Hunting Legends says its efforts instead play a role in conservation and wildlife population control. “We create jobs for local hungry people, we feed them,” the company says. It also, tellingly, explains that guests “hunt our old & mature male animals, which are beyond their prime productive time.”  But if you want to shoot an old leopard, it won’t come cheap – rates for the experience are around $750 a day and the leopard will run you seven grand. The company will decorously share the cost of an elephant or crocodile upon request.

But there is something wildly smug about the Trumps’ mention of how “grateful” the “villagers” were for their bounty – a sense that the poor natives were lucky those big strong millionaire’s sons came along to feed them. And their noblesse oblige doesn’t play so well when Trump Jr. retweets a fan’s sentiment that “Most of the people hating on you is because you are young, rich and successful. … rock on!”

There’s nothing wrong with feeding people, and wildlife conservation does, realistically, sometimes include population control. That’s a fact of life whether you’re in Zimbabwe or the Trump’s playground of Manhattan. But if you want to feed those locals, maybe you could just, I don’t know, let them do the hunting. And if you call yourself “avid outdoorsmen” when you’re really just picking off the weak in a theme park for geriatric mammals, you’re just pathetic.

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub.

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