Food
Way to go
My Japanese cooking teacher drills "the way" into my head. But on the night of a "chef battle," I surrender it to some pathetic pickles.
The Japanese speak of life as “the way.” “The way” is how you do something, and things properly done always lead to perfection. I have always loved cuisine, and on my recent long stay in Japan, I wanted to flex the Japanese “way” in the kitchen. So I was very excited to make the acquaintance of Fujimura-san, a 65-year-old woman who agreed to mentor me in traditional Japanese cooking.
At our first class, I boasted about the miso soup I had made on my own. She explained that miso broth with potatoes, carrots, mushrooms and tomatoes was American soup. Miso soup was miso soup.
Simple enough. Miso soup could be garnished with green onions and wheat crackers, kelp and tofu, or countless other combinations depending on the type of miso and the meal, but one could not throw just anything in the pot and call it miso soup. Dogma would direct me on my “way.”
I met Fujimura-san on lazy Friday afternoons, but the culinary intensity was always high-octane. First she taught me that the secret of soup lies in the broth. It was essential that my tongue and fingers grasp the effect of proportion on the entire meal. She drilled me, querying my taste buds over the addition of each ingredient. Even after the meal, when we would stretch out and gaze into the television, she would periodically dash to the refrigerator and pull out tiny snacks, still quizzing me on the composition of mystery sweets.
After I had studied eight months with Fujimura-san she endorsed my palate, and I threw smashing dinner parties. I was hot. I couldn’t speak Japanese, but in a sushi bar I could order the most obscure fish ovaries and crab brains. I knew the mythological lore behind countless modern Japanese culinary treats. But I didn’t remember to beware of knowledge.
The way is “doing,” not “knowing.” In Japan, Buddhism isn’t a religion; it is “the way of Buddha.” Calligraphy isn’t an art; it is “the way of the brush.” The final work is only a result of following the brush, so the “Zen” moment of execution is all-important.
One night my friends decided to have a “chef battle.” I shared the kitchen with Hide, a rare Japanese “house husband.” His wife was an editor for a major publishing company while he remained at home, preparing meals for his family. I respected his cooking and wanted to prove myself worthy of the same table.
Hide clearly required less effort to produce his food. He had years of practice. While I hurried to check my notes, Hide silently hummed and glided through his food. Bamboo rice, burdock omelets, radish pickles, miso soup with clams — he effortlessly churned out dish after dish.
My main dish was inari zushi (sweetened tofu filled with rice), which would make any occasion festive. However, my recipe was far from perfect and I made a mistake early in the sweetening process. I knew they were dry and would lack flavor, so my heart dropped and my head began to race. Panic!
I was improvising a tofu-stuffed pepper dish, but sought to prove my finesse and unnecessarily dressed the peppers with nira (Japanese chives) and negi (Japanese scallions). I then found some extra cucumbers in the refrigerator and made a quick pickle dish. The marinade was a sweet and spicy sesame flavor, quite strong. The pickles alone would have been a welcome complement to any meal, but I grated ginger as a superfluous topping, again intent on demonstrating my flavorful prowess.
My instinct wilted and my technique was deteriorating. I wanted to make a visual impression, so I added green mitsuba leaves to the green cucumbers — further muddying the taste and presentation.
In the end, everyone politely complimented all of the food, but I was crushed. I hadn’t lost to Hide, I had beaten myself. After the guests left, my cucumber pickles sat in a pathetic hump on the table, a few stuffed peppers wobbled on their tray, and my inari zushi had begun to weigh down the garbage bag. Hide’s plates, on the other hand, had been licked clean. Hide presented simple and perfectly executed dishes, while I got tangled in my skills and lost touch with the food. I skipped the “doing” and obsessively raced to the final result: death in the kitchen.
During the party one Japanese woman took me aside and told me the Americans might eat my inari zushi, but she knew better and couldn’t touch them. Nothing remained but to make my “way” to a tear-soaked box of tissues.
Rahsaan Maxwell works for an educational non-profit in New York City. He currently has an article in NewTraveler.com." More Rahsaan Maxwell.
The making of the term ‘pink slime’
A simple nickname that forever changed an entire industry
FILE - In this March 29, 2012 file photo, the beef product known as lean finely textured beef, or "pink slime," is displayed during a plant tour of Beef Products Inc. in South Sioux City, Neb., where the product is made. Gerald Zirnstein, the microbiologist who coined the term "pink slime," says it came to him in the spur of the moment as he was composing an email to a coworker at the U.S. Department of Agriculture a decade ago. Although it's been used as a filler for decades, the product became the center of controversy only after Zirnstein's vivid moniker for it was quoted in a 2009 New York Times article on the safety of meat processing methods. (AP Photo/Nati Harnik, File)(Credit: AP) NEW YORK (AP) — “Pink slime” was almost “pink paste” or “pink goo.”
The microbiologist who coined the term for lean finely textured beef ran through a few iterations in his head before pressing send on an email to a co-worker at the U.S. Department of Agriculture a decade ago. Then, the name hit him like heartburn after a juicy burger.
“It’s pink. It’s pasty. And it’s slimy looking. So I called it pink slime,” said Gerald Zirnstein, the former meat inspector at the USDA. “It resonates, doesn’t it?”
Continue Reading CloseDid slaves catch your seafood?
Thailand, a major source of fish imported to the US, depends on forced labor for its product
(Credit: Alena Brozova via Shutterstock) PREY VENG, Cambodia, and SAMUT SAKHON, Thailand — In the sun-baked flatlands of Cambodia, where dust stings the eyes and chokes the pores, there is a tiny clapboard house on cement stilts. It is home to three generations of runaway slaves.
The man of the house, Sokha, recently returned after nearly two years in captivity. His home is just as he left it: barren with a few dirty pillows passing for furniture. Slivers of daylight glow through cracks in the walls. The family’s most valuable possession, a sow, waddles and snorts beneath the elevated floorboards.
Horrors we hide
From slaughterhouses to sweatshops, modern society is constructed to let us ignore atrocities
Workers at a Seagate Wuxi factory in China (Credit: Robert Scoble / CC BY 2.0) Would Americans eat less meat, and would animals be treated more humanely, if slaughterhouses were made with glass walls and we all could see the monstrous killing apparatus at work? This is the query at the heart of Timothy Pachirat’s new book, “Every Twelve Seconds” — the title a reference to the typical slaughterhouse’s cattle-killing rate.
Continue Reading Close
David Sirota is a best-selling author of the new book "Back to Our Future: How the 1980s Explain the World We Live In Now." He hosts the morning show on AM760 in Colorado. E-mail him at ds@davidsirota.com, follow him on Twitter @davidsirota or visit his website at www.davidsirota.com. More David Sirota.
Lessons of a reluctant hunter
A transplant to Oregon teaches me about growing up in rural Mexico, killing iguanas and grilling chicken
Jazmin Rudin with her mother, Esperanza Jazmin is 27 years old and beautiful. She has the fierce, dark beauty of a Mexican Indian, but she’s tall, and when you see her move, you think Masai warrior or maybe ninja. And it’s true: She does have ninja skills. When I first met Jazmin, she’d just killed a pheasant. She was sitting on the deck talking with a friend when she spotted the bird at the edge of the yard, 20 feet away. She casually picked up a two-by-four and hurled it. The missile hit the pheasant in the head, a neat kill. Jazmin walked over and picked it up. “Dinner,” she said.
Continue Reading CloseFelisa Rogers studied history and nonfiction writing at the Evergreen State College and went on to teach writing to kids for five years. She lives in Oregon’s coast range, where she works as a freelance writer and editor. More Felisa Rogers.
Pink slime monster runs amok
The beef product processing industry is in a world of pain. Another scalp for social media?
The beef ingredient dubbed “pink slime.” (Credit: AP/Beef Products, Inc.) The battle over “pink slime” is getting messier. Blaming an “unfounded public outcry over the use of boneless lean beef trimmings” in the nation’s commercially sold ground beef supply, meat processor AFA Foods Inc. filed for Chapter 11 bankruptcy protection on Monday. Beef Products Inc. — the South Dakota-based meat titan that invented the pink slime manufacturing process — is also reeling, idling plants in multiple states. In response, Iowa Gov. Terry Branstad, a politician who hails from a state where there is a whole lot of boneless beef extrusion going on, called for a congressional investigation into the causes of the public uproar.
Continue Reading Close
Andrew Leonard is a staff writer at Salon. On Twitter, @koxinga21. More Andrew Leonard.
Page 1 of 238 in Food