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Tuesday, Jul 25, 2000 10:01 PM UTC2000-07-25T22:01:00Zl, M j, Y g:i A T

Eminem’s dirty secrets

He's now a notorious Detroit rapper who spits hate machine-gun style. His family, friends and the bully who beat him up in school remember someone different.

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He’s a white boy who sounds black, a fatherless child who hates his mother, a trailer-trash wunderkind who spent some of his first millions on a king-size crib across from a mobile-home park.

Freud would have a field day with Marshall Bruce Mathers III. Rapper extraordinaire, record-setting, multi-platinum recording artist, gay-hater, murder-fantasizer, rebel and creep: How did this onetime “Mork & Mindy” devotee become the venom-spitting hero of hip-hop?

First came the runty Marshall Mathers, a quiet, artistic kid bounced from school to school by his overprotective, slightly unhinged mother. Then came “M&M,” later Eminem, the silver-tongued outcast who forsook fitting in with his white suburban classmates to concentrate on breaking into Detroit’s overwhelmingly black rap scene. Finally, and most furiously, came Slim Shady, the vile, rhyme-sayin’, bitch-slayin’ MC out to even every score run up against his other selves.

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M.L. Elrick is a reporter for the Detroit Free Press. His work has appeared in the New York Times, Newsday and Chicago Magazine. He began listening to rap in the early 1980s, when the Electrifying Mojo ruled Detroit's airways.  More M.L. Elrick

Monday, Feb 13, 2012 4:13 PM UTC2012-02-13T16:13:00Zl, M j, Y g:i A T

Whitney Houston’s lessons in love

As a girl, the late diva's songs taught me about love. As an adult, she showed me about loss and pain

VIDEO
Whitney Houston at Wembley Stadium in 1988.

Whitney Houston at Wembley Stadium in 1988.  (Credit: Reuters)

In seventh grade I owned the cassette tape of “Whitney,” the second album by Whitney Houston, which was true of pretty much every 12-year-old female in America. I played the hell out of that tape. I used to spend afternoons in my bedroom, lip-syncing those songs to my bedroom wall, because that’s the kind of kid I was. Always longing for an imaginary audience. I did not want to be a writer back then, or the president of the United States. I wanted to be a pop star. And in 1987, there wasn’t any pop star more elegant or talented than Whitney Houston. Daughter of a gospel singer, niece of an R&B legend, smashingly beautiful — she was practically anointed by the gods for greatness.

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Sarah Hepola is an editor at Salon.  More Sarah Hepola

Sunday, Feb 12, 2012 1:54 PM UTC2012-02-12T13:54:00Zl, M j, Y g:i A T

A voice that touched us all

Like Michael Jackson, another icon lost to addiction and fame, Whitney was an awe-inspiring, genre-crossing pioneer

Obit Whitney Houston

Whitney Houston performs during the Billboard Awards at the MGM Grand in Las Vegas on Dec. 7, 1998.  (Credit: AP)

On Thursday night, Whitney Houston appeared at the Kelly Price & Friends Unplugged: For The Love of R&B pre-Grammys event. Amateur YouTube footage of the singer’s performance hinted at hysteria: Audience members screamed her name and flashbulbs exploded as she crooned the Christian hymn “Jesus Loves Me” in a sultry lower register as a duet with Price. The version of the song was gentle and tempered, although Houston’s beatific looks and animated gestures imbued it with quiet jubilance.

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Annie Zaleski is the managing editor of Alternative Press magazine.  More Annie Zaleski

Sunday, Feb 12, 2012 3:15 AM UTC2012-02-12T03:15:00Zl, M j, Y g:i A T

Whitney Houston dies at 48

A look back at the glorious career and biggest hits of the troubled pop diva

VIDEO
Singer Whitney Houston is shown during the Whitney Houston "I Look To You" CD Listening Party held at the Beverly Hilton Hotel on Thursday July 23, 2009 in Beverly Hills, California.

Singer Whitney Houston is shown during the Whitney Houston "I Look To You" CD Listening Party held at the Beverly Hilton Hotel on Thursday July 23, 2009 in Beverly Hills, California.

Before the tragic tabloid headlines, the “crack is wack” denials and the tumultuous marriage to Bobby Brown, pop/soul diva Whitney Houston towered over the music world in the mid-1980s and early ’90s.

Houston died Saturday in Beverly Hills, on the eve of the Grammy Awards. She was 48.

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Saturday, Feb 4, 2012 12:30 AM UTC2012-02-04T00:30:00Zl, M j, Y g:i A T

How Madonna liberated America

As the pop icon prepares to play the Super Bowl, a celebration of the way she changed sexual mores forever

madonna

When Madonna takes the stage at halftime of the Super Bowl this Sunday, she’ll be the first female solo performer to do so since Janet Jackson and Justin Timberlake played peek-a-boo in 2004. Ever since Nipplegate, Super Bowl programmers have avowedly played it safe, booking a string of hoary grown-man rockers such as Paul McCartney and The Boss, known quantities not prone to random disrobing.

By and large, the halftime show has become the live-performance equivalent of the Rock and Roll Hall of Fame, an honor bestowed long after an artist’s peak. So Madonna, once the baddest good girl or best bad girl in pop, is now safe prime-time fare? No shocker there. But even if Madonna hasn’t had a mega-hit since Justin Bieber was in diapers, that’s far from the point. Madge will be bringing two other fabulous Ms. M’s — Minaj and M.I.A. — onstage with her, which is exciting, but that’s not the point either.

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Sara Marcus Sara Marcus is the author of Girls to the Front: The True Story of the Riot Grrrl Revolution." Follow her on Twitter: @thesaramarcus.  More Sara Marcus

Thursday, Feb 2, 2012 9:40 PM UTC2012-02-02T21:40:00Zl, M j, Y g:i A T

Lana Del Rey and the new culture of failure

The controversial pop sensation is somehow more interesting for her spectacular flameouts than her music

Lana Del Ray

Lana Del Ray

Aside from the basic facts about Lana Del Rey — the most pertinent being that Del Rey is the stage name of Lizzy Grant, formerly a promising folk-pop singer with a so-so album under her own name and a millionaire father bankrolling her career — music writers can’t seem to agree on anything at all. She’s too fake or just fake enough. She’s too detached or just detached enough. She can’t sing or she’s a gifted singer. Some reviewers have called her new debut full-length, “Born to Die,” “the album equivalent of a faked orgasm,” and others have deemed it “not just irritating but almost morally objectionable.” Others have praised “her preoccupation with Hollywood archetypes of American femininity” and called it “close to pop perfection.”

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