The New York Times
“Fame at Last” by John C. Ball and Jill Jonnes
A lethally serious book tells who scores a New York Times obituary and why.
It’s scarily easy to imagine that in the future, like next spring, universities will establish “fame studies” departments. Sober, scientific, statistical work will be done, in which academics will create microcategorized and further specialized subfields. They will deliver dry papers delineating the complex shifts of public opinion toward Pamela Anderson. They will construct Matchbox 20 tour date bar graphs. They will delineate into topological patterns the American perception of Casper Van Dien.
And here is the first fame studies textbook: “Fame at Last: Who Was Who According to the New York Times Obituaries” by John C. Ball and Jill Jonnes. This oddly serious, pseudo-sociological study of success and fame forebodes an awful future in which we have taken our notions of success and fame way too seriously, making them appear permanent and fundamental, worthy of uncritical, boring study, like air or anatomy.
“Fame at Last” bills itself as “the first book to look at success, fame and accomplishment in America through a detailed analysis of almost 10,000 obituaries.” Ball, a sociology professor, and Jonnes, a historian, have compiled a database of Times obituaries from 1993 to 1999. They’ve ferreted out pertinent information on each individual (race, sex, religion, education, occupation) and grouped their achievers into chapters — pioneering women, millionaires, inventors, actors and entertainment industry professionals, criminals and “free spirits,” among others. The book is filled with tables — most common occupations, education level, etc. — meant somehow to nail down how exactly one wins a spot in the Times obituary section, which the authors take as an unquestioned constant of success and fame.
Most important, Ball and Jonnes include tables in each chapter called the “Apex of Fame” that list individuals in their field with the longest, and therefore most successful, obituaries, culminating in an Overall Apex of Fame — those individuals of the world with the longest obituaries in inches. Richard Nixon tops the list with an obit length of 510 inches, followed by Frank Sinatra at 236 and Jackie Onassis at 210.
The wittiness of the title and playfulness of the book’s cartoonish cover are nowhere to be found within its pages. Ball and Jonnes, armed with a faithful reverence for the Times’ system, do not cheekily poke fun, examine the history of obituaries or shed light on the power structures that might reveal what’s behind the Times’ selections. Nor do they even consider the nature of our desperate fascination with fame. Instead, the chapters are filled with thumbprint obituaries and portraits of prominent people, like Rell Sunn, the first female surfer, or astrologer Linda Goodman, who descended into homelessness after the publication of her first bestselling book. Though they are interesting, these excerpted obits give off a kind of cheap VH1 effect. Like that television network’s slew of “top 100 greatest songs” specials, the chapters pretend to have substance when they are simply edited highlights of pre-written lives.
The authors’ studies elicited a few notable tidbits. It turns out that criminals have the second-largest obituaries, behind members of Congress, and that philanthropists are the only category in which the number of male and female achievers is equal. But for the most part the information remains as predictable as you’d expect from an unchallenged institution like the Times: Men predominate, minorities are marginalized, the rich are prevalent. The authors seem surprised that privilege and position are factors in determining a person’s likelihood of scoring a Times obituary. “The aggregate pattern shows the incredible advantage of the elite education,” reads a comment on the findings of the education table, as if we’re being offered a suggestion about how to die successfully.
Opinionless about the engine of fame, Ball and Jonnes fill the chapters with inane, broad statements that remind you of those bland high school social studies books with titles like “The American Tapestry”: “For writers, success can take two forms. They can be critically successful … or they can be popular successes … Sometimes important books are also popular successes.” “Inventors are incredibly creative people who are constantly driven to design new and useful products.” “If higher education is important to one’s development as an actor, it is not obvious.”
We learn about some oddly captivating people — Robert Switzer, inventor of Day-Glo, or Suzanne Railey, socialite and professional dinner party hostess for Christies — but their individual stories seem almost beside the point. “Fame at Last” shows nothing so much as that we have now entered the strangest phase of all: Fame has become boring. We already knew that fame was just another business; we read Variety and listen to Mary Hart measure success by box-office status. But November 2000 marks the moment in which fame became a completely, gaspingly dull nonsubject, one that could easily inspire students to doze off in lecture halls across the nation.
Mike Albo is a solo performer and writer who lives in Brooklyn. His first novel, "Hornito: My Lie Life," will be published in October by HarperCollins. More Mike Albo.
We don’t need truth vigilantes
But we do need good political reporting, and the media's rote repetition of Santorum's JFK lies fell short
Rick Santorum and John F. Kennedy (Credit: AP/Wikipedia) New York Times public editor Arthur Brisbane got a lot of grief last month for a blog post in which he asked readers whether the Times ought to be “a truth vigilante.” I didn’t join the pile-on, because truth be told, I kind of understood what he was getting at. Sure, “truth vigilante” is a shrill, easily mocked term: It doesn’t take “vigilantism” to get at the truth, only good reporting. But there can be questions for editors and reporters about how far is too far – what’s good reporting, and what’s hectoring? What’s debunking, and what’s partisan water-carrying? (Also, I don’t like the practice of mocking people for asking questions, even when we think the answer should be obvious. Better that Brisbane ask than to ignore the issue entirely.) I can understand why some cases aren’t clear.
Continue Reading CloseJoan Walsh is Salon's editor at large. More Joan Walsh.
Anthony Shadid, the best of his generation
The NYT reporter, acclaimed for his unparalleled coverage of the Middle East, died in Syria on Thursday
Anthony Shadid, winner of the 2010 Pulitzer Prize for International Reporting with The Washington Post (Credit: AP) WARSAW, Poland — I woke up this morning to the news that Anthony Shadid has died — apparently of an asthma attack — while on assignment in Syria. Whether you knew his byline or not, the loss is incalculable.
I can speak in absolutes about the quality of his work. No one reported the Middle East with greater clarity and nuance than Shadid. No one brought the humanity of the people of the region, people who live in a perpetual state of stress even when they are living in the comparative comfort of Beirut and Tel Aviv, to the wider world with a surer touch than Anthony.
Continue Reading CloseWhat David Brooks gets right about the left
Relying on a mic check to make strategy is a big mistake
David Brooks, philosophe As he often does, in his column Friday New York Times columnist David Brooks offered what looks like a “nonpartisan” analysis. Social movements, he warned, are suffering because everyone thinks they should make up their own belief system. Unless you’re Nietzsche, Brooks advises, this is a guarantee of failure. Every man is not a political genius.
It’s not a hard task to figure out whom Brooks is really criticizing: Occupy Wall Street. But it’s not alone. The democratization of ideology is vastly more tempting to the self-inventing liberal left than to the authoritarian right. Nobody does emotionally consistent talking points like the conservative right. Nobody does “whatever floats your boat” like the liberal left. The belief that every man is a philosopher makes progressives vastly more vulnerable to the destructive dynamic Brooks describes. It is an irony Brooks would appreciate that the left acts more like the right believes (and vice versa).
Continue Reading CloseLinda Hirshman is the author of “Victory: The Triumphant Gay Revolution,” forthcoming in June 2012. Follow her on Twitter @LindaHirshman1 More Linda Hirshman.
The “education crisis” myth
Ignore the media spin. Wages and working conditions -- not skills -- are the real reasons jobs get outsourced
A production line in Suzhou Etron Electronics Co. Ltd's factory in Suzhou, China on June 8, 2010 (Credit: Reuters) Has the term “education” become a code word? And if so, a code word for what?
These are the major unasked — but resoundingly answered — questions to emerge from two much-discussed articles about the future of American manufacturing. One is a cover story in the Atlantic Monthly about why jobs are being shipped overseas. It concludes that “to solve all the problems that keep people from acquiring skills would require tackling the toughest issues our country faces” — the first of those being “a broken educational system.” The second and even more talked about article comes from the New York Times. It looked at why Apple Computer has moved its production facilities overseas, concluding in sensationalistic fashion that “it isn’t just that workers are cheaper abroad” but that America “has stopped training enough people in the mid-level skills that factories need.”
Continue Reading Close
David Sirota is a best-selling author of the new book "Back to Our Future: How the 1980s Explain the World We Live In Now." He hosts the morning show on AM760 in Colorado. E-mail him at ds@davidsirota.com, follow him on Twitter @davidsirota or visit his website at www.davidsirota.com. More David Sirota.
Newspapers, “truth vigilantes” no more
The NYT's fact-checking question was absurd, but the real problem is that the press has lost its credibility
(Credit: Library of Congress/U.S. Farm Security Administration) Time was when newspaper journalists prided themselves on being working stiffs: skeptical, cynical and worldly-wise. “If your mother says she loves you, check it out.” I’ve always preferred the unofficial motto of my native New Jersey: “Oh yeah, who says?”
Fact-check politicians? Here’s how H.L. Mencken saw things in 1924: “If any genuinely honest and altruistic politician had come to the surface in my time I’d have heard of him, for I have always frequented newspaper offices, and in a newspaper office the news of such a marvel would cause a dreadful tumult.”
Continue Reading CloseArkansas Times columnist Gene Lyons is a National Magazine Award winner and co-author of "The Hunting of the President" (St. Martin's Press, 2000). You can e-mail Lyons at eugenelyons2@yahoo.com. More Gene Lyons.
Page 1 of 70 in The New York Times
