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Monday, Jan 8, 2001 5:42 PM UTC2001-01-08T17:42:00Zl, M j, Y g:i A T

Information poisoning

The author of "The Alienist" says we should stop treating the Internet like print and start regulating it.

Information poisoning
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Any author striking out in a new direction following one or more successes in a given genre can expect to face the question, “What made you decide to try this?” And having elected, after writing two historical novels that were received by the public with the kind of enthusiasm that is, to say the least, humbling, to turn my sights on speculative fiction — specifically, on a novel set a quarter of a century in the future — I expected to hear that question. What I have been unprepared for is the underlying anger that has sometimes tinged it. It has not so much been a case of “Why did you do this?” as “What the hell is your problem?” After much thought, I believe I may understand where this feeling is coming from.

“Killing Time,” my latest book, has been repeatedly described as “dystopian,” a word I confess I don’t quite understand; but it cannot be denied that the novel paints a rather harsh picture of the immediate future, and specifically of the nature and possible long-term effects of the triumph of information technology. It is my belief, for which I offer no apology, that most of that technology is making people dumber: It is teaching them how to assemble massive amounts of information, of arcane minutia, without simultaneously teaching them how to assemble those bits of information into integrated bodies of knowledge — such integration being the only function that distinguishes the human brain from a mechanical computer.

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Caleb Carr is the author of three novels, including "The Alienist" and, most recently, "Killing Time."  More Caleb Carr

Tuesday, Feb 7, 2012 7:00 PM UTC2012-02-07T19:00:00Zl, M j, Y g:i A T

Salon readers: Tell us your love woes

Next week, our Valentine's Day experts will prescribe classic literature for your problems. Here's how to submit

Authors Jack Murnighan and Maura Kelly.

Authors Jack Murnighan and Maura Kelly.

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Love woes are timeless — so why not look to literature’s most lasting works for advice on how to deal with them?

In their new book, “Much Ado About Loving,” authors Maura Kelly and Jack Murnighan do just that. Next week, in honor of Valentine’s Day, we’re bringing their expertise — and the innumerable literary examples at their fingertips — to you.

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Monday, Feb 6, 2012 9:00 PM UTC2012-02-06T21:00:00Zl, M j, Y g:i A T

Charles Dickens and the Facebook generation

As Dickens turns 200, a novelist reads him for the first time, and laments that peers have become so self-obsessed

dickens200

 (Credit: Wikipedia/iStockphoto)

On Feb. 7, 1812, Portsmouth, England, received Charles John Huffam Dickens — a pomegranate-colored, squealing, slick-haired baby boy. Portsmouth is (and was) a teeming small city. In 1812 it was a major port for the British Royal Navy. Today, it has a higher population density than London.

Dickens was born at No. 13 Mile End Terrace, Landport. His mother, of course, had no anesthetic. He was named, in part, for Christopher Huffam, an oar-maker in London — now perhaps the most famous oar-maker of all time.

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Pauls Toutonghi is the author of the novels "Red Weather" and "Evel Knievel Days," which will be published in July by Random House/Crown.  More Pauls Toutonghi

Monday, Feb 6, 2012 3:00 AM UTC2012-02-06T03:00:00Zl, M j, Y g:i A T

“Behind the Beautiful Forevers”: Real-life Indian epic

A legendary journalist's first book tells of lives, loves and quarrels in a Mumbai shantytown

Katherine Boo

Katherine Boo

There are cult filmmakers and cult novelists, but Katherine Boo may be the world’s only cult journalist. Although a recipient of the Pulitzer Prize and a MacArthur Fellowship, she’s not a marquee name in her profession. Yet those discerning readers who have latched onto her work — particularly her articles for the New Yorker — are obsessed with it. (The TV and movie producer J.J. Abrams, of all people, once interrupted an interview to rhapsodize for 10 minutes about Boo. “Do you know her?” he asked reverently.) And now, at last, Boo has published her first book.

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Laura Miller

Laura Miller is a senior writer for Salon. She is the author of "The Magician's Book: A Skeptic's Adventures in Narnia" and has a Web site, magiciansbook.comMore Laura Miller

Sunday, Feb 5, 2012 7:00 PM UTC2012-02-05T19:00:00Zl, M j, Y g:i A T

Robert Harris’ sci-fi thriller, ripped from the business headlines

A hedge fund's efforts to generate huge profits backfires in Robert Harris' "The Fear Index." Wait, this is fiction

Robert Harris

 (Credit: Dr. Jost Hindersmann)

Most thrillers do not send me hustling off to Wikipedia for a refresher course in the Stoic philosophy of the first century A.D. Greek sage Epictetus. But that’s where I found myself before commencing this review of “The Fear Index,” by Robert Harris. I wanted to be sure I was properly grounded before straying into treacherous territory: the nature of being in our phantasmagorical high-finance, high-tech era.

I certainly had no time to brush up while actually reading the novel. “The Fear Index” is a perfect exemplar of the species “taut thriller.” It’s a book whose pages cannot be turned fast enough; a mystery with just a dash of science fiction and plot twists ripped from the business news headlines of the past year. Beware taking this book to bed with you, because you will stay up too late. (And your dreams will be queasy.)

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Andrew Leonard

Andrew Leonard is a staff writer at Salon. On Twitter, @koxinga21.  More Andrew Leonard

Sunday, Feb 5, 2012 2:00 PM UTC2012-02-05T14:00:00Zl, M j, Y g:i A T

A comic take on torture

A new graphic novel depicts a hapless fashionista who gets accused of funding terrorism

FromMemoirsEnemy_AF

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This article appears courtesy of The Barnes & Noble Review.

In this funny, sometimes sobering tale of the American Dream gone wrong, Boyet Hernandez, a fey-but-straight Filipino fashionista, arrives in the U.S. in 2002 to set his sights on the fashion world. He’s got a fresh degree from FIM, the Fashion Institute of Makati, a sewing machine, and a small stipend from his parents back home. Possessing only the proverbial dollar and a dream, he’s determined to hang his own clothing line on the gilded runway. But due to a combination of naiveté and blind ambition, Hernandez, who was raised Catholic, has the misfortune to accept funding from the wrong patron: the flamboyant and charismatic Ahmed Qureshi — an “angel” investor with some sartorial sense, mysterious millions, and a rather-too-vague global business.

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Tess Taylor is a New York writer working on a book of short stories.  More Tess Taylor

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