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Wednesday, Dec 5, 2001 7:30 PM UTC2001-12-05T19:30:00Zl, M j, Y g:i A T

The strange saga of Yahoo and WebRing

The sad tale of a hip little software program for linking Web sites together that was swallowed by by a once-hip behemoth -- then crashed and burned.

The strange saga of Yahoo and WebRing
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It was a day known forever after as “Black Tuesday” or “The Day the Rings Died.” On Sept. 5, 2000, the day Yahoo assimilated WebRing, the “ringmasters” responsible for tending the chains of Web sites linked together by WebRing software fumed with pitched fury.

Protest sites sprang up proclaiming the outrage of webmasters who saw themselves losing control to an all-devouring corporate overlord. On one especially melodramatic site, Edvard Munch’s “Scream” wailed next to this lament: “The toll has been terrific. Rings are dead or dying everywhere … Yet, we are victims and it’s time that someone hears our Screams.” Another site blared the theme music to “Mission Impossible” while displaying an image of a skull in a top hat with the logo of the new master.

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Katharine Mieszkowski is a senior writer for Salon.  More Katharine Mieszkowski

Friday, Jan 6, 2012 1:00 AM UTC2012-01-06T01:00:00Zl, M j, Y g:i A T

Can a 26-year-old MBA become a gardener? Is that cool?

I've got a BFA too, and I've run a nonprofit, but I want to do what makes me happy

Cary Tennis

 (Credit: Zach Trenholm/Salon)

Dear Reader,

After writing yesterday’s column,  and before heading out to watch “Tinker Tailor Soldier Spy” at the Sundance Kabuki (and before trying to figure it out), I saw a Dec. 12 “Vanguard” piece on Current TV about Occupy Wall Street in which correspondent Christof Putzel moves into Zuccotti Park. I was quite moved by a sequence  about Fetzer Mills, a retired Naval officer from a small town in Lauderdale County near Memphis, Tenn. It brought home the economic devastation that many people are experiencing firsthand.

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Cary Tennis


Cary Tennis is Salon's advice columnist. His latest book is "Citizens of the Dream: Advice on Writing, Painting, Playing, Acting and Being." He leads writing workshops and creative getaways, and occasionally tweets and bellows as @carytennis on Twitter.

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Friday, Nov 18, 2011 5:30 PM UTC2011-11-18T17:30:00Zl, M j, Y g:i A T

Stop the remakes!

NBC's new "Munsters" reboot spells the end of civilization -- or at least the death of all original ideas

The Munsters

The Munsters  (Credit: IMDB)

Should you have ever believed that there couldn’t possibly be any more entertainment barrel yet to be scraped, remember this: NBC has just approved a pilot for a remake of “The Munsters.” Yes, the sitcom about a wacky monster family, a show that has been off the air since 1966, is returning at last. Naturally, this new version will “have a darker and less campy feel” than the Vietnam War-era original. Well, that makes it sound awesome. And NBC is the network that put “Community” on ice while giving “Whitney” a pickup — so I, the viewer, trust its taste implicitly!

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedubMore Mary Elizabeth Williams

Wednesday, Sep 28, 2011 10:30 PM UTC2011-09-28T22:30:00Zl, M j, Y g:i A T

An interview with the dean of “Community”

Dan Harmon, the hit sitcom's creator, talks to Salon about comedy, agony, paintball, "The Simpsons" and "Glee"

"Community" creator Dan Harmon (l) and castmembers Alison Brie and Danny Pudi

"Community" creator Dan Harmon (l) and castmembers Alison Brie and Danny Pudi (Credit: AP/Matt Sayles, NBC)

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NBC’s “Community” (Thursdays, 8 p.m./7 Central) is one of the most deceptively light shows on network television — a seeming spoof of pop culture and pop obsessives that’s as densely imagined as the world of “The Simpsons,” and that has a lot more on its mind than movie and TV quotes and self-referential devices. 

Last week I interviewed the show’s creator, Dan Harmon. Our wide-ranging conversation covered many of the expected areas: his sense of humor, his influences, behind-the-scenes production anecdotes, and hints of episodes to come. But it also delved into more elusive and heady issues: the role of pain and humiliation in comedy; the question of how self-referential a show can get without destroying our ability to sympathize with its characters; and the influence of “The Simpsons” and — yes, really — “Gilligan’s Island” on “Community.” It’s also the only interview I’ve ever done with a TV showrunner who casually dropped the word “vestigial.”

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Matt Zoller Seitz

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Friday, Jul 15, 2011 5:16 PM UTC2011-07-15T17:16:00Zl, M j, Y g:i A T

Alison Brie: Buttoned-up sex bomb

Why the "Community" star is television's baddest good girl

Alison Brie

Actress Alison Brie attends a special screening of "The Decision", a short film promoting the John Frieda Precision Foam Colour hair product at LAVO on Tuesday, March 22, 2011 in New York. (AP Photo/Evan Agostini) (Credit: Evan Agostini)

She didn’t snag an Emmy nomination Thursday — despite being in the cast of both a beloved comedy and a critically acclaimed drama series. But “Community” and “Mad Men’s” Alison Brie is nonetheless having a swell week. 

First, a clip of her doing a rocking karaoke duet of “Total Eclipse of the Heart”  last month with Emily Blunt in Ann Arbor, Mich., went viral, proving her adorable shamelessness knows no bounds. Then GQ answered America’s prayers and served up a black lingerie-clad Brie getting spanked with the business end of a hairbrush by her “Community” costar Gillian Jacobs.  Take that, Betty White. 

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedubMore Mary Elizabeth Williams

Tuesday, Jun 21, 2011 8:22 PM UTC2011-06-21T20:22:00Zl, M j, Y g:i A T

Betty White clones herself for the AARP

An army of "Golden Girls"? We'll take two

Betty White for the AARP

Betty White for the AARP

Betty White is like the James Franco of older women. At first everyone jumped aboard her popularity train, and then as she became ubiquitous in our pop culture, the backlash began. (Although, unlike Franco, no one can be too mean to White; instead they blamed the media gigs that keep employing her, like “Saturday Night Live” and “Community.”)

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrewMore Drew Grant

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