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Andrew Nelson

Monday, Apr 29, 2002 8:00 PM UTC2002-04-29T20:00:00Zl, M j, Y g:i A T

The Holiday Inn sign

Exploding with color, optimism and razzle-dazzle, the now-extinct Holiday Inn "Great Sign" was a true design landmark of the American century.

The Holiday Inn sign

The American South likes to sequester its vice, tucking away temptation on barge-casinos or inside the lap-dance palaces out on the strip leading to the airport. As for roadside attractions, there’s nothing that gets the blood racing like a motor court on the other side of the state line. As a Tennessee debutante of my acquaintance once explained, “Mississippi motels are where Memphis goes to sin.” Could anything be more wicked than Magic Fingers and rates by the hour?

Apparently not in the Bible Belt. Yet it was a Memphis company named Holiday Inn that became a global brand by polishing the roadside hostel’s image as a place where one got a good night’s sleep and not a right good rogering. The company’s mission was embodied by its “Great Sign,” a glowing, exploding supernova of light and neon built to draw drivers off the highway and into its rooms while spelling out the purity of both its ideals and its bed sheets.

“Holiday Inn’s sign was a prop in a play,” says Andrew Wood, professor of communication studies at San Jose State University and an authority on motel history. “It communicated the playfulness, fantasy and optimism of the American roadside. And it meant safety for the [traveling] middle class.”

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Monday, Aug 1, 2005 11:29 PM UTC2005-08-01T23:29:00Zl, M j, Y g:i A T

Showdown in Marfa

It's high noon in far West Texas, where a shootout looms for the soul of one of America's last unspoiled towns. But these aren't typical gunslingers. Some of them wear Prada.

Showdown in Marfa
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The light of the West Texas sky streams through big plate-glass windows and illuminates Jason Willaford and his wife, Rea, sipping freshly ground coffee in the Marfa Book Co. The slim and attractive couple, who met in Los Angeles, moved to Marfa last summer to open Galleri Urbane, a boutique specializing, like so much of the town, in contemporary art. So far, their experience has been wonderful. “Marfa’s a lot more sophisticated than most places,” Willaford says. “When someone here sets out to do something, they do it nice. That’s why people like it here — no Wal-Marts.”

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  More Stephanie Corley

Thursday, May 15, 2003 7:21 PM UTC2003-05-15T19:21:00Zl, M j, Y g:i A T

Democrats stage a Lone Star revolt

As former Houston bug man Tom DeLay and the Texas Republicans use nasty tricks to consolidate their power, the Democrats are fighting fire with fire.

Democrats stage a Lone Star revolt

As U.S. Special Forces scour Iraq for Baath Party poohbahs, Lone Star State Republicans are gunning for their own political outlaws. They’ve even published a card deck illustrated with the portraits of the evildoers.

Their quarry? Fugitive Democratic legislators, without whom the Republicans can’t rule Texas. The Dems are on the lam in order to derail a congressional redistricting plan widely credited to U.S. House Majority Leader Tom “The Hammer” DeLay, the former Houston exterminator who’s now one of the most powerful and relentless politicians in Washington.

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Tuesday, Apr 8, 2003 8:45 AM UTC2003-04-08T08:45:00Zl, M j, Y g:i A T

Home Front: Life during wartime

In the Republican ranch lands of West Texas, the peace movement keeps a silent vigil.

Home Front: Life during wartime

Alpine, Texas, population 5,786, is a two-and-a-half-hour drive to the nearest frappuccino, and support for the president and the troops is strong. Texans make up 18 percent of the U.S. Army, so many residents have family and friends in the military. On Holland Avenue, Alpine’s main street, a huge American flag has replaced the Lone Star State banner at Pam and Ken Clouse’s Cowboys ‘n Cadillacs gift emporium. Jan Smith, who records the conversations heard at her quilting club for the weekly “Alpine Avalanche”, concluded her March 27 column by asking God to “bless America and those who protect her.”

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Tuesday, Nov 20, 2001 8:00 PM UTC2001-11-20T20:00:00Zl, M j, Y g:i A T

Wilma Mankiller

The first female chief of the Cherokee Nation, she took tragedy and illness and made strength. And don't even ask where she got her name.

Wilma Mankiller

San Francisco transformed many people living there during the 1960s. Its shabby, lunch-pail-toting neighborhoods became crucibles for a society recasting its values. The fire eventually caught a shy housewife and mother in her 20s named Mrs. Hugo Olaya and alchemized her into Wilma Pearl Mankiller, a symbol of both feminism and Native American self-determination.

In 1985 Mankiller, now 57, became the first female chief of the Cherokee Nation, the 220,000-member Native American tribe based in Tahlequah, Okla., to which she belongs. She did it not only by overcoming the usual barriers set against Native Americans, but also by vaulting the chauvinistic hurdles imposed by her fellow Cherokees, who had never been led by a woman.

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Thursday, Oct 11, 2001 7:00 PM UTC2001-10-11T19:00:00Zl, M j, Y g:i A T

Dread comes to Pottery Barn

As officials tell us to expect more terrorism, the nation's yuppies prepare.

Dread comes to Pottery Barn
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South of San Francisco’s Market Street, in a loft building pockmarked with the empty offices of dead dot-com companies, six professionals cluster around a conference table. They’re young, stylish, urbane and, now, afraid.

Since Sept. 11, many Americans are spinning scenarios formerly left to airport-lounge novels and pyromaniacal film directors: collapsed bridges, cities in chaos, families overcome in the street by terrible and silent plague. Fears of terrorist reprisals have only grown since Sunday, when the United States and Britain began bombing Afghanistan and health officials uncovered a second case of anthrax in Lantana, Fla. For former masters and mistresses of the American universe, the news over the last month has been profoundly unsettling. Dread has come to Pottery Barn.

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