The New York Times

The war against movie critics

So the editor of Variety thinks film criticism is pointless elitism. Does he speak for the moviegoing public -- or the Hollywood studio execs and corporate media bigshots who'd like to ditch the critics?

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The war against movie critics

Sometimes I think the day-to-day lives of most movie critics could be summed up by a line Amy Madigan speaks in “Streets of Fire”: “Everywhere I go, there’s always an asshole.”

The winner of that distinction this week is Peter Bart, editor in chief of Daily Variety, who, in the Jan. 6 edition of that Hollywood trade publication, published a remarkably misinformed little screed targeted at film critics. Regarding the year-end 10-best lists that most critics have just published, Bart asks, “How could anyone conjure up such a mixed bag of cinematic effluvia?” He goes on to identify three schools of critics.

First, there’s the “pop culture is yucky” school, meaning critics who reflexively reject any movie that has found mass acceptance. Most critics file their reviews before movies open and therefore don’t know whether a film will be commercially successful or not, a detail Bart neglects to address. Second is the “obscurantist” school, critics who protect their air of authority by only praising obscure movies no one else has seen. Third, there’s the “I admit to brain damage school.” Apparently this is the category I fall into, since I fit Bart’s criterion for brain damage: I praised Brian De Palma’s “Femme Fatale.” But since Bart admitted that the Guy Ritchie/Madonna “Swept Away” would have been on his own 10-best list, I don’t think I’ll be getting that CAT scan anytime soon.

The categories may be new but the arguments are the same tired horseshit dragged out every time some blowhard feels the need to condemn movie critics. Big bad Bart huffs and he puffs, but he can’t come up with anything more original than the idea that critics are elitist by nature, snobs who can’t stomach anything popular, who will only praise the most esoteric, unheard-of movies, and who bear such a heavy workload that their judgments cannot be trusted.

It’s the second school, the “obscurantists,” who particularly get under Bart’s skin. Two of the New York Times’ movie critics, Elvis Mitchell and Dave Kehr, come in for his special ire for including “Warm Water Under a Red Bridge” (Mitchell and Kehr) and “Morvern Callar” (Mitchell) on their 10-best list. These choices, obscurities according to Bart, are a defense against a “civilian” challenging their opinion. “There’s no way to contradict a critic if his favorites were shown only at the Ouagadougou Film Festival.” Bart doesn’t bother to mention that Mitchell, Kehr and their Times colleagues A.O. Scott and Stephen Holden also list such “outré” choices as “Chicago,” “Catch Me If You Can,” “About Schmidt,” “Adaptation” and “Gangs of New York.” (In the interest of full disclosure, I should say that I know all four of these critics, and Mitchell and Scott are good friends.) But facts, as we shall see, are inconvenient things to Peter Bart.

The best way to judge the alleged obscurity of both “Warm Water Under a Red Bridge” and “Morvern Callar” is to simply list the facts. In 2001, “Warm Water” played at the Cannes Film Festival, as well as the Toronto, New York, Chicago, and Palm Springs film festivals. Theatrically, it played in — brace yourself — New York (including Long Island); Hartford, Conn.; Boston; the San Francisco Bay Area; Houston; Durham, N.C.; Honolulu; Los Angeles (and surrounding suburbs); Cleveland — hey, Pete! Just give a shout anytime we’re in the neighborhood of Ouagadougou! — San Diego; Minneapolis; Laramie, Wyo.; Las Vegas; Seattle; Portland, Ore.; Wilmington, Del.; Rochester, N.Y.; Albuquerque, N.M.; Chicago; Columbus, Ohio; Indianapolis; Juneau, Alaska; Scranton, Pa.; Milwaukee; Fort Lauderdale, Fla.; New Orleans — embarrassing, ain’t it? — Bismarck, N.D.; Miami; Burlington, Vt.; Rehoboth Beach, Del.; Des Moines; and Tucson, Ariz.

So much for only critics being able to see it.

In addition, the film’s director, Shohei Imamura, has, in the course of a long career, been nominated five times for the Palme d’Or at the Cannes Film Festival and won twice. Bart doesn’t bother to mention this — if he’s even aware of it — since Imamura’s acclaim and stature would be at cross purposes to his argument.

As for “Morvern Callar,” the film opened a few weeks ago in selected cities and will be opening across the country in the coming weeks. It didn’t make it to Ouagadougou (isn’t he the kid in “About Schmidt”?) but, in 2002, it was in the Director’s Fortnight in the Cannes Film Festival, where it was awarded the prize for best film, and it played the Chicago, Toronto, Telluride, Edinburgh, San Sebastian and Mill Valley film festivals. The “obscure” star of this “obscure” film, Samantha Morton, was nominated for an Oscar for Woody Allen’s “Sweet and Lowdown” and co-starred last year in Steven Spielberg’s “Minority Report.” And the next project for director Lynne Ramsay is adapting that “obscure” little novel “The Lovely Bones.”

How did Bart miss all this? Especially since Variety covers film festivals and reviews every movie that opens in the U.S. Are we to assume that the editor in chief is simply unaware of the contents of his own publication?

The real answer, I think, and the real subtext of his article, is that if a movie isn’t released by a major studio, if it’s foreign or independent, it isn’t worth your time. Insisting that it is proves you’re an elitist snob. If Samantha Morton stars in a movie by Allen or Spielberg, it shows up on Bart’s radar. If she stars in a movie by Lynne Ramsay, it’s obscure and elitist.

It seems that the one thing Bart cannot tolerate is a diversity of opinion. Quoting Newsday critic John Anderson’s contention that the diversity of movies given awards by critics’ groups has blunted critics’ impact on the Oscar race (which never amounted to much), Bart suggests that critics prove their unreliability by offering different opinions on which movie is the best of the year. It doesn’t occur to him that a moviegoer might see that diversity of opinion as offering an array of movies to check out. When you consider the movies that have won the recent round of critics awards — “Chicago” from the Dallas-Fort Worth critics and the New York Online Film Critics; “About Schmidt” from the Los Angeles critics; “The Pianist” from the National Society of Film Critics and the critics in Los Angeles and Boston; “Far From Heaven” from the New York critics — it simply blows away Bart’s argument about critics championing movies no one else has heard of.

At this point, it might be useful to consider just who Peter Bart is. Before becoming editor in chief of Variety, Bart was a production executive at MGM and Paramount. His own contributions to the art of movies include producing “Revenge of the Nerds II” and the Rob Lowe hockey drama “Youngblood.” It may be more pertinent to his arguments to note that he also appeared as himself in the 1998 movie “Junket Whore.”

Clearly, this is a man who has never left the mind-set of studio executive behind. And he is precisely the wrong man to attempt to address the question he does, “What purpose do critics serve?”

Bart’s search for the answer is comical. To find out what purpose critics serve he turns to “three top studio ad execs” — which is like asking the Detroit automakers what purpose consumer product safety groups serve. After talking to these pundits, Bart comes back with the answer that critical quotes in advertisements are little more than “felicitous decoration.” Oh, really? Is that why Sony invented a movie critic to provide blurbs for “The Patriot”? Is that why it was once common practice for studio publicity departments to concoct quotes that they would then attempt to get real critics to put their names to? Is that why every holiday movie ad is top-heavy with critical quotes?

Were this the Warren Report we could simply dismiss Bart as the Lone Ignoramus. But the significance of his blast is more insidious than that. Given his attitude toward movies that fall outside the mainstream, it’s no surprise that Bart dismisses the “traditional defense” of critics as writers who help readers discover overlooked movies. (There is no such thing as an overlooked movie in Peter Bart’s mind-set — just ones we’ve all heard about and deservedly obscure ones.) It’s not surprising that this former studio exec doesn’t mention one of the most important functions of movie critics. In a culture increasingly dominated by promotion, where “making of” TV specials are little more than commercials for an upcoming release, and where Sunday supplement interviews are advance publicity for a star’s new movie, critics are the only thing that stand between moviegoers’ wallets and the studio publicity departments with their kazillion-dollar ad budgets.

By taking the line that critics serve no purpose Bart is — intentionally or not — doing the bidding of the studios, which, while maintaining a blasé public attitude toward critics, would love to be rid of them. What industry chief doesn’t dream about being able to market his product in an atmosphere where the public has no information save that provided by the manufacturer? That’s why, whether you like us or hate us, agree with us or think we’re full of bull, you as consumers need movie critics. When the editor in chief of the publication known as “the Bible of showbiz” takes this public stand against critics, it’s a fair bet that Hollywood is no longer feeling shy about making its true feelings about movie critics known. That’s why, as moviegoers, you should feel nervous about Bart’s article.

But if Bart is bringing New Year’s cheer to the hearts of studio execs, he is also speaking the thoughts of a good many newspaper and magazine editors and publishers. In 1975, François Truffaut wrote, “Every person on the editorial staff of a newspaper feels he can question the opinion of the movie critic. The editor in chief, who shows careful respect to his music critic, will casually stop the movie critic in the corridor: ‘Well, you really knocked Louis Malle’s last film. My wife doesn’t agree with you at all; she loved it.’”

Nowadays you’d be lucky to find an editor who knows who Louis Malle is. A critic is more likely to get called into his editor’s office because he didn’t like “Men in Black II,” as happened to a critic I know. Or he’s likely to be stopped by an editor who tells him that his 11-year-old daughter thinks “The Sixth Sense” is the best movie she’s ever seen, as happened to another critic of my acquaintance.

These are rotten times to be a movie critic. In a bad economy, an independent voice delivering judgments on a multibillion-dollar industry that represents a tremendously lucrative source of ad revenue is likely to be perceived as a detriment. It has become increasingly common for critics to be pressured by their editors (who themselves may be under pressure from the sales department) to change their opinions. Pressure that no paper would think to bring to bear on their Op-Ed writers is routinely applied to movie critics. This has nothing to do with the quality of a critic’s writing but solely with the content of their opinions, the area where a critic is supposed to be given free rein.

It risks the elitist label to say that critics should know more than their readers about movies, but it’s really just common sense. Don’t we expect a foreign correspondent to know more about the Middle East or equatorial Africa than the readers do? Do we second-guess our plumbers about our clogged drains, or our doctor about our clogged arteries? But expertise in an area where everyone assumes they are an expert is assumed to be snobbery. That proceeds from the assumption that a critic is telling his or her readers how to think instead of helping them to think for themselves — whether or not a reader’s conclusions are in sync with the critic’s.

So we have incidents, as happened a few years ago at a New York paper, where an editor tried to pressure a critic to take the foreign films off her year-end 10-best list because, he claimed, readers would not have heard of them. And the assumption behind that is that the only purpose of a critic is to tell people what they already know. In any area of journalism, that spells death.

To Bart and to the people he is speaking for — editors and publishers as well as studio execs — a world in which only highly promoted movies would be covered and praised would be paradise.

In the current climate, where many local critics are being replaced by syndicated writers (in effect standardizing opinion), where critics are under pressure to praise the big movies, where so many media outlets share the same parent company with Hollywood studios and where conglomerates are trying to get the Federal Trade Commission to relax its antitrust laws to make even bigger conglomerates possible, I would propose that the truest measure of any newspaper or magazine’s commitment to the free exchange of ideas and to journalistic ethics lies in the freedom it allows its movie critics.

It may be that the only reason movie critics still exist at all in many newspapers is that it allows the editors and publishers to cover themselves with the fig leaf of journalistic ethics. In the back of their minds they may well have entertained the thought of how many people would be happy — themselves, their advertising department, the studios ready to spend those ad dollars — if there were no critics at all. The people who don’t figure into that equation are the readers.

The most common type of letter my colleagues and I get from readers is from someone who has seen a movie and come home to search out reviews. Whether they agree with us or not, the fact that they want to read criticism tells me that Peter Bart and his ilk are dead wrong about the purpose critics serve. And the power to make sure that outlets accord their critics editorial independence lies with you, the reader. Let publishers and editors know that you value movie critics, that you want critics to operate free of advertisers’ interference.

Bart ends his piece by saying, “I’m not a film critic. And I intend to keep it that way.” A statement of pride for him, it should come as an enormous relief to everyone except studio execs. For critics and moviegoers, being told that Peter Bart has no intention of becoming a movie critic is like being told that Frank Abagnale isn’t managing your mutual funds. But the voices Bart speaks for are increasingly influential in journalism, and should be revealed for what they are — forces who want to do away with the only independent monitors of a hugely profitable industry.

Some years ago, the dance critic Arlene Croce penned a line about the relationship between critics and the people they write about. It can also stand as the definitive summation of the relationship between critics and their critics: We are frequently wrong about them. They are always wrong about us.

Charles Taylor is a columnist for the Newark Star-Ledger.

We don’t need truth vigilantes

But we do need good political reporting, and the media's rote repetition of Santorum's JFK lies fell short

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We don't need truth vigilantesRick Santorum and John F. Kennedy (Credit: AP/Wikipedia)

New York Times public editor Arthur Brisbane got a lot of grief last month for a blog post in which he asked readers whether the Times ought to be “a truth vigilante.” I didn’t join the pile-on, because truth be told, I kind of understood what he was getting at. Sure, “truth vigilante” is a shrill, easily mocked term: It doesn’t take “vigilantism” to get at the truth, only good reporting. But there can be questions for editors and reporters about how far is too far – what’s good reporting, and what’s hectoring? What’s debunking, and what’s partisan water-carrying? (Also, I don’t like the practice of mocking people for asking questions, even when we think the answer should be obvious. Better that Brisbane ask than to ignore the issue entirely.) I can understand why some cases aren’t clear.

But now I have a case that’s very clear for Mr. Brisbane: the Times’ story on Rick Santorum’s lies (yes, I call them lies) about John F. Kennedy’s 1960 religion speech, headlined “Santorum Makes Case for Religion in Public Square.” Since it’s the New York Times and all, I don’t expect the paper to call it a “lie.” But the story contains not one word suggesting that Santorum might be, I don’t know, misrepresenting, misremembering, distorting or otherwise being completely wrong about what JFK actually said.

I’m getting a lot of credit on Twitter and Facebook today for my piece, but this is one of those rare times when I’d rather not be recognized, because – don’t tell my editors – what I did was easy. It took me exactly 10 seconds to Google JFK’s speech and another few minutes to read it. Then I cut and pasted Santorum’s comments next to JFK’s and voila, kids, I had a story. The Washington Post’s Jonathan Capehart credited me with a “deep-dive,” and I appreciate the praise, but really, I barely got my feet wet. (The Post’s own news story wasn’t any better than the Times’; Capehart was the first person on staff to note Santorum’s distortion more than 24 hours after it aired on ABC’s “This Week.”)

I assumed I’d be late to the Santorum story because I was sick yesterday and didn’t even watch him live, I just heard about his remarks online. But I’m writing a book about the Democratic Party and Irish Catholics, and as you’d expect, there’s a little bit about Kennedy in there, and so I thought I’d take a moment to explain what Kennedy said – and how rabid anti-Catholicism, as late as 1960, made it necessary.

I made a comment last week in passing that I’d like to elaborate on here: I’ve spent a lot of time, in the book as well as on Salon, pointing out the anti-Catholic Nativism that hobbled my people and that accounts for some of our pugilism, shall we say, in the public square. But Santorum makes me realize I haven’t said enough about why some people were and still are suspicious of Catholics. His disrespectful comments about mainline Protestant churches somehow being agents of Satan is just one example of the contempt for other faiths that has gotten us in trouble over the years. I came of age after Vatican II; my parents were devout Catholic ecumenicists, attending seders at our local Jewish temple and telling the neighbors, no, we’re not supposed to blame Jews for killing Jesus anymore, and Protestants love Jesus, too. Santorum is an example of the mind-set that liberal Catholics and lapsed Catholics have been fighting in my lifetime, and he’s really a disgrace.

I don’t expect the New York Times to call him a disgrace in its news pages, but I do expect the paper to do a minimum of fact-checking, to see whether our first and only Catholic president actually said what Santorum attributes to him. There was a reserved, respectful, Timesian way to do it, and the paper missed an opportunity to reassure its readers that the paper is all about the truth, and that it’s not cowed into printing untruths by the GOP culture warriors who’ve spent decades now insisting the Times has a raging liberal bias.

I don’t mean to single out Michael Barbaro, either, who does good work, or the team of writers the Times lists as providing additional reporting at the end of the piece. Or Kit Seelye, who wrote the earlier Caucus post, on a tighter deadline, about Santorum’s remarks without fact-checking the JFK claim. I’ve always loved the singular way the paper almost always attributes mistakes, in its Corrections column, to “editing errors.” This was an editing error. Someone at some point should have said, “Hey, I know you’re on deadline – but what did JFK actually say?” It’s not vigilantism. It’s journalism.

You’re welcome, Mr. Brisbane.

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Joan Walsh

Joan Walsh is Salon's editor at large.

Anthony Shadid, the best of his generation

The NYT reporter, acclaimed for his unparalleled coverage of the Middle East, died in Syria on Thursday

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Anthony Shadid, the best of his generationAnthony Shadid, winner of the 2010 Pulitzer Prize for International Reporting with The Washington Post (Credit: AP)
This article originally appeared on GlobalPost.

WARSAW, Poland — I woke up this morning to the news that Anthony Shadid has died — apparently of an asthma attack — while on assignment in Syria. Whether you knew his byline or not, the loss is incalculable.

Global Post

I can speak in absolutes about the quality of his work. No one reported the Middle East with greater clarity and nuance than Shadid. No one brought the humanity of the people of the region, people who live in a perpetual state of stress even when they are living in the comparative comfort of Beirut and Tel Aviv, to the wider world with a surer touch than Anthony.

He could have coasted on his one great advantage — fluency in Arabic — to beat other reporters to the story. He did not. He used it as a foundation to serve readers — and help colleagues. When I left Iraq after the overthrow of Saddam, a sizeable part of my heart was left behind with new friends who were struggling to make the country a better place. Amid the constant shifts in the chaotic post-war era, Anthony’s dispatches were the ones I relied on to give me the complete picture of what was happening around the country.

American reporters are trained to be objective. It is an ideal to aspire to, more than an achievable goal. We are human beings and those of us who cover conflicts have our emotions challenged every day. The desire to bear witness and to make readers and listeners feel what we feel is overwhelming. Sometimes this gets in the way of objectivity. Anthony, who saw more terrible things than most, managed to stay closer to that ideal than any one. That’s what makes his reporting the best and why in years to come, it will truly be seen as the first draft of history.

We published books on Iraq at the same time and shared a panel at the Brattle Theatre in Cambridge, Mass. on Iraq. I had long since decided that objectivity was getting in the way of my reporting. It was important to let my readers know that I was angry and that my friend had died because of the criminally poor planning of the bigwigs in Washington. That emotion suffused my book. Anthony’s book was scrupulously written, you could never guess what he felt about the war.

My memory is that during the course of the conversation I pressed him about keeping his feelings about the war out of the book. He came back at me with full vigor, eloquently defending the importance of objectivity. He was a big-hearted, supremely talented man — and disciplined about the work. The panel was recorded by C-Span and you can watch Anthony and get some sense of who he was and what we have lost here.

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What David Brooks gets right about the left

Relying on a mic check to make strategy is a big mistake

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What David Brooks gets right about the leftDavid Brooks, philosophe

As he often does, in his column Friday New York Times columnist David Brooks offered what looks like a “nonpartisan” analysis.  Social movements, he warned, are suffering because everyone thinks they should make up their own belief system. Unless you’re Nietzsche, Brooks advises, this is a guarantee of failure. Every man is not a political genius.

It’s not a hard task to figure out whom Brooks is really criticizing: Occupy Wall Street. But it’s not alone. The democratization of ideology is vastly more tempting to the self-inventing liberal left than to the authoritarian right. Nobody does emotionally consistent talking points like the conservative right. Nobody does “whatever floats your boat” like the liberal left. The belief that every man is a philosopher makes progressives vastly more vulnerable to the destructive dynamic Brooks describes. It is an irony Brooks would appreciate that the left acts more like the right believes (and vice versa).

Brooks’ criticism is dead on. Letting every person with a “mic check” suggest a fundamental strategy for the movement is a recipe for disaster. Not only have existing intellectual traditions been the product of superior minds, they have stood the test of time. Anyway, how to act collectively when everyone is pursuing his own quixotic dream?

Of course, anyone who follows the debate knows the left must beware of Brooks bearing gifts. The Times’ conservative columnist is always making sensible sounding suggestions to the left, which, upon closer examination, turn out to be ticking bombs. In this case, the right has a perfectly good foundation in the libertarian tradition, Brooks reports. So it doesn’t need to reinvent its first principles .

For his friends on the left, however,  Brooks advises a simple reversion to their philosopher, Karl Marx. Now there’s a thought.  When the centrist Democrats of the filibuster-bound Senate passed a healthcare plan modeled on the Republican scheme from Massachusetts, the Republicans branded their leaders as socialists, or worse, as taking their beliefs from Paris, if not Nairobi. Imagine if they started actually quoting Karl Marx.

Fortunately, should the left be capable of giving up its endlessly proliferating individual belief systems, two schools of thought other than the return to the specter of communism would be available to them.  There is a robust utilitarian tradition, represented most recently in the work of Princeton philosopher Peter Singer, that asks people to rise to the demands of altruism. As a matter of ordinary morality, you’d pause on a walk to pull a drowning child out of a pond, Singer begins. Why would you not give up a trivial expensive treat to rescue someone starving in Africa?

Or, closer to home, living in a shelter somewhere in New York, or in Washington’s McPherson Square. The well-worked-out analysis of Singer’s argument for beneficence is a vastly better foundation for a long-term social movement than any of the slogans on OWS placards. “Tax the rich” is catchy, but dissolves when confronted with Brooks’ comrades’ libertarian first principle: “It’s my money.” Singer offers the opportunity to argue about why keeping every last penny of it when others are in real need is, well, immoral.

Another great 20th century philosopher, the late John Rawls, made a very well-worked-out argument for why it’s not “your money” at all. It’s only your money, as citizens of many less well-favored societies than the United States know, if other people are willing to refrain from killing you to get it. Otherwise, life is, famously, “solitary, POOR, nasty, brutish and short.” Rawls set forth elaborate conditions for when societies agree to let the rich keep the money without having to live behind walls topped with ground glass.

Most important, Rawls posits, inequality must also benefit the people on the bottom, e.g., by expanding the size of the pie. This was the case for much of American history, and the society was the better for it. But now that finance has replaced manufacturing as the engine of the economy, not so much. The endless claims of money movers like Mitt Romney that they are “creating jobs” reflects the deep power of Rawls’ construct. If they’re not, what is he doing with all that money? Rich people’s claims to be complying with Rawls’ condition can only go on so long in face of the robust evidence to the contrary.

Brooks is right about one thing: Ideas matter. The resurrected right has relied on the power of libertarian ideas for decades. During the same period, the left has relied on mic checks and bumper stickers (“the audacity of hope”). When we see them start to use the rich store of liberal thinking available to them, David Brooks, watch out.

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Linda Hirshman is the author of “Victory: The Triumphant Gay Revolution,” forthcoming in June 2012. Follow her on Twitter @LindaHirshman1

The “education crisis” myth

Ignore the media spin. Wages and working conditions -- not skills -- are the real reasons jobs get outsourced

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The A production line in Suzhou Etron Electronics Co. Ltd's factory in Suzhou, China on June 8, 2010 (Credit: Reuters)

Has the term “education” become a code word? And if so, a code word for what?

These are the major unasked — but resoundingly answered — questions to emerge from two much-discussed articles about the future of American manufacturing. One is a cover story in the Atlantic Monthly about why jobs are being shipped overseas. It concludes that “to solve all the problems that keep people from acquiring skills would require tackling the toughest issues our country faces” — the first of those being “a broken educational system.” The second and even more talked about article comes from the New York Times. It looked at why Apple Computer has moved its production facilities overseas, concluding in sensationalistic fashion that “it isn’t just that workers are cheaper abroad” but that America “has stopped training enough people in the mid-level skills that factories need.”

These pieces were clearly written with a very specific objective in mind: to draw media attention to the supposed “education crisis” in America — a favorite topic of these publications’ elite readers, who have a vested interest in blaming the recession on the poor rather than on the economic policies that enrich the already rich. No doubt, both the Times and the Atlantic achieved their goal, with various NPR shows, cable gabfests and elite magazines spending the last week frothing over the articles’ central thesis.

The tragedy in all of this is that in both the articles and in most of the discussions that followed, few bothered to question the fundamental assumptions about education in America — and fewer still bothered to ask if “education” in the modern parlance has now become a synonym for “acquiescence.”

To see how this linguistic shift is occurring, reread the Times article with a critical eye. Specifically, notice that after the reporters structure their piece around Apple executives’ (unchallenged) claim that “the U.S. has stopped producing people with the skills we need,” there’s not a single shred of proof — empirical or otherwise — offered in support of that assertion. On the contrary, after a sweeping declaration at the top of the piece that wage and human rights differences between Chinese and American workers have little to do with offshoring, the article inadvertently goes on to prove those differentials — not skill levels and education — are the driving force behind the domestic job losses in America.

In one section of the piece, for example, the Times notes that Apple’s big Chinese factory, Foxconn, attracts American investment because “over a quarter of (the) work force lives in company barracks and many workers earn less than $17 a day” — and “many work six days a week, often spending up to 12 hours a day at the plant.” In another section of the piece, the Times notes that the cost of “building a $1,500 computer in (California) was $22 a machine … In Singapore, it was $6 … In Taiwan, $4.85.” While the Times unquestioningly forwards Apple’s impossible-to-believe explanation for these figures (“wages weren’t the major reason for the disparities”), the statistics are yet more proof that wage differences, not education, are the real offshoring motive.

The Times also quotes an Apple executive saying the company must outsource because “the entire supply chain is in China now” — and though the article doesn’t bother to mention it, that is true precisely because other factories in that supply chain have moved to China for the cheap wages and lax human rights/labor regulations. The Times later talks to Eric Saragoza, an American worker laid off by Apple, who says that Apple told him to keep his job he didn’t need to acquire more skills, but instead “to do 12-hour days, and come in on Saturdays.” And in another part of the piece, the Times quotes a former Apple executive who insists Apple was forced to move to China because there’s no “U.S. plant (that) can find 3,000 people overnight and convince them to live in dorms” — an admission, again, that Apple’s move to offshore isn’t about skills, but about a desire to employ a “flexible” (read: exploitable) workforce.*

In light of all this, the absurdity of the Times’ “education crisis” conclusion is obvious. Somehow, Dickensian realities are meticulously recounted, but Apple is permitted to plead helplessness without so much as a contradictory fact being mentioned — as if the company isn’t making calculated choices that are generating record profits off sweatshop conditions. China’s super-low wages and nonexistent labor, environmental and human rights protections are shown over and over again to be the driving force behind American corporate offshoring, and yet the conclusion is nonetheless that the problem for America is our education system. And somehow, that conclusion is made without the Times, the Atlantic Monthly or any part of the media echoing their stories measuring it against actual data from the American education system.

And what, pray tell, does that data say? It says that far from a drought of skilled high-tech workers forcing supposedly helpless victims like Apple to move to China, America is actually producing more of such workers than Apple and other high-tech companies are willing to employ. As I noted in a previous newspaper column (looking at yet another New York Times piece making the same education argument):

No doubt, you’ve heard (the) fairy tale from prominent politicians and business leaders who incessantly insist that our economic troubles do not emanate from neoliberals’ corporate-coddling trade, tax and deregulatory policies, but instead from an education system that is supposedly no longer graduating enough science, technology, engineering and math (STEM) experts. Indeed, this was the message of this week’s New York Times story about corporate leaders saying America isn’t producing “enough workers with the cutting-edge skills coveted by tech firms.”

As usual, it sounds vaguely logical. Except, the lore relies on the assumptions that American schools aren’t generating enough STEM supply to meet employer demand…
To know (that) supposition is preposterous is to consider a recent study by Rutgers and Georgetown University that found colleges “in the United States actually graduate many more STEM students than are hired each year.”

These facts were most recently corroborated in mind-boggling detail by the Senate testimony of Rochester Institute of Technology’s Ron Hira. But, of course, they are nowhere to be found in the Times. That’s not altogether shocking (even if it is offensive) — the Times is a newspaper whose ombudsman recently challenged the very idea that the paper’s journalists should actually fact-check statements made by its sources. It is also a newspaper that has helped construct a larger political and media consensus around what I’ve called both “The Great Education Myth” and the “Neoliberal Bait-and-Switch.”

These sleights of hand simply stipulate as unchallenged, unquestioned fact that all of our economic problems can be solved with better STEM education and more STEM graduates. The idea is that this educational improvement would fix the alleged problem of high-tech companies like Apple not being able to find enough STEM workers. This myth endures even though the data indisputably proves that there is no such dearth of STEM worker supply — indeed, we are already producing more STEM graduates than the domestic economy can employ, meaning the only worker shortage that exists in America is a shortage of workers willing to toil at slave wages with no labor or human rights. But, alas, those facts don’t matter because the Great Education Myth isn’t about economic reality — it is an instrument of propaganda designed to distract attention from the tax and trade policies that allow companies like Apple to make so much money off the current system of exploitation.

So that gets us back to the key question of whether the term “education” is effectively being redefined? In all of the elite media’s stories about offshoring and the STEM “education crisis,” does the term “education” no longer mean “learning a set of skills”? Does it in practice now mean American workers learning not new technological crafts, but learning to quietly accept the wage, labor and human rights standards of China — the standards we thankfully improved after our own crushing Industrial Age a century ago? In short, does “education” now mean “teaching American workers to be subservient”?

The answer, almost certainly, is yes, because that’s the only way that the media and political establishment’s entire “education crisis” meme makes any logical sense.

The fact is, while our cash-starved schools would obviously benefit from more resources, and while better schools clearly couldn’t hurt our society, there’s no empirical, data-based reason to believe that improving our schools would reverse the trend of America losing high-tech jobs to slave-labor nations like China. Without a change in tax and tariff-free trade policies that economically incentivize companies like Apple to keep moving production to cheap labor havens overseas, the only “education” that will bring those jobs back is the kind that indoctrinates high-tech American workers to compete with Chinese workers by accepting the horrific labor conditions those Chinese workers experience. Based on the New York Times’ own reporting on Apple, that means an education system in America that teaches our workers to simply accept being paid $17 a day, to work six days a week in 12-hour shifts and to live in crowded dormitories so that they can be stampeded into the factory at any hour of the day. It means, in short, an education system that tells Eric Saragoza to shut up and accept the employer’s draconian demands.

Not surprisingly, the curriculum for this new education system is already being championed by the very political and media realms that originally constructed the Great Education Myth. In Congress, a group of senators is proposing to eliminate overtime protections for vast swaths of the America’s high-tech workforce in the name of competing with China. In state legislatures, lawmakers are looking to weaken child labor statutes, also in the name of competition. And on the New York Times Op-Ed page, Thomas Friedman implies that Americans are lazy and declares that “average is over” and that “everyone needs to find their extra” — elite-speak for the notion that Americans, who already log some of the longest workdays in the world and who are already among the planet’s most productive laborers, must work even harder than they already do.

In beginning to construct this kind of pedagogy, our mandarins are not coincidentally promoting a key part of the educational ideology of their Chinese counterparts. No, not the part of that ideology that is focused on training high-tech workers — the part that prioritizes obedience. Indeed, as my friend Michael Levy recounts in his terrific book “Kosher Chinese,” that educational method teaches Chinese workers never to question their station, demand basic rights or ask for better conditions.

That same ethos is now being proudly promoted here at home. Should we accept it — and the redefinition of “education” that comes with it — we may end up bringing a few jobs back, but we will have reversed the very labor, wage and environmental progress that once defined our basic concept of human rights — and America itself.

*It’s important to note that the Times did eventually publish this follow-up piece to its original article about Apple and offshoring. The follow-up piece looks more closely at how Apple mistreats its workers in China, and that kind of scrutiny is certainly necessary and laudable. However, the fact that the Times made the decision to separate the later piece on labor rights from the earlier article on Apple’s employment decisions implies that the two issues — worker exploitation and offshoring — are separate, when in fact they are inextricably intertwined. That kind of distinction is a real problem. Indeed, pretending that these two issues are wholly different topics (as Apple and other high-tech executives so often do) perpetuates the deceptive notion that exploitation is just a “liberal” feel-goody concern while business practices are more serious, dispassionate, non-ideological decisions. But only when these issues are looked at in aggregate will we be able to start having an honest debate about how globalization really works.

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David Sirota

David Sirota is a best-selling author of the new book "Back to Our Future: How the 1980s Explain the World We Live In Now." He hosts the morning show on AM760 in Colorado. E-mail him at ds@davidsirota.com, follow him on Twitter @davidsirota or visit his website at www.davidsirota.com.

Newspapers, “truth vigilantes” no more

The NYT's fact-checking question was absurd, but the real problem is that the press has lost its credibility

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Newspapers, (Credit: Library of Congress/U.S. Farm Security Administration)

Time was when newspaper journalists prided themselves on being working stiffs: skeptical, cynical and worldly-wise. “If your mother says she loves you, check it out.” I’ve always preferred the unofficial motto of my native New Jersey: “Oh yeah, who says?”

Fact-check politicians? Here’s how H.L. Mencken saw things in 1924: “If any genuinely honest and altruistic politician had come to the surface in my time I’d have heard of him, for I have always frequented newspaper offices, and in a newspaper office the news of such a marvel would cause a dreadful tumult.”

Mencken could recall no such excitement. “The unanimous opinion of all the journalists that I know, excluding a few Liberals who are obviously somewhat balmy,” he added “… is that since the days of the national Thors and Wotans, no politician who was not out for himself, and himself alone, has ever drawn the breath of life in the United States.”

Alas, such attitudes went out of fashion with snap-brim fedoras, smoke-filled rooms and bottles of rye in desk drawers. Today’s national political reporters have attended fancy colleges, regard their professional affiliations as valuable status symbols, hence give every sign of identifying more with Washington courtiers and political professionals than the great unwashed.

To the extent they may share Mencken’s exuberant disdain for hoodwinker and hoodwinked alike, ambitious reporters are well-advised to keep it to themselves. As a career strategy, thoughtful circumspection is advised. The uphill path to a sinecure on “Meet the Press” must be trodden carefully.

Many readers, for example, can probably identify a name-brand journalist such as Judith Miller, who fell into disrepute for parroting Bush administration propaganda about Saddam Hussein’s WMD. But can you name anybody whose skeptical reporting made them famous? No, you cannot.

Columnists have more leeway, but even there it’s safer (and easier) to stick to anodyne topics such as dorky clothes, bad hair, which candidate resembles what character in “Pride and Prejudice,” and who mistreats his dog. To me, it’s significant that an honorable exception like Paul Krugman — my nominee for progressive MVP — is not a product of newsroom culture.

So now comes New York Times “public editor” Arthur Brisbane with maybe the most disingenuous question of the year: Should Times reporters be “truth vigilantes”? When politicians lie, should reporters call them out?

And if so, how?

Brisbane’s two columns on the subject drew widespread astonishment and hilarity from readers and journalists alike — partly because journalists love talking about ourselves as much as the average Hollywood starlet. They also drew a sharp rebuke from Times editor Jill Abramson, who insisted that the “kind of rigorous fact-checking and truth-testing you describe is a fundamental part of our job as journalists.”

Abramson gave instances of the newspaper supplying proper context for politicians’ statements such as Mitt Romney’s preposterous charge that President Obama wants “to replace our merit-based society with an entitlement society.” (Wink, wink. Nudge, nudge. Know what he means?) She said that the Times reported that “the largest entitlement programs — Social Security, Medicare, Medicaid — were all enacted before Mr. Obama entered grade school.”

Of course, that’s not what Romney’s really saying. Look, as somebody who spent more than a decade waging a quixotic war of words against the New York Times over its role in the Whitewater hoax, the subsequent “War on Gore,” and its shameful (and acknowledged) role in “catapulting the propaganda” that led the U.S. to invade Iraq, I have two observations.

First, the Times has rebounded since those dark days of 2003. Far less unmediated government propaganda and make-believe scandal characterizes its news columns. Abramson’s 2011 appointment as executive editor gives further reason for optimism.

Second, the answer to Brisbane’s real question — exactly how reporters are supposed to go about calling Mitt Romney a liar — has no good answer. Because the more forcefully it’s done, the more the GOP candidate’s apt to like it.

Take Romney’s oft-repeated charge that Obama goes around apologizing for America. The Washington Post’s Glenn Kessler did this one to a fare-thee-well, showing conclusively that the allegation is completely false — an absurd mix of misrepresented circumstances, doctored quotes, etc. And it took him 1,800 words.

And who read them? Certainly nobody who’d already swallowed the lie on Fox News, Rush Limbaugh or any of a hundred right-wing websites. So the Washington Post says it’s a lie. Well, they would, wouldn’t they? The Times agrees? Even better.

Romney’s not talking to reporters, but over and through them, seeking not nuanced news stories, but five-second video clips and TV ads. Reporters who ask confrontational questions can be ignored, or worse, made characters in the story. Well-paid operatives can make their editors’ lives miserable.

The uncomfortable truth is that no newspaper today has the power and moral authority the New York Times so thoughtlessly squandered, and it ain’t coming back. Obama will have to defend himself.

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Arkansas Times columnist Gene Lyons is a National Magazine Award winner and co-author of "The Hunting of the President" (St. Martin's Press, 2000). You can e-mail Lyons at eugenelyons2@yahoo.com.

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