George W. Bush

Fox News: The inside story

A former Fox producer describes the ways -- both subtle and blunt -- that top executives impose a right-wing ideology on the newsroom.

When veteran television journalist Chris Wallace announced this week that he was leaving ABC for Fox News, reporters asked him whether he was concerned about trading in his objectivity for Fox’s rightward slant. “I had the same conception a lot of people did about Fox News, that they have a right-wing agenda,” Wallace told The Washington Post. But after watching Fox closely, Wallace said, he had decided that the network suffered from an “unfair rap,” and that its reporting is, in fact, “serious, thoughtful and even-handed.”

It was all too much for Charlie Reina to take. Reina, 55, spent six years at Fox as a producer, copy editor and writer, working both on hard news stories and on feature programs like “News Watch” and “After Hours.” He quit in April, he says, in a fit of frustration over salary, job assignments and respect. Since that time, he has watched the debate over whether Fox is really “fair and balanced.” He held his fire, bit his tongue. But then he heard Chris Wallace — an outsider to Fox, for now — proclaim the network fair. Reina couldn’t remain silent any longer, and so he fired off a long post to Jim Romenesko’s message board at the Poynter Institute. In his view, he was setting the Fox record straight.

“The fact is,” Reina wrote, “daily life at FNC is all about management politics.” Reina said that Fox’s daily news coverage — and its daily news bias — is driven by an “editorial note” sent to the newsroom every morning by John Moody, a Fox senior vice president. The editorial note — a memo posted on Fox’s computer system — tells the staff which correspondents are working on which stories. But frequently, Reina says, it also contains hints, suggestions and directives on how to slant the day’s news — invariably, he says, in a way that’s consistent with the politics and desires of the Bush administration.

Before starting work at Fox in 1997, Reina had a long career in broadcast journalism. He worked on the broadcast wire at the Associated Press, wrote copy for CBS radio news and worked on ABC’s “Good Morning America.” Along the way, he says, no one ever told him how to slant a story — until he started working at Fox. At the “fair and balanced” network, Reina says, he and his colleagues were frequently told — sometimes directly, usually more subtly — to toe the Republican Party line.

Reina is out of journalism for the moment — he’s running his own woodworking business in suburban New York — and he realizes that going public about his experience at Fox won’t improve his career prospects. He says he doesn’t care.

Fox did not respond to calls or a faxed letter from Salon seeking comment on Reina’s tenure at the network or his comments about news values there. But Reina has plainly hit a nerve. Late Thursday, Romenesko posted a response to Reina’s note that appeared to be from Sharri Berg, a vice president for news operations at Fox. The response called Reina a “disgruntled employee” with “an ax to grind.” And Berg included comments she attributed to an unnamed Fox staffer who described Reina as one “any number of clueless feature producers” who made inane calls to the news desk, “the kind of calls where after you hung up you say to the phone, ‘go f?k yourself.’” Berg quoted the newsroom employee as saying, “[I]t’s not editorial policy that pisses off newsroom grunts — it’s people like Charlie.”

Reina said he wouldn’t dignify Berg’s note with a response. He spoke with Salon by phone from his home in New York.

Is there an ideological agenda at work in the newsroom at Fox?

All I can say is, everybody there knows what the politics of the bosses are. You feel it every day, and in good part because of this daily editorial note that comes out. I suppose there are similar things [at other networks] which say who’s stationed where that day, where the correspondents are, what we’ll be covering and so on. But [in the Fox memo], oftentimes when there are issues that involve political controversy and debate or what have you, there are also these admonitions, these subtle things like, “There is something utterly incomprehensible about Kofi Annan’s remarks in which he allows that his thoughts are ‘with the Iraqi people.’ One could ask where those thoughts were during the 23 years Saddam Hussein was brutalizing those same Iraqis. Food for thought.”

That’s something you just don’t see in a traditional newsroom. You see a news budget going around, but they’d be a lot like an AP budget — here’s this story, here’s this story, this person is writing this. It makes sense to have something like that — something that says here’s where everybody is and so forth. But now, for the first time with the advent of the memo, you’re actually getting little bits of guidance here and there.

Would it have been unusual at AP or CBS or ABC to hear that management wanted a story tweaked in a certain ideological direction?

You didn’t use to have the direct involvement of the big bosses. But at Fox, it’s an everyday thing, a presence in the newsroom. You know, if you make a joke, and it’s politically slanted and it’s not toward the Republican side, somebody will say to you, “Watch it.” It doesn’t mean that you would get in trouble, that Roger [Ailes] would be there or something, but there’s just that fear at all times.

Are the employees at Fox ideologically aligned with Ailes?

I don’t think that’s the case. There are probably more people there who tend to be conservative or Republican than I have encountered at other places. And I have to say that they’re right when they say that people in journalism tend to be liberal or Democrat. Again, I haven’t found that that had much of an effect on the news. But it certainly does at Fox. There are many people who work at Fox, as there are elsewhere, that are much more liberal and Democrat-leaning than management is.

But what’s also true is that it’s such a young staff of workers. Many of the people who write news copy, for instance, had no experience writing before they started. So there’s no background in writing, and as a result they’re very easy to mold.

The memo sort of gives you hints. If they [Fox executives] are worried that what we write or what the anchors say might make the wrong point, it will show up in the memo … [The line producers] are mostly eager young people. They’ve got a grueling job hour-to-hour. It’s just too much trouble for them to try to buck the system. They’ve got so much to do that they just don’t want to have to explain [why they didn't comply with the direction in the memo]. So everything gets done pretty much the way management wants it.

Can you remember a specific instance in which one of your superiors told you to approach a story with a particular ideological slant?

It was, I would say, about three years ago. I was assigned to do a special on the environment, some issue involving pollution. When my boss and I talked as to what this thing was all about, what they were looking for, he said to me: “You understand, you know, it’s not going to come out the pro-environmental side.” And I said, “It will come out however it comes out.” And he said, “You can obviously give both sides, but just make sure that the pro-environmentalists don’t get the last word.”

Fair and balanced?

Yeah. I thought about it and thought about it and I went to him the next morning and I said, “I can’t do this, I’ve never started out a project with an idea of what the outcome should be — and certainly to be told that. And I’m not going to do it.” Fortunately, he was wise enough to know that what he had done was wrong, and he left it alone.

Part of what Fox’s message is, and I have to say that to a certain extent I agree with it, is that political correctness is a terrible thing. There are a lot of assumptions that are simply made and not questioned, and a lot of that, liberals like me have perpetrated. And I have to agree that there’s too much of that.

But isn’t there also a political orthodoxy on the right that Fox enforces?

Yeah, I was going to get to that …

I’ll give you another example from that memo. When the Palestinian suicide bombings started last year, shortly after they started, one of the memos came down and suggested, “Wouldn’t it be better if we used ‘homicide bombing’ because the word ‘suicide’ puts the focus on and memorializes the perpetrator rather than the victims?” OK, never mind the fact that any bombing that kills is a homicide bombing. What would you call a suicide bombing where the perpetrator isn’t killed? An intended suicidal homicide bombing? It got ridiculous.

It may be ridiculous, but if you watch Fox now, you’ll frequently hear suicide bombings described as “homicide bombings,” right?

I’ll tell you, it’s interesting. On that same day [that Fox management distributed a memo suggesting suicide bombings be called "homicide bombings"], the White House had made the same suggestion — well, the Bush administration, whether it was the White House or the Pentagon or whatever. That’s the background to it.

By the next day, enough people [at Fox] were saying, “What about this?” So the next day’s memo kind of reluctantly said, “Well, you could use either one.” But by then, everyone — and again, we’re talking about young people who don’t have any perspective on this; all they know is that you do what they’re told — they know what management’s feeling about this is. So … it’s “homicide bombings.” And that’s the beginnings of a new P.C.

So people at Fox know what management’s political views are — and they know that management wants to see those views reflected on their television screens?

Yes, but it’s not because the people on the second floor — Roger Ailes and so forth — come down and say, “This is what we want.” It kind of filters down. And very often, the people overreact and take it upon themselves and do things that even management wouldn’t expect them to do.

In the case of the California judge who ruled unconstitutional [the words] “under God” in the Pledge of Allegiance, I was sitting there watching our anchor report the story. He was reading the teleprompter, and he was saying, “Because we want you to have as much information [as possible] about this important story, we want you to be able to go right to the source. We’re giving you the address and phone number of the judge.”

Everybody knew that was a call to harass this guy. Even the poor anchor sees this. I mean, this is the way I saw it because I know the guy. But the point of it is, the guy running the newsroom, he had the control room type up this graphic with the guy’s address and phone number on it. And I’m told … that when the people on the second floor saw this they said, “Oh, jeez, we can’t do that.” And they had it taken off. It was this guy down here kind of freelancing, sucking up, thinking he knew what management wanted. And they stopped it.

When [United Nations weapons inspector] Hans Blix was giving his report to the Security Council on what they had uncovered or not uncovered [in Iraq], he began by saying, “We have not found any weapons of mass destruction.” He continued to say: “But we think they’re hiding them, we want them to be more open and show us, and blah blah blah.” Well, you know how it’s done on the screen: They’ll say Blix: “the first sentence,” and then Blix: “the second sentence,” and so on. It was going to run through the whole thing.

When [the Fox supervisor running the newsroom] saw this — “We have not found weapons of mass destruction” — I’m told by people in the control room that he went in there and said, “We can’t, we’re not going to put that on the air like that.” But it was too late, it was already in the system, and it went on. And again, it was not because management told him not to, and I don’t think they would have said don’t put it up. They’re smarter than that. But this guy — he still runs the newsroom. Maybe they think, well, he was trying to please them, so he gets to stay there.

Are you aware of times where the reverse happened — that is, where things were happening on the air and someone in management sent a message saying, “I want this to slant more Republican”?

No, I can’t say that I’ve ever known them to do that. But what they have is a middle management that is all too willing to just play ball. They know what they can do, what they should do, what they shouldn’t do and so on.

There’s just an atmosphere of — I don’t want to say “fear,” but for some of the young people there that’s what it is. You know, I’d rail against this. I never made any bones about it. Right in the middle of the newsroom, I’d say, “Did you see what we did?” The typical thing would be for people to say to me, “So we’re not fair and balanced? Like you didn’t know that? What are you getting all upset about?”

What else do you remember from the editorial note?

When the war was just beginning or we were just sending troops over there, one of the daily memos made reference to protesters and said that we’re going to be seeing a lot of protesters — I think they used the word “whining,” yes, whining — about American bombs and American soldiers killing Iraqi citizens. “Whining” — you’ve got your clue, a hint. They’re whining. Yeah, tell that to the families of American soldiers that were going to die there.

That was in the memo?

I’m not sure of the exact words, but it was to that effect. So that day I’m down editing lead-ins to tape pieces, and a producer comes down while the editors were putting [one of the reports] together. And the producer says, “No, we can’t run that.” Why? Because somewhere in the middle of it there was a few seconds of footage of some Iraqi children in a hospital. And he said, “Well, we don’t know why they were there.” They could have just cut out that clip, but he said to kill the whole thing. This was a report from a reporter on what went on that day. But simply because of that memo, they just killed the story.

Were there other times when you believed the editorial note had a direct influence on the political slant of Fox’s news coverage?

I came in one morning, and the first thing I saw on the monitor was our anchor doing a story [about reaction to Sen. Trent Lott's suggestion that America would have been a better place if then-segregationist Sen. Strom Thurmond had been elected president when he ran in 1948]. And it was clear that Fox, through the anchor, was anti-Trent Lott. So I went right to the memo, and sure enough the memo said we should make sure our viewers know that this wasn’t even the first time Lott has made such remarks. And I thought, “Wow, I don’t understand.” So I go to the wires, and sure enough, there it is: Bush has condemned what he had said, and Bush wanted to get rid of Lott as the majority leader.

So it was an unexpected Fox approach to the story — at least until you figured out that it also just happened to be the Bush administration’s approach?

That’s right.

Did you complain about the bias you saw at Fox?

I reserved my right to rail against what I saw every day practically, and there were times when I would take an anchor to task in front of other people. And I was wrong in doing that, with people I considered friends. But it was just so, so … I had just never seen anything like this.

Very often among many of the anchors there, their idea of “fair and balanced” is you have on liberal or Democrat “A” and conservative or Republican “B.” You spend most of your time challenging or dismissing rudely what the liberal has to say and lobbing softball questions to the conservative. You’d be sure to give them equal time or give the liberal a little more time even.

You see it day in and day out. For many of these people, the young people, it’s par for the course. This is what they see and they let it go. It’s hard for me not to comment on things. I’ve been sitting here for the last six months watching this debate about who’s biased and who isn’t and whether Fox is this or that. And when I saw this thing about Chris Wallace, I thought, “This is it. This is the last straw.”

Wallace said that Fox has received an unfair “rap” as slanting its coverage in a Republican direction. But lots of people associated with Fox have said that. What was it about Wallace’s comments that set you off?

The whole idea of throwing him into this debate. Here’s a guy who’s presumably going to be paid, what? A seven-figure salary, high six figures? What else is he going to say? That’s not the guy you should be talking to. Why don’t you talk to the people who have to work in this … people who can tell you at least privately at least what really happens? You’re not going to get the straight story from the people making a million dollars there, not even off the record.

Are your former colleagues at Fox — both the million-dollar anchors and the people working in the newsroom — conscious and aware that they’re slanting coverage to the right?

I think many are. A lot of them [aren't.] That anchor that I argued with, I think he sincerely believes that Fox and his work are “fair and balanced. ” He would quote from some letters from people who accused him of being liberal. But you’ve got to understand. When 99 percent of your audience is conservative, you’re going to get some raving lunatic conservatives writing in who say you’re too liberal.

Even the people who know better … well, look, you’re working for somebody. I probably should have quit there right away. I stayed on, I had a job, but I reserved my right to yell and scream and not care whether I was considered a malcontent or whatever. And I would not write something that was supposed to be objective that wasn’t. You just don’t do that.

Well, maybe you don’t.

Well, you don’t in journalism. But now, journalism, a lot of it is viewpoint. Salon, I’m sure, it’s, you know, “This is what you can expect from there.” But at least you know what you can expect. Fox, you know, you can expect a Republican slant. But just admit it, you know?

And the denial is your biggest frustration?

Yes, it is. Hearing the mantra, you know, “Fair and balanced. We report, you decide.” I mean, come on. Don’t make me laugh.

Tim Grieve is a senior writer and the author of Salon's War Room blog.

Using Bush’s playbook

"Karl Rove politics" aren't quite dead: Obama's strategy in 2012 will mirror W's in 2004

George W. Bush and Barack Obama (Credit: Reuters/Larry Downing)

Barack Obama’s presidency was born from nothing so much as his repudiation of George W. Bush’s administration — its policies and politics, its style and tone. One of Obama’s most effective 2008 stump speech refrains was his promise to end the era of “Scooter Libby justice, ‘Brownie’ incompetence and Karl Rove politics.”

But the political dynamics for winning a second presidential term often differ markedly from winning the first. So don’t be surprised by many eerie parallels between Obama’s 2012 reelection bid and Bush’s 2004 campaign. The president may not rely upon “Karl Rove politics” in the strictest sense, and nobody would confuse David Axelrod with Rove. But Obama’s reelection route and rhetoric may bear more than a few Rovian hallmarks.

Now that Mitt Romney has won the Republican nomination, two key features prevail over the 2012 campaign — and both were also plainly evident in 2004. First, the incumbent president’s reelection fortunes are far from certain; and, second, the incumbent faces a decent but nevertheless weak challenger who is further hampered by internal problems within his party’s coalition.

Because incumbents can’t run for reelection promising “change,” and because “hope” during a lingering recession was also off the menu, the Obama campaign’s 2012 theme of  “forward” — a word that often follows “plow,” mind you — was the best available alternative. That said, and substituting the economy for terrorism, Obama is implicitly if not explicitly advancing the same theme Bush did in 2004: America suffered a tough blow, but the situation could have been worse and, more to the point, under my stewardship the nation is steadily regaining its footing.

This counterfactual campaign theme — vote for me not because of what happened, but what might have but didn’t — is a common thread for Bush and Obama. It’s not an uplifting message, but it sufficed in 2004 and Obama is counting on it working again in 2012.

Politics 101 further dictates that when an incumbent’s reelection is in doubt, he must go negative against the challenger. Obama political operatives in the White House and at the Democratic National Committee long ago made it abundantly clear they were willing to do just that. Team Obama may not go negative against Romney to the degree the Bush camp did against John Kerry in 2004. (By mid-summer 2004, 75 percent of Bush’s TV ads were negative attacks on Kerry.) But don’t be surprised if attacks on Romney’s record and even character are plentiful, harsh and relentless. In 2008, America saw candidate Obama’s toothy grin; four years later, expect to see President Obama’s fangs.

Expect the Obama camp to emphasize two major critiques of Romney: that he is a flip-flopper willing to say anything or reverse any position to win; and that he is an economic royalist whose personal and public life suggest a person incapable of understanding the lives and struggles of average Americans. Again — note the unusual parallels with 2004.

Although Romney is a Republican former governor and Kerry was at the time his state’s Democratic junior U.S. senator, the two Massachusetts pols make for similar targets. Each man is an extraordinarily rich preppie and Ivy Leaguer. Each represents the liberal wing of his respective party. Each has shown a propensity for ruining an otherwise valid point with sloppy, backfiring language. And each has a reputation for lacking political spine.

The flip-flop frame is candidate character assassination of the first order. Like the lone negative number in a string of multiplied positives, the critique that nobody can trust any statement or claim made by a politician has the potential to negate every accomplishment or promise. If it sticks, it can be fatal, as Kerry learned in 2004.

Obama and the Democratic National Committee know their electoral history and, sure enough, last November — a year before the election and two full months before a single Iowan had caucused — the DNC released a four-minute “Mitt vs. Mitt” ad and its accompanying website with the damning tag line, “the story of two men trapped in one body.” The site is a brilliant homage to the Bush campaign’s 2004 windsurfer attack ad and the devastating, 11-minute ad the Republican National Committee produced chronicling Kerry’s “evolution” on Iraq.

And then there is what might be called “the Willard factor”: Romney as Richy Rich, the Monopoly Guy with the Bain Capital background and the Swiss bank account. His bio would be political gold to Romney’s opponent any election cycle, but it’s gold-plated platinum in the first full presidential campaign following the biggest economic crisis since the Great Depression, the rise of the Occupy Wall Street movement, and the long overdue national debate over income inequality.

Again, the wealth-personified line of attack mirrors the out-of-touch, Martha’s Vineyard yoke the Bush team put around Kerry’s neck in 2004. Right on cue, in the first public event of his reelection campaign, last week Obama attacked Romney by name and invoked the economic disconnect card with relish. “He sincerely believes that if CEOs and wealthy investors like him make money the rest of us will automatically prosper as well,” said Obama of Romney, adding that “corporations aren’t people – -people are people.” (For the record, Kerry is actually wealthier than Romney, who would become one of the richest men ever to occupy the White House, should he win.)

Obama will also try to shift the national debate toward areas of strength, as Bush did. Historically, this meant the same strategy, but with inverse implications for each party: The so-called mommy party Democrats would encourage voters to focus on more favorable kitchen-table economy issues — healthcare, jobs, education — and away from less favorable “daddy party” Republican issues surrounding foreign wars abroad and culture wars. Because Obama is net-positive in foreign policy approval and net-negative on the economy, rather than mirroring by inversion, Obama will try to duplicate Bush’s shift-in-emphasis in 2004. GOP complaints that Obama is politicizing the killing of Osama bin Laden reveal Republican fears that Obama is going to play the terrorism card in 2012 just like Bush did eight years ago.

The 2004 parallels extend beyond message. Obama will be amply resourced and enjoy a field technology by virtue of his campaign’s state-of-the-art Web, donor, volunteer and social media innovations. Remember the Bush reelection campaign’s vaunted “72-hour” voter turnout model? That seems like an Edsel compared to the Ferrari the Obama team will be sporting this summer and fall. Among the perquisites modern presidential incumbents enjoy is the option to test-drive the best mobilization machines before anyone else.

Finally, what most connects Obama 2012 to Bush 2004 is the stability of the electoral map itself. Only three states — two net to Bush — flipped from one party to the other between 2000 and 2004; only nine states flipped between 2004 and 2008. Split the difference and a good, back-of-the-napkin over-under for number of states likely to flip between 2008 and 2012 is six. And thus, like the lead sailboat during a windless race, Obama doesn’t need or want conditions to change much from 2008: He merely has to replicate the map that swept him into office, with the burden of figuring out how to shake up the Electoral College falling to Romney, just as it did for Kerry against Bush. Even Karl Rove’s mapping of the 2012 election concedes this reality.

The 2008 election was memorable; to borrow the title of one best-selling chronicle, it was a “game changer.” But 2012 will not be. In many respects, it will be a game repeater, with Obama playing Bush to Romney’s Kerry of 2004. The president may be asking Americans to look “forward” in 2012, but the best preview of his reelection campaign can be found by looking backward eight years.

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The Bushies are back

Missed the neocons? Don't worry: Mitt Romney's getting the band together again

(Credit: Reuters/Win McNamee)

There was good reason for Republicans to cry foul over the Obama campaign’s advertisement highlighting the president’s killing of Osama bin Laden; the GOP has lost its decades-long edge on national security. According to a Washington Post poll, “By a margin of more than 2 to 1, Americans say the president’s handling of terrorism is a major reason to support rather than oppose his bid for reelection.”

Republicans lost their popularity on security issues for one reason: George W. Bush’s foreign policy was a disaster. And yet, the party’s nominee, Mitt Romney, has assembled a foreign-policy team composed almost exclusively of individuals with the same war-always mentality and ideology that served Bush — and the United States — so poorly. In some cases, the exact same men responsible for Bush’s catastrophic national security policies are advising Romney. The former Massachusetts governor could have included some of the pragmatists and realists from the George H.W. Bush administration. Instead, a Romney presidency seems like it would be Bush 43 all over again.

Richard Grenell, who served as United Nations spokesman under Bush, may be gone from the Romney campaign after an uproar over his sexuality, but there are plenty more former Bushies. First off, there are Romney’s “special advisors.” There’s Michael Chertoff, W.’s Homeland Security director. Chertoff oversaw DHS’s failures during Hurricane Katrina, and amassed unprecedented powers of secrecy. Next up is Eliot Cohen, counselor to the State Department for Bush’s last two years and on the Defense Policy Advisory Board for the president’s entire term. Cohen was an adamant supporter of the Iraq War and advised Bush directly on the issue. Or take Cofer Black, the man who infamously said to Bush in September 2011 about al-Qaida that “When we’re through with them they will have flies walking across their eyeballs.” Black went on to become chairman of Blackwater, where he resigned after the company illegally bribed Iraqi officials.

Then there are the 13 “working groups” composed of equally worrisome individuals. The Middle East and North Africa Working Group is co-chaired by Bush’s Assistant Secretary of Defense Mary Beth Long, and Meghan O’Sullivan, Bush’s special assistant and deputy national security advisor for Iraq and Afghanistan. The remaining co-chair is Walid Phares, who never worked for Bush but advised Lebanese warlords in the 1980s. Romney has reportedly promised Phares a top job in his administration, despite his virulently anti-Islamic views.

All told, Romney lists 37 holdovers from the George W. Bush administration — the very same administration he and all other Republican candidates barely referenced during their many debates because it was so discredited and toxic, even to the Republican base.

It didn’t have to be this way. There are, in fact, people in Republican circles who are sensible on international affairs. The Cato Institute, in particular, has experts that could dramatically change the direction of American foreign policy. Men like Justin Logan and Christopher Preble were prescient on Iraq and a host of other issues. Similarly, the Center for the National Interest (formerly the Nixon Center) has a host of solid scholars, including ones like Dimitri Simes and Geoffrey Kemp, who have valuable government experience in the Nixon and Reagan administrations, respectively, and a history of perceptive analysis. Richard Haass, president of the Council on Foreign Relations, would have been another good pick.

So why aren’t guys like this being tapped? Why is the GOP sticking with a discredited foreign-policy approach rather that looking to its own past for wiser counsel? “Most of the realists and pragmatists have simply been driven out of the Republican Party,” says Stephen Walt, who writes a blog at Foreign Policy and teaches at Harvard. “The neoconservatives have been driving the agenda since Bush was elected and they remain well-entrenched.”

Another factor is that the Republican Party’s base remains strongly militaristic and reluctant to recognize limits on American power. Jon Huntsman’s failed presidential campaign illustrated that problem. The good news is that nobody seems to be calling for nation-building and occupying foreign countries in the mold of Iraq and Afghanistan. But that’s the only lesson that seems to have been learned from the last decade of foreign-policy debacles.

Finally, it may just be that the United States has too much power to change course. While the Unites States has undoubtedly made disastrous decisions in the last decades, it is so powerful that it is largely insulated from the consequences of them. If Romney’s foreign-policy advisor list is anything to go by, a Romney administration would have to teach the U.S. all over again about the problems with trying to police the world. Prepare for Bush redux.

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Jordan Michael Smith writes about U.S. foreign policy for Salon. He has written for the New York Times, Boston Globe and Washington Post.

Bush aide blasts torture

Philip Zelikow tried to warn Bush on interrogations. Now he's penned an authoritative article on how he was ignored

(Credit: Reuters/Jim Young)

The Bush administration hasn’t heard the last from Philip Zelikow. After the rediscovery last week of his long lost 2006 anti-torture memo, Zelikow, a former State Department official, has written arguably the most damning article yet about U.S. government’s interrogation policies from 2001 to 2009. The article, called “Codes of Conduct for a Twilight War,” will be released in a forthcoming issue of the Houston Law Journal, and was obtained exclusively by Salon. Says Zelikow in an email: “I’m not aware of other accounts that combine historical, policy and legal approaches to” the subject of the Bush administration’s interrogation methods.

Based on published histories and his firsthand observations, and adapted from a lecture delivered in November, the article calls the administration’s rationale for its use of torture — which he nonetheless insists only on calling “extreme interrogation” and “coercive methods” — “radical,” “an amazing contention,” “untenable and extreme,” “unsustainable,” “an unprecedented program of coolly calculated dehumanizing abuse and physical torment,” and, finally, simply a “mistake.” He concludes: “This was a collective failure of American public leadership, in which a number of officials and members of Congress (and staffers) of both parties played a part, endorsing a CIA program of physical coercion without any precedent in U.S. history.”  In fact, “The only defense against criminal prosecution would be that officials acted in good faith reliance on the advice of their government lawyers.”

Part of what makes Zelikow’s analysis so damning and definitive is its judiciousness. The article is deeply empathetic of the uniquely fearful situation under which the Bush administration was initially operating. Zelikow calls the Sept. 11 attacks a “collective trauma” and a “shoc[k] to mass beliefs.” He notes that Bush and others spent time in burn units, morgues and with survivors of the attacks. One traumatic experienced often overlooked — overlooked because it appeared in Stephen Hayes’ stenographic biography of Dick Cheney — was that the vice-president’s daughter was (falsely, it turns out) told that her house with her children in it had tested positive for anthrax. Similarly, Cheney and National Security Advisor Condoleezza Rice were told that they and others had been exposed to an extremely lethal toxin in a particular area of the White House — and might soon die as a result. “The alarms did not stop and they too were not abstract … The pressure on Bush and his senior advisers was so direct because so much of the response had to be invented and improvised,” the article reads.

An additional factor in the power of the article is Zelikow’s credibility and history. Before entering government, he was a civil rights lawyer in Texas battling the Ku Klux Klan and then a highly esteemed Harvard historian specializing in U.S. foreign policy — he co-authored one book with Rice. He then served on the National Security Council under President George H.W. Bush and directed the 9/11 Commission before becoming counselor to Rice at the State Department from 2005 to 2007. He currently volunteers part-time on the President’s Intelligence Advisory Board under President Obama.

Such bipartisan, establishment credentials render the breakdown and conclusion of this article all the more damning. He believes that what should have been a political and moral question — should the United States torture captives? — became strictly a legal matter left up to government lawyers, few of whom had any experience with these issues, and who had to take the necessity of extreme measures as a given. “These lawyers then became secular priests, granting absolution to the supplicant policymakers,” Zelikow writes.

The problems began when the Office of the Vice President and the CIA took central roles in policymaking. Cheney felt himself above the rest of the National Security Council, bypassing Rice and other traditional channels of national security policymaking. Ad-hoc decision-making and improvisation became “a habit of thought,” which seemed initially to pay off in the security of the nation, as well as in Bush’s political standing and self-confidence.

With Cheney and CIA head George Tenet “the key entrepreneurs in setting codes of conduct for the War on Terror,” it was essentially left to their obsequious lawyers to decide, in secret, on the interrogation methods America should employ. Bush even told the Senate’s Intelligence Committee chairman that “the vice president should be your point of contact … [He] has the portfolio for intelligence activities.” Decisions were made to jettison international treaties. By December 2001, the CIA was already interested in reverse-engineering methods “heretofore used only to treat Americans to resist enemy torture.” When a senior al-Qaida member was captured in March 2002, the prototype for the administration’s torture policies was already developed. “So, for the first time in American history, leaders of the U.S. government carefully devised ways and means to torment enemy captives.”

Zelikow notes that “None of the policy or moral issues connected with these choices appear to have been analyzed in any noticeable way.” Perhaps worst of all, no serious consideration was given to weighing the costs of benefits of the torture program, with reference to relevant historical precedents and/or examinations of the respective French, British and Israeli experiences in dealing with captured terrorists. “Bush and Rice should have insisted on this,” Zelikow writes.

The 52-page article observes the successes of Obama’s counterterrorism policies after repudiating the use of torture. On the basis of the empirical evidence then, “[t]here is no evident correlations between intelligence success and the available of extreme interrogation methods,” no matter what Bush and Cheney claim. Finally, “The program’s costs — which include the high-level effort expended in order to establish, maintain, and defense the program — appear on the evidence so far to have well outweighed any unique value the program might have had as a method of counterterrorism intelligence collection.” This is apart from the damage to America’s international standing and corrosion of its traditional values.

Zelikow concludes his analysis by arguing that, although the Obama administration has the right to wage war and use extralegal methods to defeat al-Qaida, its claim of that authority to defeat “associated forces” is unwarranted. “The U.S. government should publish and explain any overarching policy and legal documents that guide and confine the conduct of deadly operation against its foreign enemies … the executive branch of the U.S. government has a duty to articulate the scope of its warfare to the Congress and the public.” The Bush administration’s unprecedented elevation of torture to national policy may be history, but the job to get U.S. foreign policy in line with its constitutional and moral obligations is far from over.

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Jordan Michael Smith writes about U.S. foreign policy for Salon. He has written for the New York Times, Boston Globe and Washington Post.

Thomas Kinkade, the George W. Bush of art

The rise and fall of Thomas Kinkade, the Painter of Light™ in a decade of bad faith

News of Thomas Kinkade’s death arrived on the same day I received in the mail a vintage teacup on which I had spent a ridiculous amount of money. It has a cottage painted on it. Kinkade, whose work has long exerted a morbid fascination for me (to the concern of all my friends), specialized in cottages. So some part of me understands the appeal, I guess, but, damn: Those paintings make my corneas hurt. And yet, I could barely stop looking at them.

Kinkade was only 54, and his family told the media that he died of “natural causes.” This comes after years of reports of drunken public misbehavior: cursing at people who tried to save him from falling off bar stools, heckling Siegfried & Roy, grabbing a woman’s breasts at a publicity event and, most memorably, urinating on a Winnie the Pooh statue at the Disneyland Hotel while proclaiming, “This one’s for you, Walt!” There were DUI arrests. Also, his manufacturing company declared bankruptcy two years ago, and former franchisees of the once-ubiquitous Thomas Kinkade Signature Galleries won settlements against him for fraud.

That’s quite a fall for a man who frequently spoke of his Christian faith and family values when asked to comment on the mammoth success of his brand in the early 2000s. “When I got saved, God became my art agent,” Kinkade explained in a 2004 video. He went from a childhood in Placerville, Calif. (invariably characterized as “hard-scrabble”) to an apprenticeship selling his work in supermarket parking lots to his apotheosis as the nation’s “most profitable” artist, the Painter of Light™, and multimillionaire. He was profiled in the New Yorker by Susan Orlean.

I first learned about the dark side of the Painter of Light™ — sorry, couldn’t resist that one — when I reviewed “his” novel, “Cape Light,” in 2002. The novel, first in a series, was produced much as his paintings are: by a semi-industrial process in which low-level apprentices embellish a prefab base provided by Kinkade. He wasn’t the only artist to work in this way; he wasn’t even the only novelist. To the best of my knowledge, his novels — heartwarming, fuzzily pious tales of small-town life — have been coming out ever since, one more facet of a lifestyle brand that, at its most ambitious, included an entire Thomas Kinkade-themed housing development.

My review was just a goof intended to amuse Salon’s readers, but after it appeared, I began to receive emails from people who had sunk their life savings in Thomas Kinkade Signature Galleries (essentially, mall and shopping-district outlets for his prints) and been fleeced. I didn’t really understand how the financial architecture of Kinkade’s gallery empire worked, and I sure didn’t share their taste in wall art, but these people struck me as decent and sincere. They’d believed in Thomas Kinkade — not just in the man or the company, but in the ethos supposedly represented by his work, one in which (to quote Kinkade’s introduction to “Cape Light”) “people have the time to savor life’s simple pleasures” and lead “deep, satisfying lives.”

My conversations with these victims made me uneasy. Was there some relationship between the franchisees’ naivete, perhaps even their willful self-delusion, and their terrible taste? Was it hopelessly snobby to wonder that? What about Kinkade himself? He seemed to be at best a hypocrite and at worst a crook. Was there a meaningful connection between his bad conscience and his bad art? German thinkers of the 1930s would have said so, and they had plenty of opportunity to observe bad fascist art up close. Hermann Broch maintained that someone who chooses to make kitsch is “ethically depraved, a criminal willing radical evil.” The novelist Milan Kundera believes kitsch to be the natural expression of totalitarianism. That’s a lot of moral weight to place on a bunch of garish cottage paintings, but Kinkade was always the first to present his work as a form of ideology.

I felt compassion for the ripped-off gallery operators, and at the same time I was aware that quite a few of them had probably also fallen for the similarly sanctimonious, bogus folksiness of George W. Bush, thereby subjecting our nation to one of the worst presidents in its history. Kinkade and Bush struck me as of a piece, probably because they had both borrowed from Ronald Reagan in promising that we could get back to a better way of life that never existed in the first place. In nearly every encounter with the press, Kinkade delivered a diatribe against the art-world “establishment” that had shut him out. They were “elites” touting unfathomable, downer junk to hardworking people who needed uplift instead. Art snobs were the aesthetic counterparts of the so-called liberal elites, a group that surely included me.

At the same time, I must admit that I, too, like a cottage. Granted, I like the stylized, art-deco kind painted on bone china, rather than the insanely detailed and phosphorescently lit specimens in Kinkade’s pictures. And I’m in little danger of equating my new teacup with a Brancusi just because it’s cheerier. Nevertheless, I suspect that my idea of what’s pleasing about a cottage isn’t too different from that of Kinkade’s fans: an aura of harmless coziness, of modest domestic beauty and comfort not too cut off from the past. It’s as if we’re speaking the same word, but in different languages.

I suspect this is why Kinkade’s paintings have exerted their weird, hypnotic effect on me. They are so preposterous (especially the stream-side ones; he really needed to sit down with an architect and go over the basics of drainage), so awful. And yet I can still detect — beneath that cacophony of hollyhocks and cobblestones and snapdragons — the whisper of something intelligible. I’m pretty sure I know why the hordes of Kinkade collectors love his work, even if I don’t like it myself. Kinkade’s paintings are irredeemably false, like all kitsch, but through them you can just barely glimpse the honest desires they seek to exploit, sinking under the dreck.

Kundera defined kitsch as “the absolute denial of shit,” meaning it offers an airbrushed, sterilized, sentimentalized view of the world. From that, it doesn’t necessarily follow that art wallows in shit, but art doesn’t exist for the primary purpose of denying it, either. Kitsch is, first and foremost, a lie; its very existence is founded on bad faith.

Kinkade, like Bush, peddled a falsely simplified image of the world — one without mildew or flooded basements, for one thing — which, no surprise, turned out to be plastered over a whole lot of stinky stuff. The true believers, the ones who bought into these men the most during the 2000s, ended up paying some of the highest prices, from the Kinkade acolytes who invested in his gallery Ponzi scheme to the working-class red-staters who sent off their kids to die in a pointless war. Bad taste, harmless as it may seem, can end up costing you a lot.

Further reading

Los Angeles Times obituary for Thomas Kinkade

Susan Orlean’s 2001 profile of Thomas Kinkade for the New Yorker

A 2006 Los Angeles Times story documenting Kinkade’s business problems

Salon’s Janelle Brown visits Hiddenbrooke, a Kinkade-theme housing development in Northern California

Laura Miller reviews “Cape Light,” a novel by Thomas Kinkade and Katherine Spencer

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Laura Miller

Laura Miller is a senior writer for Salon. She is the author of "The Magician's Book: A Skeptic's Adventures in Narnia" and has a Web site, magiciansbook.com.

The memo Bush tried to destroy

A document advising the Bush administration against torture has resurfaced, despite his best efforts to hide it

George W. Bush in 2006 (Credit: AP/Ron Edmonds)

In February of 2006, Philip Zelikow, counselor to Secretary of State Condoleezza Rice, authored a memo opposing the Bush administration’s torture practices (though he employed the infamous obfuscation of “enhanced interrogation techniques”). The White House tried to collect and destroy all copies of the memo, but one survived in the State Department’s bowels and was declassified yesterday in response to a Freedom of Information Act request by the National Security Archive.

The memo argues that the Convention Against Torture, and the Constitution’s prohibitions against cruel and unusual punishment, do indeed apply to the CIA’s use of “waterboard[ing], walling, dousing, stress positions, and cramped confinement.” Zelikow further wrote in the memo that “we are unaware of any precedent in World War II, the Korean War, the Vietnam War, or any subsequent conflict for authorized, systematic interrogation practices similar to those in question here, even when the prisoners were presumed to be unlawful combatants.” According to the memo, the techniques are legally prohibited, even if there is a compelling state interest to justify them, since they should be considered cruel and unusual punishment and “shock the conscience.”

Chillingly, the memo notes that “corrective techniques, such as slaps,” may be legally sustained, as might be “[C]ontrol conditions, such as nudity, sleep deprivation, and liquid diets…depending on the circumstances and details of how these techniques are used.” However much distress Zelikow’s memo caused the White House, it was not an ACLU briefing paper.

“I’m pleased the memo is now part of the historical record and available for study,” Zelikow wrote Salon in an email. The White House had determined that the memo — which was not binding since Zelikow’s was a bureaucratic position without legal authority — was too dangerous to exist. “I later heard the memo was not considered appropriate for further discussion and that copies of my memo should be collected and destroyed,” he said in a May 2009 congressional hearing.

At that hearing, before the Senate Committee on the Judiciary, Subcommittee on Administrative Oversight and the Courts, Zelikow said he had “no view on whether former officials should be prosecuted,” a decision he thinks should be left to “institutions.” However, he did call for a thorough inquiry and a public report examining how the U.S. came to employ torture.

Of course, no such inquiry was ever launched. The Obama administration declined to revisit the U.S. employment of torture, with the president saying he didn’t want to “look back.” Zelikow believes this was a mistake. “I still believe an inquiry would be useful, though less so as time passes and more information becomes available, especially after the 9/11 trials conclude, hopefully this year,” he says in an email.

During his congressional testimony, Zelikow declined to say whether Department of Justice lawyers acted improperly or immorally, conceding only that their opinions were “unsound, even unreasonable.” But in a 2007 lecture in Houston, he had no problem saying “the cool, carefully considered, methodical, prolonged, and repeated subjection of captives to physical torment, and the accompanying psychological terror, is immoral.”

The importance of the memo lies in its revelation that there was real, serious debate inside the Bush administration about how to interrogate captured terrorist suspects. The members of the White House declined to enter that debate — indeed, they did their best to squash it. The destruction of Zelikow’s carefully reasoned memo suggests the White House did not want any record of alternative views even existing, lest they be considered reasonable or people get the idea that the torture policies were thought controversial even by members of the administration.

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Jordan Michael Smith writes about U.S. foreign policy for Salon. He has written for the New York Times, Boston Globe and Washington Post.

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