Fundamental institution




(Credit: Patrick Smith)
The scourges of modern-day air travel.
I can think of a few: TSA, delayed flights, garbage in your seat pocket. Screaming kids and misdirected luggage. “CNN Airport News.”
Or, how about the blizzard of cardboard placards that hotel chains insist on littering their rooms with? I spend a quarter of my life in hotel rooms, and I resent having to spend the first five minutes of every stay gathering up an armful of this diabolical detritus and heaving it into a corner where it belongs. Attention, innkeepers: This is fundamentally bad business. One’s first moments in a hotel room should be relaxing. The room itself should impart a sense of welcome. It shouldn’t put you to work.
And here’s another one: the ever-expanding collection of electronic cords, adapters, chargers and gadgets I’m obliged to haul around with me. You know what I’m talking about. Anybody who travels regularly knows what I’m talking about. All of this, supposedly, to keep us “connected.” To make our lives easier and more productive.
Does it?
Don’t get me wrong. Riding the subway out to Logan, I love being able to pop in my earbuds and catch a few cuts from the Wedding Present, the Jazz Butcher or the Velvet Underground. And my MacBook Air is as essential for travel as a change of socks. But there is, or was, something to be said for that unplugged, disconnected age of not so long ago. If nothing else, our carry-ons were lighter, with more room for clothes.
The photo above shows the assortment of electronic gadget and gizmos I take with me pretty much every time I hit the road, be it for work or pleasure. As recently as a decade ago I owned none of this. I didn’t even have a cellphone until 2006.
Clockwise-ish, from upper left:
– That black case contains the camera that I used to take this picture. I currently use a Panasonic DMC-LX3. It’s a decent point-and-shoot with a Leica lens and super-long battery life. (The more recent pictures in my Flickr archives were taken with this camera.) I bring it with me on most, though not all, of my layovers and holidays.
– Earbuds. I recently upgraded to a pair of Klipsch and retired this Apple set.
– 32GB flash drive. For my backup files, and for transferring to and from my “master” computer at home.
– USB connector for camera (optional).
– Ethernet cord. Useful in those (too many) hotels where Wi-Fi is weak and a wired connection runs more robustly. Hotel-supplied Ethernet cords are often broken.
– Power adapter for laptop.
– AC adapter set. Essential when traveling overseas. One problem is, if I’m assigned to reserve status I often don’t know if I’ll be heading overseas until the last minute, so I’ve always got this with me.
– iPhone 4. Product unplug: Am I the only person who despises — and I mean really despises — the iPhone’s messaging keypad? Because the special function keys — caps, space bar, backspace and return — are so close to the normal character keys, I’m constantly capitalizing, spacing and backspacing when I don’t mean to. This happens in either the vertical or horizontal layout, and it’s especially annoying for those of us with fat fingers. It takes me five attempts to complete the simplest sentence.
– USB charger for iPhone.
– USB-to-AC connector thing for iPhone (optional, but a good thing to have).
– USB-to-Ethernet adapter (see Ethernet cord above).
And, in the middle of it all, my beloved MacBook Air.
All together, we’re looking at roughly five pounds of technology that, for all intents and purposes, is mandatory carry-on. Sometimes it’s slightly less, other times slightly more. Not shown, for instance, is my Flip video camera, which I bring on longer trips. ( Flip brought you this, among other works of directorial art.)
Thus the real must-have gadget is a decent case or container in which to consolidate all of this crap. For me, most of the more wiry components above fit nicely into an old business class amenities kit, which keeps them out of the way and avoids tangles. (How frustrating is it, meanwhile, that so many electronic devices require their own proprietary charging cord or adapter? Imagine if every lamp took a different kind of light bulb.)
The amenities case, together with the laptop, camera and phone, fit snugly into either of my larger carry-ons. Now that my flight case has been retired — a milestone previously detailed here — I typically go to work with two pieces of luggage:
The first is a custom crew roll-aboard from Luggage Works. At the moment I use the 26-inch LW with the plastic frame, which is much lighter than the more popular metal frame version. To make it even lighter, I’ve retrofitted the stainless steel retractable handle with an aluminum one.
I don’t know what “custom crew” means. I just thought it sounded cool. Over 95 percent of LW users are airline crew members, but anybody can order one.
A number of my colleagues use Travelpro bags (I’ve owned a couple of Travelpros over the years), but on the whole that brand is more popular with flight attendants than with pilots.
For a long time pilots resisted using roll-aboards at all. The thinking was that rolling your belongings was, like, too effeminate for the macho pilot (take me, for example). And so pilots would hand-haul their 40-odd pounds of personal luggage and pilot gear through the airport, toning their tough-guy biceps and making many a chiropractor happy.
By the way, have you ever heard somebody refer to roll-aboard bags as “roller board” bags? I was on a plane a few weeks ago and the flight attendant made an announcement reminding people to stow their “roller boards” handle-first into the bins.
My smaller bag, hung from my roller board using a hook that I designed myself, is a $300 Tumi briefcase that I bought about six months ago and quickly learned to hate, with its useless, miniature exterior pockets that I can barely squeeze my fingers into.
I’m something of a pro when it comes to short-notice, multi-climate packing. Here’s a tip: Go with lightweight clothing. What a concept, I know, but I’m amazed by how many people travel with heavy cotton jeans — even to hot climates. I own a lot of fast-dry synthetics. They’re not stylish, but when have I ever been? On the other hand I can launder a pair of pants in the hotel room bathtub and they’re dry before morning.
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GO-AROUNDS
Re: The Funniest Thing Ever Written
Several readers emailed demanding that I immediately scan and post copies of the 1988 “Guide to Harvard University Dining Services” booklet that I wrote about last week. A great idea, but the thing is 38 double-sided pages long. Tell you what: I’ll do it, but not for free. My price is $5, sent to my PayPal account. I figure if 20 people are interested, that’s $100, which makes it worth my trouble. Once I hit a hundred bucks I’ll send scans of every page to anybody who wants to see them, or else I’ll post them somewhere on my home site. If I don’t hit the $100 mark within the next 10 days I’ll refund your donations. (I really don’t expect to bring in much beyond that, as people will be waiting for the early birds to cover the cost.)
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(Credit: Yuri Arcurs via Shutterstock)
He came to me when I had reached my nadir. I had become unable to type, write or drive without needles gouging the nerves in my wrists and arms. An ominous numbness traveled in a circuit along the inside of my legs. Then, curled up into a little ball like a shellshocked potato bug, I suffered the coup de grâce: my first migraine.
The tests for multiple sclerosis, rheumatoid arthritis, carpal tunnel, Lyme disease, etc., all were negative. Call it a virulent case of repetitive stress injury, brought on by egregious laptop habits, a stiff clutch, stop-and-go traffic on the Bay Bridge, and decades of hunching.
My doctor gave me a prescription for anti-inflammatories, pills that upset my stomach but didn’t spare cashiers from the mini-meltdowns I had when asked to sign for my credit card. The acupuncturist gave me a rash by rubbing a smelly salve on my belly. The homeopath gave me a $140 consultation and an American bald eagle placebo pellet. The chiropractor suggested that I fly to Costa Rica and do nothing for a month, but did not offer to front the money for this healing vacation. My friends were more helpful, driving me to Trader Joe’s and Target to stock up on rice bowls and socks. But friends are friends because you don’t lean on them like partners or paid caregivers. In any case, I wasn’t able to pay a caregiver, and I would have worn down a partner with my litany of woes.
What I needed was a personal secretary.
In the advertisement, he said that he specialized in assisting people who suffered from my condition. He assured me that my hands needn’t touch the computer keyboard: He could take dictation, check my email, and help me do searches on the Internet! He wanted very much to help.
He moved in. Our relationship soon became more intimate than any I had previously experienced. I was filled with needy desperation, and he had absolutely no interpersonal boundaries.
His name was Dragon Dictate for Macintosh.
In the honeymoon period, I found his mistakes adorable. Actually, I assumed that he garbled my words to charm me. His version of “Cripple’s Memoir,” a self-pitying journal entry, was “Cripple’s Mambo.” Such motivational irony! When I said, “Before therapy, I went to Whole Foods to eat an éclair,” he typed Before therapy, I went to Hole Foods to eat any cleric. How deliciously blasphemous! “Citing another’s words” was Sightseeing another’s words. What a piquant gloss on his work with me! “Dictate” was, with a wink, Dick Tate – my guy.
But the distortions could be vexing as well. I teach rhetoric, and I am determined that my students fully understand the concepts of “logos,” “pathos” and “ethos.” I distribute handouts on how to use the terms properly. I deliver discourses and pen little treatises, individualized for each student. In this work, “logos” and “pathos” went OK, but for “ethos,” Dick undermined my authority by slipping in eat those, or burritos, or Negroes.
Oh, my students, even my African-American students, thought it was hilarious. They cut me slack, which I very much needed. Even though I was working part-time, it was difficult to keep up with the marking. I was shaky on my feet and losing weight. I had sold my car, in part because I now took public transportation everywhere, and in part because it helped to pay the rent. Often my relationship with Dick was less than supportive. He had begun to transcribe behind my back, taking inspiration from my phone conversations to make word salads, or else he would fixate on ambient noise, recording it as him him him him him and on.
Pages and pages of him’s. I know what you’re thinking – why didn’t you just, say, turn the microphone off? What I did was give the command “Go to sleep.” But like an impish lover who wanted to cavort, he kept demanding my attention. Let’s do this program! he’d flash at me, showing off some kind of graph, triggering my math anxiety rather than turning me on.
I couldn’t figure out from the various cheat sheets and manuals how to make him behave. Go to sleep. Him him him. GO TO SLEEP. Him him… I don’t want to go to sleep. I want to make a chart now. Look at me! Let’s make a chart. No, look at all of the emails you have ever written, in rapid succession! Do you remember the student who sent that anonymous email signed “The Sausage King of Chicago “? That was awkward. Would you like me to film you naked? Here’s what you look like dressing. Here’s what you look like coming toward me. Here’s what you look like when you say fark … or was that fox? Fax you? That’s really hot.
Although he could be childish, and sometimes adolescent, sleeping in when I needed him to wake up – WAKE UP – he was urbane. He followed politics. He knew Barack Obama and Nancy Pelosi. He even knew Newt Gingrich. And he was a literary type, able to spell Charlotte Brontë with the umlaut (aka boom a lot), able to transcribe Yeats perfectly – Turning and turning in the widening gyre/the falcon cannot hear the falconer/things fall apart…
After a moment or two of lucidity, however, he would revert to his playful perversities. He agreed that Tom is important. I don’t know anyone named Tom, but I do believe that tone is important, especially when you are making what Dictate called a Veronica Mark, which might also be, among fans of Archie comic books, lingo for “an ironic remark.” To push me to my limit, he said Matey like a pirate whenever I said Maybe (I couldn’t hear his Tom, but I assumed he was speaking in pirate).
I tried to adapt to him. Him him him. For example, he would often write she when I said he. After some failed training, I experimented and discovered that if I sang Hee! like Michael Jackson, he would submit to transcribing the pronoun I so desperately wanted.
Sometimes he dismantled my ire, correctly transcribing histrionic, nemesis, quasi-date, Schadenfreude, even amanuensis. Then he would completely disregard my needs, dropping -ed’s and -’s from the end of words. One of my students, a PC devotee, kept telling me that everything would get better if I invested in a PC and dumped Dictate; there was a program for PCs that worked much better. I kept hearing the same thing, even from Mac lovers. What finally impelled me to move on was the great disparity between Dick’s enthusiasm and the real quality of his love. The gulf between the two had filled me to overflowing with bitter resentment.
I bought an inexpensive PC (which predictably freezes up more than my Mac), and installed Dragon Naturally Speaking, the PC-compatible version.
The first time I used the program, I cried. I could center text instantly, change the font of a word, line or paragraph, strike out words, page up, page down, rapidly read and delete emails, and most astonishingly, say things I thought made sense and be perfectly understood. “Delete rest of line.” I didn’t read that in a manual. I just said it and the remainder of a line disappeared. With Dick Tate, I may have had the power to do these things, but he was like a partner who had not gone to therapy and could not explain himself. Dragon Naturally Speaking presents a sidebar menu that alters its contents depending on what you’re up to. For example, if you’re writing emails, the help menu for working with email appears on the screen.
This is all starting to sound like I’ve been hired to give a promo in the guise of a personal essay. Truth be known, it takes me twice as long to produce a document as it did when I was able to type. The good news is that I am no longer starring in a comedic version of “2001: A Space Odyssey,” dependent on a benign and nutty version of HAL. Still, when I see people hunched over their laptops in cafes, I try not to give in to Schadenfreude. But seriously, they are doomed. The technology that augments our functioning will undoubtedly cripple more of us. Then, breakthrough technology will come to the rescue, only to hamper us in some new way – all part of a never-ending feedback loop of techno crippling-assistance.
My first Dragon once called intimacy, entombment. I am chronically single, and this pairing pretty much encapsulates the fears underlying my condition. Maybe how I feel about intimacy muddles my articulation of that word. Maybe Dick Tate understood me better than I imagined. I have to say that our peculiar intimacy taught me how to enunciate better. It also left me with incredibly low expectations, so that now I am primed to work towards mutual understanding in a more fulfilling relationship.
My second Dragon has its moments, evoking (evil king) my first Dragon when I tell people that it’s difficult to gain ground and heal because I am slowly Arctic … Discover iTunes Gothic … scoliotic. But my relationship with Naturally Speaking has enabled me to keep working, and I can’t tell you how important that is, on so many levels. Best of all, my second Dragon is a software program rather than a projection of my attachment issues. I never forget that I have people to thank for that, clever programmers whose relational skills are reflected in their work. Bless them.
I think of fashion as a medium of communication,” says Victor-John Villanueva. “It can convey ideas, both large and small. On a very personal level, it can convey your mood and state of mind.”
On Feb. 13, Victor became a Fab.com sensation when he officially launched 3PTPOP with a plan to bridge the gap between art and fashion — fashion communication. He’ll be accomplishing that with his line of celebrity fusible bead portraits, using Perler beads, those plastic objects you were tempted to chew on as a kid.
I first met Victor in 1997, when he was a sophomore Literature and Rhetoric major at SUNY Binghamton. Victor was considering becoming a graphic designer, and when next we met, he’d transferred to the School of Visual Arts to pursue his passion. Next came a stint as a Simon & Schuster book jacket designer, and in 2003, after two years in publishing, Victor participated in the JET program (Japan English Teaching Programme), sharing his culture with townspeople and teaching ESL. “I relocated from an office on 49th and 6th to a tiny school in a town of 7,000 in Kochi Prefecture, Japan,” Victor recalls. “The move was a game changer.”
“Japan brought another level of depth to my artistic and personal development,” he continues. In the beginning, Victor’s slightest efforts to communicate were difficult, but by the end, he was able to negotiate with real estate brokers. “Japan took me outside of my world as I’d known it to that point,” he says. “I made great friends and learned a lot about myself.”
Upon his return to New York, Victor became the art director of New York City Opera — after showing a body of personal work he’d created about his experiences abroad. And Victor soon got his fashion on (Do the kids still say that?), creating T-shirts emblazoned with hand-painted portraits of style icons like Vogue’s André Leon Talley, writer Glenn O’Brien, Lynn Yaeger, Kim Hastreiter, and Simon Doonan. Victor’s T-shirts garnered press from The New York Times, New York, Paper, and GQ.com—and even made appearances (the T-shirts, not Victor) on Martha Stewart’s TV show, and “America’s Next Top Model.”
Next came the fusible beads.
“When I bead, I feel as though I am painting a picture,” Victor says. “Big patches of color here, small strokes there.” Just like anything new, there is a learning curve associated with the beading. “After I select the person I want to create, I pixelate reference photos on my computer and use them as a basis for the picture.” After creating an initial sketch, Victor goes back and refines the details. “It’s strange how sometimes the placement of one bead can really make or break a piece,” he says.
Victor works in his NYC home studio, a space filled with inspirational toys, fashion, design, art, and books. He coats his fusible bead portraits in resin himself, a process refined through trial and error — and open windows. “I’m really inspired by artists who use resin in their work,” he says. “Maybe it’s the synthetic nature, or the durability of it. It was natural for me to want to make the portraits more permanent.”
Victor hopes 3PTPOP will grow as a brand that straddles the worlds of art and fashion. “I envision creating collections based on pop culture icons who’ve had an influence on me,” he says. “In that way, the work becomes kind of a diary of the pop culture addict within me.”
Copyright F+W Media Inc. 2012.
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This novel, the fourth that Daniel Handler, better known for the novels he wrote under the name Lemony Snicket, which rival those written by a woman named Rowling in copies sold, has written under his own name, is arguably his first explicitly targeted toward older teens. Though the first two Handler novels featured high school and college-age protagonists, their subject matter (homicide and incest) made them more the province of literary adults.
The subject of “Why We Broke Up” — the unlikely romance between a “jocky” boy and a girl he insists, despite her protests, on calling “arty” — would sit comfortably next to any classic John Hughes movie. But the execution is a master class in the things books do best: It’s loaded with sly, beautifully produced illustrations by Maira Kalman and Handler’s exquisitely wrought sentences, brimming with charm and surprise, whether describing invented plots to classic films, clothes coming off a dry-cleaning rack, or the gorgeous banality, beauty and terror of high school life.
The novel begins at the end: 16-year-old Min — “call me La Desperada” — is making a pilgrimage in a borrowed truck to dump off a cardboard box containing the “prizes and the debris of this relationship, like the glitter in the gutter when the parade has passed.” The intended recipient is her ex-boyfriend, Ed, the co-captain of the basketball team, whom she met when he waltzed into her friend’s Bitter Sixteen party — featuring dandelion green pesto and an inedible 89 percent cacao cake in the shape of a black heart — looking exactly opposite its theme, “strong and showered” and “enormous as a shout.”
Ed is “like some movie everyone sees growing up”: “the jocky hero, handsome in the student newspaper and star of a million strands of gossip,” who always “has a girl on him in the hall, like they came free with a backpack.” She likes jazz, he likes mainstream rock “as bold and dull as a giant potato”; she wants to be a film director, he wants to be “winner of state finals.”
At first, she can’t believe a boy like him would be interested in a girl like her and struggles to put together “the print and the negative, the boyfriend and the celebrity shadow.” But he is utterly smitten; to him, she is “different,” like a “spicy food” from “Whatever-stan.” Though we know from the beginning — heck, from the title — to expect a bad end, Handler unfolds the odd-couple love story in a way that resists, rather than reinforces, clichés — of boys and girls; jocks and freaks — while evoking the universal adolescent experience of falling in, then right back out of, love.
When Occupy Wall Street burst on the scene last September, the movement seemed unique and unprecedented. The latest installment of “F**ked: The United States of Unemployment,” however, traces the long history of occupation as a strategy of the unemployed. The impact these earlier movements had is rarely acknowledged, but those uprisings inspired everything from films like “The Wizard of Oz” to transformative government programs such as Social Security.
Another similarity between the “unemployed armies” of yesteryear and the Occupy movement is the brutal response by law enforcement. Witnesses expressed shock when the Oakland police sprayed tear gas at protesters and complained about the liberal use of billy clubs by cops in New York, but imagine Gen. Douglas MacArthur unleashing a deadly offensive of tanks, bayonets and torches on military veterans camping out in Washington, D.C. It’s all captured in the chilling video below.
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