Motherhood

The happy hypocrite

I never cared that Caitlin Flanagan calls herself an at-home mother, even though she's a magazine writer with a staff of helpers. But now she's using her battle with cancer to denounce feminism and extol her traditional virtues -- and I've had it.

Everyone knows Caitlin Flanagan isn’t a stay-at-home mother, she’s an accomplished writer who plays a stay-at-home mom in magazines and on TV. Right? Part of why I’ve never gotten upset about Flanagan’s pro-hearth and home shtick is that I’ve seen it as just that, shtick. I’d read enough to know she had a full-time nanny when her twin sons were infants and she was trying to be a novelist; then she wrote about modern womanhood and family life for the Atlantic Monthly after they hit preschool; now, with her boys in grade school, she’s got a great gig at the New Yorker. So how is she not a career woman who’s also a mom?

I’ve been too busy to figure it out, since I am a career woman who’s also a mom. I haven’t always found time to read Flanagan’s glossy essays, although I know I should, since she drives some feminist writers I admire to fits. Not me, I always said, with (dare I confess?) a semi-secret, Flanagan-like flash of self-satisfaction: I would never judge those women who are driven nuts by Flanagan, but maybe I’m just a little wiser, a little more secure in my choices, just a bit harder to rattle than they are, the poor dears.

Then I picked up Flanagan’s new book, “To Hell With All That: Loving and Loathing Our Inner Housewife,” and I lost my equanimity. It’s mostly a lightly reworked compilation of her New Yorker and Atlantic Monthly essays from the last few years, but dressed up with a more-in-sorrow-than-in-anger introduction blaming feminism for causing women “heartache,” and a truly below-the-belt conclusion, on how surviving breast cancer confirmed Flanagan’s conviction that traditional marriage and motherhood is best. I put the book aside for almost two months because even though I’m tough, I’m not tough enough to kick someone with cancer, and Flanagan deserves a kick for the dishonest and divisive gloss these new essays give the book, and her whole career. But I guess I learned something new about myself in this process: Apparently I am tough enough to kick someone with cancer, but only after feeling bad about it for a while.

As the book’s publicity machine gathered steam, it suddenly mattered very much to me what’s true about Caitlin Flanagan, and what isn’t true. Flanagan has come to feel like another publishing-industry hoax, not as fake as James Frey or J.T. Leroy/Laura Albert, but in some ways worse: a hoaxer who’s using a great gift from the cosmos — recovery from breast cancer — to rail against feminism, evangelize for traditional gender roles, and to debase women who can’t or won’t make the same choices she did. So maybe we do have to get to the bottom of this one. Who is Caitlin Flanagan, and why is she writing this crazy stuff?

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I suppose it’s inevitable that since feminism was at least partly launched by complaints that women were miserable trapped at home, cut off from careers, it would be vulnerable to an assault that depicts women as happier in the home, as wives and mothers, than in the workplace. A not-so-great consequence of Betty Friedan’s “The Feminine Mystique” is that it led to the conclusion that stay-at-home motherhood was bad because it felt bad to a lot of women in Friedan’s generation; by the same logic, we’re now being told by writers like Flanagan that stay-at-home motherhood is good, because to some women (who believe they’d been denied it by feminism), it feels good. (Most mothers, let’s remember, don’t have the luxury of choosing to stay home full-time, but Flanagan and Friedan belong to the mouthy minority that does.) Flanagan has always been clear on where she stands in relation to angry, unhappy Betty, who, she reminds us, usually had housekeepers doing the domestic duties she railed against. The only thing worse than a hypocrite is an unhappy hypocrite, Flanagan seems to say.

Flanagan, by contrast, bills herself as a happy hypocrite. She readily confesses that although she’s an at-home mother (more on her hair-splitting definition of same later), the “home” part of the equation doesn’t get much attention; she’s not much for cooking or housekeeping or bleaching or mending, or any wifely duties, really, except (we’re supposed to infer from a chapter about how feminists won’t give their husbands sex) sex. She’s had a full-time nanny, housecleaning help, a “household organizer,” and now that the kids are in school, no nanny, but a baby sitter. And while she loves to read old texts like “The Settlement Cook Book,” with its recipes and its polite solutions for every domestic problem, some of which involve one part bleach, she’s honest about having no practical relationship to the book, beyond that of a reader; in fact, she compares herself reading the cookbook at home to a man reading Playboy in a hotel. “I have never made a solution composed of one part bleach and nine parts warm water  I have been married a total of sixteen years to a total of two men, and never once have I been asked to iron a single item of either man’s clothing or to replace even one popped button.”

Flanagan can occasionally seem more wry than judgmental. You might coast for pages on her breezy descriptions of the differences — and similarities — between the neuroses of at-home and career mothers. You might even find yourself nodding in agreement — it really is awful that work takes up so much of our lives, that in too many couples and families no one has time to make dinner, to plan seductions, to make a house a home. She sometimes seems like an amusing bystander watching the crazy millennial “mommy wars,” occasionally jumping in on both sides of the debate. At one school fundraiser, she confessed in an essay, she hung out with two career-mom friends and the three poked fun at a stay-at-home mom’s pathetic zeal for school projects. “Get a life,” one of them said, then they all snickered, and turned their backs on pathetic mom and talked about work. But another time, Flanagan admits she joined the mean-mom brigade, tsk-tsking over one little girl whose career mother never shows up at school.

But just when you’re trying to accept Flanagan’s two-faced approach as a kind of honesty, as evidence of the confusion we all feel as mothers who work, she’ll sucker-punch you. In a great Elle profile this month, Laurie Abraham likened a feminist reading a Flanagan essay to taking a nice walk to enjoy the colorful fall leaves during hunting season … it’s so beautiful and then, ka-boom. You’re Harry Whittington and she’s Dick Cheney, and your face is full of buckshot! You’ll be reading and smiling and thinking about how it’s so complicated for women today, but we’re also lucky, we have so many choices … and then pow! Abraham points to this passage in Flanagan’s famous 2004 Atlantic essay “How Serfdom Saved the Women’s Movement:” “What few will admit — because it is painful, because it reveals the unpleasant truth that life presents a series of choices, each of which precludes a host of other attractive possibilities — is that when a mother works, something is lost.” (The line was dramatically toned down for “To Hell With All That,” but don’t worry, much nastier lines replace it.)

The essay’s main point is to guilt-trip women about taking advantage of their (mostly third-world) nannies, and scare them about being replaced in their children’s hearts by their nannies, since their nannies are around more than their moms. My favorite example of Flanagan’s method comes in the essay “To Hell With All That,” where she sides with both the career moms and the stay-at-homes in the mommy wars. In the end, though, she picks a side. After calling the question of whether women should stay home with their kids “an endless, fruitless debate,” she mulls whether there’s a perceptible difference between the kids of stay-at-home and working moms (which she confesses she expected to see in preschool). “What a bust. There was no difference at all that I could divine. If anything, the kids of the working mothers seemed a little bit more on the ball.” Ah, that’s a nice admission, thank you! Maybe we are all in this together. Maybe we’re all a little too hard on ourselves, and each other. Let’s have coffee!

But Flanagan was just soothing and distracting me, like a pheasant she’d later throw toward Dick Cheney:

“In the end, what did my boys gain from those thousand days they spent with me before school took them out into the larger world? Nothing, it seems to me, of any quantifiable value … All they gained, really, was the sweetness of being with the person who loved them most in the world. All they gained was an immersion in the most powerful force on earth: mother love.”

Oh, that’s all. Suddenly the career mom curled up with the book is sitting upright on the sofa, and Flanagan’s saying: “Well, I enjoyed spending time with you, your daughter is adorable (if a little wild!), but, well, we’re really not all in this together. Because, remember, I stay home, and you don’t. Oh, and your daughter? She loves her nanny more than you! Buh-bye!” Then she and her twin sons, Conor and Patrick, just drenched in full-time mother love, are out your door, tripping over the toys on your stairs and you just know you’ll never see her again and you’re not sure what just happened but you feel … bad.

Those kidney punches make Flanagan seem a bit sociopathic, but some of her magazine essays, at least, contain comparatively few razor blades in the apples. The portions of the book that are new, including the introduction and the final essay about cancer, however, are studded with them. Her self-congratulatory introduction casts “To Hell With All That” as the product of years spent covering the home-front beat, where she witnessed what happens to men, women and families When Feminists Get Their Way! And clearly, what happens isn’t pretty: You have neglected children, men who aren’t getting any — no nurturing, no home-cooked meals and no sex — and women … well, the women might be the most miserable of all. Boy, are they confused!

Feminism’s rejection of traditional roles for women, Flanagan tells us, has resulted in “a drag queen ethos” of femininity, in which presumably masculinized women demand supersize trappings of womanhood without, in Flanagan’s words, “the obligations and restraints that gave those privileges meaning.” She sees it all around her: women rejecting traditional, patriarchal marriages but demanding expensive traditional white weddings; disdaining home and hearth but dropping a bundle purchasing the Martha Stewart facade; wanting demanding careers and children too, but not wanting to hear about the consequences to their kids when mom goes to work; demanding ultimate sexual freedom as well as “the right to free themselves from sexual obligation of any kind” and rejecting the notion of sex as a “wifely duty.”

Although Flanagan declares that the book is not meant as “a call to action” or “a prescription for a happy life,” it reads like both. It comes complete with a “code of feminism,” which is worth looking at in all of its crackpot detail for the way it caricatures feminists. The code according to Flanagan holds:

“Girls do not have a natural interest in homemaking.

“A young woman should not spend any of her energies finding a suitable husband and preparing for her life as a wife and mother.

“A woman doesn’t need a man, and a child doesn’t need a father.

“Caring for the emotional and physical needs of a husband constitutes subservience.

“Paid professional work outside the home is the most valuable way for a woman to assert her intelligence and native gifts onto the world.

” There is no connection between the number of hours a woman spends with her child and the nature of her relationship with the child.”

It takes an enormous capacity for intellectual dishonesty to lay out such straw-women exaggerations and pretend that “feminists” unanimously believe any of them, let alone all of them. But Flanagan takes the code seriously: “For many women, this code has brought heartache.”

It has also brought them lives in which they are in no condition to battle breast cancer, as she did. “To Hell With All That” ends with a creepy conclusion, in which she describes her diagnosis, her treatment and her recovery. Midway through the chapter, a gripping story nicely rendered becomes a scary Soviet propaganda pamphlet. Almost dying taught Flanagan not tolerance, not mystery, but absolutism. Her writing devolves into ranting:

“The only thing you can protect your children from is the bad behavior of their parents.

“The only thing I can promise my boys is that in this house the parents won’t yell at each other or treat each other poorly. They won’t become drunks or run off with lovers. In this house the parents will act like adults. They will take the children to church; they will set an example; they will be present in every moment of their lives. Only death can part us from them.”

Suddenly we’re reading a manifesto. You can imagine Flanagan reciting this credo to ward off her fear of dying and leaving her kids motherless, and for a time your heart goes out to her. But it’s got none of the loveliness or sense of wonder of a prayer. Then it gets even worse. A short paragraph explaining that her husband took care of the boys and carried her to the doctor when she was sick is interrupted with what feels like a non sequitur. “If that’s a traditional marriage, I’ll take it.” She explains her reasoning thusly:

“If a marriage is like a bank account, filled not only with affection but also with a commitment to the other person’s well-being as much as to one’s own, I suppose my balance was high. I suppose that all the days I had made a home for my husband, and all the times I had ended my writing days early so that he could work late or come home to a hot dinner and not to a scene of domestic chaos — all of that, as much as the desire and intensity that originally brought us together, were stores in my account.” And she ends the book this way: “Here’s what I know: When I woke up from the final surgery, I didn’t want to see the articles I’ve written or the editors I’ve worked for. I wanted to see my sons and my husband. And I wanted to go home.”

Here’s what I know: This is one confused book, and one confused author (and admittedly, one confused reviewer as well). What are we to make of it? From the flippant “inner housewife” subtitle to the faux-’50s cover art, “To Hell With All That” bills itself as a continuation of the witty, breezy, entertainingly contrarian writing she pioneered in the Atlantic and the New Yorker, but the book is a strident attack on feminism and a paean to traditional marriage. What’s going on here?

My inner superstitious Irish Catholic girl winces at the hubris of Flanagan’s crediting her care for her family with her husband’s willingness to nurse her through cancer. I immediately thought of Jackie Gingrich, Newt’s first wife, who was served with divorce papers by her cheating husband while in the hospital after cancer surgery. Did Jackie Gingrich fail to deposit enough in their marital bank account? Of course not. All over the world, there are feminists with cancer being cared for by loving husbands, girlfriends, siblings, children; sadly, there are also traditional wives who’ve been abandoned by their husbands at the first sign of illness; there are good men being treated badly by bad women, and bad women being treated well by good men. In short, there’s every kind of blessing in the world alongside every kind of heartbreak, and all I know for sure is that to credit your own behavior for what is essentially good luck and someone else’s kindness is asking for what’s called karma, and not the good kind.

And yet while Flanagan has blamed feminism for causing women “heartache,” it’s worth saying that there’s an awful lot of heartache in her writing — and most of it, given her self-proclaimed happiness with her traditional role, is her own. Almost every piece in the book makes reference to her depression. Being home with her two babies was “mildly depressing,” she admits in the opening of her “Serfdom” essay in the Atlantic. In her “Executive Child” chapter she refers to the “low-level depression” she suffered the first year of motherhood. In “That’s My Woman,” the chapter on her tortured relationship with her nanny, Paloma, she describes “an emotional weariness that I would recognize as depression years later” along with an unrelenting “loneliness and exhaustion.” Things do get better as the boys get older — she gets them into toddler classes, and then they learn how to talk. “By the time they turned two, my mood lifted considerably,” she confesses. The first time she sneezes, and one of them says, “Bless you,” she tells us, “I realized that what my shrink had been telling me every week was in fact true: the babies would get older, things would get easier.”

It’s worth breaking those references down into even a little bit more detail. Yes, the at-home mother had a full-time nanny for her twins. Still, she insists she didn’t really do much work in that time, she wouldn’t let herself, she was too busy sulking about how her sons were going to love Paloma more than they loved her. Luckily, she begins to come out of her depression around the time the boys could talk — kids do get a lot more amusing at that age — and eases Paloma out the door, just in time for Conor and Patrick to spend half their days in preschool, and her magazine career takes off. It’s hard not to conclude that when a mother has a nanny but still (supposedly) doesn’t work, something is also lost, but I’m not sure what it is. The mother’s sanity? Maybe. The right to brag about being a full-time stay-at-home mother, who bathed her children in full-time mother love? Definitely.

Writers before me have made the pretty inescapable observation that Flanagan seems to have been driven around the bend by the defection of one at-home mother in particular: her own. The book’s loveliest prose is about the late Jean Flanagan (she died in 2000), who knew the value of a julienned green bean, a freshly made bed, a cool hand on a feverish forehead; a mother’s love. Jean Flanagan would never leave her daughter for the world of work like those ugly women’s libbers.

Except, well, she did. Flanagan’s best New Yorker essay detailed the grief she felt being “dumped by mom” after her mother got an office job when Flanagan was in seventh grade. She works hard not to see her lovely mother — and she seems lovely, that wasn’t an ironic “lovely” — as some sour Betty Friedan-like figure, trapped by homemaking and then liberated by a job. And yet all the reasons she gives for her “defection” echo “the problem that has no name,” complete with her mother’s “glooms and sulks” miraculously disappearing once she got back out into the world. In another essay she goes into even darker detail about the chaos left behind in other Berkeley, Calif., homes when mothers fled for the workplace — filthy houses, meals unmade, daughters with uncombed hair. In Flanagan’s Berkeley of the 1970s, apparently, you couldn’t escape all the women escaping — even the therapist Flanagan saw at 15 interrupted a session with a rant about housework. (Flanagan doesn’t say why she was seeing a therapist at 15, but you’re left believing it has something to do with the “terrors” she admits to feeling when her mother left her home alone.) “When a mother works, something is lost” indeed.

I don’t mean to minimize the abandonment the young Flanagan may have felt at being a latchkey child. And she’s entitled to grow up and decide nothing will take her away from her sons. But she’s not really entitled to put on a show for the rest of us, insisting on her saintly at-home mother status when she’s in fact got the resources to combine motherhood with an “at-home” career. She tied Laurie Abraham in knots on the question of why she won’t call herself a working mom in Elle:

“‘Aren’t you a working mother?’ I ask.

“‘All mothers are working mothers,’ Flanagan replies.

“‘Working mother outside the home, I mean.’

“‘No, I’m never outside the home when I work,’ she replies. (Geez, I fell right into that one.)

“‘But you do have an office in the house? You’re not typing in the kitchen, right?’

“‘When the boys were really little I did. I sat at the kitchen table. I sat right there and worked.’ And so on.

“I ask her whether she still has regular child care. ‘I don’t want to get into the specifics of that,’ she says, ‘because it’s so personal, but I would say there’s a lot more cleaning help at this point. I have help with the kids sometimes, babysitting.’”

Is Flanagan trying to fool her publishers, her readers, or is she fooling herself with this at-home mother shtick? It’s really hard to tell. Lots of feminist writers have rebuked big-name editors for giving the anti-feminist Flanagan such great perches — the New Yorker, the Atlantic, and now a hyped book. I don’t usually bother second-guessing other editors. But it’s hard not to agree with Daphne Merkin, who told Abraham she thinks Flanagan is the brainy-mag “it girl” of the moment (and, yes, apparently there can only be one) because she’s a “throwback to a less threatening, more reassuring kind of woman writer,” one who has infinite sympathy for the troubles — “call it the ‘ache,’” Merkin told Abraham slyly — of being a man.

But rather than inspiring criticism of male editors for advancing Flanagan’s career, “To Hell With All That” invites a different kind of editor rebuke: Some editor, somewhere, should have protected the mixed-up essayist from many things in this book, but particularly for congratulating herself on being the type of woman whose husband treats her well while she has cancer. Bad things do happen to good people, as well as to bad people, to feminists and anti-feminists, to women who forgo careers for their families as well as women who just pretend to. Flanagan’s book is a sad and scary fable about fear of abandonment, and its supposed happy ending really isn’t one.

Joan Walsh

Joan Walsh is Salon's editor at large.

How I met my mother

After our dramatic fights, I swore I'd be a different kind of mom than my mom. I didn't realize how similar we are

A photo of the author with her mom and son. (Credit: Reyna Zack Photography/Melissa King via Shutterstock)

I could say we didn’t get along, but that sounds benign. There are plenty of people I don’t get along with, but we’ve been able to opt out of each other’s lives. This was my mother, and though we both would have opted out if we could, we couldn’t — except for the brief year I went to live with my father, which was a mistake — and so we didn’t.

I wish I could tell you exactly why we didn’t get along. Maybe I resented my parents’ divorce, and because she screamed louder, I blamed her more. Maybe I blamed her for seeming to hate me. (I was what was called, back before all children were pathologized, a “difficult child.”) She felt mothers should be respected universally, and I felt like we should talk everything out. I wanted to be understood. She wanted me to understand that I wasn’t her friend, I was her daughter. When she hears my sister using the parenting language of today on her son – “I hear that you’re frustrated, because it’s frustrating to not be able to own a machine gun, but you just can’t have one” – she rolls her eyes and thinks back to the days when a kid who asked for something unreasonable could just be sent to his room.

As I grew older, I went from “difficult” to “rebellious.” There were accusations, door slams. We are both temperamental and quick toward theatrics, both prone toward shaking our hands at the heavens and screaming, “Why me?!”

Eventually, though, we learned to get along. We still do. When I had children, I promised our home would be calm and reasonable. We would talk everything out. We would never, ever yell.

At first, I was a different kind of mother than she was. My son was quiet and compliant — and sweet. He hugged me when I put my arms out; he never defied me, at least not until much later. My mother would visit, and I would show her how loving and not screamy I was with him. I sat on the floor with him and played with him during those visits, though I find stacking and shape-sorting excruciating. By my example, I would try to teach her how nice and easy it could have been. On our daily phone calls, I would show how I was the model of patience and how I was understanding and not reflexively impatient. I was showing her how she could have been a better mother; in truth, I was waiting for an apology.

Then my younger son was born. He is beautiful — you should see him — and he is charming. He smiled, I swear, the day he was born. He laughed when he was just 4 weeks old. Then, about two months after we brought him home, he opened up his mouth and began screaming, and he didn’t stop for something like 15 months. He has not yet slept through the night for more than a week in a row. He is old enough now to get very angry at me and throw tantrums, and for those tantrums to upend our household. He’ll grow out of them, or maybe he won’t. Maybe he’ll sit at his desk in 34 years and write an essay about what a terrible mother I was.

But that will be his essay. In my essay, I start to scream. I scream so loud that the neighbors want to know if, um, everything’s OK in there? I scream so much that my throat is raw. I give looks that are identical to the ones my mother gave — sharp and pointed — not just to the younger one, but to the older one, who has started testing my limits, too. I send the 2-year-old to his room. I try to speak the way my sister speaks, to tell them that I understand their frustration, but honestly, I don’t, and I don’t think I should have to. I tolerate no amount of disobedience or backtalk. My husband comes home to find me a frazzled mess.

I am, in short, the kind of mother my mother was.

But my mother is a different person than I realized. I first came to understand this after the delivery of my older son. It was traumatic, and I was depressed for months following it. My mother came to stay with me and tried to show me new ways of having perspective on this, but all I kept saying was that she had never had to triumph over anything this difficult. As I sat in a dark trance, rocking my baby, she told me to put him down while he slept. I wouldn’t. I was going to be a calm, peaceful — OK, completely depressed — presence for this kid in a way she never was for me.

Once again, she didn’t understand what I was going for. I wanted to be rock solid. I didn’t want my own emotional limitations to get in the way of being a parent. Not my sadness, not my temper, not anything. I wanted to be better than human. I wanted her to have been better than human.

The day before she returned home from her visit, she had been told that a lifelong heart condition had reached critical condition. I knew nothing about this. She told me about it when she returned home. She called to tell me that she was scheduled for open-heart surgery. I knew she had a heart murmur, but that sounded so — I don’t know — benign.

She told me the whole story: She’d been born with a heart condition. When she was a young child in Israel, the doctors told her she wouldn’t live very long. They didn’t let her play in gym class or ride a bike. They told her she would never have children. When she got to America as a teenager, she decided that she would live on her own terms. She bought a pack of cigarettes and didn’t tell anyone about her heart condition. No one would tell her how to live her life. She married my father, and she spent the next 10 years gestating me and my several sisters and smoking Kents, alternately.

I was stunned. I had never known my mother had such a secret. I’d never know that it was she who was the rebellious one. I started to see my mother as someone about whom I did not have the whole picture. I was starting to find common ground with my mother. We were both rebellious, it turns out, but she was truly brave.

I came to imagine a new side to my mother: The bad-ass side, the take-no-crap-from-anyone side. And here is where I should mention my mother’s looks. She is so, so beautiful. She was devastating to look at. Even with her children in tow, yelling at them in some public mall, men would turn to look and women would comment with envy on some aspect of her body or face. In her jewelry box, I found letters from old boyfriends, begging her to stay.

And you should see the photo albums: The white bikini, the strapless dress, the beehive hairdo with the liquid eyeliner, that trench coat. She did not know how long she would live, but she would live until then. She would live and die according to her own terms. V’ze-hoo, as she’d say in Hebrew: And that’s that.

But we have no idea who our mothers really are. They are mysteries to us, and we don’t ever have all the information. Even my kids, who will one day use their Google brain chips to read my essays — me, the oversharingest woman in the world — still won’t know my entire story.

Yet, lately — maybe because of the behavior that I’ve tried and failed to control — I’ve started to wonder if the kind of mother I had wasn’t exactly the kind of mother I needed. Because I turned out fine. I am a loving daughter, a loyal and warm wife, a doting (if screaming) mother. I am what my mother wished for. So are my three sisters. And we are sure of nothing if not that we are loved by our mother.

Could it be that every bit of tension was aimed particularly at a part of me that required it? Could it be that the screaming and the anger worked like water and sunlight and helped me grow? Could it be that her disapproval was what I needed to learn to parse what I found approvable?

Or could it be that motherhood is far more forgiving than we ever could imagine? Could it be that, later, our children will forgive us our faults because there is nothing like a mother who screams at you and suspects you and checks on you at midnight and is afraid for your future to show you how loved you are?

My older son was just a few months old when my mother’s heart surgery was scheduled. We flew back to New York on a redeye and went straight to the hospital just in time to see my sisters head into the waiting room: It was almost time to begin. I sneaked into the pre-op room, where babies were not allowed, and where she’d been given a drug to relax her as they arranged the IVs and monitors so they could be wheeled into the operating room.

“I’m sorry I made your life hard,” I told her, just in case, as two nurses carefully guided her bed out of the pre-op room and into the hall.

“You made my life a joy,” she told me. I held my son close on my hip as they wheeled her down the long hall, all the way down, until she became so tiny that I couldn’t see her at all.

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Taffy Brodesser-Akner has written for the New York Times, Los Angeles Times, Self, Redbook, and other publications.

Finding my mother again

Years after she died, I came to understand the complicated woman I long mythologized, by becoming a mom, too

A photo of the author, as a baby, with her mother (Credit: Melissa King via Shutterstock)

In the 15 years since my mother has been gone, she has become a mythical figure in my life. She was a woman to be revered, but also one so complicated and so different from me that I fear I’ll never stop struggling to make sense of her and to accept myself within the context of her shadow.

My mother was 37 years old, twice divorced and childless when she met my father. She had been living in Manhattan for 17 years, having grown up in Connecticut and gone to the Rhode Island School of Design to study painting. She had dozens of friends, went to parties and attended art openings. She smoked pot in the Village and spent Tuesday nights in smoky jazz clubs, sipping martinis and recrossing her legs.

My parents had been set up on a blind date by mutual friends, but the night they were supposed to go out, my mother stood my father up. She’d gone to Long Island that day with a friend to pick strawberries, and by the time she came home, the last thing she felt like doing was going on a blind date with some older businessman from Atlanta.

My mother was funny and quick-witted, and she was almost always up for an adventure. She was also uncommonly pretty, with green eyes, blond hair, a symmetrical face and an easy smile. When she went to sleep that night in June of 1975 in her little one-bedroom apartment on 28th Street, she had no idea that her life was about to change.

My father, at 55 years old, was just entering his prime. In spite of (or perhaps because of) two divorces and three grown children, he was happier than he’d ever been.

He flew first-class wherever he went. He stayed at the Watergate Hotel when he was in D.C. and the Plaza when he was in New York. He winked at stewardesses and drank tumblers of scotch on the rocks. He wore hats and suits and left big tips at fancy restaurants.

He wasn’t used to being stood up, so the next morning he rang my mother’s buzzer at 9 a.m. “Who dares call on anyone before noon on a Sunday in New York?” my mother later wrote about that first encounter in a letter to my father, detailing their courtship. “It had to be you, as they say, and I opened the door with wet hair asking if you wanted a Bloody Mary, which you did, thank God.”

I always try to imagine this moment between them. My mother in the doorway with her wet hair, my father on the threshold in his blue leisure suit, the moment of them not knowing each other and then knowing each other eclipsed in one short breath.

They went to dinner and later flew to my father’s place in Atlanta, making daiquiris with the strawberries my mother had picked on Long Island the day before. They swam in the pool and smoked Camels and talked into the night, their legs dangling into the water, lit from below by the pool light.

They were married three months later on Cape Cod. My father whisked my mother away from New York and set her up in a big house in a nice neighborhood in Atlanta. He paid off all her debts, bought her a cream-colored convertible and opened a credit card in her name in every department store. I was born two years after that.

For the next decade — before my father unexpectedly went bankrupt following the stock market crash of 1987, and before my parents were both diagnosed with cancer within months of each other — we lived a blissful and privileged existence. My mother had quickly charmed her way into Atlanta’s upper social echelon, and it wasn’t uncommon for our dining room table to be inhabited by local political figures and foreign dignitaries.

I remained her only child, but motherhood only seemed to enhance my mother’s glamour and sophistication. It added a dimension to her personality and worldview that had, perhaps, been the only thing missing all along. But I wonder what the other carpool moms thought of my mother when she zoomed into the after-school pickup line in her Alfa Romeo, with her blond hair pulled back in a Chanel scarf.

I was 18 when she died of cancer, and I had become the very opposite of my graceful, glowing mother. My teenage years had been rocked by a roller coaster of parental illness, hospitals and private despair. In response, I had become an angst-ridden poet. I wore combat boots, dyed my hair crimson and sported a nose ring. My mother had always embraced these tiny, public displays of rebellion, but the moment she was gone I felt foolish.

I’ll never forget walking down the aisle of a church on the day of her funeral with a shaved head and my first, barely dry tattoo concealed under my shoulder, feeling as though I had utterly failed my beautiful mother in every way possible.

Since she died, I have struggled to forge my own identity in her absence. At times, I have wanted nothing more than to emulate everything about who she was — something I know I could never really achieve. While I may be outgoing and capable of hosting a memorable dinner party, I have inherited my father’s looks and practicalities, not to mention having retained a deep-seated and dark sense of self-reflection following so much loss.

For many years, I was unsure if I wanted children at all. When I finally decided that I did (within days of meeting my husband), I knew that I wanted to be a younger mother than mine was. My daughter was born a few weeks after my 31st birthday — almost a decade before my mother herself bore me — and now, as I approach my 34th birthday, I am due with my second.

Every inch of motherhood, for me, has been stitched with the essence of her. Throughout my 20s, I made valiant and sometimes senseless attempts to bring my mother into my life again. I lived in the places where she once lived. I learned how to cook and throw dinner parties. And more often, I simply took myself to the very brink of life in hopes that if I tottered just enough, she might appear to pull me back from the edge.

But it was truly in motherhood that I found her again, even though our experiences couldn’t be more different. My husband and I live in a tiny rental house in Los Angeles and both work as writers, struggling to pay our child’s preschool dues. I can often be found at the playground, even if I am one of the few mothers actually wearing mascara and earrings. As I write this, my body is swollen with another child, something she never ventured to do.

Despite those differences, motherhood has brought her back into my life, and it has given me an opportunity to embrace my own path as a woman and mother. I hear her in my voice when I comfort my daughter by crawling into bed with her at 3 a.m. when she has woken from a nightmare, when I stop to marvel at a snail traveling through the grass, and especially during dinner parties when I catch myself offering my 3-year-old bits of brie or Marcona almonds.

In adulthood, it has occurred to me that all of us are living reactions to our parents. Whether they loved us or not, whether they were present or absent, whether they kept us safe or recklessly abandoned us to harm’s way, we move forward into life walking paths they etched out decades earlier. It also often occurs to me how grateful I am to the woman who loved me fiercely enough to remain true to who she was, even in the complicated throes of motherhood.

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Claire Bidwell Smith is the author of the memoir, “The Rules of Inheritance.” She is a therapist specializing in grief, and lives in Los Angeles.

Time magazine’s breast-feeding cover star: Is he doomed?

A provocative magazine cover doesn't mean the breast-feeding preschooler is in for a lifetime of "Got milk" jokes

The cover of Time magazine

In the single, whipped-up day since Time magazine unleashed that cover story about crazed MILFs “driven” to “extremes” by attachment parenting, there’s been plenty of debate over its provocative image of blogger Jamie Lynne Grumet breast-feeding her almost 4-year-old son. And, as so often happens when adults see an image that unnerves them, that anxiety is projected onto kids. In this case, one kid in particular. Grumet’s.

Unshockingly, the National Review Online was quickest to leap into pearl-clutching position. After deeming the image “as bad as it will ever get,” Glenn T. Stanton pronounced that “This poor boy may be diggin’ life now, but will soon be forever teased as the Got Milk? boy that Time magazine and his indulgent mom made infamous.” And in the Contra Costra Times, Tony Hicks decided that all the mothers who appeared in the story’s photos did so “simply to have something really embarrassing to use against their kids when they become teenagers.”

Most of us who live in some degree in the public space – whether it’s our Facebook photo albums or the cover of Time magazine – grapple with how much of our children’s lives we share. The little babies whose adorable smiles are posted swiftly turn into teens who’d like you to cut it out already, Mom. The contract that we have with our children to protect them and respect them is one that has to be constantly renewed as they grow and change. But it’s not the same for any two families, and the boundaries are incredibly varied.

The complicated reality is that our experiences are entangled with those of our loved ones. A woman should have every right to write and talk and present herself to the world. But if we’re going to talk about our lives, there’s no way we won’t be bringing our families along for the ride. That’s not automatically a traumatic thing. If a child, like Grumet’s, grows up in a family that’s very open about itself, and the child’s own nature is of that bent, he may well think nothing of it. The hang-up isn’t his; it’s the journalists transferring their own discomfort onto him. To assume he’ll be mocked about that Time cover is to assume that the image of him breast-feeding is something to be embarrassed about, that there’s something inherently wrong about it.

That’s not to say that profound sensitivity isn’t required. Our children aren’t props for us to use to boost our careers – or even, for that matter, our Facebook statuses. They’re human beings, and when they can’t give consent, it’s our duty to make reasonable choices on their behalfs. Would I appear on the cover of Time, breast-feeding one of my kids? I’m not sure I’d appear on the cover of Time with my kids, period. But that’s my choice and my family’s. Frankly, I’m way more unnerved when I see a soon-to-be ex-Facebook friend post a photo of his toddler’s first poop in the big boy toilet or announce her daughter’s first period than I could ever be by a woman nursing her preschooler. We’ve all got different boundaries.

Last evening I was at an event on motherhood and writing, and the novelist Martha Southgate spoke about how she’d written a very personal essay about her son when he was in elementary school. Now that he’s 18, she wonders if she should have done things differently. And in Tablet last winter, columnist Marjorie Ingall declared that after years of chronicling her life with her family, she was giving her two daughters “the greatest gift of all: I’m not going to write about them anymore.” In my own life I’ve moved, with each passing year, from simply writing abut my children to collaborating with them on what they do and don’t want revealed about their personal lives. I’m grateful when they’re generous and open with their experiences, even though I know they may second-guess that openness later.

On Facebook Thursday, Grumet wrote that “My mother posed for similar images (not as big as TIME obviously) and was a public advocate of breastfeeding. I am so proud of her and loved my upbringing.” So why would her son’s future mortification be a fait accompli?

None of us has a crystal ball. If we did, we’d probably still find ways of making choices that our children will be telling their future shrinks about for years. Life isn’t always about what your child is going to feel when he’s in college. More significantly, isn’t how the child is now a much more tangible and important issue? Was Grumet’s son comfortable when the Time photo was taken? Did he want to nurse then? Was he coerced? Or was he simply doing something that felt comfortable and acceptable? Was he content to pose for the photo? Because if we can allow for the possibility that he didn’t give a damn when the picture was shot, who’s to presume he will in 15 years?

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub.

Their moms were crazy about me

My boyfriends' mothers just knew I was The One. Too bad their sons didn't agree

Judy’s warm brown eyes sucked me right in. Her son David and I had only been dating four months, but that didn’t stop me from falling for her hard. I was 30, and still reeling from my parents’ recent divorce and the fact that my mom had just moved five floors above me on the Upper West Side of Manhattan. I practically went from shaking Judy’s hand to curling up on her lap in a fetal position. I didn’t feel like a grown woman meeting my boyfriend’s mother. I felt like a kid calling shotgun, desperate to claim a seat at her table.

Over the next five years, I got that seat. I spent Hanukkahs, Passovers, even Purims in Judy’s plant- and music-filled home in Amherst, Mass., my picture hanging on her fridge alongside her children and grandchildren. To her, I was a done deal. I was family. To David, not so much.

After thousands of dollars spent on couples therapy, David still couldn’t make up his mind about me. He kept saying he “wanted to want to marry me.”

“What did I do wrong?” Judy asked me one day, in a stolen, private moment, not understanding why David was unable to commit to me.

I wished I understood. I wanted to blame his ambivalence on something specific. Yet the truth was he didn’t love me enough to make me his wife, and her love wasn’t enough to change his mind or heart.

When David and I broke up, Judy sent me a handwritten note in the mail telling me she was so very sorry and that she wished me everything I wanted for myself. And with one last “Love, Judy,” my picture was no longer hanging on her refrigerator. I no longer had a place at her table. I was no longer part of her family.

My mother, who by this time had moved to a house in Connecticut, came to live with me for a week. She yanked David’s nightstand and lamp from the wall and pushed my bed up against the window, so I wouldn’t be reminded of where he used to sleep. We repainted my living room, ordered in sushi, and she held me as I cried. Then my father invited me down to Florida. He took me out to expensive steak dinners and let me sleep late. We spent hours watching “Planet Earth” until I couldn’t think about anything other than stalactites and snow leopards. I was grateful to both of them for being there for me, but it didn’t erase a nagging aloneness I felt deep inside, the pain I still harbored over their divorce, over our broken family. I was 35 and mad at myself for still being hung up on a long gone childhood home. It was time for me to create my own home, start my own family. I just didn’t know how to do it.

All I knew is that I didn’t want to spend another five years with another mixed-message guy, only to get a “Dear John letter” from another almost mother-in-law. But like a crackhead who can’t shake her habit no matter how hard she tries, I was a goner the second I stepped foot into Susan’s kitchen.

Paper turkeys and streamers were strewn everywhere. Her house smelled of chocolate babka and apple cider. I could call this place home, I thought, sitting down, not wanting to get up.

It was only my sixth date with Jason. But it seemed longer since we’d spent four years of high school together and had been Facebook friends for the past year. I knew I shouldn’t get too excited, but the fact that he had invited me home for Thanksgiving and that I was meeting his mom so early on made me feel special, like he was really considering me as someone he could spend his life with. When he invited me back for Hanukkah a few weeks later, and my picture was hanging on the fridge, I knew I was in.

Susan and I spent hours in her kitchen frying latkes, bonding over how we both give too much and have short necks. She even confided in me that she had never seen Jason so happy. This was the real deal.

Jason and I didn’t end up making it past New Year’s.

Instead of a note, Susan picked up the phone. “It’s not you,” she said. “You’re wonderful, perfect, beautiful.” She was a poet, and explained to me that a poem isn’t possible if the writer isn’t open to the words in the ether. “I’m sorry Jason isn’t open to the poem.”

I dropped my head into my hands as soon as we hung up and burst into tears. I couldn’t believe I had let this happen. I had once again mistaken a mother’s love for the love of her son. I clearly had a problem and could not be trusted around mothers.

I should have been happy when Ethan didn’t introduce me to his mother immediately. He told me he wanted me to himself for a while before bringing me home to meet the family. But after six months of dating, I found myself fiending. When would I get to sit at Rena’s table? When would I see myself hanging on her fridge?

Rena, Ethan and I made plans to meet up for breakfast around the corner from me on the Upper West Side. I wore my favorite navy blue sweater and made sure to blow-dry my hair. I wanted to look pretty for her.

As we sat in a booth eating overcooked eggs, Rena told me about the Holocaust museum where she worked. I told her about the eighth grade girls I counseled on Fridays. Ethan made jokes.

Then the subject of our future came up.

Rena looked at me directly, and said,  “I’m waiting to love you.”

I almost choked on my toast.

Judy and Susan flew to mind. There had been no waiting with them. Just full on, “Let’s do this!” Then I thought back to something David had said at the end of our relationship that I never understood. “I feel like we’re more brother-sister than lovers.”

Sitting speechless in this poorly lit diner, something clicked.

David was right. By slipping into daughter role with his mother, I had become one of the kids. And while that felt good, to be part of a cohesive family, to feel like I fit in, I wanted to be a wife, not a daughter-in-law or sister.

Rena somehow knew this, that her love and approval couldn’t influence her son — and that if we had a shot, she should stay out of it.

I wanted to hug her and thank her for doing the thing I couldn’t do all these years: Wait, see and then fall.

Last May, Ethan and I exchanged vows under a brightly colored Chuppah that Rena had spent hours sewing together for us. But it wasn’t her love that got me there. It was Ethan’s.

As I stared into my soon-to-be husband’s warm blue eyes, smiling so wide my cheeks hurt, surrounded by a patchwork of friends and family, I no longer felt like a displaced kid looking for a seat at someone else’s table. I felt like a woman being claimed by a man.

Ethan made me his wife. And now, at almost 40, I am hoping he can make me a mother too. Our fridge is waiting.

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Kimberlee Auerbach Berlin’s memoir, "The Devil, The Lovers & Me: My Life in Tarot," was published by Dutton in 2007. She teaches memoir and humor writing for continuing education programs including Mediabistro, UCLA Extension, Gotham Writers’ Workshop and has a growing private client base. For more info: www.kimmiland.com..

Why Time’s cover shocks

Hint: it's not the breast-feeding -- it's the contempt

The cover of Time magazine

It’s going to be a long Mom War, people.

In case you thought, nay, hoped, that the barrel-bottom had been fully scraped last week when the New York Times asked, in a query straight out of the Onion, “Has women’s obsession with being the perfect mother destroyed feminism?,” now Time magazine has upped the ante with a cover story brazenly challenging “Are You Mom Enough?”

It’s accompanied, by the way, by a picture of a hot blonde and her 3-year-old son standing on a chair to suckle her breast.  Yo, take THAT, Room for Debate page! I guess Time felt it really had to bring it after uber-troll Katie Roiphe’s piece last month on why feminists just want a good spanking.

In a feature on the not-at-all-incendiary subject of “why attachment parenting drives some mothers to extremes,” writer Kate Pickert takes on motherhood and its “guru,” attachment parenting author William Sears. Sears’ work and the practice of attachment parenting have come under heavy scrutiny since Elisabeth Badinter’s button-pushing “The Conflict: How Modern Motherhood Undermines the Status of Women” became an international hit, and you get a sense where Pickert’s piece is going as soon as she fires the opening shot. “Joanne Beauregard is nothing so much as she is a mother.” Then there’s the story’s cover girl, 26-year-old Jamie Lynn Grumet, who admits she was breast-fed herself until she was 6.

On Time’s blog, photographer Martin Schoeller explains of the shot of Grumet, along with similar images of three other breast-feeding mothers, that “I liked the idea of having the kids standing up to underline the point that this was an uncommon situation.” Fair enough. And though my personal feelings on Barry Sears are ambivalent at best, I am all for promoting breast-feeding. I will be first in line to applaud images of mothers feeding their children, both in real life and advertising, and to cry foul when those images are suppressed. But I call massive, massive BS here.

First of all, why, when a breast-feeding mother makes the cover of a national magazine, is it a thin, young one in a tank top? Grumet’s image is so obviously sexualized it’s not even trying to pretend otherwise. But the real problem with the cover story is its obvious, dripping disdain. This is not just an attention-getting MILF shot. It’s a picture of a woman “driven” to an “extreme.”

Sure, extended breast-feeding is unusual – and reliably controversial.  Two years ago, the Daily Mail pondered whether the practice was “horrifying.” It doesn’t, however, necessarily follow that a family that chooses long-term nursing is freakishly challenging anybody else to be “mom enough.” That’s what makes the whole thing gross. The entire Time cover story is framed in a way to make the viewer be simultaneously repulsed and aroused. Congratulations, editors. You’ve added to our already rampant cultural dismissal of motherhood as a kooky cult. And you’ve made a venerable news magazine one big hate bang.

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub.

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