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Wednesday, Apr 25, 2007 11:06 AM UTC2007-04-25T11:06:00Zl, M j, Y g:i A T

Who gets to use the N word?

Author Jabari Asim talks about the history of the loaded term, when its use is valid and why Don Imus' firing was justified.

Who gets to use the N word?

When faced with increasing criticism for his “nappy-headed hos” commentary, Don Imus deftly flipped the conversation, suggesting that he found inspiration from the world of hip-hop. The conversation quickly and disingenuously turned into a debate about the role of hip-hop in spreading sexist and vulgar language, as if scripted by the folks at CBS Radio and NBC. Central to this discussion was the sense that a double standard exists where black male rappers are permitted to call women “bitches” and “hos” and are subject to little scrutiny while old white men like Imus face a public crucifixion for what some deem a bad joke. Author and longtime Washington Post Book World editor Jabari Asim had heard all of these arguments before in relation to the use of the word “nigger” in American popular culture. In his new book, “The N Word: Who Can Say It, Who Shouldn’t, and Why,” he places the focus squarely on American society and the undercurrents of white supremacy in our culture. Conceived long before the Imus story broke, “The N Word” provides a needed perspective on the controversy. Asim spoke to Salon about the use of the word, from “Uncle Tom’s Cabin” to N.W.A. to Imus, and set some boundaries for who can say it — and where.

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Mark Anthony Neal is the author of several books, including the forthcoming "TNI Mixtape." He is associate professor of Black Popular Culture in the Department of African and African-American Studies at Duke University.  More Mark Anthony Neal

Thursday, Feb 9, 2012 9:20 PM UTC2012-02-09T21:20:00Zl, M j, Y g:i A T

CPAC welcomes white nationalists

Three noted white supremacy enthusiasts to host anti-diversity panel at conservative conference

Sen. Marco Rubio addresses the American Conservative Union's annual Conservative Political Action Conference in Washington, February 9, 2012.

Sen. Marco Rubio addresses the annual Conservative Political Action Conference in Washington, Feb. 9, 2012.  (Credit: Jonathan Ernst / Reuters)

CPAC is here, so it’s time for everyone’s annual look at the psychos invited to the premier conservative event of the year, and those unfortunate enough to have been excluded.

GOProud, the gay Republican group that was founded because the Log Cabin Republicans were considered too concerned about gay civil rights and not sufficiently focused on “fiscal issues,” is not invited this year, because they are too “aggressive” about being gay, which made Jim DeMint uncomfortable.

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Alex Pareene

Alex Pareene writes about politics for Salon. Email him at apareene@salon.com and follow him on Twitter @pareene  More Alex Pareene

Monday, Jan 30, 2012 1:00 PM UTC2012-01-30T13:00:00Zl, M j, Y g:i A T

Charles Murray does it again

Big government has created a new lower class of lazy, shifty, low-IQ folks, argues Charles Murray

People wait in line at the 2011 Maximum Connections Job and Career Fair Thursday, Sept. 15, 2011, in Portland, Ore.

People wait in line at the 2011 Maximum Connections Job and Career Fair Thursday, Sept. 15, 2011, in Portland, Ore.  (Credit: AP/Rick Bowmer)

Hey, white people – they’re talking about you again!

I argued a few weeks ago that Newt Gingrich and Rick Santorum might be able to believe they’re not singling out black people, or “blah” people, when they rail against food stamps and government “dependency” on the campaign trail. Yes, Republicans have long used not just dog whistles but foghorns to tell white working- and middle-class voters that welfare programs only support lazy, undeserving African-Americans. Ronald Reagan gave us those iconic Cadillac-driving “welfare queens” and “young bucks” using food stamps to buy T-bone steaks. Gingrich is certainly playing on that long history with his remarks. (It’s funny how our first “food stamp president” also happens to be black.)

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Joan Walsh

Joan Walsh is Salon's editor at large.  More Joan Walsh

Friday, Jan 27, 2012 8:50 PM UTC2012-01-27T20:50:00Zl, M j, Y g:i A T

GOP race-baiting masks class warfare

By demonizing some, the Republicans seek to discredit the safety net for the 99 percent

Occupy DC protesters hold signs during a march

Occupy DC protesters hold signs during a march  (Credit: Jonathan Ernst / Reuters)

It’s commonplace to note that Newt Gingrich’s dog-whistle appellation that Barack Obama is the “food stamp president” is both racist and politically cynical. But the stereotyping of black government dependency also serves the strategic end of discrediting the entire social safety net, which most Americans of all races depend on. Black people are subtly demonized, but whites and blacks alike will suffer.

Gingrich persists because it’s a dependable applause line, and because his political fortunes keep rising. Compare that to September, when Mitt Romney attacked then-candidate Rick Perry for calling Social Security a “Ponzi scheme.” Perry backtracked, insisting that he only wanted to bolster the program and ensure its solvency. But in his 2010 book “Fed Up,” Perry made his opposition to Social Security clear, calling it “a crumbling monument to the failure of the New Deal.” Scrapping entitlements is a core tenet of contemporary fiscal conservatism, but most of the time politicians only get away with attacking the most vulnerable ones: Medicaid, food stamps and welfare cash assistance, which are means-tested and thus associated with the black (read: undeserving) poor, although whites make up a far greater share of food stamp recipients. Government welfare programs with Teflon political defenses — Medicare and Social Security — are nearly universal entitlements and thus associated with “regular” (read: white) Americans.

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Daniel Denvir is a staff writer at Philadelphia City Paper and a contributing writer for Salon. You can follow him at Twitter @DanielDenvirMore Daniel Denvir

Friday, Jan 20, 2012 1:00 PM UTC2012-01-20T13:00:00Zl, M j, Y g:i A T

Our selective stance on bigotry

Some of Paul's stances are odious. But our racist drug war and Islamophobic invasions are equally offensive

Ron Paul

Rep. Ron Paul, R-Texas, speaks during a campaign stop Wednesday in West Columbia, S.C. (AP Photo/David Goldman)  (Credit: AP)

If they have any value at all anymore, presidential election campaigns at least remain larger-than-life mirrors reflecting back painful truths about our society. As evidence, ponder the two-sided debate over Republican candidate Ron Paul and bigotry.

One camp cites Paul’s hate-filled newsletters and his libertarian opposition to civil rights regulations as evidence that he aligns with racists. As the esteemed scholar Tim Wise puts it: This part of Paul’s record proves that he represents “the reactionary, white supremacist, Social Darwinists of this culture, who believe … the police who dragged sit-in protesters off soda fountain stools for trespassing on a white man’s property were justified in doing so, and that the freedom of department store owners to refuse to let black people try on clothes in their dressing rooms was more sacrosanct than the right of black people to be treated like human beings.”

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David Sirota

David Sirota is a best-selling author of the new book "Back to Our Future: How the 1980s Explain the World We Live In Now." He hosts the morning show on AM760 in Colorado. E-mail him at ds@davidsirota.com, follow him on Twitter @davidsirota or visit his website at www.davidsirota.com.  More David Sirota

Wednesday, Jan 18, 2012 1:00 AM UTC2012-01-18T01:00:00Zl, M j, Y g:i A T

TV’s eerie new race-less world

In an Obama age, shows like "Parenthood" flatter us into believing race no longer matters -- and avoid hard truth

Joy Bryant and Dax Shephard in "Parenthood"

Joy Bryant and Dax Shephard in "Parenthood"

NBC’s “Parenthood” is a trick show that people tuckered out by life are eager to believe in. I am one of these tired people. Its bustling mornings, carefully disheveled interiors, and impromptu kitchen dance-parties create the illusion of safe chaos. “Parenthood” knows that for the modern television viewer,  controlled disorder is better than none, for safe chaos tricks you into believing that what you’re watching isn’t totally sanitized. Strategically placed ad-libbing, background chatter and overlapping dialogue combine to slyly convince you of its authenticity — that not only does “Parenthood” belong to an age of realism and daring and diversity, but it’s helping create it.

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  More Kartina Richardson

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