McCain and Clinton supporters make new friends at the RNC-hosted event.
McCain campaign staff and volunteers welcome Hillary Clinton supporters to their party.
McCain campaign staff and volunteers welcome Hillary Clinton supporters to their party.
Colby Keller (Credit: Greg Endries/Salon)
Colby Keller isn’t your regular gay porn star. The tall and scruffy former art student has distinguished himself from the rest of the industry not only by his unconventionally hipster aesthetic, but by his unconventional interests. In his well-read blog, the Big Shoe Diaries, Keller writes about everything from Marxism to Foucault to his and his friends’ art projects. Keller’s blog is a testament to the way porn celebrity is changing in the 21st century, as performers face the increasingly difficult task of distinguishing themselves in a sea of free or pirated content. It’s also incredibly charming.
One of Keller’s most memorable obsessions is his search for images of penises in unexpected places. In a playful feature called “I See Penis,” he collects images of phallic objects from around the world, sent to him by readers. We collected some of the most memorable entries, and spoke to Colby about penises, the generational divide in gay culture and what it’s like to be a 21st-century porn celebrity.
So how did this series get started?
We started off doing “I See Asshole” and “I See Vagina,” and then came “I see Penis.” For whatever reason the joke never wears off. There’s always something a little funny about these penises because sex is something everybody thinks about and it’s ever-present and finds itself replicated consciously and unconsciously all around us and yet we’re supposed to ignore it. There’s something magical about sexuality, that it can do that. And penises are just these weird things you’ve got on your bodies. They change. They get hard. And they’re visual, which is partly why when you get into a bathroom stall, you want to draw a giant penis on the wall.
So you put out a call to action on the blog? And people started sending in photos?
Occasionally I’ll ask people to submit things, but mostly people just do it on their own, and “I See Penis” is the No. 1 submission I get. I get so many of them, I can’t post them. I feel kind of bad because I had a whole file of photos people have sent me and it’s hard to get to them all.
Your blog has a much more diverse and unconventional following than most porn performers’ blogs. Why do you think that is?
I don’t want to say anything negative about my fellow performers, but some of their sites can be porn-heavy and about their relationships to other porn stars. Unless you’re really engaged by gay porn culture, it’s probably not that interesting to a wider audience. and a lot of it is self-promotional. I do a lot of that on my blog, but it’s kind of ridiculous because I’m not a big giant porn star. I joke that I’m the supporting cast. And I think that kind of self-deprecating humor in general is attractive to people.
Right. Your persona on the blog isn’t really that of the conventional porn star. You’re much more of a normal guy, who’s interested in art and other more highbrow things, the kind of gay guy a lot of people would want to be friends with.
I once had a really offensive conversation with a former friend in a car and he was interrogating me, asking, “Who is Colby Keller?” He wanted Colby to be this Midwestern yokel who’s not very smart and going on and on. It was this really horrible vision he had of me as a performer. I decided that it’s actually more interesting if Colby Keller is just a part of myself. It was kind of an experiment, that maybe people would find that interesting and maybe they wouldn’t.
There seems to be increasing pressure on porn performers to create personal brands for themselves, by tweeting and blogging all the time. Do you think it’s a reflection of how the industry is changing?
A lot of studios have less invested in promoting models and it’s a lot harder because there’s a lot of free porn out there. But I think what people find appealing about porn stars on Facebook and Twitter is they want a real person. They don’t necessarily want someone who’s always performing as a sex worker, and I think that may be a kind of a mistake a lot of people go down. I think people who have more successful porn personas are ones that are closer to themselves as human beings. Going back to when I was younger, there was a porn performer I really liked, and I would envision him as my boyfriend. But I also didn’t want my boyfriend to be a sex worker all the time, I wanted him to be a real person. I think that helps a porn performer if he makes himself real to people rather than just writing, “I’m on set today with so-and-so and he has a big dick!” I blog about work on occasion, but I think on Facebook and Twitter people want something honest and real.
I was shooting with someone recently who asked me if I identified as gay or straight and I asked him what he was, and he said, “I’m uncomfortable identifying as gay.” But I could tell from the way he was telling it to me that it wasn’t because he was insecure with his sexuality, it was that he didn’t identify with gay culture and that’s kind of where I’m at. I feel very out of place when I go to Chelsea or West Hollywood. I think there are a lot of younger kids for whom that kind of gay ghetto culture no longer makes sense, and as they’re more accepted by broader society that culture will disappear. It’s about redefining ourselves and who we are and what kind of role our sexuality plays in our everyday lives.
The Big Book of Alcoholics Anonymous describes the fellowship as “people who normally would not mix.” That’s a good way of describing James and me. I was 27 years old, a grad student, bored and curious — just like my ad said. James was in his mid-30s, a little too old and far too normal. He was not the kind of guy who’d approach me in another situation, at least that’s what I thought when I saw him. Then again, James and I would never meet in any situation other than this.
I was a Craigslist call girl. James was my first. I had gotten the idea from a friend. “There are ads,” she said, “placed by men, looking for” — she raised an eyebrow — “company.”
That night I got online. It was just as she’d described: SWM seeks non pro, GFE, a little fun. FS. DATY. BBBJ. A lady that speaks GREEK, possibly, a road of possibilities, a chance encounter, no strings attached. For 200 roses, 300 reasons, a generous donation, a happy ending. You can start any day that you like.
On the now-shuttered adult services section of Craigslist — to the left and below where you’d rent an apartment or sell a couch — you could find ads, written in their own coded language, from men and women and everything in between, all of them after one thing: the simple exchange of money for sex.
It was just what I needed. Working full-time as a research assistant at a hospital, I struggled to make ends meet. I was single for the first time in adulthood. Besides my ex, who’d been my high school sweetheart, I’d only slept with a handful of people. I shocked us both by calling off the engagement. I was not ready to start a family. I didn’t want to grow up. In the weeks and months after our breakup, I slept with anyone who’d have me — most of my male classmates and some of the women — until I’d alienated many of the people who had once been my friends. I was guilt-ridden. I was alone.
It was a Tuesday night after class, and I’d had three or four drinks at the bar. It was one of those nights where no matter how much I drank, I couldn’t get drunk. No one would talk to me either; I went home alone, pitiful and unsafe in my own skin. But not 20 minutes later, I found myself in a yellow cab traveling south down the West Side Highway, on my way to meet a man who called himself James.
How I got to James is something of a blur. I remember answering James’ ad, getting directions, getting dressed, hailing a cab. I had his phone number and address written on a scrap of paper I held in my hand. I remember the cab stopping at an intersection, our green light, and two bright white lights — headlights — coming straight at me.
When the other car made impact, we spun. The taxi was facing the opposite direction when it finally stopped. I can still remember the quiet, the pause.
The paramedics said, don’t move. But I wasn’t hurt. I scanned my body as if it were someone else’s, but I felt nothing. Really, I told them, I’m not hurt. Not one bump or scratch. The driver lay slumped over the steering wheel.
“Do you have anyone to call?” the paramedic asked. I shook my head. “No family? No friends?”
I looked down at the scrap of paper still in my hand. I called James.
When James arrived, I saw that he was not bad-looking. Irish American, deep blue eyes. He was not my type, exactly — he had a beer gut and was wearing a Red Sox sweat shirt and a matching baseball hat — but he was a normal guy. As James helped me fill out the police report, I couldn’t stop laughing. I felt giddy. I had just survived a near fatal accident without so much as a scratch. This was so surreal.
“She’ll feel it,” one paramedic said to the other, “when the vodka wears off.”
Back at James’ place, I made myself comfortable. His home was nice in a Crate and Barrel sort of way. I sat down on his microsuede sectional and slipped off my heels. From the kitchen, he offered me wine. I asked him what he did for a living.
“I own a sports bar on the Upper East Side.” “You’re not having one?” I asked, as he reappeared with one glass.
“I don’t drink.”
“You own a bar and you don’t drink?”
“It’s complicated,” he said.
Whatever, I thought. Enough with the small talk. I drained the glass and returned it to its coaster. As soon as he sat next to me, I straddled his lap. This is fun, I told myself. This is no big deal.
Sex for money is not the same as casual sex. When you’re getting paid by someone, you become his employee. I didn’t understand this at the time. I set up two dates with another man and met James later that week. I sold the Girlfriend Experience, or GFE for short. GFE meant the encounter would feel like a “real” date. I’d show affection for the guy and act as if I were attracted to him. After a drink or two, we’d end up at my place or his. There’d be kissing, petting, cuddling, oral sex, sex.
Normal being what I wanted, normal was what I sold. I began attaching a picture to my email. The picture was taken by my mother a few Christmases back. I’m sitting at my computer, wearing a sweater, a knitted scarf wrapped around my neck. It looked like an author’s photo.
In the beginning, I scheduled dates for evenings when I didn’t have class. I made the arrangements days ahead of time, emailing back and forth multiple times before we’d actually meet. At the time, I might have told you I was screening my clients. The truth is that the emails were foreplay. It was part of the thrill. I liked meeting new people. I liked seeing new places. I liked being in apartments nicer than mine. I liked seeing the insides of fancy hotels. I liked getting dressed up. I liked making lots of money, fast. Most of all, I liked having sex. I was aroused by the fantasy of getting paid to do all this. Becoming someone else’s fantasy really turned me on.
In my eyes, I was a non-pro — not a professional, not a prostitute. I was different, I thought. I was educated. I was not drug addicted. I was no victim of trafficking. I didn’t have a pimp. I was doing it by choice. I didn’t know what I was doing, and I didn’t want to know. This wasn’t my career. I wasn’t a whore.
“You know,” James said one night when we were done, “you don’t have to do all that you do.” He meant, I understood, my giving a blow job without a condom. “Most girls don’t,” he said, and then hesitated. “Or they’ll charge more.”
I’d never given a blow job with a condom but, having been to the dentist, I knew that latex tasted gross. I said as much to James. ”Besides,” I went on, “it’s safe, right? I don’t let you come in my mouth and if you did, I’d just spit it out.”
James looked at me like I was nuts, like he felt sorry for me or like maybe he wanted to help. But he knew he had tried to help enough.
James told me all the time that what I was doing was wrong. He’d say, You’re a good girl, Melissa, and, Shit, Melissa, you gotta stop. A part of him meant it: the part of him that put potpourri in a little jar next to the sink in the bathroom. The part that had hung the plaque in the hall decorated with geese that read, “Bless this house.” Part of him felt guilty, ashamed: the part of him that would always offer me the ride home that I’d always refuse.
Then there was the other part of James, the part that contacted me like clockwork nearly every night an hour before he got off work, cryptic texts that would inevitably lead to my coming over, if I didn’t already have “plans.” This part of him was excited by the very things that brought him shame. I understood it well. It was the part of James I knew best, maybe the only part of him I ever really met. We can’t do this again, he’d say every time just as soon as we’d finished. He’d say, We gotta stop. And, You gotta stop, this isn’t right. He’d make me promise I wasn’t doing it with anybody else and so I would, even though we both knew it was a lie.
The fact that there was a “good” part of me — a part of myself that I was proud of, a self-esteem still salvageable — just as there was still a good part in him is what made me appealing to James, which made it all the worse. He was destroying that part of me, he understood, just as he destroyed that part in himself.
Refresh, refresh, refresh. After less than a month I’d started trawling for dates during the daytime at my desk at the hospital. The hospital where I worked had spyware; I didn’t care. After just one month of selling sex online, I had already accumulated a literal pile of money — tax free, in cash — that I kept it in a desk drawer at home. I’d take it out some nights and I’d count it just for fun.
I started squeezing more than one date in a night. I was meeting men before and after class. If the offer was sweet enough, I’d skip class altogether. I spent all my free time sitting at my computer, posting ads, responding to ads, emailing back and forth. I became less interested in getting to know them ahead of time and more interested in making it happen, as quickly as possible, so I could get on to the next. Every encounter, I got a little charge. Night after night in the same dress, the same ad, the same scenario — two and a half months into it, it was becoming harder and harder to bill myself as “non-pro.” I was crossing boundaries I hadn’t even known existed.
I once met a guy who said you can buy anything on Craigslist. He was talking about collectible antique furniture, but I thought it was so funny I wrote it down. You know, ironic. He said it as we took the back stairs up to the 14th floor of the granite building where he worked on Fifth Avenue, where in his corner office I gave him a blow job for 200 bucks, the city lit up behind him like a Broadway set. When he finished, he opened the top drawer of his desk and brought out an antiseptic towelette, as if he did this all the time, as if I were contagious. I didn’t write that part down, but I remember.
Every man I had sex with for money, all the strangers that I met — when it comes to memory, you have no choice what you remember and what you forget. I could tell you the good parts: the nice guys I met, like James, and the fancy restaurants. I could describe the interiors of every luxurious hotel. I could tell you all about the time I was flown to Paris with a man I’d met just the week before. We stayed at the Four Seasons and ate $800 meals. I could tell you the price of the meal, but I can’t tell you I enjoyed it. Hell is getting everything you want — everything you think you need and more than what you even asked for — and not enjoying any of it. Getting everything you think will make you happy and still feeling nothing at all.
The longer I sold sex, the less I was the person I wanted to be. After three months of prostitution, I felt raggedy, used up. I was anxious and afraid. Condoms broke. People stiffed me. The only way to deal with these things, I thought, was to pretend they didn’t happen. Trading sex for money, I changed.
James changed too. He began asking me to do things that I wouldn’t — anal sex, sex without a condom — wanting to take bigger and bigger risks. Alternately, he would email me on Thanksgiving, wishing me a happy holiday. He would ask me out on dates. He was a good person — we both were — but we did not know how to be good to each other. We were using each other to get high. I wanted real relationships. For me, prostitution had made that impossible. As much as I wanted to trust James, I could not. The first night we met, when the police asked, he said his name was Chris. But how could I trust anyone? I couldn’t trust myself.
No one forced me to have sex for money, and no one could have compelled me to stop. But when the pain became great enough, I became willing. Today, I don’t believe in accidents. I believe things happen for a reason. I haven’t seen James since I stopped selling sex, months before I stopped drinking and long before I became a teacher. But that is another story entirely.
(Credit: Patrick Smith)
The scourges of modern-day air travel.
I can think of a few: TSA, delayed flights, garbage in your seat pocket. Screaming kids and misdirected luggage. “CNN Airport News.”
Or, how about the blizzard of cardboard placards that hotel chains insist on littering their rooms with? I spend a quarter of my life in hotel rooms, and I resent having to spend the first five minutes of every stay gathering up an armful of this diabolical detritus and heaving it into a corner where it belongs. Attention, innkeepers: This is fundamentally bad business. One’s first moments in a hotel room should be relaxing. The room itself should impart a sense of welcome. It shouldn’t put you to work.
And here’s another one: the ever-expanding collection of electronic cords, adapters, chargers and gadgets I’m obliged to haul around with me. You know what I’m talking about. Anybody who travels regularly knows what I’m talking about. All of this, supposedly, to keep us “connected.” To make our lives easier and more productive.
Does it?
Don’t get me wrong. Riding the subway out to Logan, I love being able to pop in my earbuds and catch a few cuts from the Wedding Present, the Jazz Butcher or the Velvet Underground. And my MacBook Air is as essential for travel as a change of socks. But there is, or was, something to be said for that unplugged, disconnected age of not so long ago. If nothing else, our carry-ons were lighter, with more room for clothes.
The photo above shows the assortment of electronic gadget and gizmos I take with me pretty much every time I hit the road, be it for work or pleasure. As recently as a decade ago I owned none of this. I didn’t even have a cellphone until 2006.
Clockwise-ish, from upper left:
– That black case contains the camera that I used to take this picture. I currently use a Panasonic DMC-LX3. It’s a decent point-and-shoot with a Leica lens and super-long battery life. (The more recent pictures in my Flickr archives were taken with this camera.) I bring it with me on most, though not all, of my layovers and holidays.
– Earbuds. I recently upgraded to a pair of Klipsch and retired this Apple set.
– 32GB flash drive. For my backup files, and for transferring to and from my “master” computer at home.
– USB connector for camera (optional).
– Ethernet cord. Useful in those (too many) hotels where Wi-Fi is weak and a wired connection runs more robustly. Hotel-supplied Ethernet cords are often broken.
– Power adapter for laptop.
– AC adapter set. Essential when traveling overseas. One problem is, if I’m assigned to reserve status I often don’t know if I’ll be heading overseas until the last minute, so I’ve always got this with me.
– iPhone 4. Product unplug: Am I the only person who despises — and I mean really despises — the iPhone’s messaging keypad? Because the special function keys — caps, space bar, backspace and return — are so close to the normal character keys, I’m constantly capitalizing, spacing and backspacing when I don’t mean to. This happens in either the vertical or horizontal layout, and it’s especially annoying for those of us with fat fingers. It takes me five attempts to complete the simplest sentence.
– USB charger for iPhone.
– USB-to-AC connector thing for iPhone (optional, but a good thing to have).
– USB-to-Ethernet adapter (see Ethernet cord above).
And, in the middle of it all, my beloved MacBook Air.
All together, we’re looking at roughly five pounds of technology that, for all intents and purposes, is mandatory carry-on. Sometimes it’s slightly less, other times slightly more. Not shown, for instance, is my Flip video camera, which I bring on longer trips. ( Flip brought you this, among other works of directorial art.)
Thus the real must-have gadget is a decent case or container in which to consolidate all of this crap. For me, most of the more wiry components above fit nicely into an old business class amenities kit, which keeps them out of the way and avoids tangles. (How frustrating is it, meanwhile, that so many electronic devices require their own proprietary charging cord or adapter? Imagine if every lamp took a different kind of light bulb.)
The amenities case, together with the laptop, camera and phone, fit snugly into either of my larger carry-ons. Now that my flight case has been retired — a milestone previously detailed here — I typically go to work with two pieces of luggage:
The first is a custom crew roll-aboard from Luggage Works. At the moment I use the 26-inch LW with the plastic frame, which is much lighter than the more popular metal frame version. To make it even lighter, I’ve retrofitted the stainless steel retractable handle with an aluminum one.
I don’t know what “custom crew” means. I just thought it sounded cool. Over 95 percent of LW users are airline crew members, but anybody can order one.
A number of my colleagues use Travelpro bags (I’ve owned a couple of Travelpros over the years), but on the whole that brand is more popular with flight attendants than with pilots.
For a long time pilots resisted using roll-aboards at all. The thinking was that rolling your belongings was, like, too effeminate for the macho pilot (take me, for example). And so pilots would hand-haul their 40-odd pounds of personal luggage and pilot gear through the airport, toning their tough-guy biceps and making many a chiropractor happy.
By the way, have you ever heard somebody refer to roll-aboard bags as “roller board” bags? I was on a plane a few weeks ago and the flight attendant made an announcement reminding people to stow their “roller boards” handle-first into the bins.
My smaller bag, hung from my roller board using a hook that I designed myself, is a $300 Tumi briefcase that I bought about six months ago and quickly learned to hate, with its useless, miniature exterior pockets that I can barely squeeze my fingers into.
I’m something of a pro when it comes to short-notice, multi-climate packing. Here’s a tip: Go with lightweight clothing. What a concept, I know, but I’m amazed by how many people travel with heavy cotton jeans — even to hot climates. I own a lot of fast-dry synthetics. They’re not stylish, but when have I ever been? On the other hand I can launder a pair of pants in the hotel room bathtub and they’re dry before morning.
- – - – - – - – - – - -
GO-AROUNDS
Re: The Funniest Thing Ever Written
Several readers emailed demanding that I immediately scan and post copies of the 1988 “Guide to Harvard University Dining Services” booklet that I wrote about last week. A great idea, but the thing is 38 double-sided pages long. Tell you what: I’ll do it, but not for free. My price is $5, sent to my PayPal account. I figure if 20 people are interested, that’s $100, which makes it worth my trouble. Once I hit a hundred bucks I’ll send scans of every page to anybody who wants to see them, or else I’ll post them somewhere on my home site. If I don’t hit the $100 mark within the next 10 days I’ll refund your donations. (I really don’t expect to bring in much beyond that, as people will be waiting for the early birds to cover the cost.)
- – - – - – - – - – - -
Join the Ask the Pilot mailing list. Keep abreast of changes, the newest articles and other info. To sign up, send a message to patricksmith@askthepilot.com with the word “subscribe” in the title.
(Credit: Yuri Arcurs via Shutterstock)
He came to me when I had reached my nadir. I had become unable to type, write or drive without needles gouging the nerves in my wrists and arms. An ominous numbness traveled in a circuit along the inside of my legs. Then, curled up into a little ball like a shellshocked potato bug, I suffered the coup de grâce: my first migraine.
The tests for multiple sclerosis, rheumatoid arthritis, carpal tunnel, Lyme disease, etc., all were negative. Call it a virulent case of repetitive stress injury, brought on by egregious laptop habits, a stiff clutch, stop-and-go traffic on the Bay Bridge, and decades of hunching.
My doctor gave me a prescription for anti-inflammatories, pills that upset my stomach but didn’t spare cashiers from the mini-meltdowns I had when asked to sign for my credit card. The acupuncturist gave me a rash by rubbing a smelly salve on my belly. The homeopath gave me a $140 consultation and an American bald eagle placebo pellet. The chiropractor suggested that I fly to Costa Rica and do nothing for a month, but did not offer to front the money for this healing vacation. My friends were more helpful, driving me to Trader Joe’s and Target to stock up on rice bowls and socks. But friends are friends because you don’t lean on them like partners or paid caregivers. In any case, I wasn’t able to pay a caregiver, and I would have worn down a partner with my litany of woes.
What I needed was a personal secretary.
In the advertisement, he said that he specialized in assisting people who suffered from my condition. He assured me that my hands needn’t touch the computer keyboard: He could take dictation, check my email, and help me do searches on the Internet! He wanted very much to help.
He moved in. Our relationship soon became more intimate than any I had previously experienced. I was filled with needy desperation, and he had absolutely no interpersonal boundaries.
His name was Dragon Dictate for Macintosh.
In the honeymoon period, I found his mistakes adorable. Actually, I assumed that he garbled my words to charm me. His version of “Cripple’s Memoir,” a self-pitying journal entry, was “Cripple’s Mambo.” Such motivational irony! When I said, “Before therapy, I went to Whole Foods to eat an éclair,” he typed Before therapy, I went to Hole Foods to eat any cleric. How deliciously blasphemous! “Citing another’s words” was Sightseeing another’s words. What a piquant gloss on his work with me! “Dictate” was, with a wink, Dick Tate – my guy.
But the distortions could be vexing as well. I teach rhetoric, and I am determined that my students fully understand the concepts of “logos,” “pathos” and “ethos.” I distribute handouts on how to use the terms properly. I deliver discourses and pen little treatises, individualized for each student. In this work, “logos” and “pathos” went OK, but for “ethos,” Dick undermined my authority by slipping in eat those, or burritos, or Negroes.
Oh, my students, even my African-American students, thought it was hilarious. They cut me slack, which I very much needed. Even though I was working part-time, it was difficult to keep up with the marking. I was shaky on my feet and losing weight. I had sold my car, in part because I now took public transportation everywhere, and in part because it helped to pay the rent. Often my relationship with Dick was less than supportive. He had begun to transcribe behind my back, taking inspiration from my phone conversations to make word salads, or else he would fixate on ambient noise, recording it as him him him him him and on.
Pages and pages of him’s. I know what you’re thinking – why didn’t you just, say, turn the microphone off? What I did was give the command “Go to sleep.” But like an impish lover who wanted to cavort, he kept demanding my attention. Let’s do this program! he’d flash at me, showing off some kind of graph, triggering my math anxiety rather than turning me on.
I couldn’t figure out from the various cheat sheets and manuals how to make him behave. Go to sleep. Him him him. GO TO SLEEP. Him him… I don’t want to go to sleep. I want to make a chart now. Look at me! Let’s make a chart. No, look at all of the emails you have ever written, in rapid succession! Do you remember the student who sent that anonymous email signed “The Sausage King of Chicago “? That was awkward. Would you like me to film you naked? Here’s what you look like dressing. Here’s what you look like coming toward me. Here’s what you look like when you say fark … or was that fox? Fax you? That’s really hot.
Although he could be childish, and sometimes adolescent, sleeping in when I needed him to wake up – WAKE UP – he was urbane. He followed politics. He knew Barack Obama and Nancy Pelosi. He even knew Newt Gingrich. And he was a literary type, able to spell Charlotte Brontë with the umlaut (aka boom a lot), able to transcribe Yeats perfectly – Turning and turning in the widening gyre/the falcon cannot hear the falconer/things fall apart…
After a moment or two of lucidity, however, he would revert to his playful perversities. He agreed that Tom is important. I don’t know anyone named Tom, but I do believe that tone is important, especially when you are making what Dictate called a Veronica Mark, which might also be, among fans of Archie comic books, lingo for “an ironic remark.” To push me to my limit, he said Matey like a pirate whenever I said Maybe (I couldn’t hear his Tom, but I assumed he was speaking in pirate).
I tried to adapt to him. Him him him. For example, he would often write she when I said he. After some failed training, I experimented and discovered that if I sang Hee! like Michael Jackson, he would submit to transcribing the pronoun I so desperately wanted.
Sometimes he dismantled my ire, correctly transcribing histrionic, nemesis, quasi-date, Schadenfreude, even amanuensis. Then he would completely disregard my needs, dropping -ed’s and -’s from the end of words. One of my students, a PC devotee, kept telling me that everything would get better if I invested in a PC and dumped Dictate; there was a program for PCs that worked much better. I kept hearing the same thing, even from Mac lovers. What finally impelled me to move on was the great disparity between Dick’s enthusiasm and the real quality of his love. The gulf between the two had filled me to overflowing with bitter resentment.
I bought an inexpensive PC (which predictably freezes up more than my Mac), and installed Dragon Naturally Speaking, the PC-compatible version.
The first time I used the program, I cried. I could center text instantly, change the font of a word, line or paragraph, strike out words, page up, page down, rapidly read and delete emails, and most astonishingly, say things I thought made sense and be perfectly understood. “Delete rest of line.” I didn’t read that in a manual. I just said it and the remainder of a line disappeared. With Dick Tate, I may have had the power to do these things, but he was like a partner who had not gone to therapy and could not explain himself. Dragon Naturally Speaking presents a sidebar menu that alters its contents depending on what you’re up to. For example, if you’re writing emails, the help menu for working with email appears on the screen.
This is all starting to sound like I’ve been hired to give a promo in the guise of a personal essay. Truth be known, it takes me twice as long to produce a document as it did when I was able to type. The good news is that I am no longer starring in a comedic version of “2001: A Space Odyssey,” dependent on a benign and nutty version of HAL. Still, when I see people hunched over their laptops in cafes, I try not to give in to Schadenfreude. But seriously, they are doomed. The technology that augments our functioning will undoubtedly cripple more of us. Then, breakthrough technology will come to the rescue, only to hamper us in some new way – all part of a never-ending feedback loop of techno crippling-assistance.
My first Dragon once called intimacy, entombment. I am chronically single, and this pairing pretty much encapsulates the fears underlying my condition. Maybe how I feel about intimacy muddles my articulation of that word. Maybe Dick Tate understood me better than I imagined. I have to say that our peculiar intimacy taught me how to enunciate better. It also left me with incredibly low expectations, so that now I am primed to work towards mutual understanding in a more fulfilling relationship.
My second Dragon has its moments, evoking (evil king) my first Dragon when I tell people that it’s difficult to gain ground and heal because I am slowly Arctic … Discover iTunes Gothic … scoliotic. But my relationship with Naturally Speaking has enabled me to keep working, and I can’t tell you how important that is, on so many levels. Best of all, my second Dragon is a software program rather than a projection of my attachment issues. I never forget that I have people to thank for that, clever programmers whose relational skills are reflected in their work. Bless them.
I think of fashion as a medium of communication,” says Victor-John Villanueva. “It can convey ideas, both large and small. On a very personal level, it can convey your mood and state of mind.”
On Feb. 13, Victor became a Fab.com sensation when he officially launched 3PTPOP with a plan to bridge the gap between art and fashion — fashion communication. He’ll be accomplishing that with his line of celebrity fusible bead portraits, using Perler beads, those plastic objects you were tempted to chew on as a kid.
I first met Victor in 1997, when he was a sophomore Literature and Rhetoric major at SUNY Binghamton. Victor was considering becoming a graphic designer, and when next we met, he’d transferred to the School of Visual Arts to pursue his passion. Next came a stint as a Simon & Schuster book jacket designer, and in 2003, after two years in publishing, Victor participated in the JET program (Japan English Teaching Programme), sharing his culture with townspeople and teaching ESL. “I relocated from an office on 49th and 6th to a tiny school in a town of 7,000 in Kochi Prefecture, Japan,” Victor recalls. “The move was a game changer.”
“Japan brought another level of depth to my artistic and personal development,” he continues. In the beginning, Victor’s slightest efforts to communicate were difficult, but by the end, he was able to negotiate with real estate brokers. “Japan took me outside of my world as I’d known it to that point,” he says. “I made great friends and learned a lot about myself.”
Upon his return to New York, Victor became the art director of New York City Opera — after showing a body of personal work he’d created about his experiences abroad. And Victor soon got his fashion on (Do the kids still say that?), creating T-shirts emblazoned with hand-painted portraits of style icons like Vogue’s André Leon Talley, writer Glenn O’Brien, Lynn Yaeger, Kim Hastreiter, and Simon Doonan. Victor’s T-shirts garnered press from The New York Times, New York, Paper, and GQ.com—and even made appearances (the T-shirts, not Victor) on Martha Stewart’s TV show, and “America’s Next Top Model.”
Next came the fusible beads.
“When I bead, I feel as though I am painting a picture,” Victor says. “Big patches of color here, small strokes there.” Just like anything new, there is a learning curve associated with the beading. “After I select the person I want to create, I pixelate reference photos on my computer and use them as a basis for the picture.” After creating an initial sketch, Victor goes back and refines the details. “It’s strange how sometimes the placement of one bead can really make or break a piece,” he says.
Victor works in his NYC home studio, a space filled with inspirational toys, fashion, design, art, and books. He coats his fusible bead portraits in resin himself, a process refined through trial and error — and open windows. “I’m really inspired by artists who use resin in their work,” he says. “Maybe it’s the synthetic nature, or the durability of it. It was natural for me to want to make the portraits more permanent.”
Victor hopes 3PTPOP will grow as a brand that straddles the worlds of art and fashion. “I envision creating collections based on pop culture icons who’ve had an influence on me,” he says. “In that way, the work becomes kind of a diary of the pop culture addict within me.”
Copyright F+W Media Inc. 2012.
Salon is proud to feature content from Imprint, the fastest-growing design community on the web. Brought to you by Print magazine, America’s oldest and most trusted design voice, Imprint features some of the biggest names in the industry covering visual culture from every angle. Imprint advances and expands the design conversation, providing fresh daily content to the community (and now to salon.com!), sparking conversation, competition, criticism, and passion among its members.
Page 1 of 15133 in All Salon