Bigfoot lives!

Don't laugh. The quixotic quest for beasts of lore is not far from what drives zoologists to find new and incredibly rare creatures today.

Topics: Environment, Noble Beasts, Science

Last year when a
 couple of Georgia men claimed to possess a Bigfoot body on ice, a 
surprising number of news outlets covered the story. CNN and CBS, 
National Geographic and Scientific American interviewed Bigfoot “experts,” such as members of the Bigfoot Field Researchers 
Organization — experts more likely found on “Monsterquest,” a TV show that covers werewolves and vampires. Plenty of readers expressed their outrage on comment 
boards. “Were you recently purchased by the National Enquirer?” wrote 
one reader to Scientific American. Another wrote, “This is far beneath what I expect 
to read about in SciAm.”

Of course, it is
 doubtful the reporters believed the story, even before Sasquatch 
researchers pointed out that the body lacked muscle tone and 
that its hair samples burned like plastic. (It turned out to be a sloppy 
hoax involving a gorilla suit.) Sasquatch, of all legendary 
creatures, has become a cliché of the absurd, and with good reason.
 The idea of a 7-foot-tall unknown primate skulking around the
 ever-shrinking wilds of the United States sounds as far-fetched as a 
farmer being abducted by aliens in the cornfields of Kansas.

But science journalists entertain the Bigfoot story (even with a 
wink) because discovering a new and shockingly strange animal in the 
farthest reaches of the wilderness remains possible. Today, amid the 
drumbeat of bad news of species being driven to extinction, 
scientists are discovering more new species — both curious and 
commonplace — than in any time in history. As recently as November, 
excited anthropologists found a pygmy tarsier in Indonesia, a 
spooky gremlinlike primate, the size of a mouse, not seen since 1921.

That means some of the most respected scientists in the world cannot help 
having an open mind when it comes to the zoological unknown. And a few 
fringe scientists, known as cryptozoologists, are actively in pursuit 
of beasts of lore on the outside chance that they may not be figments 
of our imagination.

Technically, cryptozoology is the study and search for bizarre or 
legendary creatures, known as cryptids. There are the classics: the 
Loch Ness Monster, Chupacabra, the Yeti. But there are many that are 
not as well known and not as unbelievable, like the Buru, a slinky 10-
foot-long reptile that the Apatani, a tribal group in India, claim to 
have seen, or the Orang pendek, an upright gibbonlike creature said 
to stroll like a human in the forests of Sumatra.

The hunt for cryptids isn’t just quixotic. It’s motivated by the same 
ambitions that have led to key zoological discoveries. You might even 
say cryptid hunters keep warm that place in science where
 anything is possible. And it’s from that place where some of the 
most astounding advances in the sciences are derived.

At the turn of the 20th century, for instance, the Mountain Gorilla and the
 platypus were thought to be legend or hoax. Pearl fishermen of 
Indonesia told tales of enormous prehistoric-like creatures on a remote 
island; the stories turned out to be real and the animals were named 
Komodo dragons. (An animal, even today, has not been “discovered” 
until a bona fide scientist says so, no matter how many locals claim 
its existence.)

More recently, new animals are turning up at a rapid pace. “In the 
last 25 years, the number of species known to share the world with us 
has grown by 25 percent,” says Bruce Patterson, a curator of mammals 
at the Field Museum of Natural History in Chicago. “This is a 
remarkable level of discovery, and a remarkable statement of our 
current ignorance about the other forms of life we share the planet 

Most of these animals are much smaller than a Loch Ness Monster; most 
are plankton, insects, small fish and amphibians. But a few new 
mammals are discovered every year. While rats and bats are the most 
common finds, some big surprises have turned up.

“The third largest land mammal in South America, the Chacoan peccary 
[which looks like a furry boar], was thought to be extinct for tens 
of thousands of years until it was discovered in 1972,” says 
Patterson. In 1992, the Saola, a 200-pound deerlike bovine
 (cow family!), was discovered in Vietnam. “It’s a beautiful little 
thing,” says Patterson of the Saola. “Maybe 1,100 of them known to 
exist in the world.”

A few years ago, he adds, “I think the most remarkable new mammal 
discovered was the Laotian rodent.” The Laotian rock rat, a squirrel-
size, bushy-tailed rodent with a football-shaped head, was 
discovered in 1998. “It was found to belong to a family of animal 
that was thought to have gone extinct 11 million years ago. It is the 
only living representative of an otherwise extinct family.”

Animals like the rock rat — once thought to have been extinct — 
are known to biologists as Lazarus species, and are quarry for both 
cryptozoologists and run-of-the-mill zoologists. Most people are 
familiar with the story of the ivory-billed woodpecker, a large and 
colorful bird thought to have been lost forever that may or may not 
have been found in 2004 alive and flapping in the swamps of Arkansas. 
(This now-legendary species comes complete with its own 
controversial video footage, rather like the famous Patterson-Gimlin 
footage of a trudging Bigfoot.) In 1938, the coelacanth, a large fish 
that tends to dwell in deep-water caves, was found to be alive and 
flourishing. Ichthyologists had assumed it died out around 65 million 
years ago.

A find like the ivory-billed woodpecker or the coelacanth propels its 
discoverer to the top of his or her field, so the search for the 
oddest of creatures can be a long shot worth pursuing. Ian Harrison, 
a freshwater fish expert at Conservation International, has been 
hunting his own mini Loch Ness Monster, a hideous-looking fish called 
Rhizosomicthys totae, fondly known as the fat catfish.

“I saw an illustration of it in an old book at the Museum of Natural 
History,” says Harrison. “I thought, well, this can’t be accurate.” 
The animal looks like no other known fish. It is a 7-inch-long 
roll of undulating, chafed flesh, as if the fish had taken on human-
like rolls of fat. A dried-out specimen from another museum confirmed 
that the drawing was accurate. “I was just captivated by these 
things,” says Harrison.

When he found out that there were some reports of possible sightings 
as recently as 1984, he traveled with a team to Lake Tota, in 
Colombia, to hunt it down. The expedition was cut short when the team 
suspected that a left-wing rebel group was sniffing around their 
site. “We didn’t want to get kidnapped,” says Harrison. The team came 
away with nothing, but Harrison wants to go back. “The evidence 
suggests that it’s not there,” says Harrison. “But the lake is deep.”

And the ocean is deeper. Two years ago, some Japanese researchers 
were the first to capture video footage of the famous giant squid — 
millions of dollars had already been spent on a generations-long 
pursuit of the 40-foot-long animal, which was known to exist but had 
never been captured or properly observed. It seems safe to assume 
that marine biologists have entertained the idea, at least in 
passing, that there could exist a deep sea animal whose body has yet 
to reach any shore.

“The larger something is, the more likely it is to be seen at some 
point in time,” says Harrison. “But it’s possible. There is a lot of 
water out there, that’s for sure. The megamouth shark was first 
discovered in 1976.” Today megamouths, which weigh in at 1,600 
pounds, are known to swim in at least three different oceans. “That’s 
a substantial-sized animal that’s been cruising around, not being 
found, for a good few hundred years of marine research.”

Ironically, it may be that scientists who are the most experienced in 
exploring new species are the most sympathetic to the concept of 
cryptozoology. Eminent modern-day explorer Bruce Beehler maintains an open 
mind about the search for the strange. Beehler, a scientist at 
Conservation International, led an expedition in 2005 that uncovered 
some 40 species of animals that appear to have been unknown to 
science — including a possum and a rat — in the pristine
 forests of Mount Foja, Indonesia.

“I think we are near the
 end of the era of finds like the Mountain Gorilla,” says Beehler.
 “But I think there are definitely some surprises in store. 

Beehler says he would point cryptozoologists in the
 direction of the Amazon to maximize their chances, but he also
 recommends the Congo, Southern China near the Himalayas, and New
 Guinea. “There are not many big areas,” he says. “Most of them are 
little, like the Foja Mountains, which covers about 300,000 hectares 
[700,000 acres].”

The dense forests of Indonesia have their own Bigfoot legend: the 
Orang pendek. This creature has been
 described by generations of indigenous people in Sumatra
 as a short, bipedal apelike fellow possessing startlingly human-like
 characteristics. Because there have been many convincing eye-witness 
accounts, it is probably at the front of the pack of potential nonextinct missing links; so much so that National Geographic recently
 funded an expedition to track the thing down, with no success.

Orang pendek was also promoted in legitimacy when, in 2003, 
anthropologists discovered the skeleton of Homo floresiensis on an 
island in Indonesia — same neighborhood. Homo floresiensis, 
nicknamed “The Hobbit,” is 
hypothesized to have been a dwarflike hominin that would have lived 
contemporaneously with Homo sapiens tens of thousands of years ago. 
So surprising was the discovery of a humanlike species from such a 
recent time, the editor of the prestigious journal Nature wrote, “The
 discovery that Homo floresiensis survived until so very recently, in
 geological terms, makes it more likely that stories of other mythical 
humanlike creatures are founded on grains of truth … Now, 
cryptozoology, the study of such fabulous creatures, can come in from
 the cold.”

By Jeremy Holden’s measure, the hunt for Orang pendek is at a rolling 
boil. Holden, a British photographer
 who now spends his time in the Far East, claims to have seen the
 Orang pendek with his own eyes, along with his colleague Debbie
 Martyr, a British journalist who now spends her time tracking 
tiger poachers. “I feel my greatest achievement in life was seeing
 the Orang pendek,” says Holden. “And my great failure in life was
 not photographing it.”

When he followed Martyr on her quest to find
 the Orang pendek, he says, he doubted the creature could exist. No 
hide, skull or other physical evidence had ever been recovered or 
seen by Westerners. But that skepticism evaporated when a gibbonlike 
creature passed him, walking upright in a way that seemed to him nothing 
less than human. He was so shocked, he didn’t get the shot. He froze, 
afraid that he might see its face, which seemed to him, in his 
terror, impossible to bear. He and
 Martyr had nightmares for weeks.

Without a photo, he knew, it was unlikely that anyone would take the 
sighting seriously, so the two never publicized their experience.

 Some may roll their eyes at the amateur explorers’ ability to bring 
home the goods, but to Holden it is not entirely surprising that 
there is a dearth of tangible proof that the Orang pendek hides in 
the forests of Sumatra.

“I had spent time in Guinea trying to photograph a habituated
 troop of 19 chimpanzees,” says Holden. “They were used to people.
 But sometimes we would lose them, and our guides [who were indigenous
 to the area] would say, ‘Well, you might as well go home now, because 
there’s no way we are going to find them again until they start
 making noise.’ So imagine if chimpanzees were solitary and they
 lived on the ground and they didn’t make any noise. Would we ever
 know about them?”

Indeed, last August, the Wildlife Conservation Society reported that 
a population of about 75,000 Western Lowland gorillas had been overlooked 
in a swampy area of equatorial Africa. “I’m not a Bigfoot fan,” says 
Patterson. “But the discovery of this population of gorillas in a 
relatively intact ecosystem is an indication that some large animals 
that may still be abundant can escape our attention, particularly in 
poorly studied tropical locations.”

Idaho State University associate professor of anatomy and anthropology 
Jeff Meldrum backs this concept. “Jane Goodall sat there for months 
and months in the hillside waiting
 for chimpanzees,” Meldrum says. “And all she saw was a moving piece
 of foliage, or heard a vocalization. They were just invisible to her
 for literally months and months before she got her first glimpse. 
And she was working with gregarious, social, loud, boisterous primates.”

It is not surprising that Meldrum is enthralled with Goodall’s 
story. As the foremost Bigfoot expert in academia, and perhaps the 
most credible specimen of a cryptozoologist, he
 himself has been hunting the beast for decades in the chilly forests
 of the American Northwest. His book, “Sasquatch: Legend Meets 
Science,” includes complimentary words from Goodall herself. (In 
fact, in 2002, on NPR, when asked about Sasquatch-like creatures, 
Goodall said, “You’ll be amazed when I tell you that I’m sure that 
they exist.” She went on to say that she has heard many authentic-
sounding testimonials from Native Americans, which have her convinced.) 

In his lab, Meldrum has a collection of more than 200 so-called 
footprints, and believes that, surely, some of them are legit. They 
may be evidence, he says, of the existence of a peculiar great ape, or, more incredibly, a member of the Homo genus, the closest relatives to humans. As far as we know, no other animal of the Home genus currently exists besides Homo sapiens.

Most cryptozoologists are amateurs, not university professors, and 
for good reason. Despite Goodall’s endorsement, Meldrum has had to 
answer to concerns
 from the university’s administration and faculty, who worry that he is
 sullying the reputation of the school. As a researcher who 
specializes in the evolution of bipedalism, he is one of the few 
scientists that can project
 the aura of legitimacy on his cryptozoological side project.

“Twenty thousand years ago, Neanderthals and humans lived 
simultaneously and they didn’t mix,” he says. “Maybe relic 
populations [of the Homo genus] had to 
retreat to survive. You would think that a few thousand years would 
have done them in. But instead maybe it was just that they were out-
competed to the point that they had to retreat to the furthest
 reaches of their habitat in order to persist.”

Beehler has his doubts about this hypothesis. “The real problem is
 glaciation,” he says. “So much of the northern part of America 
was glaciated. And that pushed everything that was hiding anyplace 
south. Eventually, the animals either went extinct or became
 widespread. We don’t have a lot of species in North America that 
have lived for a long time in one single tiny place. That’s why we 
look to the tropics, places that have never been covered in ice.”

He does agree with the “hide and seek” concept of missing primates. 
”Thirteen new species of primates were found just in Brazil in the 
last decade,” Beehler says. “Those are small 
animals, but those are almost hominids. They are clever and they do 
hide and they probably know how to make 
themselves hard to see.” He then quickly adds: “In terms of 
discovering a
 hominid, of course, scientists are naturally skeptical. I have a 
residue of that skepticism.”

Patterson is also an open-minded skeptic. Of so-called 
cryptozoologists, he says, “They seem to be universal. I’m not a 
cryptozoologist, but I run into them all the time. There was a 
missionary, a Catholic priest, who works with indigenous communities 
in Amazonian Peru. He would occasionally stop by the museum to 
compare the bats and rodents he collected with the museum’s 
collection. He would tell me about these black jaguars twice the size 
of modern jaguars. I’ve also been told of a gigantic ape living in 
South America. You know, I keep saying to these people: All you have 
to do is bring back a skull, a scrap of skin, or even some poop and 
we can do something with that. But I can’t do anything with your 
story. And despite real interest and dedication, these people can’t 
produce the physical evidence that is needed to support their claims. 
I can tell you that I don’t lose any sleep worrying about this stuff 
at night.”

Skepticism sounds like a negative word, but in science it is often
 considered neutral — it is a necessary counterbalance, even when 
it seems certain that a hypothesis is true. Perhaps that’s where 
cryptozoologists can lend a hand. If nothing else,
 they can prove the negatives, making sure that the slim
 possibilities are checked off the list.

“I think there is a place for the cryptozoologist,” says Patterson. 
”The organizer of a meeting for the American Society of Mammalogists 
called me up and said that they had an abstract for a paper to be 
presented about a survey for Bigfoot. I called the author of this 
paper [not Meldrum] and determined that they had actual data and 
methodologies, and they were not going to present it as if they had 
definitive evidence. They were going to approach it in a purely 
scientific fashion. So I said, yeah, go ahead, present the paper.” He 
laughs. “It was one of the best attended talks at the meeting.”

It may be impossible to know whether photographer Jeremy Holden saw a mere gibbon who, to 
an excited witness, projected the 
illusion of effortless walking, or saw something far more 
interesting that wants to keep to itself. Those few who are serious 
about finding improbable lost species insist that they deserve a 
place at the table with the Goodalls of science. But they also know 
that most scientists aren’t buying it.

“Until we have the Orang pendek, the animal itself,” says Holden, 
”it’s just another cryptozoology story.”

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows



Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>