Why can’t we concentrate?
Twitter and e-mail aren't making us stupider, but they are making us more distracted. A new book explains why learning to focus is the key to living better.
Topics: Books, Nonfiction, Twitter, Entertainment News
Here’s a fail-safe topic when making conversation with everyone from cab drivers to grad students to cousins in the construction trade: Mention the fact that you’re finding it harder and harder to concentrate lately. The complaint appears to be universal, yet everyone blames it on some personal factor: having a baby, starting a new job, turning 50, having to use a Blackberry for work, getting on Facebook, and so on. Even more pervasive than Betty Friedan’s famous “problem that has no name,” this creeping distractibility and the technology that presumably causes it has inspired such cris de coeur as Nicholas Carr’s much-discussed “Is Google Making Us Stupid?” essay for the Atlantic Monthly and diatribes like “The Dumbest Generation: How the Digital Age Stupefies Young Americans and Jeopardizes Our Future,” a book published last year by Mark Bauerlein.
You don’t have to agree that “we” are getting stupider, or that today’s youth are going to hell in a handbasket (by gum!) to mourn the withering away of the ability to think about one thing for a prolonged period of time. Carr (whose argument was grievously mislabeled by the Atlantic’s headline writers as a salvo against the ubiquitous search engine) reported feeling the change “most strongly” while he was reading. “Immersing myself in a book or a lengthy article used to be easy,” he wrote. “Now my concentration often starts to drift after two or three pages. I get fidgety, lose the thread, begin looking for something else to do. I feel as if I’m always dragging my wayward brain back to the text.” For my own part, I now find it challenging to sit still on my sofa through the length of a feature film. The urge to, for example, jump up and check the IMDB filmography of a supporting actor is well-nigh irresistible, and once I’m at the computer, why not check e-mail? Most of the time, I’ll wind up pausing the DVD player before the end of the movie and telling myself I’ll watch the rest tomorrow.
This is no mere Luddite’s lament. A couple of years ago a craze for “full screen mode” writing software like WriteSpace and WriteRoom swept through the Web’s various digital communities devoted to productivity tips and tricks favored by technology workers. These applications reduce a computer’s display to a simple black screen with a column of text running down the middle. My colleague Rebecca Traister wrote recently of her love affair with Freedom, a program that locks her computer off the Internet for a preset block of time so she can “get some goddamn work done,” a desperate measure she characterized as a bid to “protect me from myself.”
What this commonplace crisis comes down to is our inability to control our own minds. You may, like Traister, need to buckle down and write, or you may, like Carr, pine for the deeply engaged style of reading we bring to books and New Yorker profiles. You may, like me, realize that your evening will be more enjoyable and more enriching if you commit to the full 110 minutes of “Children of Men” instead of obsessively checking out your friends’ Facebook updates or surveying borderline illiterate reader reviews — or, for that matter, browsing through the “Seinfeld” reruns in your Tivo Suggestions queue. In many cases, the thing we wish we would do is not only more interesting but ultimately more fun than the things we do instead, and yet it seems to require a Herculean effort to make ourselves do it.
What to do? For most people, bailing on the Web or e-mail or cellphones isn’t even feasible, let alone practical or ultimately desirable. (I shudder at the thought of living without my beloved Tivo.) Besides, modern life really isn’t making us stupider: IQ tests have to be regularly updated to make them harder; otherwise the average score would have climbed 3 percent per decade since the early 1930s. (The average score is supposed to remain at a constant 100 points.) And IQ measures problem-solving ability, rather than sheer data retained, which has grown even faster over the same interval. Each of us knows many more people and facts than our counterparts of 100 years ago; it’s just that the importance of those people and facts remains somewhat uncertain. Knowing a little bit about Lindsay Lohan and Simon Cowell (two people I recognize despite having no active interest in either one) can’t really be equated with knowing a bit about Marie Curie or Lord Mountbatten. We have more information, but it isn’t necessarily more valuable information.
Winifred Gallagher’s new book, “Rapt: Attention and the Focused Life” argues that it’s high time we take more deliberate control of this stuff. “The skillful management of attention,” she writes, “is the sine qua non of the good life and the key to improving virtually every aspect of your experience, from mood to productivity to relationships.” Because we can only attend to a tiny portion of the sensory cacophony around us, the elements we choose to focus on — the very stuff of our reality — is a creation, adeptly edited, providing us with a workable but highly selective version of the world and our own existence. Your very self, “stored in your memory,” is the product of what you pay attention to, since you can’t remember what you never noticed to begin with.
Gallagher came to appreciate this while fighting “a particularly nasty, fairly advanced” form of cancer. Determined not to let her illness “monopolize” her attention, she made a conscious choice to look “toward whatever seemed meaningful, productive, or energizing and away from the destructive, or dispiriting.” Her experience of the world was transformed. This revelation naturally led her to wonder why she’d had to exert herself to do what made her feel better. Why didn’t she turn to it as naturally as a thirsty woman turns to a glass of ice water? Why do we reflexively award more attention to negative or toxic phenomena like disasters and insults, while neglecting to credit small pleasures and compliments with the significance they deserve?
A good part of “Rapt” explores this puzzle, identifying both biological and cultural causes for our sometimes self-defeating habits. The book belongs to a school of nonfiction — Malcolm Gladwell’s “The Tipping Point” is the model — that aims to walk the line between social science and self-help. Despite the title, disappointingly little of “Rapt” is concerned with the state Gallagher describes as “completely absorbed, engrossed, fascinated, perhaps even ‘carried away,'” that is, precisely the experience Carr thinks is becoming ever more inaccessible. Ironically, for a book about focusing, “Rapt” can be frustratingly scattered, self-contradicting and platitudinous; do we really need more hand-wringing about families who don’t have dinner together or reheated summaries of scientific studies demonstrating the power of positive thinking?
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