Famous literary meals
"Fear and Loathing in Las Vegas" by Hunter S. Thompson
I remember a time, a younger, sheltered time, when I impressed friends and pretty girls by serving hummus. It seems almost absurd now, but yes, back then, hummus could be unexpected — an unusual Middle Eastern purée of chickpeas, sesame paste, garlic and lemon — and not automatic neighbors with the chips and dip on snack tables.
I thought about that a few months ago, when I read John T. Edge’s story on the Americanization of hummus. In it, he writes of Majdi Wadi, a Kuwaiti-Jordanian immigrant who built a small empire on his family’s recipe, a feat he accomplished by folding in untraditional flavors. Edge writes of Wadi: ” ‘I’m making an American product,’ he confessed sotto voce. ‘And this is what Americans want. Flavors and varieties and guacamole.’ “
I grinned reading that: Guacamole and salsa, originally from Mexico, are the flavors Wadi mentions as bending his products toward “Americanness.” Remember when salsa famously overtook ketchup as our nation’s best-selling condiment? “This is America!” nativists cried then. “We eat ketchup and talk American!” Sorry buddies, turns out most Americans don’t seem to agree, and they’ve been voting against you at the grocery checkout for years.
And so, as I’ve been thinking lately about our mongrelized American cuisine, it’s occurred to me, too, that Mr. Wadi’s product is not simply some odd perversion of his tradition, but also a bridge in the other direction: It’s not just the “Americanization” of hummus to consider here, but the hummusization of America, too. The foods we make ours also define our cuisine.
Which leads me to the evolution of bean dip, or, rather, your own personal evolution of bean dip. After all, what is hummus but just another kind of bean dip? We so rarely take beans seriously, what with all the magical fruit jokes and all, but perhaps our love of hummus will help change that – using the basic structure of hummus, you can make most any bean into a suave, delicious purée.
This is what I mean. All recipes for hummus are basically some variation of the proportions of the following:
So, thinking about what each of these ingredients actually does, we can think of it really like this:
And I’ll add one more, because I think it’s really useful:
Now, let’s go through in a little more detail:
Beans: The beans are here for body, flavor, and, well, they’re really what makes this a food. Of course, chickpeas are the traditional choice, and their nutty, wheaty flavor is fantastic. But almost any dry bean can be used this way — navy beans, kidney beans, pinto beans, black beans, black-eyed peas … you get the point. (I have to confess that I’ve never tried lentils this way, because I think they cook up a bit too wet, but I’d be happy to be proved wrong.)
I’m not picky about what form the beans take, and you don’t have to be either. Yes, fresh field beans (meaning “dry beans” that haven’t been actually dried) straight from the farm and kissed by angels are great, and planning ahead to soak dried beans overnight does give you a cooking-geek point or two, but if all you’ve got is a hankering and canned beans, I’m not going to tell you to turn in your food-cred card. Just be sure to rinse off the liquid they’re packed in. And you may want to cook them to soften them up a little more.
Fat and oil: Tahini, a rich sesame paste, is the only ingredient you may have to actually look for (though many supermarkets carry it), but if you’re not trying to make a traditional hummus, you can always just substitute around it. The point of this ingredient is to thin out and smooth the bean mixture, the difference between a bean mash and a bean purée, and of course to give you rich flavor. I love the flavor of good olive oil, so often that’s just what I’ll use for my bean purées. But why not a little peanut butter? Or bacon or sausage fat? Or the good, greasy drippings from your roasted chicken?
Cooking liquid: I usually think of the water I cook food in as its own kind of incidental broth. (Seriously – if you don’t believe me, next time you make pasta, take a little sip of the water. It won’t be delicious on its own, but it will have some flavor of wheat, which might find a happy home in combination with other things.) Since beans sometimes purée up stiff and dry, keeping some of the liquid on hand to help thin and smooth out the purée before you add the oil reintroduces some of the beans’ lost flavor and keeps you from having to dump tons of oil into it.
Salt: Salt makes things taste good.
Aromatics and flavorings: Traditionally, this would just be a little bit of raw garlic, pounded to a paste. Raw garlic is powerful, sharp and biting, and its flavor will bloom in the purée as it sits. If you prefer the milder, sweeter flavors of sautéed or roasted garlic, why not use those? Or do a combination of the two, or skip the garlic altogether and instead use a little minced shallot or onion. How about some ginger? Or herbs – hearty ones like rosemary and thyme are particularly lovely, or go Mexican with a little bit of epazote, or French with some tarragon.
Since the bean is the main ingredient, you can take inspiration from your choice to think of common flavors associated with it. Pinto beans, for instance, can take you down a Mexican-ish route, so you might consider garlic, chile, cumin, coriander, cilantro. Black-eyed peas, common in the South, might get you thinking bacon fat or bits of smoked ham folded in at the end. Maybe black beans will get you in a Cuban mood, garlic and lime and sautéed green peppers.
Acid: Lemon juice, lime juice, vinegar – you’re going to want a nice, sharp, tangy ingredient to lighten up the flavor and to balance the heaviness of all that protein and richness.
Your very own bean purée
Makes about 3 cups
Serve with chips, toasted pita or bread, crudité, or as a spread on bread, or even as the starch base for an entrée, and let us know in the comments what flavors and combinations you try!
"Fear and Loathing in Las Vegas" by Hunter S. Thompson
"Alice's Adventures in Wonderland" by Lewis Carroll
"Moby Dick" by Herman Melville
"The Bell Jar" by Sylvia Plath
"The Catcher in the Rye" by J.D. Salinger
"The Metamorphosis" by Franz Kafka