Friday Night Seitz
The worst remakes of all time
Slide show: From "Swept Away" to "The Haunting," the films and TV shows that most cruelly desecrated the originals
Last week’s slide show named the greatest remakes of all time. This week we go in the other direction and choose the worst — an assortment of movies and TV programs so misguided, lame or crass that they make your eyes ache and your brain hurt.
The list of outrages includes Sylvester Stallone taking over one of Michael Caine’s greatest roles, David Soul trying to fill in for Humphrey Bogart, Stephen King screwing up a Danish horror classic, and two instances of Hollywood remaking bleak masterworks with happy endings. Please add your own list of outrages in the Letters section; what good is misery if you can’t share it?
Movies for a desert island
What if you could only watch the same 10 films and TV shows forever? Compare your list to these classics SLIDE SHOW
You don’t need much of a setup for this one: It’s a Desert Island List of visual media that I’d like to have with me if I were shipwrecked.
Here are the rules:
1. This list is composed solely of motion pictures and TV shows. Music, books, paintings and other media are not included. It is assumed that you’ll have an indestructible DVD player with a solar-recharging power source, so let’s not get bogged down in refrigerator logic, mm’kay?
2. You can list 10 feature films, one short and a single, self-contained season of a TV series.
Continue Reading Close2011′s best TV episodes
It's easy to rank the year's best shows. But what were the individual episodes you need to see? SLIDE SHOW
(Credit: Monkik via Shutterstock/Salon) This is the top half of my year-end list of the 20 best individual episodes of scripted TV dramas and comedies. This slide show covers items 10 through 1. To read 20 through 11, which ran last week, click here.
TV’s best episodes in 2011
Set your DVR: In the first of a two-part slide show, we count down the top 20 specific shows of the last year SLIDE SHOW
(Credit: Monkik via Shutterstock/Salon) If most sports is a game of inches, most TV is a game of episodes. That’s why, at year’s end, I always feel a bit weird compiling a list of the year’s best series: Even a great series can have a bad episode, or a string of them, and even inconsistent or mostly mediocre series can produce memorable, even great installments.
Back in 2005, when I was a TV critic for the Newark Star-Ledger, I started publishing a yearly list of the best individual episodes of scripted TV shows. I’m continuing that tradition here at Salon with a citation of my 20 favorite episodes of scripted comedies and dramas.
For suspense’s sake, we’re breaking my 2011 list into two installments. This week’s covers items 20 through 11 on my list; next Friday we’ll count down the top 10.
The best TV shows of the year
Slide show: From "Breaking Bad" to "Homeland" and with a surprise at No. 1, cable dominates the best shows of 2011 SLIDE SHOW
We’re living in some kind of new Golden Age of scripted TV, and this year’s best offerings were amazing. I decided to be rigorous and restrict myself to just 10 entries. It wasn’t easy.
These 10 picks represent what I think were the most creative and consistently satisfying scripted comedies and dramas that aired on American TV during 2011. If I’d expanded the list to account for shows that were somewhat more erratic but that produced terrific individual episodes, this list would have had 30 or maybe even 40 titles on it. If anybody’s curious, I may post the expanded list in the comments section.
You may see some of the runners-up cited next week, when I will present a slide show honoring the best individual episodes of scripted series. There might be an article listing the best nonfiction programs as well.
Secret agenda: 20 classic spy movies
As "Tinker Tailor Soldier Spy" receives a stylish update, we survey our favorite espionage films, then and now SLIDE SHOW
There’s one big problem with compiling a list of great spy movies: How exactly do you define a “spy movie”? Do the spies have to be employed by a government agency? Does the action have to be international, or can it be domestic, even local? Do the characters have to engage in deception and/or information-gathering, or can they mainly be assassins, like James Bond or Jason Bourne? Is the “assassin film” its own separate genre? If movie characters have nothing to do with international politics but engage in surveillance and deception and other classic spy activities, can their story be grouped within the “spy movie” category?
Continue Reading ClosePage 1 of 11 in Friday Night Seitz
