Read it on Salon
Topics: Donald Trump, War Room, Politics News
In an episode early in Donald Trump’s career, his New York real estate company was sued by the federal government for discriminating against potential black renters. After a lengthy legal battle, it ultimately agreed to wide-ranging steps to offer rentals to nonwhites.
The little-remembered case provides crucial context for the current discussion centering on Trump and race. The celebrity businessman made news last month when he declared, “I have a great relationship with the blacks. I’ve always had a great relationship with the blacks.”
He has recently come under fire for attacks on President Obama that critics have described as racially tinged. CBS anchor Bob Schieffer, for example, said Wednesday there is “an ugly strain of racism” in Trump’s recent (baseless) accusations that President Obama should not have been admitted to Columbia. Also yesterday, Trump told a black reporter, unprompted, “Look I know you are a big Obama fan.”
The discrimination case began in the earliest days of Trump’s career, when he was still in his 20s.
Fred Trump, Donald’s father, was, unlike his son, a self-made man. He made his fortune by building thousands of units of middle-class housing in Brooklyn and Queens. But in the early 1970s, Donald was made president of the family company.
One of Donald’s first challenges came in October 1973, when the Justice Department hit the Trump Organization with a major discrimination suit for violating the Fair Housing Act. The Times reported:
… the Government contended that Trump Management had refused to rent or negotiate rentals “because of race and color.” It also charged that the company had required different rental terms and conditions because of race and that it had misrepresented to blacks that apartments were not available.
The journalist Gwenda Blair reported in her 2005 Trump biography that while Fred Trump had sought to combat previous discrimination allegations through “quiet diplomacy,” Donald decided to go on the offensive. He hired his friend Roy Cohn, the celebrity lawyer and former Joseph McCarthy aide, to countersue the government for making baseless charges against the company. They sought a staggering $100 million in damages.
A few months after the government filed the suit, Trump gave a combative press conference at the New York Hilton in which he went after the Justice Department for being too friendly to welfare recipients. He “accused the Justice Department of singling out his corporation because it was a large one and because the Government was trying to force it to rent to welfare recipients,” the Times reported. Trump added that if welfare recipients were allowed into his apartments in certain middle-class outer-borough neighborhoods, there would be a “massive fleeing from the city of not only our tenants, but communities as a whole.”
A federal judge threw out Trump’s countersuit a month later, calling it a waste of “time and paper.”
Writes Blair in her book:
Donald testified repeatedly that he had nothing to do with renting apartments, although in an application for a broker’s license filed at the same time he said that he was in charge of all rentals.
In 1975, Trump ultimately came to a far-reaching agreement with the DOJ in which he and the company did not admit guilt but agreed not to discriminate and to take steps to open its housing stock to more nonwhites. The company agreed to submit a weekly list of vacancies to the Urban League, which would produce qualified applicants for a portion of all vacancies.
But it didn’t end there. In 1978, the government filed a motion for supplemental relief, charging that the Trump company had not complied with the 1975 agreement. The government alleged that the Trump company “discriminated against blacks in the terms and conditions of rental, made statements indicating discrimination based on race and told blacks that apartments were not available for inspection and rental when, in fact, they are,” the Times reported. Trump again denied the charges.
It’s not clear what happened with the government’s request for further action (and compensation for victims), but in 1983, a fair-housing activist cited statistics that two Trump Village developments had white majorities of at least 95 percent.
At the very least, the case is something for reporters to ask about next time Trump touts his “great relationship with the blacks.”
(Hat tip to reader Linda Reynolds)
Named for the 15th-century Dutch artist known for vivid depictions of life in Hell, Detective Hieronymus “Harry” Bosch goes head to head with LA’s worst criminals. Actor Titus Welliver was handpicked by author and executive producer Michael Connelly to take Bosch from the pages to the screen.
Michael Connelly personally selected every LA location featured in the Bosch opening sequence. After 20 years with this character, Connelly wanted to be sure the show reflected the authenticity that longtime fans have appreciated over the years.
Actor Titus Welliver is the real deal. Having once considered becoming an NYC police officer, he was immediately drawn to this role. Much like Connelly’s own commitment to the character, Welliver is very passionate about remaining true to the source material.
In the series, Harry Bosch lent his expertise as a cop to Hollywood for the blockbuster movie The Black Echo, based on his own life story. The poster for the film hangs proudly in his living room, high above the Hollywood Hills.
Inspired by Michael Connelly’s books City of Bones, Echo Park, and The Concrete Blonde, the first season of Bosch introduced Amazon audiences to complex character Harry Bosch. Season 2, which features storylines from Trunk Music, The Drop and The Last Coyote premieres March 11th on Amazon Prime Video.
As an LA crime reporter early in his career, Michael Connelly worked side by side with the LAPD. With three LA homicide detectives on staff as consultants, Bosch lives up to its promise of authenticity.
Harry Bosch lives in the hills just above the Cahuenga Pass, the perfect spot to look out over the city he protects. Michael Connelly found this very spot in 1989, where he often returns to contemplate the city and find inspiration. Connelly also had his own home above Hollywood many years ago – in the High Tower apartments, where noir character Philip Marlowe lived in Robert Altman’s The Long Goodbye.
To ensure they would be able to realistically capture a cop’s perspective, the Bosch cast participated in special training with the LAPD, where they were faced with hard choices in real-life scenarios.
Michael Connelly’s inspiration for the gritty realness of Harry Bosch was often found during real testimonies while sitting in court as a reporter for the LA Times, including this defining exchange from Season 1, “How many people have you killed?” “I don’t know.”
Michael Connelly, an avid fan himself, wrote in a broadcast of an LA Dodgers game for the opening scenes of Season 1.
Stream Season 2 of the Amazon Original Series Bosch with Prime.
Educating for Democracy: Is the US moving toward a theocracy
Tennessee Passes Anti-LGBT Counseling Bill
Kerry Washington: 'In The Beginning, Anita Hill Wanted Nothing To Do With Me'
April 13: Million Student March for Debt Reduction. Politicians Better Have Some Solutions.
Reining in CEO Pay: Market Discipline at the Top
7 reasons why the second man on the moon is even cooler than you realized.
9 reasons to be a little obsessed with elite gymnast Simone Biles.
A 17-year-old made messaging easier for those who are deaf. And he wasn't even trying to.
Their booth says 'Ask a Muslim,' but it's not religion they want to talk about.
A request from your fat friend: what I need when we talk about bodies.

Comments
0 Comments