Valentine's Day Fiction
Pitch and catch
It must've been awkward for Tom Brady and Gisele Bundchen after she blamed his teammates for losing the Super Bowl
(Credit: AP/Salon) “You shouldn’t have said it.”
“Yes.”
“I wish you wouldn’t have.”
“I did.”
“That’s what I’m saying.”
“I’m sorry.”
“I know. I’m not mad.”
“You shouldn’t be.”
“I’m not.”
“It’s just that the man wouldn’t stop.”
“You shouldn’t start with people who won’t stop.”
“I know. I’m mad at myself.”
“You shouldn’t be. Be mad at him.”
“I am mad at him, too.”
“Right. You should be.”
“He started talking about you and he wouldn’t stop.”
“That’s what they do.”
“He was saying horrible things.”
“Right. That’s also what they do.”
“If you had been there he would have stopped.”
“I couldn’t be there.”
“Or maybe he never would have started.”
“I couldn’t be there.”
“I’m just saying I wish you were there.”
“I couldn’t be.”
- – - – - -
“I have a question.”
“Yes.”
“How can you answer? You don’t even know what the question is.”
“I wasn’t answering. I was just saying yes.”
“OK.”
“What’s your question?”
“You said that he said horrible things.”
“Yes.”
“That’s not my question.”
“I know. Go on.”
“OK. What were they?”
“What were what?”
“The horrible things.”
“You heard them.”
“The things I heard weren’t so horrible.”
“They were.”
“They weren’t so nice but were they so horrible?”
“Yes. I saw his eyes.”
“You did?”
“You should have seen them. How they looked.”
“How did they look?”
“It’s not easy to say.”
“The things he said mean nothing.”
“They mean something. Something horrible.”
“What do they mean?”
“You know.”
“He said I was owned.”
“Yes.”
“Does he mean outplayed?”
“I don’t know.”
“Does it mean defeated?”
“I don’t know.”
“Those things aren’t great, it’s true.”
“They’re horrible.”
“But they’re true.”
“They’re not.”
“They happened.”
“Does that make them true?”
“Yes.”
“I agree with you. But I don’t agree with him.”
“I think we’re saying the same thing.”
“Me and you?”
“Me and him.”
“You’re not being horrible.”
“I don’t think he was, either, even if you saw his eyes.”
“What?”
“Isn’t he just saying what happened?”
“No.”
“What is he doing, then?”
“I have no answer.”
- – - – - -
“I’m asleep.”
“What?”
“I’m sleeping.”
“Wake up.”
“I’m awake.”
“I dreamed that I said something.”
“I have that dream all the time.”
“I dreamed that I said something to him.”
“To who?”
“To the man.”
“What man?”
“The man who said horrible things.”
“You’re still thinking about him?”
“No.”
“You’re dreaming about it.”
“Yes.”
“That seems worse.”
“It felt better.”
“What was the dream?”
“I told you.”
“I was sleeping.”
“I dreamed that I said something.”
“That’s not a dream.”
“What?”
“You did say something.”
“I did.”
“That’s how this all started.”
“I said that same thing I said in real life.”
“Is that a dream? It might just be a memory.”
“But when I said it in real life it felt wrong.”
“It was wrong.”
“In my dream it felt right.”
“What do you mean?”
“I don’t know.”
“Do you mean accurate?”
“I don’t know.”
“Do you mean justified?”
“I don’t know.”
“Well, both of those things are untrue.”
“Oh.”
“How is it accurate? How is it justified?”
“Because you can only do so much.”
“You shouldn’t say that.”
“In my dream? It felt right.”
“I mean in real life.”
“I feel better now that I said it.”
“I thought you felt worse.”
“I feel better that I said it in my dream.”
“I can’t sleep.”
“I’m wide awake.”
- – - – - -
“You can only do so much.”
“I thought we had stopped with this.”
“Others have to do the rest.”
“We need to not start with this.”
“I didn’t think before I said it.”
“I know.”
“But now that I have thought about it I know I was right.”
“What?”
“You can only do so much. Others have to do the rest.”
“Don’t say that.”
“I may never stop saying it.”
“You have to stop.”
“You don’t own me.”
“You should see yourself.”
“What do you mean?”
“You should see how you look.”
“How do I look?”
“Your eyes are really something.”
“Isn’t it great?”
“I don’t think we’re saying the same thing.”
“You should have been there.”
“I couldn’t be there.”
“I wish you would have.”
“You shouldn’t have said it.”
“No?”
Ben Greenman is an editor at the New Yorker and the author of several acclaimed books of fiction, including "Superbad," "What He's Poised To Do" and "Celebrity Chekhov." His fiction, essays and journalism have appeared in numerous publications, including the New York Times, the Washington Post, the Paris Review, Zoetrope: All Story, McSweeney's and Opium. More Ben Greenman.
Demi’s last night out
When did Demi Moore know she and Ashton were done? Maybe when she tried and tried, but still couldn't rise from bed
(Credit: AP/Salon) The party is in the Hollywood Hills, at someone’s house that looks familiar, or maybe all these houses look alike to me at this point. We’re outside by the pool and the air smells of citronella and night-blooming jasmine. I’m drinking a Red Bull and watching a couple of girls in sundresses leap into the shimmering water, the thin fabric revealing their underwear, both of them shrieking loudly to make sure everybody pays attention.
They are lovely, those girls.
The music is so loud it pulses inside my chest, as if it’s replacing my heart, which would be fine with me. Two guys come up and start dancing. They look exactly the same, androgynous and pretty, with floppy hair. It’s a look I like, feel strong against, and we all three sway together.
Continue Reading CloseAlix Ohlin is the author of the novel "The Missing Person" and the collection "Babylon and Other Stories." A new novel, "Inside," and a story collection, "Signs and Wonders," are forthcoming from Knopf this spring. More Alix Ohlin.
One day you’re in
When Seal and Heidi Klum split, no one survives on the "Project Runway" set unless they get a little crazy
(Credit: AP/Salon) The old crew was back to work for the first time since Season 9 ended, and the new hires were cracking the “Make it work” jokes that the rest of us had gotten sick of five years ago. Even Tim seemed a little apologetic when he said it these days. He’d gotten too much sun the day before and was pinker than usual. “Just … make it work, I guess,” he told the makeup artist.
The casting episodes were always awkward, no proper sets or dressing rooms in the hotels and a desperate mass of humanity clutching garment bags in the hallways. And now everyone tiptoeing around Heidi, looking to see if she’d changed since the news broke, peering for bags under her eyes, or deepened lines around her mouth. If she looked older, she must be unhappy. If she didn’t, maybe the entire thing was a stunt to sell more albums. Women in this business are never just sad, they’re one step closer to the grave.
Continue Reading CloseCaitlin Horrocks is the author of the story collection "This Is Not Your City" (Sarabande). Her fiction has been published by the New Yorker and in the 2011 edition of Best American Short Stories. More Caitlin Horrocks.
Whip-it
It's the final phone conversation of Demi and Ashton's marriage and, wait, is that Rupert Murdoch listening in?
(Credit: Reuters/Salon) Kutcher-Moore Residence, Los Angeles, Jan. 26
Demi Moore sits, distraught, on her living room floor. The house is in upheaval, every flat surface covered with boxes halfway packed, then abandoned; it seems her husband will never be done with moving out. A large bottle of Zyrtec is at her side. A dozen thin, high-strung dogs wander in and out of the room. Her cellphone rings.
“It’s me,” he says. “Don’t hang up.”
“What do you want?”
“I want the truth.”
Demi grabs one of the dogs with her free hand — it hardly struggles — and holds it closely, rubbing its silky fur against her cheek. How she loves these dogs: their dark, smooth coats, their effortlessly thin flanks. No matter how much she feeds them, she can still feel their ribs through their skin. Wonderful!
Continue Reading CloseBelle Boggs is the author of the story collection "Mattaponi Queen," which won the Bakeless Prize and the Library of Virginia Award. More Belle Boggs.
Richard D. Allen is a poet and humorist. More Richard D. Allen.