Partisan death jam

The two parties aren't just making progress impossible, they're destroying our political system. An expert explains

Topics: Republican Party, Books, Editor's Picks, ,

Partisan death jam (Credit: iStockphoto/duncan1890)

If you thought the debates over the debt ceiling last year – one of the most striking examples of political dysfunction and gridlock in recent memory — were over, think again. Although Republicans agreed to a small raise and to put off discussion of the issue until after the upcoming 2012 elections, Senate Minority Leader Mitch McConnell told Fox, “We’ll be doing it all over” in 2013. Clearly, the partisan rupture that’s dividing Washington is not going to heal any time soon, but how did things get so dire to begin with?

When congressional scholars Thomas E. Mann and Norman J. Ornstein say “It’s Even Worse Than It Looks” – the title of their book – they’re being serious (subtitle: “How the American Constitutional System Collided With the New Politics of Extremism”). Mann, the W. Averell Harriman chair and senior fellow in Governance Studies at the Brookings Institution, and Ornstein, a resident scholar at the American Enterprise Institute, began the Congress Project in the midst of the 1978 midterm campaign to track the institution as it evolved. What they’ve found since hasn’t been encouraging.

In their book, Mann and Ornstein trace political dysfunction to the present, illuminating the basic incompatibility they see between the U.S. constitutional system and two highly partisan, parliamentary-like parties. Mann and Ornstein argue that the adversarial, winner-take-all climate we find ourselves in today makes it extremely hard for a majority to act in our two-party governing system. Though both parties engage in corruption, they believe the current Republican Party – which they argue is unpersuaded by fact and science, and has little in common with Reagan’s GOP – tilts the political system into “asymmetric polarization” with its refusal to support anything that might help Democrats, no matter the cost to collective interest.

Meanwhile, changes in mass media, a populist distrust of non-military leaders deemed suspiciously “elite,” and the insidious connection between money and politics join to create the terrible recipe for a truly dysfunctional political system. At a time when we’re facing serious national and global problems, they write, “The country is squandering its economic future and putting itself at risk because of an inability to govern effectively.” But there’s hope. Mann and Ornstein dedicate the second half of the book to outlining what specific institutional restructuring won’t work and what will, as well as what the public and media can do to be part of positive change.

Salon spoke with Thomas E. Mann about how the media plays into the partisan warfare, the role of the Citizens United decision in the upcoming election, and what we can do to make American politics less dysfunctional.

I’m wondering how you chose the book’s title.

It is a rather unusual title, isn’t it? We were thinking through titles and somehow we got in our minds Mark Twain’s quip about Wagner’s music, which is “It’s better than it sounds.” And so we were thinking relative to how our dysfunctional political system looks and we said, “Well, we’ve gotta say it’s worse than it looks, but that would make no sense to people who think it looks horrible already.” So we put the “even” in it – “It’s even worse than it looks.”

We are two long-time students of American politics and Congress. We’ve really become exceedingly discouraged about developments in our politics and in thought. And we’ve become frustrated by what we think is a commentary about it that ends up not being especially accurate and, frankly, reinforces the destructive dynamics of the system by leading the public to think it’s all hopeless: They’re all the same, it’s a corrupt system, it’s an utterly incompetent system, and therefore removing, in many respects, any basis on which a public could actually change that system. Instead you get a kind of visceral reaction: “Throw the bums out!” And that usually has the effect of reinforcing whatever you have now or making it worse.

How is partisan confrontation more serious today than it has been since you began studying American politics? 

It’s the worst we’ve seen in our 40 years of observing up-close Congress and the presidency and the American political system more broadly. We’ve gone through very difficult periods in our politics: polarized times in the post-Reconstruction period; turn of the 2oth century; we’ve, of course, just had exceptionally traumatic times before the Civil War; and difficulties in the early 1800s as well. So we make no claim that this is the worst ever, but if we’re comparing ourselves now to the pre-Civil War period, that’s not such good news, is it? What we can say is that the parties are more polarized than they have been in over a century. We can say that the Republican Party is more conservative than it’s been in over a century. We can get that evidence from looking at behavior within the Congress and patterns of voting, but we can also see how, in many respects, that public aligns with those polarized parties.

Some people make an argument, which we believe is more myth than reality, that the public is overwhelmingly moderate, centrist, pragmatic, independent, and it’s only the elite, the partisan elite, that engage in their own wars and cause the problems – that they don’t properly represent the sentiments of voters. We think that’s wrong, that the public – at least, the public active enough to vote – and in those who do more than voting particularly, are very much a piece of this now. We’ve kind of sorted ourselves into two warring parties. We’ve done it by a choice of neighborhoods in which to reside, on the base of our own ideological dispositions. A whole host of factors have led us into areas of people with like-minded values and beliefs and preferences, and that actually encourages the developments in Washington and, frankly, in state legislatures around the country that many people bemoan. So that’s part of it, why we think it’s exceptionally bad now.

Another part is that we’re facing the most serious economic crisis since the Great Depression, and yet our political system is set up in a way in which it’s very hard for an opposition party to be open to participating in any solutions to that because that would legitimize the party in power, which would keep them from getting there. And so they are engaged now in an ever more permanent campaign to obstruct, defeat, discredit, repeal anything that is done by – usually defined as – the president’s party. And we’ve now seen a willingness to engage in hostage-taking and a game of dangerous threats,  which lead to the downgrading of American currency.

You explicitly dispel the media myth that both sides are equally guilty of partisan misbehavior. What’s different about the current Republican Party?

It’s a very important piece of the argument that we’re making. I’ve already indicated to you that in ideological terms, as best as we can measure, the Republican Party is the most conservative it’s been in over a century. But I think just as importantly, it’s become a party that believes it’s essential to stick to your principles and not engage in any kind of collaboration with – negotiating or compromise with – the enemy, which is defined as the other party. That’s unusual. And then you put that together with simply no respect for facts, for evidence, for science, and add to that the willingness to simply reject the legitimacy of the other side. It’s as if we were replaying the election of 1800 and the party that eventually won wouldn’t take office because they were deemed illegitimate or vice versa. The peaceful transfer of power, the respect for the office of the presidency, the willingness to say, “We have our differences, it’s important to discuss those but in the end we’re all Americans,” and so on, that’s rejected by a whole lot of Republicans right now.

Our politics and governing system just doesn’t work very well when one of our parties has strayed – in both policy and process terms – far from the mainstream, because we have a system of separated powers, we have numerous veto points, and it really does require willingness at some point to work across the aisle. If we had a parliamentary system of government, then these parliamentary-like parties would be OK, because you would, through an election, create a majority and that majority (the government) could put its program into place and then be judged accordingly for five years later. But we don’t have that. We have a system in which a minority can frustrate the efforts of the majority, not to simply get a better negotiating position, which is the way in the past it has worked, but to literally stop the new president’s or new majority’s program dead in the water. And that together is what created our dysfunctional politics.

And how does the media contribute to all of this?

I think the “mainstream media,” that is the non-partisan or ideological press, is utterly helpless in the face of the reality that we have right now. That is, the strong journalistic norms of fairness, of balance, of getting the full story, which tends to be interpreted as both sides out, has in effect created a distorted view of what’s happening in the world, and the irony is many individual members of the press know it. So I guess the biggest problem with the press and, again, by that I’m talking about the sort of press that aspires to practice good journalism, and not simply to be a partisan or ideological participant in the political wars, that they have basically assumed that getting both sides, letting the warring parties and individuals speak, is the best way to cover the story and also provide a little safety from charges of political bias. And in so doing, they’ve actually helped to perpetuate the very problems that we have. And I say that as a friend and admirer and regular reader of many, many, many members of that press.

How do you think Obama’s election affected the dysfunctional atmosphere back in 2008?

Let me say, it’s worth looking back to the Clinton presidency, especially the first couple of years and last couple of years. Because he ran on a tax cut, but then was persuaded that he had to do something to deal with deficits and he spent most of his first year trying to do it. He never got a single Republican vote in the House or Senate for this. And he was attacked, subject to dozens of corruption investigations, most of which ended up being bogus, and in the end he was impeached! In 1998, by a Republican House that had just been dealt a setback in the election because of its talk about impeachment. So this has been in the works for some time. But I think Obama has intensified and accelerated it. Certainly his race is a consideration. But so too was the threat of a Democratic president mobilizing constituencies that are growing and potentially putting the Democratic Party in a dominant position. So all of that conspired to convince the Republicans in Congress, who’d just taken a shellacking, to develop a strategy – which is now well-documented – before Obama was inaugurated, to sit together to oppose everything.

In part two of the book, you outline many major institutional changes that you think definitely will, or definitely won’t, work. Can you speak to some of the solutions you do support? 

As you say, we devote one chapter to saying what not to do. We try to pare down some horrible ideas that get great credence in the public discussion. We say we need to change our electoral system in ways to increase public participation because that would have diminished some of the intense ideological views expressed by the public as a whole. We need to change the institutional arrangements so that the routinization of the filibuster can be destroyed – it is a modern phenomenon and we have some ideas about that. But in the end, we say it’s the electorate that has to rein in the insurgent outlier, and that’s very problematic just because of the confusion of what would make for a better, more workable system. And so, the odds are, depending on what happens with the economy, that Obama will win. But Republicans could easily hold the House and take the Senate. And therefore, Republicans might be encouraged to basically have the same strategy of opposition as they have now. We argue in the book that it’s the public that produces divided government, but in times of highly polarized parties, that’s a formula for gridlock, inaction and government dysfunction.

And the individual citizens of a democracy must have a role in this change as well.

What the public could do is what democratic theory tells us they would do, which is that if one party goes too far from the mainstream of public thinking, public preferences, accepted democratic processes, they’ll be reined in by the electorate. So an overwhelming across-the-board Democratic vote would probably so shake the Republican Party that those who have been distressed within the party by recent developments would have an opportunity to come forward as a new kind of leadership with alternative programs and platforms. But that seems very unlikely to happen, so what we’re probably going to have is Obama figuring out a way to use the expiration of all of the tax cuts in the beginning of the sequestration of defense and other things as a way to force a compromise with the Republicans because, in this case, the status quo is unacceptable to them.

It’s going to be a tricky bit of maneuvering but I think that the thrust of our argument is all these so-called bipartisan or nonpartisan efforts to sort of bring the parties together and find a bipartisan solution: It’s a pipe dream. It’s ridiculous. It can’t happen. So we’re going to have to figure out, voters and politicians, how to operate in a hyper-partisan system, and hopefully get leverage at times to force action that is actually responsive to the country’s problems.

Looking ahead to the coming election, in the wake of the Citizens United decision, what sort of alternative to corrupt campaign funding do you see?

We argue that efforts on the left for full public financing of elections right now is simply impossible given the interpretations the Supreme Court has made about the First Amendment as applied to money and politics. Such systems have to be voluntary; they get overwhelmed by the independent spending group like, in its latest manifestation, the super PACs, and it’s sort of a pipe dream. There are individuals out there writing books, making the case that money is the root of all evil and if we just get it out of the system our politics will return to a healthy equilibrium. We think there are a lot of problems with money in politics, and we need to deal with them, but the problems go well beyond that. Given the composition of the court, there are only incremental things one can do: increasing transparency, trying to generate more small donations, and looking for ways to improve the process that way. The others are as much pipe dreams as those on the right calling for a balanced budget amendment.

Lucy McKeon is an editorial fellow at Salon.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows



Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>