Worse than the Tea Party

The GOP is blaming Akin and Mourdock for its blowout Senate defeat. It might want to look at its policies instead

Topics: Tea Party, Florida, The American Prospect, Todd Akin, Missouri, Montana, Richard Mourdock,

Worse than the Tea Party (Credit: AP/Christian Gooden)
This article originally appeared on The American Prospect.

The American Prospect If there was anything Republicans should have been surprised about in this month’s elections, it was their rout in the Senate. Not only did they lose races against vulnerable Democratic incumbents in GOP leaning states—Missouri, Florida, and Montana, for instance—but they also lost almost every competitive open race and failed to hold a vacant one in Indiana.

Politico reports that GOP leaders are working to prevent a repeat of this scenario by exerting more control over the nomination process. Republicans believe that they would have done better had they kept politicians like Todd Akin and Richard Mourdock out of the picture. The goal for the next four years is to erase the Tea Party-versus-Washington narrative that has made it difficult to get establishment Republicans through the primary process:

“We ought to make certain that if we get engaged in primaries that we’re doing it based on the desires, the electability and the input of people back in the states that we’re talking about,” Kansas Sen. Jerry Moran, the incoming National Republican Senatorial Committee chairman, told POLITICO. “And not from the perception of what political operatives from Washington, D.C., think about who ought to be the candidate in state X.”

The first-term Moran, who was elected to the spot last week by his Senate colleagues, tapped incoming Texas freshman Sen. Ted Cruz as a vice chairman for grass roots and outreach. The plan, according to party leaders, is to employ Cruz’s tea party star power to help win over activist groups that may be wary of the NRSC and help unify the GOP behind a single candidate in crucial Senate races.

It’s good that Republicans want to bridge the divides in their party, but—like the focus on immigration by Republican leaders in the wake of Mitt Romney’s defeat—this is a misreading of what happened on Election Day. Todd Akin and Richard Mourdock were the only two candidates who could plausibly be associated with the Tea Party, and in the case of the former, it’s hard to say that he was the standard-bearer for Missouri conservatives; the state treasurer, Sarah Steelman, had received endorsements from Sarah Palin and the Tea Party Express and was as much a candidate of the right as Akin was.



To put this another way, Republicans lost 9 of the 12 competitive Senate races this year, but it was only in two of those that right-wing candidates sunk the party’s chances. In the remaining seven, Republicans lost fielding the kind of candidates GOP leaders say they are now looking for. Virginia’s George Allen, Montana’s Danny Rehberg, Ohio’s Josh Mandel, North Dakota’s Rick Berg—these were all establishment candidates with conservative credentials who nonetheless lost their races.

The GOP’s problem goes beyond candidate quality and can be summed up in a single question: What do they have to offer? There was a lot wrong with Ross Douthat’s New York Times column yesterday, but what he got right was the observation that Republicans have nothing to offer ordinary Americans beset by economic and social insecurity. It’s possible (though highly unlikely) that tax cuts for the rich are what the economy needs to break through to a stronger recovery. But new tax cuts don’t resonate for the large number of Americans who want to know how the GOP can increase their wages, fix their schools, and save their homes.

This is, relatedly, the reason I don’t expect much success from the current push to rebrand the Republican Party as friendly to immigrants or responsive to working-class concerns. As long as the GOP refuses to reconsider its policies, there’s no amount of language that will fix its problems. But this kind of introspection is difficult—the kind of policies that might help ordinary people are ones that cut against the anti-government—of all kinds—message of the last four years.

But that just underscores the extent to which figures like Louisiana Governor Bobby Jindal—new head of the Republican Governor’s Association—have to do more than promise to “compete for every vote”; they need to show how they can help improve people’s lives. At the moment, Americans just aren’t confident that they’re up to the task.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>