Best big TV on the market

If you're looking for a monster screen to anchor your living room, go with the ST50 series from Panasonic

Topics: Television, The Wirecutter, Sony, Panasonic, ST50,

Best big TV on the market
This article originally appeared on The Wirecutter.

The Wirecutter As far as really big TVs go, our pick is same as our pick for best TV overall, the ST50 series from Panasonic. In both 60- and 65-inch sizes, it offers excellent value and some of the best picture quality available.

Check out our Best TV article for the full explanation on why the ST50 is so good. If you’re curious about what sized TV to buy, check out this appropriately titled CNET article How big a TV should I buy?

For the rest of this article we’ll sum up the ST50’s pros, and cover some of the more varied big screen competition and why they’re not as good.

David Katzmaier, Senior Editor at CNET, probably sums up the ST50 best, “With flagship-level picture quality for a midlevel price, the Panasonic ST50 series sets the value standard among videophile-grade TVs. The picture is so good, in fact, that it scored the same as the flagship VT30 I lauded last year, and in person it’s tough to tell the two apart. If anything, the ST50 looks better. It sets a lofty standard for HDTV picture quality this year, and one I feel confident only a few TVs will approach. I doubt any of them will do it for less money.” He gave the ST50 4.5 out of 5 stars, one of the highest ratings of any big TV in 2012. In the breakdown of their ratings, he gave it a 9/10 for performance, and a 10/10 for value.

Consumer Reports gave the P60ST50 a 77, one of their highest ratings for big 2012 TVs as well, giving its picture quality their highest rating of “Excellent.” They further said, “This model had excellent high-definition picture quality. It did a top-notch job displaying the finest detail. Color accuracy was excellent, so colors looked very natural and life-like. Very good contrast–the difference between the darkest blacks and brightest whites–gave images depth and dimension. The brightness level was good, making it a suitable choice for most rooms. The TV had very deep black levels, among the best we’ve seen.”

Home Theater’s Tom Norton, after reviewing the P55ST50, had this to say, “With a remarkable price, superb 2D performance, and 3D that can only be bettered by spending a lot more (and often, not even then), this Panasonic is a no-brainer.” He gave it a 4.5/5 for 2D video performance, and 5/5 for value.

On Amazon, the ST50 series has a 4.5/5 average customer review rating, with the majority of them (67%) 5 stars. The percentage of positive reviews goes above 80% if you include 4 star ratings as well.

Like in our Best TV article, we also recommend Panasonic’s VT50 as a step up. It’s slightly more expensive, but to most reviewers eyes, it offers even better picture quality. In his 4.5/5 review of the 65VT50, David said “The Panasonic TC-PVT50 series produces some of the best pictures ever, with exceedingly deep black levels, highly accurate color, and perfect screen uniformity and off-angle performance.” He gave it a 10/10 for performance.

I reviewed the smaller, 55-inch, P55VT50 for Sound+Vision magazine, and found it to be one of the best performing TVs I’ve reviewed in over 10 years of TV reviewing. Consumer Reports also reviewed the 55VT50, giving it a 79 and proclaiming it had “excellent high-definition picture quality” and “very deep black levels, among the best we’ve seen.”

How much better? Well, the VT50 has a lower black level than the ST50, which in turn helps create a better contrast ratio. Contrast ratio, or the difference between the brightest part of the image, and the darkest, is by far the most important aspect of picture quality. All manufacturers lie about what contrast ratio their TVs produce, but many websites objectively measure black level and contrast ratio. Because their methodology is different, comparing the numbers across different websites isn’t valid, but within each publication you can usually compare. To that end, David Katzmaier found the VT50’s black level to be twice as good as the ST50, which was already better than many other plasmas. When I measured the contrast ratio of the 55-inch VT50, I found its contrast ratio to be one of the best of any flat panel I’ve ever measured. My colleague at Sound+Vision, Al Griffin, measured the ST50 and found its contrast ratio to be about 80% of what I measured for the VT50, but even that was still greater than the native contrast ratio of every LCD we measured this year.

To give you an idea on value, the P60ST50 has a price of $26.67 per screen inch, the P65ST50 has a price of $33.08 per screen inch, while the P65VT50 is $50 per screen inch. Even that price, however, is still cheaper than many high-end LCDs in this size. Or to put that a different way, the P65ST50 is $2,150, while the P65VT50 is $3,250. There is no 60-inch VT50, only a 55-inch, which is $2,200 ($33.85/in).

A logical question you’re probably asking is whether to get the 55-inch VT50 or the 65-inch ST50, given that they’re the same price. A tough call, to be sure, but keep this in mind: side by side, you’d probably see a difference between the two. However, with just one in your home, the larger screen size of the ST50 is likely a bigger deal than the slight improvement in picture quality with the VT50. The ST50 is going to be a lot bigger, with only a tiny decrease in performance compared to the VT50 (and it still looks better than most other TVs out there).

A lower-priced option, the TC-P60U50 ($900), is an excellent value, but has not been widely reviewed. CNET gave 4/5 and praised it for an excellent black level, but noted it “washes out in bright room lighting, and it can’t get as bright in its most accurate picture mode as some plasmas this size.”  They explained further “It doesn’t do as well with the lights turned up, however, so if you can spare the money, or want more choices in size, you should consider stepping up to something like the ST50.” It also has only two HDMI inputs. So it’s a great value, but stepping up to the ST50 yields a noticeable step up in picture quality (in the vital areas of brightness and contrast ratio).

And what about the competition? Price-wise, Samsung’s closest competitors are the PN60E6500 ($1,600) and the PN64E550D ($2,000). CNET gave the E550 3.5/5, saying, “The image of the Samsung PNE550 washes out significantly in normal room lighting. It can’t match the black-level performance of the best like-priced plasmas.” Consumer Reports gave it a 71, and a “Very Good” for picture quality. The average Amazon customer review is 3/5, with almost as many one stars (6) as five stars (8).

The E6500 fared better with CNET, scoring a 4/5 and reporting, “Despite the deep blacks, the E6500 isn’t able to get as bright as other TVs and so contrast suffers ever so slightly. The TV is merciless with noisy sources and presents them as is.” Performance was rated as a 7/10, as compared to our pick, which got a 9/10 from the same reviewer. Amazon was kinder with the E6500 as well, with a 4 star average from 91 reviews. Most (50) were five stars.

LG’s offering in this size, the 60PM9700 ($1,165), wasn’t well liked by CNET. Their 3/5 review says it all with “This LG has a worse picture, with lighter black levels and less accurate color, than some cheaper plasma rivals.” Consumer Reports gave it a 69, and a “Very Good” for picture quality. LG’s lower priced 60-inch, the 60PM6700, wasn’t reviewed by CNET, but Consumer Reports rated it similar to the PM9700, with a 70.

How About a Big LCD?

While LCDs rarely (if ever) compete well with plasmas in terms of price or overall picture quality, in the larger screen sizes their price difference gets even more severe. A comparably sized LCD can cost 50% or more than a plasma. LCD’s main advantage over plasma is light output. A plasma will work well in most rooms, but if you have a lot of windows, and watch a lot of TV during the day, LCD might be a better choice. So your options are either spending more for the same size, or spending the same money for a smaller size.

To that end, Sony’s $2,000 55-inch KDL-55HX850 is one of the better-reviewed LCDs. CNET gave it 4/5, saying “The Sony KDL-HX850 delivers excellent picture quality for an LCD, with deep blacks and plenty of detail in shadows.” Consumer Reports gave it a 72, and an “Excellent” for picture quality. Tom Norton of Home Theater magazine, gave it a 5/5 for 2D video performance, concluding that the HX850 had, “superb black level, crisp color, and near-reference-quality 3D.”  For the same money, though, you get amuch larger screen, a better contrast ratio, and better off-axis viewing with the Panasonic TC-P65ST50, but the Sony will be brighter.

Lastly, whenever I’ve spoken to people about really big TVs, they always ask about Sharp. It seems Sharp’s Sulu-based “Oh my” advertising struck a chord. However, their LCD TVs don’t offer the picture quality of Samsung or Sony’s offerings. For example, Consumer Reports’ highest-rated Sharp is theLC-60LE745U ($1,600), which they only give a 66 and a “Very Good” for picture quality. They further explained “Color accuracy was acceptable, but below that of most sets, with flesh tones tending toward orange.” They also noted one of the main drawbacks with LCDs: “When we moved off to the sides the picture lost color, so flesh tones looked washed out, while black levels brightened, significantly reducing contrast.” David Katzmaier gave this same TV 3/5, saying “This Sharp performed worse overall than its less-expensive linemate.” That linemate he mentioned is the LC-60LE640U ($1,300), which he gave a 3.5/5. So for basically the same money, our ST50 pick is lauded as having some of the best picture quality available, as opposed to these two Sharp models, which are rated as mediocre at best by the same reviewers.

How About a Really Really Big TV?

However, if a really, really, really big TV is what you’re looking for, Sharp is the only company that offers greater than 70-inch TVs. You’re only buying size, though, as picture quality is not great. David gave the 80-inch LC-80LE632U ($4,000, $50/in) a 2.5/5, noting “Picture quality is underwhelming for the price you pay: lighter black levels and rosy reds mean it can’t even keep up with cheaper (and inevitably smaller) LCD and plasma TVs.”

I reviewed the more expensive LC-80LE844U ($4,600, $57.50/in), and found it extremely underwhelming, with several serious issues: “With its poor off-axis picture, rampant noise and artifacts with anything less than pristine Blu-ray content, and always-on motion interpolation, the LC-80LE844U doesn’t compare well with other flat-panels.”

Because our ST50 pick and even the step-up VT50 aren’t available in sizes above 65-inches, it’s impossible to make a direct comparison. For those of us who have compared these larger Sharps to the (smaller) competition, it’s clear that size was Sharp’s goal, at the expensive of overall picture quality. If you’re looking for an enormous TV, I recommend checking out a projector instead.

So thanks to picture quality better than most other TVs on the market, and its excellent value, our pick for a really big TV is Panasonic’s ST50 series, which is available in 55-60-, and 65-inch sizes.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows



Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>