Google honors a feminist original
Centuries before Sandberg and Friedan, there was Maria Sibylla Merian -- mother and pioneering naturalist
Topics: Google, Naturalism, Maria Sibylla Merian, South America, Surinam, The Metamorphosis of the Insects of Surinam, The Feminine Mystique, Sheryl Sandberg, Betty Friedan, Lean In, Editor's Picks, Technology News, Life News
Maria wanted to study metamorphosis, if only she could find the time to investigate. Her two daughters needed her, many hours, every day. It was a thorny problem, this balancing work and motherhood, but she took the long view. When her children were young, she stayed close to home, investigated parasitoid wasps and tiger moths in the neighborhood and nearby gardens, taught painting and wrote two books about European insects. Later, when her daughters were grown and she was 52, she left her husband and sailed to South America to research the rainforest and venture, as she described it, “far out into the wilderness.” Her masterwork, “The Metamorphosis of the Insects of Surinam,” was published in 1705, more than 300 years ago.
Today, her 366th birthday, marked at Google by weaving her Surinam engravings in its Doodle for the day, is a chance to re-evaluate her legacy.
Many discussions of work/home life balance take as their starting point the publication of “The Feminine Mystique” 50 years ago. Feminists of the 60s and 70s are praised for opening our eyes or blamed for raising our expectations. Sheryl Sandberg’s “Lean In,” Anne-Marie Slaughter’s essay in The Atlantic about the impossibility of having it all, Marissa Mayer at Yahoo banning the telecommute, countless blogs and television pundits, all tell us how to navigate the modern world.
But women have been participating in the economies of their communities for centuries, growing vegetables, running a brewery or a printing press, acting as midwives, selling meat in the market. Even in 17th-century Europe, when female formal education was rare and witch burnings common, women sought to have fulfilling families and do valuable work, carving a path for themselves in improbable circumstances. In this light, it might be valuable to turn down the volume on these current debates to ask how our foremothers did it. The bad news is that the problem is not yet resolved, but the good news is that their stories offer ample inspiration.
Take Rachel Ruysch. Daughter of an Amsterdam surgeon, she grew up in a house filled with strange animals and plants gathered from across the globe. As a young woman, she helped her father preserve anatomical specimens for his collection, but then her interest turned to art. She studied with Willem van Aelest, learned to paint in still lifes in oils, and joined the guild in The Hague. Her long career included a stint as a court painter, producing dense explosions of tulips, roses, poppies and pomegranates, occasionally enlivened by a lizard from her father’s stash. She had ten children.






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