Must do’s: What we like this week

Our critics are currently obsessed with a Chinese fantasy epic and Don Draper's existential dilemma in "Mad Men"

Topics: Our Picks: Books, our picks: TV, Our Picks: Movies, Entertainment, TV, Television, literature, Mad Men, Life After Life, Fiction, river of stars,

Must do's: What we like this week

Laura Miller was impressed by Kate Atkinson’s “Life After Life,” in which protagonist Ursula Todd “lives any number of lives in the course of the book,” à la Bill Murray in “Groundhog Day”:

As a result, “Life After Life” runs through several courses of Ursula’s story until each comes to its terminus, then the novel starts over with a different one. Perhaps this sounds monotonous, like some hellish video game in which you’ve got to repeat a level again and again to make it to the next. That’s not the case. “Life After Life” is a hypnotic dance of causality and chance, in which Ursula makes genuine progress. We see how a meek Ursula’s life plays out when one of her boorish older brother’s friends casually rapes her in the back stairway, and then we get the version in which she’s seized with a powerful urge to clock him the minute he gets fresh. Each iteration shows her to be more self-possessed, more in charge of her own life (as the cliché goes) — but that doesn’t necessarily lead to a “better” outcome. Meanwhile, Ursula moves toward that inevitable time-traveler imperative, the one that gave its name to a “Doctor Who” episode: “Let’s Kill Hitler.”

Miller also recommends Guy Gavriel Kay’s “River of Stars” for the fantasy fan who wants to get wrapped up in a world that doesn’t stem from European folklore:

Here you’ll find all the scheming and skullduggery that give “Game of Thrones” its zest, refined to the subtlest of arts. Kay invokes a world of stylized manners and deadly gambits, infused with an aesthetic founded on the most exquisite appreciation of the beauty and melancholy of the natural world. One of Vance’s fortes is conveying understated irony, and it serves him very well here. He acquits himself equally well with Kay’s landscape descriptions — not something I typically enjoy much in novels, but so evocative here you feel you’re breathing the autumn mist as it rises from the bamboo groves. Vance can sure work a pause, too, whether he’s using it to press an unspoken threat or to invoke a delicate sorrow.


Andrew O’Hehir grappled with his intense, conflicting feelings about “Upstream Color,” a “slo-mo science fiction allegory” by indie auteur Shane Carruth (best known for his 2004 low-budget time-travel drama, “Primer”):

My own feeling after one viewing of this disorienting and fragmented fable of thwarted love and obscure interconnection, which caused a sensation at the Sundance and Berlin festivals, is divided and perhaps paradoxical. I was immediately drawn in by the mysterious, meticulous world of vision, sound and sensation Carruth creates, with its blown-out digital color scheme and intimate focus, which simultaneously seems to be contemporary America and also an alien zone of disconnection and isolation. Yet I emerged from that hypnotic dream state, 90 or so minutes later, feeling as if the story Carruth tells in that magical space doesn’t quite carry the transcendent resonance he intends.

While impressed by Carruth’s lovely and idiosyncratic imagery, O’Hehir ultimately found that “Upstream Color” relied more on style than substance:

What I discern here is the work of a unique visual stylist and collage artist who’s creating obsessive-compulsive allegorical puzzles, whose underlying philosophy is deliberately unclear. (Another likely influence or parallel would be Richard Kelly, he of “Donnie Darko” and “Southland Tales.”) You could read the film as the story of life on planet Earth, with some vague degree of mysticism but no default to spiritual or supernatural beginnings, or you could say (despite my claim earlier that human society is nearly invisible) that it’s a parable about life in a downward-trending economy. It would make a terrific double bill with Malick’s new “To the Wonder,” which is also a flawed, gorgeous and enigmatic love story. I’m still inclined to say that Carruth’s ideas don’t live up to his remarkable craft – but on this movie, the conversation is just beginning.


Willa Paskin celebrates the return of AMC’s “Mad Men,” in which we find the earth shifting beneath the loafer-ed feet at Sterling Cooper Draper Pryce :

Don Draper’s agency may have a Jewish copywriter, an African-American secretary and a female partner (who prostituted her way to the top), he may have a wife and protégé with their own desires and ambitions, his historical moment may be exceedingly ungenerous to adults, but his worst enemy, the most potent underminer of his happiness, has been himself, his past, his hang-ups, his habits, his mortality. The world is changing, but then the world is always changing. Can he?

Season 6 of “Mad Men,” which premieres on Sunday night, begins on New Year’s Eve of the most dramatic year of the ‘60s, but the threat feels existential as ever. Change is all around, in Sterling Cooper Draper Pryce’s improved circumstance, in the tighter silhouette of the pants, in the bushier sideburns and scruffy facial hair, but Don Draper remains as stuck as a slide in a Kodak carousel. How does it feel to live through history? Maybe it just feels like living with yourself.

Prachi Gupta

Prachi Gupta is an Assistant News Editor for Salon, focusing on pop culture. Follow her on Twitter at @prachigu or email her at

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 17
  • Close
  • Fullscreen
  • Thumbnails
    John Stanmeyer

    Overdevelopment, Overpopulation, Overshoot

    Container City: Shipping containers, indispensable tool of the globalized consumer economy, reflect the skyline in Singapore, one of the world’s busiest ports.

    Lu Guang

    Overdevelopment, Overpopulation, Overshoot

    Man Covering His Mouth: A shepherd by the Yellow River cannot stand the smell, Inner Mongolia, China

    Carolyn Cole/LATimes

    Overdevelopment, Overpopulation, Overshoot

    Angry Crowd: People jostle for food relief distribution following the 2010 earthquake in Haiti

    Darin Oswald/Idaho Statesman

    Overdevelopment, Overpopulation, Overshoot

    “Black Friday” Shoppers: Aggressive bargain hunters push through the front doors of the Boise Towne Square mall as they are opened at 1 a.m. Friday, Nov. 24, 2007, Boise, Idaho, USA

    Google Earth/NOAA, U.S. Navy, NGA, GEBCO

    Overdevelopment, Overpopulation, Overshoot

    Suburban Sprawl: aerial view of landscape outside Miami, Florida, shows 13 golf courses amongst track homes on the edge of the Everglades.

    Garth Lentz

    Overdevelopment, Overpopulation, Overshoot

    Toxic Landscape: Aerial view of the tar sands region, where mining operations and tailings ponds are so vast they can be seen from outer space; Alberta, Canada

    Cotton Coulson/Keenpress

    Overdevelopment, Overpopulation, Overshoot

    Ice Waterfall: In both the Arctic and Antarctic regions, ice is retreating. Melting water on icecap, North East Land, Svalbard, Norway

    Yann Arthus-Bertrand

    Overdevelopment, Overpopulation, Overshoot

    Satellite Dishes: The rooftops of Aleppo, Syria, one of the world’s oldest cities, are covered with satellite dishes, linking residents to a globalized consumer culture.

    Stephanie Sinclair

    Overdevelopment, Overpopulation, Overshoot

    Child Brides: Tahani, 8, is seen with her husband Majed, 27, and her former classmate Ghada, 8, and her husband in Hajjah, Yemen, July 26, 2010.

    Mike Hedge

    Overdevelopment, Overpopulation, Overshoot

    Megalopolis: Shanghai, China, a sprawling megacity of 24 Million

    Google Earth/ 2014 Digital Globe

    Overdevelopment, Overpopulation, Overshoot

    Big Hole: The Mir Mine in Russia is the world’s largest diamond mine.

    Daniel Dancer

    Overdevelopment, Overpopulation, Overshoot

    Clear-cut: Industrial forestry degrading public lands, Willamette National Forest, Oregon

    Peter Essick

    Overdevelopment, Overpopulation, Overshoot

    Computer Dump: Massive quantities of waste from obsolete computers and other electronics are typically shipped to the developing world for sorting and/or disposal. Photo from Accra, Ghana.

    Daniel Beltra

    Overdevelopment, Overpopulation, Overshoot

    Oil Spill Fire: Aerial view of an oil fire following the 2010 Deepwater Horizon oil disaster, Gulf of Mexico

    Ian Wylie

    Overdevelopment, Overpopulation, Overshoot

    Slide 13

    Airplane Contrails: Globalized transportation networks, especially commercial aviation, are a major contributor of air pollution and greenhouse gas emissions. Photo of contrails in the west London sky over the River Thames, London, England.

    R.J. Sangosti/Denver Post

    Overdevelopment, Overpopulation, Overshoot

    Fire: More frequent and more intense wildfires (such as this one in Colorado, USA) are another consequence of a warming planet.

  • Recent Slide Shows



Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>