Must do’s: What we like this week
"Much Ado" about Joss Whedon's DIY Shakespeare, and "In the Flesh" is a refreshing take on the zombie apocalypse
Topics: Our Picks: Books, our picks: TV, Our Picks: Movies, Entertainment, TV, Television, literature, Movies, Film, cinema, Novels, entertainment news, Rachel Kushner, in the flesh, Joss Whedon, Much Ado About Nothing, Shakespeare, Entertainment News
BOOKS
Rachel Kushner has simultaneously stunned and scared male critics with her “virtuosic” new novel about a young woman named Reno navigating the 1970s New York art scene. “The Flamethrowers” is a bold contender for the Great American Novel, writes Laura Miller:
But the boldness of this novel has more to do with its voice than its subject matter; you get a heaping serving of Kushner’s virtuosity in the opening chapters, which describe Reno’s journey back west by motorcycle, as part of a nebulous art project. I could present samples of her writing here, but better yet, just see James Wood’s nearly gobstruck review of “The Flamethrowers” in the New Yorker; he is the maestro of the representative quote, after all. He does a good job of what may be an impossible task. It is fiendishly hard to nail down and demonstrate the quality that most distinguishes the work of a remarkable author — that is, her authority. Kushner has authority in spades, seemingly without reaching for it, as if she were just born that way.
Kyle Minor recommends a weekend tucked away with the newly released audio editions of Spanish author Roberto Bolaño’s best loved novels:
Listeners new to Bolaño would probably be wise to begin with “By Night in Chile,” a short novel set in the midst of the repression and brutality of the early years of the military dictatorship of Augusto Pinochet, a Milton Friedman disciple responsible for the murder of political enemies at home and abroad and a policy of extreme economic austerity and privatization that by 1982 had left nearly 40 percent of the Chilean population vulnerable to starvation.
But for experienced Bolaño readers, the most interesting of the new audiobook editions might be “Antwerp,” a collection of brief vignettes and monologues and observations, which isn’t readily classifiable as a novel or a collection of stories or poems.







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