GOP establishment is officially dead: The real lesson of Tuesday night’s primaries

No, the Republican establishment didn't "win big" last night. The new reality is it doesn't even exist anymore

Topics: Mitch McConnell, establishment, 2014 elections, Matt Bevin, Georgia, Kentucky, david perdue, Media Criticism, pundits, The Right, GOP, Tea Party, Editor's Picks,

GOP establishment is officially dead: The real lesson of Tuesday night's primariesDavid Perdue, Mitch McConnell (Credit: AP/Phil Sears/J. Scott Applewhite)

The GOP establishment did it! It killed off those evil little gnats, the Tea People, in a glorious explosion of power glowing in the night skies of Georgia and Kentucky. We haven’t seen this much celebration since the Ewok bonfire party at the end of “Return of the Jedi.” (Except in this case, it’s more like Darth Vader and crew are celebrating on the still-intact Death Star after committing a successful genocide of the Ewoks.) In either case, the establishment is back on top.

And what valuable lessons have we learned from this gritty return of the “establishment”? Surely there are a couple of lessons that we should pass on to our children during sessions of moral instruction, perhaps in Sunday School.

First it’s important to note that money is everything. Whoever told you “money isn’t everything” is probably a fool, or even worse, poor. Mitch McConnell’s campaign spent more than $10 million to deny glory to a local dolt named Matt Bevin. It worked. In Georgia, David Perdue, a rich person and cousin to former Gov. Sonny Perdue, put $2.1 million of his own money into his campaign. It has worked, so far. See, when you have lots of money, you can spend a lot more money to take down your “Tea Party” opponents. Money is a great thing to have.

In past election cycles, “Tea Party” candidates who haven’t been able to raise a ton of money on their own have received loads of outside financial support from national Tea Party groups. That changed this cycle when groups like Karl Rove’s American Crossroads and the Chamber of Commerce actively waded into primary fights to take sides defending “establishment” candidates, as NBC News writes:

Remember when conservatives groups were outraged that Karl Rove’s American Crossroads said it would play in primaries to defeat far-right (and thus un-electable) candidates? Well, Crossroads and the U.S. Chamber of Commerce are freely endorsing and playing in GOP primaries — and they’re doing so without any backlash.

I wouldn’t say without any backlash — the designated “Tea Party” candidates are quick to point out when their opponents receive assistance from the Chamber or Rove. The backlash just isn’t strong enough to change the basic dynamics of the races. A lot of this is because the lines between the “establishment” and “Tea Party” candidates have been completely blurred.

What was that we were saying about the lines between the “establishment” and “Tea Party” candidates being completely blurred? That’s our second lesson here: In order to beat the “Tea Party” candidates, the “establishment” candidates adopted every position of the Tea Party so as to render both of these labels meaningless. The lesson being, say whatever you have to say to win, and deal with the consequences later.

Theoretically there is such a thing as a Tea Party vs. establishment race. In this race, the establishment candidate would support things like, say, immigration reform (including a path to citizenship for undocumented immigrants), budget compromises with President Obama, modifications to but not full repeal of the Affordable Care Act, and so forth. The Tea Party candidate, on the other hand, would refuse to concede any and all forms of “amnesty,” negotiate with President Obama on anything, or accept anything less than full repeal of the Affordable Care Act.

But in North Carolina, Nebraska, Georgia and Kentucky’s GOP Senate primaries now, this hasn’t been the matchup, these haven’t been the roles. There’s been no competing theory of governance between the RINO pragmatist and the strict “constitutional conservative.” All of the candidates have been on the far right, espousing essentially the same far-right views, while trying to best each other by pandering to cultural signals or attacking each other’s past indiscretions, real or imagined.

We will keep harping on this subject until people stop writing about the Triumph of the GOP Establishment as though it means anything or represents some clawback from the rightward drift of the party in recent years. Judging by a quick scan of this morning’s conventional wisdom, that’s never going to happen.

Jim Newell covers politics and media for Salon.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows


Loading Comments...