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bookcover

Is the Internet the new heaven?
"The Pearly Gates of Cyberspace" examines the spiritual realm
of non-physical space -- and finds that Giotto painted VR frescoes.

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By Gavin McNett

July 15, 1999 | The idea of the Internet as "cyberspace" was a shaky one from the beginning, cobbled together as it was from bits of virtual reality research, emergent Net technology and science-fiction novels. But the cyberspace metaphor has proven ungodly persistent, not only in the fact that there are plenty of apparently reasonable people who still endorse it, but to the point where figures such as Jennifer Cobb, author of "Cybergrace: The Search for God in Cyberspace," and Carnegie Mellon roboticist Hans Moravec are now speaking seriously of the Internet as a spiritual realm. They refer to it as a place like heaven or the new Jerusalem where you can float, bodiless, as an angel or live forever as pure data, in God's image.

Margaret Wertheim's "The Pearly Gates of Cyberspace" is a timely, often brilliant investigation into whether these folks are on to something or they've just gone barking mad. It's also, ultimately, an ambiguous sort of effort that succeeds best as a book about the history of our conceptions of physical space, while raising more questions than it answers about spirituality and the Internet. It's a good first book on the topic; there's yet room for another.




The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet
By Margaret Wertheim
W.W. Norton & Company
336 pages

Click here to check out the latest Technology books at BARNES & NOBLE

 

Wertheim's book is about virtual reality as a return to the medieval concept of non-physical space (like the "virtual" realms of heaven and hell), and about the possibility of interpreting computer technology in traditionally religious terms. But by failing to deliver a conclusion on the topic, Wertheim invites widespread disagreement about the book's message.

Even its blurbists can't agree on what line of thinking she advocates. On the back jacket alone, you have John Horgan, author of "The End of Science," praising Wertheim for discerning "profound analogies between cyberspace, Dante's 'Paradiso,' and Einsteinian physics" -- while just underneath, skeptic David Noble ("The Religion of Technology") chuckles that Wertheim's insightful analysis "cuts through all the gibberish about the supposed transcendent potential of cyberspace." But which is it?

Is Wertheim a sort of low-key Net-prophet, or a debunker?

Actually, she's both. "The Pearly Gates of Cyberspace" is a book for everyone: Wired-type futurists can use their copies to whop skeptics over the head; skeptics can bonk the optimistic futurists with theirs. That's because Wertheim manages to give credence to some fantastical interpretations of cyberspace early in the book (like the notion of disembodied beings cavorting in the virtual world), but sharpens her thinking later on.

Still, everyone gets a riveting account of the evolution of the idea of space (from the Greeks through the Renaissance, and up to the current 10- or 11-dimensional theories of space-time), and a revealing survey of the history of physics -- but nobody has to close the back cover offended. In the final analysis, Wertheim's opinion is that cyberspace raises interesting issues of identity and community, but that she "cannot imagine a worse fate than being downloaded into immortality in cyberspace."

. Next page | Dante as a medieval hacker



 

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