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	<title>Salon.com > Christopher Dreher</title>
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	<link>http://www.salon.com</link>
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		<title>What Kevin Trudeau doesn&#8217;t want you to know</title>
		<link>http://www.salon.com/2005/07/29/trudeau_4/</link>
		<comments>http://www.salon.com/2005/07/29/trudeau_4/#comments</comments>
		<pubDate>Fri, 29 Jul 2005 16:48:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/feature/2005/07/29/trudeau</guid>
		<description><![CDATA[The author of the bestselling "Natural Cures 'They' Don't Want You to Know About" claims to be a consumer advocate in the Ralph Nader mold. But the infomercial king just wants your cash.]]></description>
			<content:encoded><![CDATA[<p>Many a late-night channel surfer has been numbed to sleep by endless infomercials hawking ab machines, penis enlargers, psychic readings and baldness cures. But how about a 30-minute faux talk show featuring a slick "expert author" who promises natural cures for cancer, diabetes and chronic fatigue syndrome and who claims that the FDA, drug companies and food industry have withheld such cures from the public in order to keep making bigger and bigger profits? </p><p>Step right up folks, and tune in to the paranoid world of master huckster Kevin Trudeau, whose book <a target="new" href="http://jump.salon.com/xlink?3162">"Natural Cures 'They' Don't Want You to Know About"</a> climbed to the top spot on the <a target="new" href="http://www.nytimes.com/pages/books/bestseller/">New York Times bestseller list</a> for advice titles last weekend. The Federal Trade Commission virtually banned Trudeau from the airwaves last year in an attempt to "shut down an infomercial empire that has misled American consumers for years." But by shifting his business model from selling supposed cure-all products to peddling books, which are protected by the First Amendment, Trudeau has been able to slip past federal regulators and continue to sell snake oil to the masses -- first through his infomercial and now via mainstream book retailers like Amazon.com and Barnes & Noble. </p><p><a href="http://www.salon.com/2005/07/29/trudeau_4/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The gay/hipster index</title>
		<link>http://www.salon.com/2005/04/21/florida_32/</link>
		<comments>http://www.salon.com/2005/04/21/florida_32/#comments</comments>
		<pubDate>Thu, 21 Apr 2005 18:05:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/int/2005/04/21/florida</guid>
		<description><![CDATA[Richard Florida argues that unless America turns its cities into gay-friendly, hip creativity hubs like San Francisco, the best and brightest will opt for foreign climes.]]></description>
			<content:encoded><![CDATA[<p>"The United States of America is on the verge of losing its competitive advantage," economist Richard Florida wrote last fall in a Harvard Business Review article based on his new book, <a target="new" href="http://jump.salon.com/xlink?3015">"The Flight of the Creative Class: The New Global Competition for Talent."</a> "It is facing perhaps its greatest economic challenge since the dawn of the industrial revolution." Even more provocatively, he later declared that "Terrorism is less a threat to the U.S. than the possibility that creative and talented people will stop wanting to live within its borders." </p><p>This might sound like the sort of breathless hyperbole regularly used to prop up glaring deficiencies in otherwise flimsy policy papers. Yet there's more than a little menace to Florida's proclamations when you consider that the professor of public policy at George Mason University published <a href="/books/int/2002/06/06/florida/">"The Rise of the Creative Class"</a> only three years earlier. In that book, he described with earnest, unabashed exuberance the prominence of the very same class in what he calls the new "Creative Age." </p><p><a href="http://www.salon.com/2005/04/21/florida_32/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Pay attention!</title>
		<link>http://www.salon.com/2005/02/11/hallowell/</link>
		<comments>http://www.salon.com/2005/02/11/hallowell/#comments</comments>
		<pubDate>Fri, 11 Feb 2005 21:00:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/int/2005/02/11/hallowell</guid>
		<description><![CDATA[Dr. Edward Hallowell talks about adult ADD and why the neurochemical imbalance that causes you to space out may actually be a blessing in disguise.]]></description>
			<content:encoded><![CDATA[<p>On a recent night, it was standing room only in the lecture room at the Wellesley Free Library in Wellesley, Mass., and after Dr. Edward Hallowell finished his talk, the line of people wanting a book signed snaked out into the hallway. It's the sort of crowded reception you'd expect for a celebrity doctor who specializes in weight loss or maybe plastic surgery, though Hallowell's field of expertise is a brain disorder that afflicts tens of millions of people, yet whose symptoms are still considered by some to be a sign of poor behavior rather than neural chemistry. </p><p> In 1994, Hallowell published "Driven to Distraction," a groundbreaking bestseller about attention-deficit hyperactivity disorder (ADHD), and he became the most recognized ADHD specialist and researcher. (The clinical term is ADHD, but it's often simply called ADD, partly because hyperactivity is not a requirement for the disorder.) His book has sold over a million copies and is still considered one of the indispensable bibles of ADD literature by both patients and therapists. </p><p><a href="http://www.salon.com/2005/02/11/hallowell/">Continue Reading...</a></p>]]></content:encoded>
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		<title>&#8220;All my heroes were dope fiends&#8221;</title>
		<link>http://www.salon.com/2004/12/06/stahl_4/</link>
		<comments>http://www.salon.com/2004/12/06/stahl_4/#comments</comments>
		<pubDate>Mon, 06 Dec 2004 21:00:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/int/2004/12/06/stahl</guid>
		<description><![CDATA[Jerry Stahl,  the cult author of "Permanent Midnight" and "I, Fatty," faces sudden respectability, and ponders the drug rumors swirling around Ann Coulter and George W. Bush.
]]></description>
			<content:encoded><![CDATA[<p><a href="/books/int/1999/10/19/stahl/">Jerry Stahl</a> became a cult figure of sorts in the mid-'90s, when his memoir "Permanent Midnight" achieved legendary status among downwardly mobile members of the creative class. That archetypal drugs-and-downfall confessional recounted Stahl's Herculean ingestion of opiates while careening through a TV scriptwriting career. It's a grossly funny and squirmingly accurate depiction of colossal degradation, the grim photo negative of a literary Horatio Alger tale. </p><p> Stahl's story didn't start out that way. He moved from his childhood home in Pittsburgh to New York and Columbia University, where he began a promising writing career. He did a stint writing for porn king Larry Flint and then moved on to Hollywood, where he penned episodes for "ALF," "Moonlighting" and "Thirtysomething." </p><p> Like so many writers before him, he found television a harsh mistress, and his heroin habit rapidly got out of control. He once submitted a script to the producers of "Twin Peaks" that was covered with his own blood and hair. At age 38, he found himself taking orders at a McDonald's, where his adolescent co-workers believed he was mentally disabled. </p><p><a href="http://www.salon.com/2004/12/06/stahl_4/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Kinky sex secrets of the lobster</title>
		<link>http://www.salon.com/2004/09/18/lobster_2/</link>
		<comments>http://www.salon.com/2004/09/18/lobster_2/#comments</comments>
		<pubDate>Sat, 18 Sep 2004 20:00:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/int/2004/09/18/lobster</guid>
		<description><![CDATA[They're stupid, hyper-aggressive, and they turn each other on by urinating out of bladders in their heads. And David Foster Wallace got everything about them wrong.]]></description>
			<content:encoded><![CDATA[<p>It might be tough to imagine this, but centuries ago American Indians along the New England coast used the masses of lobsters they found on their shores for field fertilizer. As recently as the early part of the 20th century, lobster remained a meal that people in Maine ate reluctantly, if there was nothing else around. But over the past 75 years, the Homarus americanus has gotten an extreme makeover. </p><p> During the fishing season that culminates in the fall, more than 60 million pounds of lobster are pulled out of Maine waters. It's a catch that supports hundreds of lobstering communities and thousands of boats all over the Gulf of Maine. Maine lobster is known around the world and has become one the most distinct delicacies in our national cuisine. During the Christmas season, thousands of lobsters are stuffed into 747s and flown to France, where the crustacean is a popular holiday meal. </p><p> Lobster is unique in our cuisine for another reason. It is pretty much the only remaining animal we kill in the kitchen before eating. Many people are understandably squeamish about plunging a live fellow creature into a pot of boiling water -- even if it looks like a giant bug -- and the ethics of this practice have been disputed for decades. </p><p><a href="http://www.salon.com/2004/09/18/lobster_2/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Dark victory</title>
		<link>http://www.salon.com/2004/07/27/knipfel/</link>
		<comments>http://www.salon.com/2004/07/27/knipfel/#comments</comments>
		<pubDate>Tue, 27 Jul 2004 20:00:00 +0000</pubDate>
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		<category><![CDATA[Memoirs]]></category>
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		<guid isPermaLink="false">http://www.salon.com/books/int/2004/07/27/knipfel</guid>
		<description><![CDATA[Jim Knipfel has lost almost all his vision, suffered life-threatening seizures, attempted suicide and spent time in a mental hospital. He's also one of the driest, funniest memoirists working today.]]></description>
			<content:encoded><![CDATA[<p>It's always worth reading someone who can make ordinary events like walking down a dusky city street burst with mystery and menace, or become an amusing corollary for existential doubt. It's that rare quality -- the ability to ignite a reader's interest in intensely personal reflections -- that distinguishes the best personal memoirs, which are by definition subjective and run the risk of floundering amid their own locutions or delving into exaggeration, apologetics or self-pity. </p><p> Over the past couple of decades, the memoir has become a familiar staple of American literature. Almost every season one or two books from the lively "I've lived through this!" subcategory draw the sort of media attention that is, unfortunately, more of a testament to the author's wily self-promotion or an unbelievable premise than to the quality of the book. </p><p><a href="http://www.salon.com/2004/07/27/knipfel/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Tempest at the Times</title>
		<link>http://www.salon.com/2004/02/04/nytbr/</link>
		<comments>http://www.salon.com/2004/02/04/nytbr/#comments</comments>
		<pubDate>Wed, 04 Feb 2004 21:00:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/feature/2004/02/04/nytbr</guid>
		<description><![CDATA[The literary world is abuzz: Does New York Times editor Bill Keller want to take his influential book review section down-market?]]></description>
			<content:encoded><![CDATA[<p>Bill Keller, the recently appointed executive editor at the New York Times, must have known he'd be embroiled in controversy sooner or later -- a new round of plagiarism accusations, a fight with the White House or the State Department, an arcane scandal involving the financial markets. In high-end journalism, these things happen. He probably wasn't expecting his first public dust-up to be over the fate of the Sunday book review section. </p><p>In a Jan. 21 <a target="new" href="http://www.poynter.org/column.asp?id=57&aid=59576">interview</a> with Book Babes, a column written by Margo Hammond and Ellen Heltzel on the Poynter Institute Web site, Keller discussed his ideas for sweeping changes to the New York Times Book Review in the wake of editor Charles "Chip" McGrath's impending departure. In fairness, many observers of the publishing world believe the Book Review has lost much of its oomph in recent years. But it's safe to say that almost as many of those publishing insiders -- and lots of general readers -- were horrified by Keller's ideas. He said he wanted to cut back on the coverage of first novels, and cover more topical nonfiction and mass-market fiction. The section might review more "potboilers," he suggested, to help travelers decide what books to buy in airports. </p><p><a href="http://www.salon.com/2004/02/04/nytbr/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Why do books cost so much?</title>
		<link>http://www.salon.com/2002/12/03/prices/</link>
		<comments>http://www.salon.com/2002/12/03/prices/#comments</comments>
		<pubDate>Tue, 03 Dec 2002 19:16:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/feature/2002/12/03/prices</guid>
		<description><![CDATA[Thirty bucks for a new hardcover! How book prices got so out of hand, who's responsible and what it will take to make reading more affordable in the future.]]></description>
			<content:encoded><![CDATA[<p>December is one of the biggest months for booksellers, and Brian Ritenbaugh, a supervisor at a B. Dalton Bookseller in Monroeville, Pa., is bracing for his customers. During his 10 years in the retail book business -- at B. Dalton and also at independent stores and selling college textbooks -- he's seen the same reaction time and again. "No matter what the prices are, they say it's too expensive," he says. "The first thing they ask about is price, and the reactions range from a grunt to an outright whine." </p><p> It's unlikely that Ritenbaugh will be hearing happier noises anytime soon: Book buyers now must shell out $20, $30 or even $40 or more for hardcovers that decades ago used to cost less than $10. And the sticker shock is causing many customers not to buy as many books. </p><p> "It's just too expensive," one Chicago book buyer said recently at a Barnes & Noble, putting down the new hardcover by a favorite author, <a href="http://archive.salon.com/directory/topics/chuck_palahniuk/">Chuck Palahniuk,</a> even though it was discounted 20 percent. "I used to buy more books and be willing to try new authors. But you don't know if the book's going to be good or not and it's too expensive to try something new or even an author I usually like." </p><p><a href="http://www.salon.com/2002/12/03/prices/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Bribes, threats and naked readings</title>
		<link>http://www.salon.com/2002/09/16/publicity/</link>
		<comments>http://www.salon.com/2002/09/16/publicity/#comments</comments>
		<pubDate>Mon, 16 Sep 2002 17:59:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/feature/2002/09/16/publicity</guid>
		<description><![CDATA[In a world where more and more new books get less and less attention, authors will do anything to promote their work.]]></description>
			<content:encoded><![CDATA[<p> It's not easy being a book critic nowadays. Sometimes you receive daily e-mails from an author explaining for the hundredth time why his treatise on holistic vegetarianism is the "Left/Progressive answer to Capitalist, meat-eating excesses of Our Time!!!!!" Or you're implored to cover a local reading where the poet will stand at the lectern clothed only in a number of strategically pasted pages from her forthcoming chapbook. Whenever Marie Arana -- editor in chief of the Washington Post Book World and an author herself -- gives a talk or a reading, invariably a clutch of authors find her afterwards, books in hand, ready to pitch themselves. </p><p> "It happens more frequently," she says. "There's a boldness that wasn't there before." </p><p> In fact, authors often go to considerable lengths to promote their books. Some fire off endless faxes or rambling e-mails to editors and critics, some try phoning directly and the most intrepid simply show up at the newspaper or magazine's office, much to the book editor's alarm. Less aggressive (and perhaps more successful) are those who on their own arrange readings in bookstores or coffeehouses, often selling copies of their books out of the trunks of their cars. Others -- like the half-naked poet mentioned above -- try stunts and other gimmicks to draw attention to themselves. </p><p><a href="http://www.salon.com/2002/09/16/publicity/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Random numbers</title>
		<link>http://www.salon.com/2002/06/25/bestsellers_4/</link>
		<comments>http://www.salon.com/2002/06/25/bestsellers_4/#comments</comments>
		<pubDate>Tue, 25 Jun 2002 20:10:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/feature/2002/06/25/bestsellers</guid>
		<description><![CDATA[If you think bestseller lists are based on solid facts, guess again. But
a new technology is promising to improve the hot-book scorecard.]]></description>
			<content:encoded><![CDATA[<p>It's the hallmark of publishing success, the only part of the book section many people look at. It's an appellation that gets authors invitations to speak at commencements and on television, maybe even a visit to the White House. But what exactly is a bestseller? </p><p> That may seem like an easy enough question to answer -- it's the book that sold the most copies in the past week, a matter of simple, quantitative fact. In reality, though, the actual process of calculating a bestseller list from week to week often involves as much interpretation on the part of list-compilers as it does actual sales figures. And many observers despise the lists, claiming that they spotlight books for dubious or purely commercial reasons. </p><p> Others, however, think fussing about bestseller lists is a waste of time. When asked about the accuracy of the lists and what they mean to the culture at large, one publishing executive became scornful: "Bestseller lists don't have much effect [anyway]," he stated. "If someone doesn't like one list, they can just look at another. Or start their own." </p><p><a href="http://www.salon.com/2002/06/25/bestsellers_4/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Be creative &#8212; or die</title>
		<link>http://www.salon.com/2002/06/06/florida_22/</link>
		<comments>http://www.salon.com/2002/06/06/florida_22/#comments</comments>
		<pubDate>Thu, 06 Jun 2002 23:01:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/int/2002/06/06/florida</guid>
		<description><![CDATA[A new study says cities must attract the new "creative class" with hip neighborhoods, an arts scene and a gay-friendly atmosphere -- or they'll go the way of Detroit.]]></description>
			<content:encoded><![CDATA[<p>Although the idea of a professor of regional development being a celebrity seems a contradiction in terms -- an absurdity to file away with "corporate integrity" and "military intelligence" -- Richard Florida, the H. John Heinz III professor of regional economic development at Carnegie Mellon University in Pittsburgh, is managing that feat. His new book, "The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life," is attracting the type of attention usually garnered by salacious fiction or celebrity tell-alls, from packed readings to a rapid ascent up Amazon's bestseller list. And it hasn't even hit its official publish date yet. </p><p> Public policy and regional development books are often considered best as a cure for insomnia, but Florida's work is challenging many of the verities of the field. He claims that the world has moved away from the old "organizational" era of corporations and homogeneity and into the "creative" era, which is spearheaded by 38 million workers -- from scientists to IT workers to artists and writers -- with a variety of lifestyles and needs. </p><p><a href="http://www.salon.com/2002/06/06/florida_22/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Hobbling history</title>
		<link>http://www.salon.com/2002/04/10/records/</link>
		<comments>http://www.salon.com/2002/04/10/records/#comments</comments>
		<pubDate>Wed, 10 Apr 2002 18:45:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/feature/2002/04/10/records</guid>
		<description><![CDATA[Scholars, authors and publishers go to court to fight the Bush administration's efforts to keep key presidential papers under lock and key.]]></description>
			<content:encoded><![CDATA[<p>One legacy of Richard Nixon's troubled presidency is the restriction of the power of the executive branch, and perhaps no power was restricted more than a former president's claim to his papers -- what he has the right to keep secret vs. what the public has a right to know. After Nixon left office and tried to maintain control of his papers -- along with his infamous tapes -- Congress eventually set limits to executive privilege by passing the Presidential Records Act (PRA) in 1978, which legally established that the papers of an outgoing president were public property. Instead of presidents deciding what should be released, the PRA set specific release guidelines and entrusted the papers to federal archivists, assuring that historians and researchers have access to source materials without the vanity and prejudices of the former president impeding the process. </p><p> It was supposed to be the final word on the subject, but an executive order by President George W. Bush that modifies the PRA has brought forth a lawsuit and the anger of the historians and writers who use the documents for their work. </p><p><a href="http://www.salon.com/2002/04/10/records/">Continue Reading...</a></p>]]></content:encoded>
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		<title>He knows what you&#8217;ve been checking out</title>
		<link>http://www.salon.com/2002/03/06/libraries/</link>
		<comments>http://www.salon.com/2002/03/06/libraries/#comments</comments>
		<pubDate>Wed, 06 Mar 2002 21:10:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[FBI]]></category>

		<guid isPermaLink="false">http://www.salon.com/news/feature/2002/03/06/libraries</guid>
		<description><![CDATA[The USA PATRIOT act gives the government broad new powers to seize library and bookstore records -- and prevents librarians and booksellers from 
complaining.]]></description>
			<content:encoded><![CDATA[<p>Libraries might seem an unlikely place to hunt down terrorists. But in the wake of Sept. 11, authorities learned that some of the al-Qaida hijackers had used library computers to communicate with one another and research the attacks. The FBI obtained court orders for Internet sign-in sheets and computer hard drives from two Florida public libraries, and in the following months gathered information from other libraries in Florida, Maryland and Virginia as part of investigating terrorist activities in the United States. </p><p> But even though the government was able to get what it wanted from those libraries under existing laws, intelligence agencies argued they needed more sweeping powers. The result was the passage last October of the USA PATRIOT Act (USAPA), an acronym for the unwieldy "Uniting and Strengthening America by Providing Appropriate Tools Required to Intercept and Obstruct Terrorism Act." USAPA, of course, deals with much more than libraries -- it amends more than 15 statutes, including the Electronic Communications Privacy Act, the Foreign Intelligence Surveillance Act, the Cable Act, and the Federal Wiretap Statute. The new law gave the government unprecedented authority to conduct secret searches, monitor e-mail and Internet usage, share information between intelligence agencies and seize personal information with only nominal judicial oversight. </p><p><a href="http://www.salon.com/2002/03/06/libraries/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Big Brother is watching you read</title>
		<link>http://www.salon.com/2002/02/13/bookstores/</link>
		<comments>http://www.salon.com/2002/02/13/bookstores/#comments</comments>
		<pubDate>Wed, 13 Feb 2002 23:39:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Privacy]]></category>
		<category><![CDATA[First Amendment]]></category>
		<category><![CDATA[Books]]></category>

		<guid isPermaLink="false">http://www.salon.com/books/feature/2002/02/13/bookstores</guid>
		<description><![CDATA[Increasingly, the government is demanding that bookstores reveal what books their customers have purchased. Bookstore owners and privacy advocates say that's scarier than a Stephen King novel.]]></description>
			<content:encoded><![CDATA[<p>Joyce Meskis vividly remembers the day when five drug task force officers walked into her bookstore with a search warrant. "I was dumbstruck," she said. "Even though they were polite, it's a daunting experience." </p><p> One of the largest independent booksellers in the country, Tattered Cover has over 100,000 titles and a study-like atmosphere with plenty of what Meskis calls comfortable "grandma's attic" furniture. The brick, turn-of-the-century building seems an unlikely place for criminals, and the police probably thought that day's task would be quick and easy. But almost two years later, the warrant demanding that Tattered Cover hand over records of one of its customers' purchases remains unexecuted, held off by lawyers and temporary restraining orders. </p><p> Although many people aren't aware of it, in the eyes of the law buying a book is different from buying a bicycle or a pack of cigarettes. Through the years, the protections accorded materials covered by the First Amendment, such as books and newspapers, have evolved to protect the institutions that provide those materials as well. So when law enforcement officials say they just want information about the books a suspect purchased, booksellers and civil rights advocates see the demand as something that could erode book buyers' privacy and First Amendment rights. </p><p><a href="http://www.salon.com/2002/02/13/bookstores/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Was justice done?</title>
		<link>http://www.salon.com/2001/12/14/plea/</link>
		<comments>http://www.salon.com/2001/12/14/plea/#comments</comments>
		<pubDate>Fri, 14 Dec 2001 20:31:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>

		<guid isPermaLink="false">http://www.salon.com/news/feature/2001/12/14/plea</guid>
		<description><![CDATA[The 21-year-old Lebanese man who was held in solitary for six weeks for having a knife in his carry-on baggage will be allowed to leave the country -- but marked by a felony conviction that could scar the rest of his life.]]></description>
			<content:encoded><![CDATA[<p>Salam Ibrahim el Zaatari, the 21-year-old Lebanese former art student who was <a target= "new" href= "http://www.salon.com/news/feature/2001/12/11/el_zaatari/index.html"> held in solitary confinement for six weeks </a> after a rusty artist's knife was found in his carry-on luggage before he boarded a flight, pleaded guilty on Wednesday to felony charges of trying to carry a weapon aboard an airplane and will voluntarily leave the United States in the next few days for Lebanon. The felony conviction means that el Zaatari may not be allowed back into the country for years or even decades and could also affect his ability to travel to other countries, according to one of his lawyers. </p><p>El Zaatari consistently maintained that he used the knife in creating his artwork and had simply forgotten that it was in his computer case. Federal prosecutors admitted that they did not believe el Zaatari, whose student visa had expired when he was arrested, had any links to terrorism or terrorists. Nevertheless, until Wednesday's plea agreement they had held him without bail in isolation as a flight risk. </p><p>Friends of el Zaatari were outraged by the deal, although happy that he was finally going to be released from jail. </p><p><a href="http://www.salon.com/2001/12/14/plea/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The nightmare</title>
		<link>http://www.salon.com/2001/12/12/el_zaatari/</link>
		<comments>http://www.salon.com/2001/12/12/el_zaatari/#comments</comments>
		<pubDate>Wed, 12 Dec 2001 01:26:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Terrorism]]></category>

		<guid isPermaLink="false">http://www.salon.com/news/feature/2001/12/11/el_zaatari</guid>
		<description><![CDATA[Lebanese art student Salam El Zaatari has been held in solitary confinement for six weeks after airport security found an artist's knife in his carry-on case. His real crime: Being an Arab.]]></description>
			<content:encoded><![CDATA[<p> Malek Francis, chairman of the American Lebanese Congress, remembers his alarm when he heard that a 21-year-old Middle Eastern man had been arrested in Pittsburgh Oct. 28 trying to board an airplane with a knife. "Right away I wondered if he was one of them," Francis recalls, referring to the al-Qaida operatives who hijacked four planes Sept. 11 and turned them into missiles aimed at New York and the Pentagon. </p><p> Certainly Pittsburgh media thought so, at first. TV news bulletins reported that an "Arab" was "prevented" from "smuggling a knife" aboard an airplane, which was variously "hidden" or "stashed" in his laptop case. The mug shot that accompanied newspaper stories the the following days confirmed the public's worst fears: a dark-skinned, goateed young man, with the type of brooding expression that seemed to hint at coming violence. </p><p> Because the young man, Salam Ibrahim El Zaatari, was from Lebanon, Francis was soon asked to get involved in the case. The American Lebanese Congress works to improve relations between Arabs, Christians and Jews; Francis has been honored for his activism by an invitation to the White House, courtesy of former first lady Hillary Clinton. The transportation engineer says he was initially skeptical about El Zaatari's innocence. "If he was guilty, then I didn't want to get involved with him," Francis recalls. "I wouldn't have anything to do with someone like that." </p><p><a href="http://www.salon.com/2001/12/12/el_zaatari/">Continue Reading...</a></p>]]></content:encoded>
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