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	<title>Salon.com > Corrie Pikul</title>
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	<link>http://www.salon.com</link>
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		<title>Japan&#8217;s first female P.M.?</title>
		<link>http://www.salon.com/2008/09/09/koike/</link>
		<comments>http://www.salon.com/2008/09/09/koike/#comments</comments>
		<pubDate>Tue, 09 Sep 2008 15:30:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<guid isPermaLink="false">http://www.salon.com/life/broadsheet//2008/09/09/koike</guid>
		<description><![CDATA[Former TV anchor Yuriko Koike is the first woman ever to run for head of state in Japan. ]]></description>
			<content:encoded><![CDATA[<p>When 56-year-old Yuriko Koike <a href="http://search.japantimes.co.jp/mail/nn20080909a2.html">announced her intention</a> to run for the newly vacated position of Japanese prime minister Monday, making her the first woman to attempt to become the leader of that country, the news lacked a little of the invigorating snap it may have had, say, a month ago. In the post-Palin era, one can almost -- almost! -- be forgiven for feeling a touch of "first woman ever" fatigue. We can't help sizing up the latest lady to burst onto the international political stage with a sidelong, skeptical eye. </p><p> In Koike's case, the scrutiny seems to be well rewarded. Like our wannabe V.P., Koike had an early stint as a television anchor. But instead of calling hockey shots, Koike, who covered current affairs and then business, followed battles in the Persian Gulf and on the trading floor of the Tokyo Stock Exchange. In her 16 years in politics, Koike served as minister of the environment under Junichiro Koizumi, and last year, she earned became Japan's first female minister of defense. In addition to Japanese, she speaks fluent English and Arabic. As part of her bid for prime minister, Koike has pledged to focus on the economy and the environment. </p><p><a href="http://www.salon.com/2008/09/09/koike/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>14</slash:comments>
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		<title>To cut my breasts off, or not to cut my breasts off &#8230;</title>
		<link>http://www.salon.com/2008/04/02/jessica_queller/</link>
		<comments>http://www.salon.com/2008/04/02/jessica_queller/#comments</comments>
		<pubDate>Wed, 02 Apr 2008 10:30:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<category><![CDATA[Breast cancer]]></category>
		<category><![CDATA[Memoirs]]></category>

		<guid isPermaLink="false">http://www.salon.com/life//feature/2008/04/02/jessica_queller</guid>
		<description><![CDATA[After testing positive for the "breast cancer gene," "Gilmore Girls" writer Jessica Queller made a radical choice -- a preventive double mastectomy.]]></description>
			<content:encoded><![CDATA[<p>One morning in September 2004, while writing a rent check to her landlady and brainstorming ideas for a meeting, Jessica Queller made the call that would throw her life into a tailspin. Queller, a successful, 34-year-old television writer in excellent health, was about to discover she tested positive for the dreaded BRCA "breast cancer gene" mutation, which meant she had an 87 percent chance of developing <a href="http://dir.salon.com/topics/breast_cancer/">breast cancer</a> and a 47 percent chance of developing ovarian cancer -- the disease that had killed her mother almost exactly one year earlier. What's more, there was no way of predicting when the disease would strike; she could be 36 or 56. "It was as if I'd fallen down the rabbit hole and decks of cards were talking. As if the logic and rules of my universe had suddenly changed. And in fact, they had," Queller writes in her new memoir, <a href="http://www.amazon.com/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FPretty-What-Changes-Impossible-Choices%2Fdp%2F0385520409%3Fie%3DUTF8%26s%3Dbooks%26qid%3D1207070040%26sr%3D8-1&amp;tag=saloncom08-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325">"Pretty Is What Changes: Impossible Choices, the Breast Cancer Gene, and How I Defied My Destiny."</a> </p><p><a href="http://www.salon.com/2008/04/02/jessica_queller/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>26</slash:comments>
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		<title>Geisha grrrls</title>
		<link>http://www.salon.com/2007/01/17/kickboxing_geishas/</link>
		<comments>http://www.salon.com/2007/01/17/kickboxing_geishas/#comments</comments>
		<pubDate>Wed, 17 Jan 2007 12:40:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<guid isPermaLink="false">http://www.salon.com/life//feature/2007/01/17/kickboxing_geishas</guid>
		<description><![CDATA[The author of a new book about gender in Japan sets aside Western stereotypes and talks about how ordinary women are fueling a feminist revolution that's transforming the country.]]></description>
			<content:encoded><![CDATA[<p>The American media loves Japanese women, especially when they're dressed in kimonos or school uniforms, or covered head to toe in brand names. But according to Veronica Chambers, a journalist, a novelist and the author of <a target="new" href="http://www.amazon.com/Kickboxing-Geishas-Modern-Japanese-Changing/dp/0743271564/sr=8-1/qid=1168980732/ref=sr_1_1/104-5222624-5349554?ie=UTF8&s=books">"Kickboxing Geishas: How Modern Japanese Women Are Changing Their Nation,"</a> those stylish stereotypes distract us from the real story. Chambers claims that there's a major cultural power shift taking place in Japan -- and it's ordinary working women who are shaking things up. </p><p> Chambers first sensed the tremors of revolution when she visited Japan on a media fellowship in 2000; her interest piqued, she set out to find enterprising Japanese women who were bucking the corporate system and creating financial and personal success on their own terms. The task turned out to be harder than she expected -- not because the women didn't exist (to the contrary) but because they didn't think their stories were worth sharing with each other -- or with nosy journalists. </p><p><a href="http://www.salon.com/2007/01/17/kickboxing_geishas/">Continue Reading...</a></p>]]></content:encoded>
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		<slash:comments>24</slash:comments>
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		<title>Back to school at 52</title>
		<link>http://www.salon.com/2005/09/13/freshman_year/</link>
		<comments>http://www.salon.com/2005/09/13/freshman_year/#comments</comments>
		<pubDate>Tue, 13 Sep 2005 18:30:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<guid isPermaLink="false">http://www.salon.com/life//feature/2005/09/13/freshman_year</guid>
		<description><![CDATA[Anthropology professor Cathy Small went undercover to find out why her students kept sleeping in her class. She  learned some very strange lessons.]]></description>
			<content:encoded><![CDATA[<p>After 15 years of teaching anthropology at <a target="new" href="http://www.nau.edu/text/">Northern Arizona University</a> in Flagstaff, Cathy Small was feeling more out of place as a college professor than she had when she studied social stratification on a remote Polynesian island. Befuddled by a student population that seemed increasingly disrespectful and uninterested, Small decided that the best way to understand her students (and improve her teaching) was to become a university freshman herself. </p><p>So, in fall of 2002, when she was 52, Small enrolled at NAU, moved into a dorm, signed up for a meal plan, handed over her faculty parking pass, and told family and friends that she wanted to be as lonely and homesick as the typical freshman, and thus wouldn't be able to hang out much during the school year. Assuming that students and professors would treat her differently if they knew about her study, Small constructed a persona for herself: Hoping that people wouldn't push her for more specific information, she became a writer with an undeclared major, "born and bred in New York," who was at school to "see what college was like." With few exceptions, she didn't disclose that she was an anthropology professor at that very university. </p><p><a href="http://www.salon.com/2005/09/13/freshman_year/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The girls are all right</title>
		<link>http://www.salon.com/2005/04/20/stabiner/</link>
		<comments>http://www.salon.com/2005/04/20/stabiner/#comments</comments>
		<pubDate>Wed, 20 Apr 2005 20:01:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
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		<category><![CDATA[Eating Disorders]]></category>

		<guid isPermaLink="false">http://www.salon.com/life//feature/2005/04/20/stabiner</guid>
		<description><![CDATA[A new book says that teen girls aren't the drug-addicted, eating-disordered monsters that the media makes them out to be.]]></description>
			<content:encoded><![CDATA[<p>When her daughter was on the verge of adolescence, journalist <a target="new">Karen Stabiner</a> was warned by an acquaintance that "life between a mother and a teenage girl gets as bad as it once was good." At the time, Stabiner's daughter, Sarah, was an affectionate 10-year-old who made daily declarations of love for her mom and wrapped herself around her mother's shoulders "like a vine." Could it be true that soon she would suddenly turn into an insecure, angry parent hater? The kind of disaffected girl whom Stabiner read so much about in the newspaper and saw portrayed on TV and in the movies? </p><p> Stabiner was suspicious -- but frightened nonetheless. So she decided to turn her reporter's eye on her daughter and document her entry into adolescence. Stabiner, the author of four nonfiction books, spent three years observing Sarah and her friends, taking daily notes on everything from the tone of voice they used with their parents to the way the girls interacted at birthday parties. She interviewed other mothers (most of whom she knew personally), delved into research on adolescent girls and spoke with experts in adolescent psychology, all in an effort to uncover what really happens to girls when they hit their teens. </p><p><a href="http://www.salon.com/2005/04/20/stabiner/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The whatever culture</title>
		<link>http://www.salon.com/2005/03/01/whatever_2/</link>
		<comments>http://www.salon.com/2005/03/01/whatever_2/#comments</comments>
		<pubDate>Tue, 01 Mar 2005 20:06:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Life]]></category>
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		<category><![CDATA[Teenagers]]></category>

		<guid isPermaLink="false">http://www.salon.com/life//feature/2005/03/01/whatever</guid>
		<description><![CDATA[A new book says uncaring, punitive adults -- parents and professionals alike -- are responsible for an epidemic of checked-out, drug-taking middle-class teens.]]></description>
			<content:encoded><![CDATA[<p> In his new book "The Road to Whatever: Middle-Class Culture and the Crisis of Adolescence," Elliott Currie, an internationally recognized authority on youth and crime, says that irresponsible adults are responsible for the current epidemic of troubled, drug-addled teenagers. In an angry indictment of middle-class culture, Currie claims that punitive and uncaring parents, hands-off institutions and a societally pervasive "sink or swim" attitude are largely responsible for the problems suffered by many American teens. Woe is the teen that becomes addicted to drugs or alcohol, Currie says, because there is shockingly little support available. </p><p>Currie's conclusions are based on in-depth interviews with over four dozen white, middle-class young people who are, as he puts it, "suffering through a desperate period of their adolescence, or looking back at that period from the vantage point of a few months or a few years later." Many came from a separate study of teens in treatment for substance abuse that Currie conducted on behalf of the U.S. Department of Health and Human Services, and others were students or former students of his. Currie feels that too much of our knowledge of adolescents come from adults, so in this book, he includes long, unedited passages in the teens' own words. </p><p><a href="http://www.salon.com/2005/03/01/whatever_2/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Nice ice</title>
		<link>http://www.salon.com/2004/12/24/diamonds_3/</link>
		<comments>http://www.salon.com/2004/12/24/diamonds_3/#comments</comments>
		<pubDate>Fri, 24 Dec 2004 22:16:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<guid isPermaLink="false">http://www.salon.com/life//the_big_idea/2004/12/24/diamonds</guid>
		<description><![CDATA[Lab-made diamonds are as dazzling as those mined by third-world labor. This bling may be easier on your conscience -- and your wallet.]]></description>
			<content:encoded><![CDATA[<p>Yes, diamonds are forever. But even the most expensive, sparkling ad campaign has never been able to put a sheen on one of the guiltiest of our guilty pleasures. The legacy from this most dazzling of earth's creations is a dark one indeed. </p><p>Cecil Rhodes, the infamous British imperialist and business magnate who founded the <a target="new" href="http://www.debeersgroup.com/debeersweb">De Beers Mining Co.,</a> exploited tribal relationships in order to gain control of the South Africa diamond deposits in the late 19th century; he later became a key figure in the establishment of apartheid South Africa. Battles have been fought over the gemstones; during the 1990s, diamonds fueled the civil war in Angola, and further diamond-related conflicts have raged in Sierra Leone, Liberia and the Democratic Republic of Congo. Most recently, the London human rights organization <a target="new" href="http://www.globalwitness.org/">Global Witness</a> described how the terrorist network al-Qaida infiltrated the diamond trade to raise funds for al-Qaida operatives and to launder significant sums of money. (To the diamond industry's <a target="new" href="http://www.diamonds.net/news/newsitem.asp?num=10033&type=all&topic=Conflict">relief,</a> the 9/11 Commission Report played down this claim.) Since the 1970s, India has been cutting and polishing very small diamonds for export, but suspicions have arisen that Indian children have been doing more than their fair share of the work, and for little pay. </p><p><a href="http://www.salon.com/2004/12/24/diamonds_3/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The secret history of black people</title>
		<link>http://www.salon.com/2004/12/15/williams_16/</link>
		<comments>http://www.salon.com/2004/12/15/williams_16/#comments</comments>
		<pubDate>Wed, 15 Dec 2004 19:44:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<guid isPermaLink="false">http://www.salon.com/life//feature/2004/12/15/williams</guid>
		<description><![CDATA[Law professor and commentator Patricia Williams talks about passing, choosing her adopted son from a racial menu, and the myth of Condoleezza Rice.]]></description>
			<content:encoded><![CDATA[<p>Patricia J. Williams, a professor of law at Columbia University, isn't afraid to take on controversial subjects -- even if they lead to death threats, insults (a student once said that she "epitomized liberal bias") or hysterical labels like this one from London's Daily Mail: "She's a militant black feminist who hates all white people." One of America's foremost commentators on race, rights and gender, she writes a regular column for the Nation ("Diary of a Mad Law Professor"), and is the author of three books about race. To Williams, the personal is always political, and vice versa; most of her writing is rooted in personal experience. However, Williams' latest book, "Open House: Of Family, Friends, Food, Piano Lessons, and the Search for a Room of My Own," is her most inner-directed and autobiographical yet. </p><p> "Open House" is organized into metaphorical "rooms" in which Williams moves gracefully from personal anecdotes to discussions of social issues. In "The Outhouse," she uses the story of her great-aunt Mary to discuss racial "passing." The daughter of a light-skinned black mother and the descendant of a wealthy white landowner, Mary spent her childhood as a servant to distant white relatives in St. Louis, then moved home to her family's house in Tennessee. As an adolescent, she desperately wanted to be educated. Inspired by an advertisement on the toilet sheets in her family's outhouse, Mary hatched a plan to pass as a Native American in order to receive a scholarship to an elite Boston finishing school. </p><p><a href="http://www.salon.com/2004/12/15/williams_16/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Women vs. Wal-Mart</title>
		<link>http://www.salon.com/2004/11/22/wal_mart_2/</link>
		<comments>http://www.salon.com/2004/11/22/wal_mart_2/#comments</comments>
		<pubDate>Mon, 22 Nov 2004 21:25:00 +0000</pubDate>
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		<category><![CDATA[Wal-Mart]]></category>

		<guid isPermaLink="false">http://www.salon.com/life//feature/2004/11/22/wal_mart</guid>
		<description><![CDATA[Just in time for holiday shopping, a new book portrays the world's largest retailer as greedy, sanctimonious and grossly unfair to its female employees.]]></description>
			<content:encoded><![CDATA[<p>In 2000, a 54-year-old Wal-Mart worker named Betty Dukes filed a sex discrimination claim against her employer. Despite six years of hard work and excellent performance reviews, Dukes said, she was denied the training she needed to advance to a higher, salaried position. Dukes was fed up -- and she wasn't the only one. The suit, Dukes vs. Wal-Mart Stores, Inc., was eventually expanded to represent 1.6 million women, comprising both current and former employees, making it the largest civil rights class-action suit in history. The suit charged Wal-Mart with discriminating against women in promotions, pay and job assignments, in violation of Title VII of the 1964 Civil Rights Act (which protects workers from discrimination on the basis of sex, race, religion or national origin). This past June, a California judge <a target="new" href="http://www.msnbc.msn.com/id/5269131/">ruled</a> in favor of the women. Wal-Mart is appealing the decision. </p><p><a href="http://www.salon.com/2004/11/22/wal_mart_2/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Seeing red? Check out these maps</title>
		<link>http://www.salon.com/2004/11/09/maps/</link>
		<comments>http://www.salon.com/2004/11/09/maps/#comments</comments>
		<pubDate>Tue, 09 Nov 2004 16:07:00 +0000</pubDate>
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				<category><![CDATA[Politics]]></category>
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		<category><![CDATA[War Room]]></category>

		<guid isPermaLink="false">http://www.salon.com/news/politics//war_room/2004/11/09/maps</guid>
		<description><![CDATA[Democrats can&#8217;t help wincing at the sight of the color-coded electoral map, covered in red with only a few specks of blue in the far west and northeast parts of the country. Even more disheartening are the maps that show voting results by county &#8212; the entire U.S. seems to have gone stark raving red. [...]]]></description>
			<content:encoded><![CDATA[<p>Democrats can't help wincing at the sight of the color-coded electoral map, covered in red with only a few specks of blue in the far west and northeast parts of the country. Even more disheartening are the <a target="new" href="http://www.usatoday.com/news/politicselections/vote2004/countymap.htm">maps</a> that show voting results by county -- the entire U.S. seems to have gone stark raving red. </p><p> However, according to three physicists at the University of Michigan, the standard maps being used by the media tell only part of the election story, and their tales are misleading. "People were complaining that the electoral map you see on TV is much more red than blue, but almost the same number of people voted each way," says physics professor Mark Newman. In reality, many sprawling red states are inhabited by relatively small numbers of people, while some of the tiny blue states are very densely populated. "Looking at normal vote maps, you'd see more red than blue, but that's just the area on the ground -- it's not [the candidate] who got more votes," Newman says. And since an election is determined by the number of people who vote, not the number of acres they own, it's one time when size really <i>doesn't</i> matter. </p><p><a href="http://www.salon.com/2004/11/09/maps/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Bright lights, big savings</title>
		<link>http://www.salon.com/2004/11/05/bright_idea/</link>
		<comments>http://www.salon.com/2004/11/05/bright_idea/#comments</comments>
		<pubDate>Fri, 05 Nov 2004 23:54:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<guid isPermaLink="false">http://www.salon.com/life//the_big_idea/2004/11/05/bright_idea</guid>
		<description><![CDATA[Believe it or not, a dazzlingly gaudy Vegas light display actually represents a major step forward in energy conservation.]]></description>
			<content:encoded><![CDATA[<p>The gaudy allure of Las Vegas lies very much in its conspicuous consumption, its flagrant abuse of resources. Entire buildings are drenched in dazzling displays of color, like the 10-story fa&ccedil;ade of the Hard Rock Hotel & Casino, striped with an array of lights capable of producing 16.7 million colors. Throughout the day and night, customized light shows advertise special events and attractions in beacons of extravagance. </p><p>But the design technology behind the Hard Rock lighting is easy not just on the eyes but also on the wallet and conscience. While the original decade-old exterior lighting system racked up maintenance costs, this new lighting system is lit with light-emitting diode technology that will save the resort $41,000 per year in operational costs; an ecologist's delight, the cost of electricity for the LED system is approximately one-eighth the cost of the older system. </p><p><a href="http://www.salon.com/2004/11/05/bright_idea/">Continue Reading...</a></p>]]></content:encoded>
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		<title>News that&#8217;s not fake enough</title>
		<link>http://www.salon.com/2004/11/03/daily_show_4/</link>
		<comments>http://www.salon.com/2004/11/03/daily_show_4/#comments</comments>
		<pubDate>Wed, 03 Nov 2004 14:44:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<guid isPermaLink="false">http://www.salon.com/entertainment/feature/2004/11/03/daily_show</guid>
		<description><![CDATA[At "The Daily Show" election party, the comedy that helped us through the last four years can't quite mask the sadness.]]></description>
			<content:encoded><![CDATA[<p>NEW YORK -- Halfway through the hour-long Election Night edition of "The Daily Show," host Jon Stewart invited former Massachusetts Gov. William Weld onstage. In response to a question about the particularly vitriolic anger and mudslinging of this year's election, Weld said, "I've been sitting in your greenroom watching your show, and it's a lot of fun. It kind of reminds me that's what I've been missing for the last year." </p><p>In truth, if there hadn't been "The Daily Show" every night to depend upon, there would have been very little fun for any of us this year. Which is not to say that "the most trusted name in fake news" hasn't also acted as a truth-teller, revealing the darkest side of the Bush administration. </p><p>But that's what great comedy does: It alleviates and disturbs at the same time; it distances you from the heart of despair while bringing you closer to the truth of what it lampoons. By this standard, "The Daily Show" has been nothing short of a godsend. </p><p><a href="http://www.salon.com/2004/11/03/daily_show_4/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The rise of the insta-doc</title>
		<link>http://www.salon.com/2004/10/29/insta_doc/</link>
		<comments>http://www.salon.com/2004/10/29/insta_doc/#comments</comments>
		<pubDate>Fri, 29 Oct 2004 23:34:00 +0000</pubDate>
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				<category><![CDATA[Life]]></category>
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		<guid isPermaLink="false">http://www.salon.com/life//the_big_idea/2004/10/29/insta_doc</guid>
		<description><![CDATA[Through documentaries like "Outfoxed," "UnConstitutional" and "Control Room," digital technology has revolutionized the box office -- and democracy.]]></description>
			<content:encoded><![CDATA[<p> It's not <a href="/tech/feature/2001/06/05/final_cut/">news</a> that digital video cameras and desktop editing software have democratized filmmaking, but not until this year have we seen it live up to its true, populist potential. And the formula couldn't seem simpler: Mix together a few thousand dollars' worth of equipment, a whole lot of political anger and a knack for a good narrative and -- presto! -- the insta-documentary, able to reach and rile the masses for the cost of an econo-sized car. </p><p> No one has capitalized on these technological leaps better than Robert Greenwald, whose Fox News-skewering <a href="/ent/indie/2004/07/13/outfoxed/">"Outfoxed"</a> and anti-Bush "Un-" troika ("Unprecedented," <a href="/news/feature/2003/12/09/uncovered/">"Uncovered"</a> and the just-released "Unconstitutional") have found a huge audience with quick turnarounds and totally unconventional distribution deals (DVD to theater and then television). </p><p> "Digital technology [provides] this kind of freedom to do more," Greenwald says. "You can work quicker and faster and try more things. And just the pure amount of footage [it allows] ... these would be two- to three-year projects on film" because of the difficulty in editing film. Instead, he was able to produce most of these films in months. "Outfoxed" was begun in January and launched in June. </p><p><a href="http://www.salon.com/2004/10/29/insta_doc/">Continue Reading...</a></p>]]></content:encoded>
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		<title>MTV alters &#8220;Mosh&#8221; &#8212; but director is still happy</title>
		<link>http://www.salon.com/2004/10/29/eminem_8/</link>
		<comments>http://www.salon.com/2004/10/29/eminem_8/#comments</comments>
		<pubDate>Fri, 29 Oct 2004 23:19:00 +0000</pubDate>
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				<category><![CDATA[Politics]]></category>
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		<guid isPermaLink="false">http://www.salon.com/news/politics//war_room/2004/10/29/eminem</guid>
		<description><![CDATA[There were a few key tweaks made to video of Eminem&#8217;s &#8220;Mosh&#8221; before it finally made its way on MTV this week. But the video&#8217;s director has no objections &#8212; and in fact thinks the network may be using &#8220;Mosh&#8221; as a way to &#8220;fight back&#8221; against Bush administration. Of the controversial video &#8212; which [...]]]></description>
			<content:encoded><![CDATA[<p>There were a few key tweaks made to video of Eminem's "Mosh" before it finally made its way on MTV this week. But the video's director has no objections -- and in fact thinks the network may be using "Mosh" as a way to "fight back" against Bush administration. </p><p> Of the controversial video -- which includes an image of George W. Bush in camouflage, holding a combat weapon -- three small elements from the original video (downloadable <a target="new" href="http://www.gnn.tv/videos/video.php?id=27">here</a>) were changed: MTV bleeps the first part of the "Fuck Bush!" lyric, blurs the raised middle finger of an angry black youth, and speeds past a photo of Bush that hangs in the house of a character in the video, a veteran angry about being sent back to Iraq. The picture is pinned to the wall with what looks like a utility knife. </p><p> A spokesperson for MTV explains that the network doesn't allow the "F"-word on air, but insists that the video for "Mosh" that has been playing on TV shows the Bush photograph. Technically, this is true: the photo hasn't been rubbed out. But the sequence is sped up and blurred so much that the photo (and its content) is barely noticeable. </p><p><a href="http://www.salon.com/2004/10/29/eminem_8/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Would you drink this water?</title>
		<link>http://www.salon.com/2004/10/22/big_idea_10_22/</link>
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		<pubDate>Fri, 22 Oct 2004 16:37:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/life//the_big_idea/2004/10/22/big_idea_10_22</guid>
		<description><![CDATA[NEWater looks like any other glacier-clear bottled H20. Except it gushes from the toilets of Singapore  instead of a bubbling spring.]]></description>
			<content:encoded><![CDATA[<p>The promotional bottle for Singapore's NEWater looks like any other bottled water, right down to its snappy name and bright label. And it tastes the same as other premium bottled-water brands -- maybe even better, if you prefer the metallic edge of Evian to the airy sweetness of Poland Springs. But while NEWater is transparent, its story is not, and it's frankly not terribly appetizing. </p><p>NEWater is the product of Singapore's new water-treatment system, and it is wastewater that has been purified through advanced synthetic membranes called ZeeWeed. That's right: The crystal-clear NEWater that gushes through the country's faucets isn't gurgling from a mountain spring. Most recently, it was flushed from a toilet. </p><p>The water is first treated in a traditional water plant before going through a three-stage purification that uses high-quality ZeeWeed membranes, which filter out even the most microscopic bacteria. By the time it's processed, NEWater meets all the drinking-water standards specified by the U.S. Environmental Protection Agency and the World Health Organization. </p><p><a href="http://www.salon.com/2004/10/22/big_idea_10_22/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The calculus of coitus</title>
		<link>http://www.salon.com/2004/09/13/math_5/</link>
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		<pubDate>Mon, 13 Sep 2004 16:42:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/life//feature/2004/09/13/math</guid>
		<description><![CDATA[A new book explores "The Rule of 12 Bonks" and other mathematical equations that help explain sex and relationships.]]></description>
			<content:encoded><![CDATA[<p> Clio Cresswell certainly isn't the first single girl to agonize over the unpredictability of a new relationship, or wonder how many frogs she'll have to kiss before she finally meets her prince. But she's probably one of the few who believe that the answers to such romantic conundrums can be found in numbers -- and not the soft stuff like numerology, either. To make sense of love and life, the 30-year-old Australian mathematician instead turns to hardcore mathematics and mind-bending equations. </p><p> In her breezy new book, "Mathematics and Sex," Dr. Cresswell attempts to show that this dreaded discipline is more scintillating -- and more relevant -- than most of us ever dreamed. The book presents current mathematical research that can be used to answer questions like: How will we know when we've found "the one"? How much should individual partners compromise in a relationship? Who has better orgasms, men or women? Cresswell also uses mathematical equations to show how dating services work and why most people will end up happier if they actively proposition as many desirable partners as possible. </p><p><a href="http://www.salon.com/2004/09/13/math_5/">Continue Reading...</a></p>]]></content:encoded>
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		<title>New and improved ways to rot your kid&#8217;s brain!</title>
		<link>http://www.salon.com/2004/09/08/born_buy/</link>
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		<pubDate>Wed, 08 Sep 2004 23:40:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/life//feature/2004/09/08/born_buy</guid>
		<description><![CDATA[A new study shows that kids who watch lots of TV ads are more likely to suffer from depression, anxiety, stomachaches and other problems.
]]></description>
			<content:encoded><![CDATA[<p>It will come as no surprise to parents that kids who watch an excessive amount of TV will want Mom and Dad to buy them an excessive amount of stuff. But can heavy media consumption also cause kids to be depressed and anxious, and exhibit low self-esteem? Could it make your child's stomach ache or her head hurt? </p><p> Juliet B. Schor, a professor of sociology at Boston College and recognized expert on consumerism, economics and family studies, says yes. According to a study Schor conducted from 2001 to 2003, consumer involvement affects psychological outcomes -- often in negative ways. Schor spent over four years studying the impact of marketing on children. She trailed marketers and researchers who focus specifically on kids, shadowing them at conventions, paging through their client presentations, and talking to them about the ethics of their profession. The results make up her chilling new book, "Born to Buy: The Commercialized Child and the New Consumer Culture." "Psychologically healthy children will be made worse off if they become more enmeshed in the culture of getting and spending," she writes. "Children with emotional problems will be helped if they disengage from the worlds that corporations are constructing for them." </p><p><a href="http://www.salon.com/2004/09/08/born_buy/">Continue Reading...</a></p>]]></content:encoded>
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		<title>&#8220;Mama&#8217;s&#8221; boy</title>
		<link>http://www.salon.com/2004/09/08/luna_6/</link>
		<comments>http://www.salon.com/2004/09/08/luna_6/#comments</comments>
		<pubDate>Wed, 08 Sep 2004 22:52:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
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		<guid isPermaLink="false">http://www.salon.com/entertainment/feature/2004/09/08/luna</guid>
		<description><![CDATA[Diego Luna -- who seems to be everywhere since his simmering role in "Y Tu Mama Tambien" -- talks about fame, a city full of the GOP, and why a film star can't make a living in Mexico.]]></description>
			<content:encoded><![CDATA[<p> "Y Tu Mam&aacute; Tambi&eacute;n" has become such shorthand for pure cinematic turn-on -- surf the Nerve personals and you'll find it referenced more than any other film when respondents of all persuasions name their "favorite on-screen sex scene" -- that it could prove either a great blessing or a terrible curse for the film's two male stars, Diego Luna and Gael Garc&iacute;a Bernal, who were both in their early 20s when the 2001 film launched them into international stardom. </p><p>Since then, Bernal seems to have decided to hover close to home, appearing in mostly Spanish-language films like the upcoming "Motorcycle Diaries" and Pedro Almod&oacute;var's "Bad Education." Luna, on the other hand, has been sampling every cinematic morsel he can get his hands on. In the past three years, Luna not only appeared in a number of Mexican films (including the dark and smoky "Nicotina") but also dressed up (and stripped down) with Salma Hayek in the costume drama "Frida"; galloped across the Old West in Kevin Costner's "Open Range"; and gyrated his way into the American canon (of sequels, at least) with "Dirty Dancing 2: Havana Nights." Earlier this summer, Luna landed in multiplexes as part of the ensemble cast in Tom Hanks' Hollywood blockbuster, "The Terminal." </p><p><a href="http://www.salon.com/2004/09/08/luna_6/">Continue Reading...</a></p>]]></content:encoded>
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		<title>&#8220;Strange But True&#8221; by John Searles</title>
		<link>http://www.salon.com/2004/09/02/searles/</link>
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		<pubDate>Thu, 02 Sep 2004 20:00:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/books/review/2004/09/02/searles</guid>
		<description><![CDATA[Part thriller, part mystery, part coming-of-age fable, this story of a high-school quarterback's tragic death -- and a most unlikely pregnancy -- will hold you transfixed.]]></description>
			<content:encoded><![CDATA[<p>The ominous late-night phone call may be one of the oldest tricks in the mystery writer's bag, but that's because it works. Who can resist an attention-grabber like this one, the opener to John Searles' second novel, "Strange But True": "Almost five years after Ronnie Chase's death, the phone rings late one windy February evening." </p><p> Ooh. Death. Dreary weather. Remorse. Suspense. Just what we need during the last, hottest days of summer. Fortunately, "Strange But True" delivers on the promise of this tried and true trope, and from the moment Philip Chase (Ronnie's brother) picks up the phone, I felt powerless to put this book down. </p><p> We quickly learn that Ronnie Chase was a popular high school quarterback who was killed in a limo accident on the night of his senior prom. Ronnie's family -- his stubborn mom, Charlene, his supportive doctor dad and a lost-yet-searching older brother -- promptly yet completely unraveled at the news of their golden boy's untimely death. Yet none were as devastated as sweet Melissa Moody, Ronnie's girlfriend, who was riding in the limo with him when it crashed. Melissa survived, but barely, and her face, body and spirit were left permanently scarred. </p><p><a href="http://www.salon.com/2004/09/02/searles/">Continue Reading...</a></p>]]></content:encoded>
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		<title>A Fair representation of Brooklyn?</title>
		<link>http://www.salon.com/2004/09/02/brooklyn_2/</link>
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		<pubDate>Thu, 02 Sep 2004 04:09:00 +0000</pubDate>
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		<guid isPermaLink="false">http://www.salon.com/news/politics//war_room/2004/09/01/brooklyn</guid>
		<description><![CDATA[Hundreds of Republican governors and state and local leaders were separated from the rest of their convention brethren Wednesday afternoon when they were ferried across the East River to a faraway land that many of them had only heard about. Brooklyn. They were on their way to &#8220;A Brooklyn State of Mind,&#8221; a Republican Governors [...]]]></description>
			<content:encoded><![CDATA[<p> Hundreds of Republican governors and state and local leaders were separated from the rest of their convention brethren Wednesday afternoon when they were ferried across the East River to a faraway land that many of them had only heard about. Brooklyn. They were on their way to "A Brooklyn State of Mind," a Republican Governors Association event sponsored by Keyspan energy corporation. </p><p> Fulton Ferry Landing offers such a magnificent close-up of downtown Manhattan that it almost feels that one could reach out and touch the buildings -- or poke a finger through the empty spaces where buildings used to stand. In fact, the clearly visible gap in the skyline left by the Twin Towers is what made this spot popular with mourning Brooklynites in the weeks after 9/11. </p><p> But the group gathered at the landing on Wednesday was not there to solemnly reflect upon the cityscape; they had come to the borough to eat, drink, socialize and, in the words of Governor Mike Huckabee from Arkansas, "prove that Republicans can rock!" Huckabee plays bass guitar for the band Capitol Offense, which headlined the party. </p><p><a href="http://www.salon.com/2004/09/02/brooklyn_2/">Continue Reading...</a></p>]]></content:encoded>
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