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	<title>Salon.com > Gregory Daurer</title>
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	<link>http://www.salon.com</link>
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		<title>T. Coraghessan Boyle</title>
		<link>http://www.salon.com/2000/12/11/boyle_2/</link>
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		<pubDate>Mon, 11 Dec 2000 20:00:00 +0000</pubDate>
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				<category><![CDATA[Arts]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Environment]]></category>

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		<description><![CDATA[The author of "A Friend of the Earth" considers "ecotage," talks frankly about mosquitoes and describes our barren future. Think condos.]]></description>
			<content:encoded><![CDATA[<p>Before writing his early, PEN/Faulkner Award-winning novel "World's End," <a target="new" href="http://www.tcboyle.com">T. Coraghessan Boyle</a> researched the Indian and Dutch history of his childhood town of Peekskill, N.Y. "The Tortilla Curtain" -- which chronicles the painful intersection between an impoverished Mexican couple without green cards and their suburban counterpoints who live in gated California communities -- emerged as he weighed the issue of illegal immigration. </p><p>Naturally, after reading several tomes about our worsening environmental predicament -- and finding himself utterly depressed and horrified -- Boyle didn't go downtown in a white robe to tell passersby the end is near. Instead, he used his timber-size sense of humor to pen his brand-new fiction, "A Friend of the Earth." </p><p>Boyle laughs often, even while we discuss environmental degradation. But he also tends to fix on me a dead-on, apocalyptic stare (look at the book jacket photos) as soon as he finishes answering a question. Not only does the chilling look signal the termination of an answer, it resonates with its own interrogation: "These issues I'm examining within myself, what kind of thought have you given them? Where are your moral boundaries fixed?" </p><p><a href="http://www.salon.com/2000/12/11/boyle_2/">Continue Reading...</a></p>]]></content:encoded>
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		<title>The grotesque and the gold</title>
		<link>http://www.salon.com/2000/09/02/steadman/</link>
		<comments>http://www.salon.com/2000/09/02/steadman/#comments</comments>
		<pubDate>Sat, 02 Sep 2000 02:00:00 +0000</pubDate>
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		<category><![CDATA[All Salon]]></category>

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		<description><![CDATA[Artist Ralph Steadman is a people-loving, Nietzsche-reading, ink-splattering grump. And he doesn't think Hunter S. Thompson should have a gun.]]></description>
			<content:encoded><![CDATA[<p>Fear and loathing -- artist <a target="new" href="http://www.ralphsteadman.com">Ralph Steadman</a> feels both working with gonzo journalist <a href="/directory/topics/hunter_s_thompson/index.html">Hunter S. Thompson,</a> and occasionally on his own. A humorous, visual alchemist, Steadman turns the grotesque into gold. He even has the look of a wizard with his crown of white hair and his Hawaiian necklaces. </p><p>We know Steadman for his splattered inkings, which punctuate the off-the-wall antics in books of Thompson's such as "Fear and Loathing in Las Vegas" and "The Curse of Lono," as well as the writer's occasional Rolling Stone articles. Steadman has also written and illustrated books on wine (<a target="_top" href="http://www.salon.com/march97/food/cookbook970305.html">"The Grapes of Ralph"</a>), whiskey, da Vinci, Freud and God ("The Big I Am"). Throw a few children's stories into the merry mix, too. His Charlie Chaplin stamp has traveled the U.K. via the British postal system, and many a tippler has admired the graphics he has done for wine and <a target="new" href="http://www.flyingdogales.com">beer labels.</a> </p><p><a href="http://www.salon.com/2000/09/02/steadman/">Continue Reading...</a></p>]]></content:encoded>
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