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	<title>Salon.com > Paula M.L. Moya</title>
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		<title>The search for decolonial love</title>
		<link>http://www.salon.com/2012/07/02/the_search_for_decolonial_love/</link>
		<comments>http://www.salon.com/2012/07/02/the_search_for_decolonial_love/#comments</comments>
		<pubDate>Mon, 02 Jul 2012 20:54:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Boston Review]]></category>
		<category><![CDATA[Writers and Writing]]></category>
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		<category><![CDATA[Racism]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=12949368</guid>
		<description><![CDATA[An interview with Pulitzer Prize–winning novelist Junot Díaz]]></description>
			<content:encoded><![CDATA[<p><em>On May 19, 2012, I met over breakfast with Junot Díaz; we were both attending a two-day symposium about his work at Stanford University. The resulting conversation touched on Díaz’s concern with race, his debt to the writings of women of color, and his fictional explorations of psychic and emotional decolonization. It also provided us the happy opportunity to renew our friendship, which began when we were graduate students at Cornell University in the early 1990s.<br /> </em><strong></strong></p><p><a href="http://www.bostonreview.net/"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/07/BostonReview-e1341262329868.jpg" alt="Boston Review" align="left" /></a><strong>Paula</strong>: I was so pleased when, during your lecture yesterday, you stated — clearly and unapologetically — that you write about race. I have always been struck by the fact that, in all the interviews you have given that I have read, no one ever asks you about race. If it does come up, it is because <em>you</em> bring it up. Yet it has long been apparent to me that race is one of your central concerns. This is why, for my contribution to the symposium, I decided to focus on your story, “How to Date a Brown Girl (Black Girl, White Girl, or Halfie).” And because the story is about the way race, class, and gender are mutually constituted vectors of oppression, I decided to read it using the theoretical framework developed by the women of color who were writing in the 1980s and 90s. Honestly, though, I feel like I am swimming against the current — lately, I have seen a forgetting and dismissal, in academia, of their work; it is as if their insights are somehow passé. But it seems right to me to read your work through the lens of women of color theory. Does this make sense to you?</p><p><a href="http://www.salon.com/2012/07/02/the_search_for_decolonial_love/">Continue Reading...</a></p>]]></content:encoded>
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