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	<title>Salon.com > Russell Scott Smith</title>
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		<title>The new Amos &#8216;n&#8217; Andy?</title>
		<link>http://www.salon.com/2006/02/23/perry_7/</link>
		<comments>http://www.salon.com/2006/02/23/perry_7/#comments</comments>
		<pubDate>Thu, 23 Feb 2006 12:00:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Tyler Perry]]></category>

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		<description><![CDATA[Critics hate Tyler Perry's outrageous comedies, but his black fans love them. Is Perry a stereotype-spouting minstrel -- or a smart writer and actor who knows how to connect with his audience?]]></description>
			<content:encoded><![CDATA[<p>Blacks and whites don't always understand each other. But in Hollywood, everyone's favorite color is green. So movie executives of all races took notice last February when a movie called "Diary of a Mad Black Woman" hit No. 1 at the box office -- despite no bankable stars, scant mainstream press attention and reviews that were almost laughably bad. </p><p> "Downright awful," "an absolute mess" and "one of the worst pictures in ages," critics wailed. Salon's Stephanie Zacharek <a href="/ent/movies/review/2005/02/25/diary/">called it</a> "the sort of movie that's so bad, you just wish it would go away." Roger Ebert was offended by the movie's star, a "Big Momma's House"-style granny named Madea, who smokes reefer, keeps a pistol in her purse and slices up furniture with a chain saw. This "Grandma from Hell," as Ebert called her, was played in drag by the film's 6-foot-5 writer-producer-mastermind, Tyler Perry. "All blame returns to Perry," Ebert <a target="new" href="http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050224/REVIEWS/50214001">wrote.</a> "What was he <i>thinking?"</i> </p><p><a href="http://www.salon.com/2006/02/23/perry_7/">Continue Reading...</a></p>]]></content:encoded>
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