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	<title>Salon.com > Stephen Marche</title>
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		<title>The man who ruined the novel</title>
		<link>http://www.salon.com/2008/03/06/robbe_grillet/</link>
		<comments>http://www.salon.com/2008/03/06/robbe_grillet/#comments</comments>
		<pubDate>Thu, 06 Mar 2008 12:03:00 +0000</pubDate>
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				<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Books]]></category>

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		<description><![CDATA[Alain Robbe-Grillet turned the masses against inventive fiction. Now that he's dead, will experimental writing make a comeback?]]></description>
			<content:encoded><![CDATA[<p>I should have felt grief at the news of Alain Robbe-Grillet's death last week. Instead I recognized in myself only confusing relief. He was a great champion for the innovative <a href="http://dir.salon.com/topics/novels/">novel,</a> so in a way I owe him: I'm a novelist, and while I would be loath to call myself avant-garde, my first book did have marginalia all the way through and my second was a literary anthology of an invented country. But the truth is, Robbe-Grillet was a disaster for innovative novels. After him, literary innovation, experiment with form or anything mildly unconventional came to be seen as pretentious and dry, the proper domain of the <a href="http://en.wikipedia.org/wiki/Cheese-eating_surrender_monkeys">cheese-eating surrender monkeys</a> and nobody else. </p><p> He was probably the most famous novelist in history who never wrote a famous novel, which may be why his obituary writers barely mentioned his fiction. Appropriately, his most celebrated work, the film "Last Year at Marienbad," was inspired by somebody else's novel, Argentine writer Adolpho Bioy Casares' "The Invention of Morel" -- in South America, postwar fiction combined innovation with pleasure in ways that escaped Europe and America. </p><p><a href="http://www.salon.com/2008/03/06/robbe_grillet/">Continue Reading...</a></p>]]></content:encoded>
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